Repositorio de modelos 3D de Ddiaz Design

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“El mejorado Picanto está inspirado en la filosofía de diseño de Kia ‘Opuestos Unidos’ (Opposites United) que aprovecha la creativa tensión generada por los divergentes valores de la naturaleza y modernidad para entregar un todo armonioso. El resultado crea una impresión audaz y futurista con un diseño moderno y deportivo”.

Instagram del proyecto: https://www.instagram.com/ddiaz.design/

Paypal Donations: https://paypal.me/sergiodd

Based on a Kia 3d model

Credits: GameModels Community Discord Server https://discord.gg/XkCQGws

2024 Kia Picanto GT-Line

Plate with divergent walls and a flat base, decorated at the center with the image of a stylized deity bearing a shell and a monstrous head, associating the figure with the aquatic underworld. Surrounding the central image are several oval elements related to water, as well as red and black volutes. A decorative band, divided into two sections, encircles the interior wall: one section features black triangles, while the other displays stepped fret motifs and additional abstract elements. The piece was ritually "killed", with a intentional perforation at the center.
IDAEH Cultural Property No.  16.2.5.0063
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Plate with Aquatic Underworld Deity

Polychrome urn (black, orange, and white) with slightly curved, divergent walls and a pedestal base. It is decorated with a jaguar head in relief, featuring an open mouth displaying teeth and foreclaws. The figure wears disk-shaped ear ornaments and a collar defined by a pinched circumferential band, along with three disk-shaped medallions on the pedestal. Three vertical bands decorated with spike motifs, resembling the trunk of a young ceiba tree, complete the remainder of the surface. From the Ixil Region.
 IDAEH Cultural Property No. 11.2.179.0198
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Jaguar-Head Urn

Effigy jar with a slightly divergent neck. The body of the vessel is decorated with a modeled face in relief, possibly representing a monkey, characterized by a protruding mouth, defined ears, an aquiline nose, and closed eyes. 
 IDAEH Cultural Property No. 1.2.144.1304
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 250

Effigy Jar with Zoomorphic Face

Zoomorphic effigy vessel depicting a serpent slightly coiled in a “U” shape. The vessel body has a brown slip, slightly divergent walls, and a flat base. At one end is a modeled head of prominent size, with open eyes and an open mouth showing the teeth.

 IDAEH Cultural Property No. 1.2.144.0483
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 465

Zoomorphic Serpent Effigy Vessel

Tripod plomizo jar with a composite silhouette and a slightly curved, divergent neck. The body is decorated with parallel horizontal grooves interspersed with vertical series. The supports are oval in form and feature openings with rattle elements. The Cultural Property Registry record catalogs the artifact as from Baja Verapaz and dates it to the Classic period.
 IDAEH Cultural Property No. 16.2.5.0357
www.fundacionrutamaya.org


Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 215

Polychrome plate (orange, red, and black) with a curved-divergent wall and concave base. The exterior is decorated with vertical orange bands and a red rim, while the body is orange with a perimeter band featuring stylized geometric designs outlined in black. In the center, a bird with an open beak and extended tail is depicted, framed by black perimeter lines. From the bird’s beak emerges an anthropomorphic head with a high headdress, open eyes, a hooked or curved nose, and a closed mouth.

 IDAEH Cultural Property No. 1.2.144.0650
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 285

Plate

Nakbé-style bowl or cajete with straight, divergent walls and a flat base. The exterior surface is decorated with representations of the deity GIII, featuring the KAN symbol on the forehead, along with stylized elements in black on a cream background, interspersed with two pseudo-glyphs. On the interior, just below the rim, a  broad red band is visible. This ceramic style corresponds to the northeastern Petén region, likely from the Nakbé and Mirador area.
 IDAEH Cultural Property No.1.2.144.0051
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 289

Nakbé-Style Bowl with Deity GIII

An orange-on-cream bowl or dish with a flat bottom and divergent wall. It is decorated with two water birds in profile, probably cormorants, on opposite sides and separated by vertical series of two 8 Ahaw glyphs (placed the other way around).The orange paint on a white background characterizes this ceramic style, which was produced around the site of Naranjo, in northeastern Petén. NAA of the paste indicates the eastern Peten region as its place of origin, from the city of Naranjo to the western and southern Belize Valley (Maya Survey Project, Smithsonian).

 IDAEH Cultural Property No. 1.2.144.1346
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 251

Naranjo Bowl with Water Birds

Two-part mold used to produce a vessel with convex walls, a slightly flattened base, and a gently curved, divergent neck. One of the mold halves bears the image of an elderly face, with wrinkles clearly defined across the entire visage.

 IDAEH Cultural Property No. 1.2.179.0099
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 383

Two-part Mold

Chablekal tetrapod bowl with divergent walls, a convex base, basal molding, and spherical supports. The exterior wall is decorated with two panels, each featuring an incised spider monkey (Ateles geoffroyi) seated in right profile, with the tail coiled yet extended backward and the arms positioned forward with the hands in front. The surrounding field is filled with parallel incised lines oriented in different directions. Provenance: the Verapaz region.

 IDAEH Cultural Property No. 1.2.144.1504
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 347

Chablekal Tetrapod Bowl

Kidney-shaped effigy vessel representing a reclining dog or canid emerging from the body of the vessel. The canine figure preserves traces of black paint and incised lines defining the legs, as well as perforations in the head area. The genitalia are exposed, and the figure wears a necklace of rounded beads. The remainder of the vessel features vertical walls, a divergent neck, and an everted rim, decorated with orange-painted triangles filled with inclined parallel lines. The overall silhouette is curved and irregular.

 IDAEH Cultural Property No. 1.2.179.0193
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 365

Effigy Vessel

Spouted vessel with rodent features, possibly a cotuza or taltuza (family Dasyproctidae). The vessel has an elongated form, a reddish-brown slip, a divergent neck, and a handle positioned on the posterior side.
 IDAEH Cultural Property No. 16.2.5.0824
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 422

Spouted vessel

Tripod incense burner (sahumerio or “Chilascó” incensory) with an openwork, pot-shaped body, convex walls, and a divergent neck. Two of the supports are elongated, while the third is formed by the attached figure of a hunchbacked character, who holds the body of the incense burner in front of him. Traces of pigment are preserved.
 IDAEH Cultural Property No. 16.2.5.0340
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 364

Incense Burner

Polychrome tripod plate (red, orange, and black on a cream ground) with divergent walls, a flat base, and hollow conical supports. The decoration features, at the center, the head of the deity K’awil in left profile, painted in dark orange with black spots resembling jaguar skin, as well as red ribbons and feathers. The image is encircled by a band composed of black and red oval figures with serrated edges and internal dot patterns, alternating with panels bearing cruciform designs.

 IDAEH Cultural Property No.  16.2.5.0064
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 253

Plate with K’awil Deity

Polychrome jar of the Copador type (red and black on orange). The vessel features a rounded lip, a beveled rim, a curving, divergent neck, a curving, convergent body, and a convex base. The interior and exterior of the lip are painted red. Decoration on the neck consists of a panel on an orange ground depicting anthropomorphic male figures shown in left profile, seated in a cross-legged (lotus-like) position. The figures have black hair, open eyes, red mouths, and bodies outlined in black and painted red. The body of the vessel is painted red.
IDAEH Cultural Property No. 1.2.118.0089
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 217

Zoomorphic effigy vessel in the form of a bird, with the head modeled in relief and the wings indicated on each side by grooved channels. The bird may represent a dove or a duck. The object is a miniature jar with a globular body and a slightly divergent neck.  Due to its size, it may have functioned as a toy.
 
 IDAEH Cultural Property No. 16.2.5.0144

www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Effigy vessel in the form of a Bird

Polychrome stuccoed vase in florero style, with a divergent rim and flat base. The vessel is decorated with horizontal parallel stucco bands painted in white, pale yellow, and gray over an orange slip. NAA of the paste indicates the Guatemalan Pacific Coast as the place of origin or manufacture.

IDAEH Cultural Property No. 1.2.144.0419

www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 293

Polychrome bowl or dish (red, orange, black, cream, and tan) with divergent walls and a flat base. It features a scene composed of nine seated figures shown in profile, involved in a ceremonial act in which one of the individuals undergoes an enema ritual. This figure wears a loincloth and a headdress adorned with a deer head. The remaining figures, richly attired, are arranged around the scene and closely observe the ritual.

 IDAEH Cultural Property No. 1.2.144.0341
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 258

Bowl Depicting a Enema Ritual Scene

Polychrome tripod plate (red, black, and cream) with divergent walls, a medial flange, and a convex base featuring a central conical circular perforation. The supports are cylindrical, hollowed, and include rattles. The surface decoration consists of a rim with a black band and line, followed by a cream-colored band with geometric designs outlined in black. At the center, the figure of the God K’awil is represented, outlined in black, red, cream, and orange. At the center of the plate is an intentionally made circular perforation, corresponding to the act of “killing” the vessel, a practice commonly associated with intentional deposits.
 IDAEH Cultural Property No. 1.2.144.0392
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Tripod Plate with the God K’awil

Codex-style vase with slightly divergent walls, decorated with a red band around the rim and the base, followed by a glyphic band (Standard Primary Sequence, or complete dedicatory formula). The main scene features two aquatic birds of the underworld (cormorants) and water symbols, all rendered in black line on a cream background.
 IDAEH Cultural Property No. 16.2.5.0265
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 273

Vase

Tiquisate ceramic vase with a light orange slip, slightly divergent walls, and a flat base. The vessel is divided by a rectangular molding that runs horizontally around the body. In the upper panel, immediately above this molding, there is a series of three incised glyphs. In the lower section, several elements slightly in relief and inclined to the left are present. Slight discoloration is visible near the base.

 IDAEH Cultural Property No. 1.2.179.0105
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 368

Tiquisate Vase

Black ceramic incense burner in the form of a shallow dish with a cylindrical handle. The dish has divergent walls and features relief decoration on the base and on the lower portion of the exterior wall. The handle features a central groove, and its end is modeled as a human-like head, with small rattle-like elements on each side.

 IDAEH Cultural Property No. 1.2.144.0405
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 290

Incense Burner with Anthropomorphic Handle

Plate with divergent walls and a flat base, decorated with black designs on a cream background. The interior features, at the center, the image of the God K’awil’s profile within a black rectangle. Surrounding this is a decorative band with a series of K’an symbols. The inner wall is organized into six panels: three decorated with profiles of the God K’awil on a black background, and three with two nominal glyphs each, arranged in an alternating pattern. The exterior wall presents the Primary Standard Sequence, or Dedication Formula, painted in black ink on a cream background and framed by two horizontal red bands. The vessel and its decoration are original, although some sections were heavily repainted during the 1970s.

 IDAEH Cultural Property No. 1.2.144.0400
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 387

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