You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Armor for Man and Horse with Völs-Colonna Arms*, c. 1575. North Italy, 16th century. Steel; The Cleveland Museum of Art, John L. Severance Fund 1964.88

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1964.88 

Model created by Dale Utt: https://sketchfab.com/turbulentorbit

1964.88 Armor for Man and Horse

Brazilian favela scene including a lot of political graffiti taken from photos of actual graffiti in Brazil.

Favela

This is a  model I did as  personal project and practice

 
 ![](https://cdnb3.artstation.com/p/assets/images/images/003/207/855/large/oscar-velasco-jangoboba-jpeg.jpg?1471064319)

![](https://cdna0.artstation.com/p/assets/images/images/003/207/868/large/oscar-velasco-boba3vistas-jpeg.jpg?1471064596)


You can see my model rendered  here https://www.artstation.com/artwork/OxWkv

thanks

Boba fett

Hello.

This is a robot I modelled for  challenge  as some kind of asset

You can check the models rendered on my Artstation  https://www.artstation.com/artwork/md0k9


You guys are totally free to use it, use it anyway you want.

Just share me later your results, I'm curious to see what you guys come up with using that model ;)

Just be aware, that this is not exactly the most game ready model, Its not even low poly and it is not rigged. LOL

![](https://cdna.artstation.com/p/assets/images/images/005/518/118/large/oscar-velasco-toma-02-psd.jpg?1491617098http://)

![](https://cdnb.artstation.com/p/assets/images/images/005/518/117/large/oscar-velasco-toma-01-psd.jpg?1491617096http://)

Robot  (Free to use)

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Nataraja, Shiva as the Lord of Dance*, 1000s. South India, Tamil Nadu, Chola period (900-1200s). Bronze; overall: 113 x 102 x 30 cm (44 1/2 x 40 3/16 x 11 13/16 in.); base: 35 x 24 cm (13 3/4 x 9 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1930.331

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1930.331 

Model created by Dale Utt: https://sketchfab.com/turbulentorbit

1930.331 Nataraja, Shiva as the Lord of Dance

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about the Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Head of Amenhotep III Wearing the Blue Crown* (c. 1391-1353 BC). Egypt, New Kingdom, Dynasty 18, reign of Amenhotep III. Granodiorite. Overall: 39.1 x 30.3 x 27.7 cm (15 3/8 x 11 15/16 x 10 7/8 in.) Gift of the Hanna Fund 1952.513

Learn more on The Cleveland Museum of Art's Collection Online
https://www.clevelandart.org/art/1952.513

Photogrammetry by Thomas Flynn

1952.513 Head of Amenhotep III

Ciri suit for Moira Burton from the game Resident Evil Revelations 2.
Model is 2015 year.

**[New 3D art (NSFW) and 3D models on my Patreon](https://www.patreon.com/dshgames)**

Сostume Ciri for Moira's

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Peacock Table Lamp* (c. 1900-1902) designer probably by Clara Wolcott Driscoll (American, 1861-1944) maker probably by Tiffany Studios (American, 1902-1932). Leaded glass, bronze
Diameter: 48 cm (18 7/8 in.); Overall: 65 cm (25 9/16 in.) Bequest of Charles Maurer, 2018.281

Learn more on the Cleveland Musuem of Art's Collection Online: https://www.clevelandart.org/art/2018.281 

Model created by Dale Utt.

2018.281 Peacock Table Lamp

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Table Fountain*, c. 1320–40. France, Paris, 14th century. Gilt-silver and translucent enamels; overall: 33.8 x 25.4 x 26 cm (13 5/16 x 10 x 10 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade 1924.859

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1924.859

1924.859 Table Fountain

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more at cma.org/open-access-faqs

*Table* (c. 1907) Designed by Carlo Bugatti (Italian, 1856-1940). France, Paris, early 20th Century, Inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters). Overall: 71.5 x 67.1 x 41.3 cm. Leonard C. Hanna, Jr. Fund, 1991.45
*Tea Service* (c. 1907) Designed by Carlo Bugatti (Italian, 1856-1940). Executed by Adrien-Aurélien Hebrard (French, 1866-1937). France, Paris, 20th century. Silver and ivory. The Thomas L. Fawick Memorial Collection, 1980.74
Salver (c. 1907) Designed by Carlo Bugatti (Italian, 1856-1940). Executed by Adrien-Aurélien Hebrard (French, 1866-1937). France, Paris, early 20th Century. Silver and ivory. Overall: 14.6 x 33 cm (5 3/4 x 13 in.). Leonard C. Hanna, Jr. Fund, 1991.46
Learn more on the CMA's Collection Online: http://clevelandart.org/art/1991.45

1991.45 Table and Tea Service

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Terpsichore Lyran (Muse of Lyric Poetry),* 1816. Antonio Canova (Italian, 1757–1822). Marble; overall: 177.5 x 78.1 x 61 cm (69 7/8 x 30 3/4 x 24 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1968.212

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1968.212

1968.212 Terpsichore Lyran

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Apollo and Daphne*, c. 1700. Massimiliano Soldani (Italian, 1656–1740). Terracotta; overall: 55.5 x 34.2 x 21.9 cm (21 7/8 x 13 7/16 x 8 5/8 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund 1992.230

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1992.230

1992.230 Apollo and Daphne

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Pair of Guardian Kings (Niō)*, 1200s. Japan, Kamakura period (1185-1333). Chestnut and cypress wood; overall: 167.9 cm (66 1/8 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1972.158

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1972.158

Model created by Dale Utt: https://sketchfab.com/turbulentorbit

1972.158 Pair of Guardian Kings (Nio)

Modelo 3D a partir de levantamiento fotogramétrico de la momia indígena de Gran Canaria Nº 8 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

Corresponde a un hombre de 25-30 años de edad, con múltiples fracturas óseas por una caída desde gran altura que le causó la muerte. La datación lo sitúa entre los siglos V y VI cal. d.C.
La mortaja destaca por la abundancia de pieles, reflejo probable de su relevancia social.

Momia Nº 8

**ES:** La ofrenda de muertos, también conocido como ofrenda del día de muertos, es un elemento fundamental en el conjunto de tradiciones mexicanas del Día de muertos, que consiste en instalar altares domésticos en honor de los muertos de la familia donde se ofrece como ofrenda de alimentos, velas, flores y objetos de uso cotidiano del difunto.

**EN:** The altar of the dead, also known as offering day dead,  is a key element in the whole of Mexican traditions of the Day of the Dead, which is to install household altars to honor the dead of the family where it is offered as an offering of food, candles, flowers and everyday objects of the deceased.

Altar de Día de Muertos

"Assyrian kings ruled the world's largest empire prior to the rise of Persia in the 6th century bc, consolidating lands from Iran to Egypt [...] Masterfully executed with incised details and exaggerated musculature, this giant, fierce, protective spirit raises his right hand in a ritual salute. His left hand grasps a branch bearing rosettes, perhaps a stylized date palm. Across the center of the relief are inscribed lines of Akkadian cuneiform recounting military victories, conquests, plundered loot, and the reconstruction of the city. Destroyed in 612 bc, the palace lay buried for 24 centuries until rediscovered in 1845."

Neo-Assyrian, Iraq, Nimrud, Northwest Palace, reign of Ashurnasirpal II, 9th Century BC

Gypsum, Overall: 229.9 x 137 cm (90 1/2 x 53 7/8 in). Purchase from the J. H. Wade Fund 1943.246

Location: 102A Ancient Near East

Online musuem record:
https://www.clevelandart.org/art/1943.246

Photogrammetry by Thomas Flynn

1943.246 Saluting Protective Spirit, 883-859 BC

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about the Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Statuette of a Woman: "The Stargazer"*, c. 3000 BC. Early Bronze Age, Western Anatolia?, 3rd Millennium BC. Marble; overall: 17.2 x 6.5 x 6.3 cm (6 3/4 x 2 9/16 x 2 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund; John L. Severance Fund 1993.165

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1993.165

1993.165 Statuette of a Woman: "The Stargazer"

An experiment with a public domain image from Cleveland Museum of Art:
http://www.clevelandart.org/art/1958.206.1

More about CMA Open Access: https://clevelandart.org/open-access

Download under [CC Attribution-Non-Commercial](https://creativecommons.org/licenses/by-nc/3.0/) license.

Late 1700s-early 1800s. Part of a set.

Follower of Ogata Korin
(Japanese, 1658-1716)

Japan, Edo period
(1615-1868)

One of a pair of six-panel folding screens; ink and color on gilded paper
Image: 163.2 x 369.9 cm (64 1/4 x 145 5/8 in.)

'Chrysanthemums by a Stream', byōbu

Momia indígena de Gran Canaria Nº 5 perteneciente a la colección de **[El Museo Canario](http://www.elmuseocanario.com)**. 

La información contenida en las anotaciones recoge los resultados de las investigaciones llevadas a cabo por Teresa Delgado, Javier Velasco y Verónica Alberto en el marco del proyecto **«Momias. Biografías en 3D»** desarrollado por El Museo Canario. 

Los trabajos de levantamiento fotogramétrico y postproceso del modelo 3D han sido llevados a cabo por la empresa 

**[Tibicena Arqueología y Patrimonio S.L. ](http://www.tibicena.com)**

Este proyecto ha sido posible gracias al patrocinio de la **[Fundación Hergar](http://www.fundacionhergar.org/)**.

El modelo corresponde a una momia de mujer mayor de 50 años, datada entre el 670-675 d.C. Fue recuperada en una cueva funeraria colectiva de Acusa (Artenara) en la década de 1930. Más información sobre esta momia en **[pieza del mes de El Museo Canario](http://www.elmuseocanario.com/images/documentospdf/piezadelmes/2017/piezaenero2017.pdf)**

Momia Nº 5

The West Side Market is the oldest operating market in Cleveland, beginning in 1840. The current building that houses the market was constructed in 1912, by Hubbell & Benes. It was added to the National Registry of Historic Places in 1973.

West Side Market

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Eleven-Headed Guanyin, 十一面觀音菩薩*, 1100-1200. China, late Northern Song dynasty (960-1127) - Jin dynasty (1115-1234). Wood with polychromy and cut gold; overall: 218.5 cm (86 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1981.53

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1981.53

1981.53 Eleven-Headed Guanyin

Raby Castle is a medieval castle located near Staindrop in County Durham, England, among 200 acres (810,000 m2) of deer park. It was built by John Neville, 3rd Baron Neville de Raby, between approximately 1367 and 1390. Cecily Neville, the mother of the Kings Edward IV and Richard III, was born here. After Charles Neville, 6th Earl of Westmorland, led the failed Rising of the North in favour of Mary, Queen of Scots in 1569 Raby Castle was taken into royal custody. Sir Henry Vane the Elder purchased Raby Castle in 1626 and neighbouring Barnard Castle from the Crown, and the Earls of Darlington and Dukes of Cleveland added a Gothic-style entrance hall and octagonal drawing room. [wiki] 


Experimental, reconstructed from various 4K drone footage only

Raby Castle

This is a model I created for a challenge.

  You can visit my artstation  https://www.artstation.com/artwork/md0k9
	
![](https://cdnb.artstation.com/p/assets/images/images/005/518/117/large/oscar-velasco-toma-01-psd.jpg?1491617096)

Urban Assault copter

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

Figure of Daoist Immortal He Xiangu, 1700s. China, Qing dynasty (1644-1911). Boxwood with colored ivory base; overall: 13.5 cm (5 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 1976.60

Learn more on The Cleveland Museum of Art’s Collection Online: 
https://www.clevelandart.org/art/1976.60

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