ca. 1500, Kraków, Poland, Hungary

An exceptionally valuable monument of sacred goldsmiths from the treasury of the Miechów monastery (Poland), which has survived to our times, is the richly decorated late-gothic silver chalice with a six-leaf foot. It is assumed that it was created around 1500, perhaps in a workshop in Hungary or in the capital city of Krakow. There are precious stones on the base of the chalice: sapphire, amethyst, ruby and emerald. In the upper part of the foot, figures of the Virgin Mary and an unknown saint are visible.

**For more images and further information, visit:** 
https://muzea.malopolska.pl/en/objects-list/2979

Inventory number:  MZM/D/S/63

The Museum of Ziemia Miechowska in Miechów

**Regional Digitalisation Lab, MIK, Visiting Museums of Małopolska project** 

Project Visualization (3D model + textures): Wojciech Szczekan

Gothic chalice

**Mass chalice**

1773, Kraków, Poland, Museum of Miechowska Land in Miechów

**For more images and further information, visit:
**
https://muzea.malopolska.pl/en/objects-list/3095

Inventory number: MZM/D/S/6

Localisation of the physical object: Museum of Miechowska Land in Miechów

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” Project**

Mass chalice

The chalice was made in 1775 and donated to the conventual church in Miechów by priest Józef Majowicz. Its creator, Marcin Lekszycki, was a popular Krakow goldsmith. It operated from the 1860s until his death in 1798. His workshop was located in a tenement house at ul. Bracka i Kraków.

ID no.: MZM/D/S/54

Creator: Marcin Lekszycki

Time and place of creation: 1775, Kraków

The Museum of Ziemia Miechowska in Miechów

https://muzea.malopolska.pl/en/objects-list/2978

Digitalisation: RDW MIC, Małopolska museum visits project

Chalice

Available on FAB

https://www.fab.com/listings/0ec59c08-77f6-417c-aca1-e33bc5fc552a

Gold Chalice (game ready asset)

The chalice has a circular foot with a small flange with a wavy pattern and four straight sections. The slope of the foot has one fold. The cylindrical pelmet of the stem overlaps the base. The nodus is slim, vase-shaped, framed by rings on both sides. The cup is slender with an enlarged edge; it is placed in a basket. The fields of the foot slopes, nodus and basket are alternately fluted and decorated with Regency patterns. The folds of the foot slope, stem rings, cup walls and the fields filled with Regency patterns are gold plated, while the fluted fields are left in a natural silver colour.

1st quarter of the 18th century, Kraków

Museum of the Benedictine Abbey in Tyniec

Inventory number:
NL/03/2019

The chalice has a circular foot with a small flange with a wavy pattern and three straight sections. The slope of the foot has two folds and is covered with floral patterns as well as Regency ornament and palmette shells. The stem of the foot has a bulging shape. The stem is like that of a candelabrum with a vase-like, fluted nodus enclosed in two hexagonal rings. The cup is slender with an everted edge. It is placed in an openwork basket made of floral and Regency ornaments and palmette shells.
It is one of the few historical works of gold that remained in Tyniec after the dissolution of the monastery.

1st quarter of the 18th century, Kraków

Museum of the Benedictine Abbey in Tyniec

ID no.: MNS/998/S

Museum: Nowy Sącz District Museum

https://muzea.malopolska.pl/en/objects-list/2559

Digitalisation: RDW MIC, Virtual Małopolska project

Orthodox Church Chalice

Chalice of Abbot Suger – 3D Printable STL (18.4 cm Reference Height)

This STL file is a historically proportioned 3D interpretation of the Chalice of Abbot Suger (Widener Collection, National Gallery of Art, Washington, DC). The original chalice dates to the 12th century and is associated with Abbot Suger, a key figure in the development of early Gothic art and theology of light at the Abbey of Saint-Denis.

If you resize for ceramic firing, remember to scale up to account for clay shrinkage (typically 10–15% depending on body and temperature).
This file is shared in the spirit of open artistic exploration. The chalice historically functioned as a vessel of transformation — materially and spiritually. Consider what it might hold in your hands now.

If you print or remix it, I’d love to see what you make.
— Jeanne

Chalice of Abbott Suger 3d Model

This model was generated using Meshy(https://www.meshy.ai)'s AI toolkit. It provides tools that effortlessly turn human imagination into stunning 3D models.

If you're interested in this model, visit the model page on Meshy to explore more about it: [https://www.meshy.ai/3d-models/Chalice-of-Dawn-v2-019d7b5f-8d0c-7210-a525-258edf72d3ec?utm_source=sketchfab](https://www.meshy.ai/3d-models/Chalice-of-Dawn-v2-019d7b5f-8d0c-7210-a525-258edf72d3ec?utm_source=sketchfab)

Chalice of Dawn

A classic medieval-style goblet created in Blender.
This model features a simple yet elegant design, inspired by traditional chalices used in historical settings.
Suitable for use in games, animations, or real time projects.

Goblet

For proper use, we recommend downloading the source format.The viewer version is intended exclusively for browser preview. In the source file, the following are fully preserved:✔ native scene structure✔ complete materials without reduction✔ correct PBR texture maps✔ correct object namesIf you intend to use the asset in a production environment, download the Original format.Her crowned figure bears not dominance but devotion. The chalice reflects the depths of faith while the cross upon her shoulder speaks of one who knows the weight of the world. In the folds of her robe the doctrine stirs like a wind through sacred cloth. Her silence speaks louder than sermons her gaze reaching inward more than forward. Embodying timeless faith she carries the rite eternal in her very form.

Ecclesia

**Description**: font, c1140, red sandstone, chalice shaped bowl with base formed by three crouching figures, decorated
with three stranded plaiting along rim and irregular interlace to stem, carved representations of the Baptism of Christ, the four symbols of the evangelists, and the hand of God and two doves on the bowl. The font is one of the outstanding works of the Herefordshire school of sculpture with a mixture of local and
French and Italian elements.

**Methodology**: Photogrammetry Process: High-resolution capture with a Sony RX100 IV (DNG). Controlled lighting via Zhiyun M40 & M20 LED panels. RAW processing in Adobe Camera Raw. Created in RealityScan by Epic Games from 97 images in 00h:09m:06s.


**License**: CC BY 4.0. Model created by Shiro Morturn - Sudbury Digital Imaging for documentation and educational purposes.

Please feel free to download and use this model. All we ask if that you like, leave a comment and give credit to the author Shiro Morturn.

Thanks

St Michaels & All Angels Font, Ledbury

It's challenging to describe Flasque as a 'living thing' by the conventional definition of the term. The Ethereal's body consists of little more than an assortment of beakers and chalices, which float and move together impossibly, defying all known scientific laws. If that wasn't already enough, the Monster purposefully collides these body parts together - isn't he fearful of breaking the glass? By a fluke of nature, Flasque's green lifeblood that sloshes and splashes about inside his body parts actually fortifies them and makes them completely shatter-resistant.

Flasque

**Artist:** Bernd Löning
**Donated by:** Martina Hesse and Herbert Fischer
**3D reconstruction:** Alex Emami

Saint Eligius (c. 588–660) was a gifted goldsmith who became master of the royal mint under Frankish kings. Known for his honesty and skill, he later became a priest and Bishop of Noyon, working as a missionary in Frankish-Frisian borderlands. He used his wealth to help the poor, free slaves, and build churches. Famous legends include him miraculously healing a horse by removing and reattaching its leg to shoe it—hence his symbols: hammer, anvil, horseshoe, and chalice.
He is the patron saint of goldsmiths, silversmiths, blacksmiths, metalworkers, and farriers.
To reflect women’s growing role in the Church and goldsmithing, artist Bernd Löning reimagined the saint as Saint Eligia, a female version.

This model is part of [Open Museum project](https://github.com/nuit-dhiver/GoeODM). You can [support the project by donating](https://www.paypal.com/paypalme/saiemami).

Die heilige Eligia (The Holy Eligia)

# Goblet Chalice

High-quality AI-generated 3D model with professional post-processing.

## What's Included
- **High-poly model** (19,999 faces) — Maximum detail
- **Mid-poly model** (19,999 faces) — Game engine ready
- **Low-poly model** (19,999 faces) — Mobile / LOD
- **3D Print STL** — Watertight, manifold, ready to slice

## Textures (PBR)
- Albedo / Base Color (4K, 2K, 1K)
- Normal Map (4K, 2K, 1K)
- Roughness Map (4K, 2K, 1K)
- Ambient Occlusion (4K, 2K, 1K)

## Formats
- FBX (Unity, Unreal, Maya, 3ds Max)
- GLB (Web, Three.js, Godot, Blender)
- STL (3D Printing)

## Features
- Clean topology (decimated from high-poly scan)
- Professional UV unwrap with consistent texel density
- Auto-smooth shading with marked sharp edges
- Multiple LOD levels included
- 3D print ready (watertight manifold mesh)
- Commercial license included

## Preview
Turntable video and wireframe preview included in the download.

Goblet Chalice — 3D Model | Game Ready | PBR Tex

This statue portrays Ganymede the divine cupbearer of the gods. Holding a jug in one hand and raising a chalice in the other he embodies sacred service and celestial favor. His youthful physique and serene expression reflect the grace and nobility bestowed upon him in myth.

Iron Ganymede Offering The Cup

Stylized low poly chalice with a faceted bowl and geometric base. PBR ready materials and streamlined mesh make this goblet ideal for fantasy scenes game props or medieval themed animations.

Golden Goblet

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/ygCU9H](https://www.meshy.ai/s/ygCU9H)

Christ Chalice and Pitcher Medallions

19th-century triangular-topped slate headstone of William Spedden (born c. 1741) who died aged 100 in 1841 & was buried in Nenagh graveyard, Kenyon Street, Co. Tipperary. Above the inscription there is a Latin Cross with expanded terminals flanked on either side by a ciborium or communion chalice.  According to Wikipedia; 'A ciborium (plural ciboria) is a vessel, normally in metal. It was originally a particular shape of drinking cup in ancient Greece and Rome, but the word later came to refer to a large covered cup designed to hold hosts for, and after, the Eucharist, thus the counterpart of the chalice. In medieval Latin, and in English, "Ciborium" more commonly refers to a covered container used in Roman Catholic, Anglican, Lutheran and related churches to store the consecrated hosts of the sacrament of Holy Communion. It resembles the shape of a chalice but its bowl is more round than conical, and takes its name from its cover, surmounted by a cross or other sacred design'.

William Spedden Headstone Kenyon Street

Antique copper chalice for religious ceremonies

Antique Copper Chalice

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/jkmpS3](https://www.meshy.ai/s/jkmpS3)

Dragoncrest Chalice

Potion Of Love

A classic golden trophy cup mounted on a black base. The 3D model features a traditional chalice design with ornate handles on both sides a tapered body and a stepped pedestal base.

Trophy Cup Sculpted In Blender

This sculpture represents Ecclesia iron replica a personification of the Christian Church. She is crowned holding a chalice in her left hand and a long cross staff in her right embodying spiritual authority and divine grace. The flowing drapery and serene expression reflect the devotional character typical of medieval and Gothic art.

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