Mexica, AD 1325-1521. From Mexico. The people and culture we know as 'Aztec' referred to themselves as the Mexica (pronounced Me-shee-ka).

Google Cultural Institute Link: https://www.google.com/culturalinstitute/beta/asset/stone-figure-of-xiuhcoatl/8gGLbiPoLfaKjw

Scan by Thomas Flynn using a Sony DSC HX5 and 123D Catch.

Stone figure of Xiuhcoatl (Fire Serpent)

This model represents the USS Enterprise NCC-1701-A (NOT the 1701 refit seen on TMP). She is in her final configuration as seen on Star Trek VI: The Undiscovered Country. I textured her like the 1701 refit. Then overlayed the 1701-A aztec. The "paint job" is as close as i could get to the ILM re-paint of the 7ft studio model. ILM repainted the original studio model several times over, and destroyed her original pearlescent finish as seen on TMP. The final result is very dull, and lusterless. Despite that you can still see "some" of the original paint job. Is she perfect? Hell No! There is always room for improvement. Plus it's a low poly gaming model (almost 30k in triangles). Right now i consider her "close enough". Again she is meant to be rendered in Full View. Not extremely close up. Too many low poly flaws.

Special Thanks to [Big Jim Slade](http://www.cygnus-x1.net/links/lcars/slade.php) for outstanding Blueprints, and [Trekmodeler](http://www.trekmodeler.com/index.htm) for an awsome paint guide.

U.S.S. Enterprise NCC-1701-A

I made this kit for a group project, which focus was to create a math learning game for children. The group agreed on some sort of “ancient archeological” design and since I was the only person with some game modeling expertise I was responsible for getting the visuals done.

I am sharing this in hopes someone just starting out with Unity might find it useful. This is my first time doing this though and I was pretty hard pressed with time^^ Anyway, have fun!

Low poly and assembly in Blender
Highpoly details in ZBrush
Textures in Substance Painter

- 19 assets
- 1024 textures
- Unity metallic setup

Aztec Style Temple Kit

Old mayan relic from different inspirations. Mix between Aztec and Maya. 
Feel free to have fun with this one, it's free (for non commercial work). Always a pleasure to see the result of your work, don't hesitate to show me :)
4K textures include. You can find some renders I did with this model on my Behance page : [https://bit.ly/3gXPIQj](http://)

MAYAN RELIC

For this Aztec Style Temple scene, I've kept everything as low poly as possible and didn't add any bevels or subsurface mods to the temple objects. For the texturing, I did an atlas wrap for everything apart from the statue of the Aztec God. This statue has its own material - so there are two material slots in total.

I modelled everything in the scene and the God statue initially finished with around 272,000 faces, but after some basic retopology, I got it down to around 12,700. 

The Aztec statue is an amalgamation of some reference images I found and is not a historical re-creation of an Aztec God.

(For your info - I set up the lighting so that it focuses on the God Statue and this isn't any effect from the textures.)

I also provide some CG models and resources for free - Please see the page on my website here: https://www.motionforgepictures.com/downloads/

Aztec Temple

This is the Gorilla Tag Aztec Pyramid map. I did not make this map. (Partially messed up and missing assets)

Gorilla Tag Aztec Pyramid

[1949.03.0001](https://collections.smvk.se/carlotta-em/web/object/1203399) :: kopia, figur, avgjutning, skulptur
Gjutning av mexikansk stenfigur. Originalfiguren finnes i Museum für Völkerkunde, Stuttgart. Den är förfärdigad av grönsten, förskriver sig från aztekisk tid och föreställer guden Quetzalcoatl. Detta blir emellertid först klart efter en ingående analys av de, symboler i hieroglyffigurer, som täcka den utsökt arbetade figuren. I sitt slag är den oöverträffad och hör till det bästa som bevarats av aztekisk religiös konst. Höjd 29,7, bredd 12,3 cm. Figuren har först presenterats av H. Fischer, "Eine altmexikanische Steinfigur" (Globus, LXXXV, 1904) och analyserats av Eduard Seler, "Das GrUnsteinidol des Stutt- garter Museums" (Gesammelte Abhandlungen, Band 3, sid. 392-40 Berlin 1908). Katalogen upprättad av doc. 949.
![](https://collections.smvk.se/carlotta-em/web/image/zoom/25440748/1949.03.0001.jpg)

Copy of Aztec god (Quetzalcoatl or Xolotl?)

LowPoly Aztec Pack

Tlaloc, Aztec Exhibit, National Museum of Anthropology, Mexico City
Tehuacan, Puebla (900-1521 AC)

Tlaloc was a member of the pantheon of gods in Aztec religion. As supreme god of the rain, Tlaloc was also a god of earthly fertility and of water. He was widely worshipped as a beneficent giver of life and sustenance. However, he was also feared for his ability to send hail, thunder, and lightning, and for being the lord of the powerful element of water. Tlaloc is also associated with caves, springs, and mountains, most specifically the sacred mountain in which he was believed to reside. His animal forms include herons and water-dwelling creatures such as amphibians, snails, and possibly sea creatures, particularly shellfish.

Source: https://en.wikipedia.org/wiki/Tlaloc

God of Water: Tlaloc

Día de los Muertos is a festival where remembrance becomes celebration. Families build ofrendas with marigolds, candles, and favorite foods to welcome the spirits of loved ones home for a brief reunion. Beneath the festival’s color and music lies an older echo: Mictlantecuhtli, the Aztec lord of the underworld. Depicted as a grinning, fleshless figure, he ruled Mictlán, the final resting place for most souls. Though fearsome, he wasn’t a villain—he embodied the natural cycle of death, a force to be respected rather than avoided. Today, his presence lingers in the festival’s imagery, reminding celebrants that death is not an ending but a companion woven into life’s story.

Mictlantecuhtli - Day of the Dead

Chaac es uno de los principales dioses mayas, tal vez el más venerado y representado, sobre todo en la península de Yucatán durante el periodo Posclásico. Equivalente al Tláloc de los aztecas y a Pitao Cocijo de los zapotecas.

A Chaac se le representa con una nariz parecida a una trompa y dos colmillos encorvados hacia atrás que salen de su boca. El adorno que lleva en la cabeza, es por lo general una faja anudada.

Este masacarón de Chaac se encuentra en el edificio anexo del complejo Monjas de la Zona Arqueologica de Chichén Itzá.

Mascarón de Chaac - Chichén Itzá

Día de los Muertos has roots in pre‑Hispanic rituals that honored the dead long before Spanish colonization. Aztec communities held month‑long ceremonies for ancestors, guided by deities of death and rebirth. Over time, these traditions blended with Catholic observances of All Saints’ and All Souls’ Days, creating the modern festival of altars, marigolds, and candlelit vigils. Within this cultural fusion emerged El Catrín, the elegant male skeleton inspired by early 20th‑century satirical art. Originally a critique of elites who imitated European fashion, he evolved into a symbol of Mexico’s unique relationship with death—stylish, unafraid, and self‑aware. Today, El Catrín stands as a reminder that history, identity, and mortality are all part of the same vibrant story.

El Catrin 4 - t pose - Day of the Dead

First attempt at my school assignment to make  a sci-fi weapon.

Aztec Sci-Fi weapon

For complete workflow compatibility, we recommend downloading the original file.The converted file is intended only for use in the web viewer. In the source file, the following are fully preserved:✔ native scene structure✔ unsimplified materials✔ proper texture maps✔ proper object namingIf you are going to integrate the model into a project, download the original version.Wooden aztec calendar for decoration

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