**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

The Great Drawing Room has the most sumptuous interior in the house. It was a setting for entertaining, music and dancing. The room is inspired by the magnificent [Baroque](https://en.wikipedia.org/wiki/Baroque) style of the late 17th century. This style provided a suitable opulent backdrop for big parties.

![](https://i.imgur.com/jva4GKy.jpg)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Great Drawing Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

On festive occasions the gentlemen sat here after dinner, smoking cigars and talking. On regular days, however, this was the family sitting room, where they gathered to drink coffee and play board games in the evenings.

The smoking room is inspired by the [Orient](https://goo.gl/pDNk9v). It was common in the late 19th century to decorate with oriental features and the room is typical for the ideals of the time. The style is associated with [colonialism](https://goo.gl/epxUNw) and militarism and was therefore considered to be appropriate for a room for gentlemen. The walls are clad in silk which was meant to give the room a feeling of an officer's tent.

![](https://goo.gl/sDhsJy)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Smoking Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

This was intended as a room for socialising for gentlemen. Those who did not participate in the game could watch from the wall-mounted bench.

The Billiards Room, like [The Dining Room](https://skfb.ly/6uLDI), is done in  a style between [Renaissance](https://goo.gl/9XS59E) and early [Baroque](https://goo.gl/BVsvH2). Note that the windows in both rooms are made up from round antique [lights that have been framed in lead](https://goo.gl/G86YdL).

![](https://goo.gl/vq8wcr)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Billiards Room

This is the Picture Gallery located on the top floor of the [Hallwyl Museum](http://hallwylskamuseet.se/en) in Stockholm, Sweden.

Countess Wilhelmina von Hallwyl was a keen collector of Dutch and Flemish artworks of the Golden Age.

 
The diversity of artists and motifs is representative of the Hallwyl House Collection of Dutch and Flemish masters. The collection constitutes a kind of encyclopedia of the [Golden Age of Dutch Art](https://en.wikipedia.org/wiki/Dutch_Golden_Age_painting).

"See For Yourself" was the catchphrase of the Golden Age. 

Let us take a closer look at some of the highlights! There is more than meets the eye!


Text: Annika Williams

Scan: Erik Lernestål

The images for this project were captured using a Panasonic Lumix GX8 camera with a 25 mm lens.

The Picture Gallery

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

In this room Wilhelmina received callers and attended to her correspondence, something that was an important part of a family's networking.

It was common to display family portraits in this type of room. There are portraits of the Hallwyl daughters, great grandchildren and sons-in-law. 

The Morning Room was one of the reception rooms that were used daily, along with [the Dining Room](https://skfb.ly/6uLDI) and the Smoking Room (link coming soon).

![](https://goo.gl/UUgzJE)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Morning Room

"The Hallwyl House, once home to the wealthy couple Wilhelmina and Walther von Hallwyl, is situated in the center of Stockholm, Sweden."

This is an attempt at squeezing the entirety of [1st Floor State Rooms The Hallwyl Museum](https://sketchfab.com/TheHallwylMuseum/collections/the-hallwyl-museum-1st-floor-state-rooms) into a single model, ready for viewing in webVR. The original models were decimeted and textures rebaked using the open source 3D editor [Blender](http://blender.org).

The original models were created by [Erik Lernestål](https://www.eriklernestal.com/index) for the musuem and are reused under [Creative Commons Attribution 4.0 International (CC BY 4.0) license](https://creativecommons.org/licenses/by/4.0/).

10 million polygons > less than 500k.

The Hallwyl Museum 1st Floor Combined

**Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

The Vestibule was the main entrance where both the Hallwyls and their guests entered the house. When you walk up the stairs you will see portraits of mainly Walther von Hallwyl´s ancestors. 

The portraits here date from the 16th to the 19th century. Walther and Wilhelmina inherited the portraits along with the family's main seat, the medieval castle [Schloss Hallwil](https://goo.gl/dsWmoe) in Switzerland. 

As they wanted to leave the castle with all its furnishings intact the ancestral portraits were copied by the artist [Julius Kronberg](https://goo.gl/PS1hEg). The originals were sent back to Switzerland when the Stockholm house was bequeathed to the Swedish state. 

![](https://i.imgur.com/mAilg0r.jpg)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Upper Vestibule

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

This room features the main part of Wilhelmina von Hallwyl’s collection of antique arms and armour.

The collection, typical of its period, focuses on arms for hunting and finely decorated pieces.

The weapons are hung according to their various categories, such as firearms, suits of armour and white-arms, and arranged in neat patterns. 

The esthetical experience of the room and its objects was important.

![](https://goo.gl/24GdE6)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Armoury

**Welcome to [The Hallwyl Museum](https://goo.gl/qbZSY4) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

Walther and Wilhelmina took their daily meals in The Dining Room as well as when entertaining. They were often three at the table, as the lady's companion Ida Uhse dined with them. On festive occasions the table would be set for more people. The table could be extended and seat about [30 guests](https://goo.gl/Tpf7i2).

The reception rooms are all decorated in the historicist manner, meaning that the rooms are inspired by different historical periods. The Dining Room is decorated in the [Baroque](https://goo.gl/sTMdAC) style. It is a somber style suitable  for formal dinners. 

The walls are panelled in oak with details of [black bog oak](https://goo.gl/G2SLhm).

![](https://goo.gl/DRHgDF)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Dining Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

After a formal dinner, the ladies would retire to the small drawing room for drinks and conversation. The room was only used on special occasions; normally the doors would have been closed.

The room is based on a 1760s [Rococo](https://goo.gl/Uymjmm) interior at the manor house Äs, one of several country homes that belonged to the Hallwyl family. In the late 19th century, the style was considered feminine, with its soft, curvaceous forms. It was therefore suitable for a ladies’ drawing room or boudoir. 

In a grand home at the turn of the 20th century, rooms were generally gender separated. Some of the interiors were designed for the ladies, and others for men.

![](https://i.imgur.com/4bwdMxM.jpg)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Small Drawing Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**
Once the home of [Walther](https://hallwylskamuseet.se/en/) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

In The Serving Room the [footmen](https://goo.gl/9r5oY3) polished silver and put the last touches to the dishes before they were served.
The Serving Room is connected to the basement floor kitchen via the back stairs, a lift and a dumbwaiter. There were separate stairs and passages for the servants so that the work could run smoothly and at the same time not be visible in the grand rooms.
The threshold between this room and the dining room marked an invisible border between the family’s domain and the servants' areas; a border that should not be crossed casually. The servants’ work spaces should be respected. This also applied to the owner of the house.

![](https://i.imgur.com/N7N03Is.jpg)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Serving Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

This room was built for Wilhelmina von Hallwyl's collection of European porcelain. Almost all manufacturers of porcelain in the 18th and early 19th century are represented here. The collection consists of more than 500 objects, with pieces from [Meissen](https://goo.gl/jZbQ7q), [Sèvres](https://goo.gl/zUohNG) and [Wedgwood](https://goo.gl/RN1WRm), to name a few.

The collection contains both service sets and figurines. It gives us a good overview of the production of the period in general. In this way it deviates from many contemporary collections that often focused on one category of objects.

![](https://goo.gl/vqUiX3)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Porcelain Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

Inside the stables at No 4 Hamngatan there is a tack room for the coachman and the tack. It was kept as a museum environment after 1908 when the horses were sold.

The Tack Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

When the couple wanted to build their own house on No 4 Hamngatan it was natural to include stables in the design. The architect [Isak Gustaf Clason](https://goo.gl/8Yo7MD) drew an interior that followed the standard of the day and the equipment was bought from Bolinder’s mechanical factory. The horses were sold in 1908 but Wilhelmina von Hallwyl decided to keep the interior “to save an image of the stables in its original state, to a certain degree”.

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