2200 satellites orbits and 67000 flight routes visualized in 3D 🛰️✈️ !

### Info

* Orbits are correctly scaled.
* Maximum airplanes altitude is overly exaggerated (by a factor of ~300).
* I'd advice you to visit the [Europen Space Agency (ESA) website](https://www.esa.int/Enabling_Support/Space_Transportation/Types_of_orbits) to understand the different types of orbits, and learn why the ISS orbits around Earth in ~1h40 or why your satellite dish needs to be precisely calibrated.

### Orbits categories

* Dark blue: Communications
* Light blue: Earth Observation (optical, radar, meteo...)
* Red/Orange: Positioning systems (GPS, Galileo, BeiDou...)
* Green: R&D and Space science

### Resources

* Orbits: https://www.ucsusa.org/resources/satellite-database
* Airports and routes: https://github.com/jpatokal/openflights/
* Landmask/borders: http://www.shadedrelief.com/natural3/pages/extra.html

<br>

**Note:** Randomizing orbits Z-rotation (more realistic) looks like:

![](https://i.imgur.com/KSQTqVK.jpg)

Of Planes and Satellites

This abandoned mansion was inspired by the Albert mansion and it was originally made for blender community challenge in discord.
this model was created in blender and texture in substance.

![](https://cdnb.artstation.com/p/assets/images/images/081/248/785/large/udayjeet-singh-render.jpg?1729752200)

ps- the interior did not have any material assign so sketchfab applied the tile texture on it just so u guys know :)

Abandoned Mansion

La Motilla del Azuer (Daimiel, Spain) is a Bronze Age fortified enclosure built of stone and defended by an outer wall and several intermediate walls. Dating between 2200 and 1500 BC, these walls protect the oldest and most well documented motilla in the Iberian Peninsula. Additionally this site exhibits an impressive funnel-shaped well that is more than 20 meters deep allowing it to reach the aquifer.

Some of the data for this project were originally collected as a joint effort between researchers at the University of Castilla-La Mancha (UCLM), the Fondazione Bruno Kessler (FBK) and CVAST at the University of South Florida (USF) under the legal permission of Junta de Comunidades de Castilla-La Mancha (Expte. 16.0834-P1. Sistema de documentación 3D del Patrimonio Cultural de Castilla-La Mancha). Data were provided by UCLM and FBK and are now being re-analyzed and re-processed by Global Digital Heritage (GDH).

La Motilla del Azuer - Daimiel, Spain

This is a swimming animation of an adult female leatherback sea turtle (*Dermochelys coriacea*).  The [Loggerhead Marinelife Center](https://marinelife.org/) (LMC) provided rare footage of a female turtle named Mac nesting during daytime, which was used to reconstruct this model. Mac (ID 666; PIT tag 989001001220036) has a minimum curved carapace length of 145.4 cm and a curved carapace width of 107.5 cm. Existing data on leatherbacks was also referenced. CG artist Johnson Martin used these data to reconstruct and animate the model using Blender software. 

This research was done in collaboration with [Upwell](https://www.upwell.org/) and LMC, with special thanks to Dr. George Shillinger, Dr. Heather Harris and Dr. Kristin Reed of Upwell; Dr. Justin Perrault and Derek Aoki of LMC.   Thanks to Upwell for providing funding.

Downloads are freely available for creative and non-profit use. To inquire about licensing, please visit **www.digitallife3d.org**.

Model 95A - Adult Leatherback Sea Turtle, "Mac"

This is a 3D animation of a young male Anolis garmani lizard.  The 3D model was created through integrating three data sets - a 3D photogrametry scan of a preserved male A. garmani (Univ. Florida, uf:herp:122009 specimen ID), a CT scan of a young male Anolis garmani (Morphosource, Anolis sp., P1059), and open-access photographs, as well as from Jon Suh and Janson Jones.

We thank Dave Blackburn, Ed Stanley, and Coleman Sheehy from the University of Florida for providing access to the specimen, and Illiam Jackson and Tobias Uller for enabling the CT Scans.  Nathalie Feiner faciliated the CT scan and provided feedback.  Jonathan Losos guided the project and provided funding for completion.  CG artist Johnson Martin created the model using Blender and other software.

Downloads are freely available for creative and non-profit use. To inquire about licensing, please visit **www.digitallife3d.org**.

Model 83A - Anolis garmani

This rock was long known by local inhabitants as the 'Puppet Stone' in reference to the carvings upon it.  The main facing containing most of the engravings is badly damaged, especially the lower part, which remained underground for a long time.

To date over 150 engravings have been identified, including many animals, a dagger and a ploughing scene.  The animals include; stags with large antlers, fawns, chamois with short, hooked horns, ibex with backward-fgacing horns and swine (wild boars & pigs).  The canids, depicted in groups with downward-pointing tails, are interpreted as a pack of wolves.  The cattle, without horns or tails, may represent young oxen or cows grazing.

The presence of daggers which closely resemble finds from the graveyard of Remedello Sotto, dates most of the figures to 2900-2500 BC.  A few animals depicted in a dynamic style, similar to that of figures on the Cemmo 3 & 4 stelae, may be attributed to the Bell Beaker Culture (2500-2200 BC).

Valcamonica, Massi di Cemmo - Boulder 1

Ah, the Gear! A spinny alternative to Redstone wires, before they were even added! These Gears only existed from in-20100128-2200 to in-20100130!

Minecraft Gear

This relatively small rock is mostly decorated with carvings from the Copper & Bronze Ages.  Its surface is densely engraved with images of weapons, mainly daggers, in use in the Copper Age (3300-2200 BC) and the First Bronze Age (2200-1800 BC). 

Actual copper daggers, with a triangular blade & half-round pommel, like these have been discovered during archaeological excavations in the big Copper Age cemetery found in Remedello at the end of the nineteenth century.  

Other daggers show stretched and elongated blades, a type more common during the Bronze Age.  On the left, two fighting warriors have been date to within the late Bronze Age, about 1200-1000 BC.

Valcamonica, Foppe di Nadro - Rock 4 (1)

Pelican A1 (22200853)

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19463.5863.0](https://www.online.landessammlungen-noe.at/objects/83497)

**Material:** Clay

**Dimensions:**  4,4 x 2,55 x 1,9 cm

**Dating:** 2200 - 1601 BCE

Fragment of a clay model of a miniature axe. The object has a hole parallel to the cutting edge. The neck section is broken and missing. It also shows moderate tempering with small stones. The reduction-fired, medium-fine clay exhibits a grayish-brown pigmentation on the exterior, accompanied by a subtle ochre sheen. The clay appears gray at the break. The surface exhibits minor indications of weathering, yet it is predominantly smooth.


This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Clay Miniatur Axe

Wooden Book Shelf | Low-Poly | Game-ready

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19446.2](https://www.online.landessammlungen-noe.at/objects/1278134)

**Material:** Clay

**Dimensions:** 17,5 x 8,38 cm

**Dating:** 2200-1601 BCE

The artefact consists of a mixture of hard-fired clay containing small amounts of quartz. The outer colour ranges from light brown to black, while the fracture has a brick-red to grey colour. It is composed of pieces of clay of varying sizes. The surface has been carelessly smoothed. The body has a flat to wavy structure, with the upper side having a contrasting and slightly curved texture. The perforation is slightly off-centre and is in a vertical position. Ten shallow, irregular impressions can be found radially around the perforation on the upper side of the artefact.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

The cylindrical roller or weight

JUMPOO 2200

![](https://cdnb.artstation.com/p/assets/images/images/079/578/049/large/d-try-pistol9mm-002.jpg?1725292310)
Game-ready model. Free to use in any project of your choice.
If you like this model, you can check out more renders and support my art on Artstation. Thank you.: https://www.artstation.com/artwork/qJQL2R

===Technical description===

Texture:

All models come with a 4K texture set. If needed, you can bake smaller elements such as aim and tactical blocks into a single texture.

Polycount:

Pistol - 10300 tris |
Magazine - 2200 tris |
Bullet - 400 tris

Supressor 1 - 1400 tris |
Supressor 2 - 1200 tris |
Supressor 3 - 4700 tris

Laser Block - 1700 tris |
Flashlight 1 - 3000 tris |
Flashlight 2 - 1800 tris |
Aim - 4700 tris

Picatiny Bracing 1 - 2400 tris |
Picatiny Bracing 2 - 1700 tris

Pipeline:

-reference: PureRef / Pinterest / Google
-modeling: Blender (high-poly/low-poly)
-unwrapping: RizomUV
-baking: Marmoset Toolbag 4
-texturing: Substance 3D Painter / Photoshop
-rendering: Marmoset Toolbag 4

Pistol 9mm Custom

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-483](https://www.online.landessammlungen-noe.at/objects/1027216)

**Material:** Ceramic

**Dimensions:** 9,42 x 9,32 cm

**Dating:** 2200 - 801 BCE

The scoop like vessel was reconstructed from a total of four individual pieces. Due to the restoration techniques used in the early 20th century, it is not possible to determine the authenticity of the components. Consequently, the object with its anthropomorphic handle is now regarded as an example of ancient craftsmanship, though its authenticity remains questionable.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Asset Library

About These Assets