From the mortuary temple of Amenhotep III, Thebes, Egypt 18th Dynasty, about 1350 BC.

Scan by Thomas Flynn using a Sony DSC HX5 and 123D Catch.

Seated statue of Amenhotep III

Egypt (Thebes)

Dynasty 22, 945–712 BC

Painted wood

Gift of Theodore M. Davis 

Harvard  Museum of the Ancient Near East 1902.50.9

Ankh-khonsu was a doorkeeper in the Temple of Amun-Re at Karnak. He inherited his position from his father Ankh-en-amun. His brightly painted coffin lid is covered with images of protective deities. Particularly prominent are winged scarab (dung) beetles, symbols of rebirth. One sits on Ankh-khonsu’s head and encircles his face with its wings. A second scarab covers his chest. Both scarabs hold a shen hieroglyph, symbol of eternity, with their hind legs in place of a dung ball. Offering spells including Ankhkhonsu’s name are written on the outside of his coffin. Traces of resins (now black) and water poured over it during his funeral are visible on the top and sides of the coffin.

Photogrammetry by Peter Der Manuelian

3D modeling by Mohamed Abdelaziz, Indiana University, Egyptology

This model is for educational, non-commercial use only

Coffin of Ankh-Khonsu

Coffin of Pa-di-mut

Egypt (Thebes, Deir el-Bahari)

Dynasty 22, 945–712 BC

Painted cartonnage (linen and plaster)

Gift of Theodore M. Davis 

Harvard Museum of the Ancient Near East 1901.9.1

-------------------------

Coffin of Mut-iy-iy

Egypt (Thebes)

Dynasty 22, 945–712 BC

Painted wood

Gift of Theodore M. Davis 

Harvard Museum of the Ancient Near East 1902.50.10

-------------------------
Coffin of Ankh-khonsu

Egypt (Thebes)

Dynasty 22, 945–712 BC

Painted wood

Gift of Theodore M. Davis 

Harvard Museum of the Ancient Near East 1902.50.9

-------------------------

Photogrammetry by Peter Der Manuelian

3D modeling by Mohamed Abdelaziz, Indiana University Egyptology

This model is for educational, non-commercial use only.

Coffins of Pa-di-mut, Mut-iy-y, and Ankh-Khonsu

One naturally preserved watch tower of Great Wall in Hebei province, China.

By the name "Inner Great Wall", this section was built in the 14th century, it's the last defence line to keep the nomadic tribes out.

Please check the annotations for more detail.

https://en.wikipedia.org/wiki/Ming_Great_Wall

14th century Great Wall

Granodiorite squatting figure of Roy, High Priest of Amun during the reigns of Ramses II, Merenptah and Sety II, holding a Hathor-headed sistrum before, the dorsal pillar is inscribed with two vertical registers of hieroglyphs - invocations to Amun-Ra and Mut; lower section lost.

19th Dynasty, dating to circa 1220 BC. Found in Thebes, Egypt.

Height: 88 centimetres (Original) Height: 113 centimetres (Restored)

Model by Daniel Pett, made using a Nikon D5100 and Photoscan. The lighting conditions in the gallery where this is displayed make it quite hard to get a good image of the reverse.

British Museum Collection online: http://bit.ly/statueRy 

[Buy a resin cast.](http://www.britishmuseumshoponline.org/invt/cmcr60560)


[![ORCiD](https://img.shields.io/badge/ORCiD-0000--0002--0246--2335-green.svg)](http://orcid.org/0000-0002-0246-2335)
[![DOI](https://zenodo.org/badge/85835385.svg)](https://zenodo.org/badge/latestdoi/85835385)

A statue of Roy, High Priest of Amun

The Valley of the Kings is a valley west of modern Luxor (ancient Thebes) in Egypt where, for nearly 500 years from the 16th to 11th century BC, tombs were excavated for the pharaohs and powerful nobles of the New Kingdom. This valley held the burial for some of the most well-known pharaohs in history, including Thutmose III, Ramesses II (The Great), and Tutankhamun.  -Nate Loper

Valley of the Kings Tombs – Luxor, Egypt

Noble Columns, Classicism and Baroque Style inspired.
Containing classical statue of Goddess Hebe by Bertel Thorvaldsen.

Textures 2K (Color, Roughness, Metal, Normal/Bump)


Model is 100% free and will stay this way. For helping people making creative stuff. 

You really rock if you support me with a small [donation](https://www.paypal.com/donate/?hosted_button_id=LM7D7Q9XZ7QK2) :) :)

Noble Columns - Asset Pack

La Maison de Benoît date du XVe siècle.
Elle possède une très belle cour intérieure avec une balustrade de style gothique flamboyant. La tour héberge un escalier en vis. A son sommet, une sculpture représentant un vigneron rappelle les échanges commerciaux avec le proche vignoble de Marcillac. <br>
![](https://medias.caravelis.com/proxy_caravelis/xml/oi/TFO261581856873/TFO261581856873-17a/medias/jpg/first_w2000.jpg) <br>
![](https://medias.caravelis.com/proxy_caravelis/xml/oi/TFO261581856873/TFO261581856873-17a/medias/jpg/maisondebenoit_w2000.jpg) <br>
[Source](https://www.tourisme-aveyron.com/fr/diffusio/patrimoine-culturel-visites/maison-de-benoit-rodez_TFO261581856873)

Maison de Benoit, Rodez (12)

Ganymede with Jupiter's Eagle, 1817, Bertel Thorvaldsen, Marble. 93,3 x 118,3 cm. Thorvaldsen Museum (Copenhagen, Copenhagen). Made with Memento Beta (now ReMake) from AutoDesk.

In Greek mythology the boy Ganymede was carried up into the sky, to the home of the gods on Olympus to be the gods’ taster. According to legend it was Zeus, in the shape of an eagle, who took the beautiful boy from Phrygia in the north-western part of Asia Minor (Turkey). The effect of Thorvaldsen’s sculpture is created mostly by the contrast between the smooth skin of the boy and his trusting nature, which is juxtaposed by the detailed rendering of the eagle’s feathers, its harsh look and its sharp beak. Ganymede was to take the place of Hebe as the taster of the gods, because she spilled the drink – the nectar – that made the gods immortal. Thorvaldsen modelled the group sculpture in 1817 and it exists in several marble copies.

For more updates, please follow @GeoffreyMarchal on Twitter.

Ganymede with Jupiter's Eagle

Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:ce850625-2cf1-4c6f-9086-0d5845d9a664)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian’s [Terms of Use](https://www.si.edu/Termsofuse) page.

Lidded incense burner (xianglu) with geometric decoration and narrative scenes

Medium: Bronze with gold, silver, turquoise, and carnelian inlay

Dimensions: H x W: 17.9 x 10 cm (7 1/16 x 3 15/16 in)

Origin: Henan or Hebei province, China

Date: ca. 2nd century BCE

Period: Early Western Han dynasty

Credit Line: Purchase — Charles Lang Freer Endowment

Accession Number: F1947.15a-b

Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery

EDAN-URL: edanmdm:fsg_F1947.15a-b

Lidded incense burner (xianglu)

Highpoly studio condenser microphone surrounded by studio foam free 3D model. 98,490 faces. 

Model was made with Blender.

By CheBe.

Studio Microphone

English:
a 3d model of a lightsaber, nyehehehehehehbehhehebebehehhrewwghersykjjmyhgf.
Made in my programing class, we were learning how to model and upload to sketchfab
Portuguese:
Um modelo 3D de um sabre de luz, nyehehehehehehbehhehebebehehhrewwghersykjjmyhgf.
Feito na minha aula de programação, estávamos aprendendo a modelar e enviar para o Sketchfab.

light saber

Highpoly Xenyx 802 music mixer free 3D model. 82,605 faces. 

Model was made with Blender.

By CheBe.

Xenyx music mixer

The Bell Pub on the corner of Middlesex Street and New Goulston Street, Spitalfields, London.

Date: 1883

https://www.thebellpub.co.uk/

613 photos taken in February 2025 with a Sony a7R V and processed in Reality Capture. Roof texture repainted.

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