This is a beautiful scan Licenced under CC0 Public Domain that I found [here](https://sketchfab.com/3d-models/triceratops-horridus-marsh-e9c507f179ed4455aac3b208c9e6c973) made by The @Smithsonian Institution. 

I spent a couple of days cleaning and rigging the mesh to be able to animate it. I wanted to do a short looping animation by starting and finishing it with the same initial scan position



Made with Blender

*If you have any questions, do not hesitate to contact me.*

[![](https://gist.githubusercontent.com/Zechasault/865783a976dcc6e517bc87be1bc4f018/raw/76af4192ae268349f522423eff72aa978928080b/instagram.svg)](https://www.instagram.com/zacxophone_/) 
[![](https://gist.githubusercontent.com/Zechasault/04e425ffe61171372ed64694242a8262/raw/a37ee34792cdd0ceb010d1df18b12e09add8da1a/twitter.svg)](https://twitter.com/ZackCiminera)

Animated triceratops skeleton

**[Learn more and view panopticon animation.
](https://www.myleszhang.org/2019/11/11/jeremy-bentham-panopticon-animation/)**

**[Contact author about source files.](https://www.myleszhang.org/contact-form/)**
Model is not sold for profit.

The panopticon is a type of institutional building and a system of control designed by the English philosopher and social theorist Jeremy Bentham around 1785. The design allows all prisoners to be observed by a single security guard, without the inmates knowing whether they are being watched.

Creative Commons image credit: Bentham MS Box 119a 121, UCL Special Collections

Panopticon: A Round Prison

Source: [Smithsonian Institution](http://3d.si.edu/apollo11cm/index.php#downloads)

Apollo Command Module Interior Sphere Projection

[English version [here](https://skfb.ly/LsnA).]

Im Juli 2015 wurden in Risch-Rotkreuz ZG ein Stosszahn und verschiedene weitere Knochenfragmente (rot markiert) eines adulten Mammutbullen entdeckt. Ausweislich zweier Radiokarbondatierungen gehören die Knochen an das Ende der letzten Eiszeit bzw. in die Zeit um 15‘000 v. Chr. 
 
Markierung der in Rotkreuz gefundenen Knochen durch Eva Kläui, ADA ZG, auf einem lasergescannten Mammutskelett aus der Sammlung der Smithsonian Institution in Washington D.C., siehe hier [https://skfb.ly/6QS7F](https://skfb.ly/6QS7F). 
 
**Literatur**

“Das letzte Zuger Mammut?” (2016). [http://dx.doi.org/10.5169/seals-632509](http://dx.doi.org/10.5169/seals-632509).

“Durchleuchtet und analysiert. Ein Update zur Genetik, Isotopie und Radiografie...” (2018). [http://dx.doi.org/10.5169/seals-787150](http://dx.doi.org/10.5169/seals-787150).

“CT-based Age Estimation of a Mammoth Tusk” (2022). [https://doi.org/10.1148/radiol.220265](https://doi.org/10.1148/radiol.220265).

Risch-Rotkreuz, Mammutstosszahn und -knochen

LENNOX CASTLE HOSPITAL, LENNOXTOWN UK situated at the western edge of the hospital complex, was built between 1837 and 1841 to designs by David Hamilton. In April 1925 Glasgow Parish Council resolved to build a new Mental Deficiency Institution under the provisions of the 1913 Act. In 1927 Lennox Castle and its vast estate were purchased, and plans prepared for what was to be the largest and best equipped hospital of this type in Britain. It was to provide 1,200 beds at a cost of 1.25 million.  https://historic-hospitals.com/2015/05/01/lennox-castle/

https://www.scotsman.com/whats-on/arts-and-entertainment/sad-secrets-glasgows-abandoned-mental-hospital-1439724

Experimental, reconstructed from various 4K drone footage only

Lennox castle hospital

Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c63fde-4ebc-11ea-b77f-2e728ce88125)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian’s [Terms of Use](https://www.si.edu/Termsofuse) page.

George Washington

Attribution: Massimiliano Ravenna  

Copy After: Giuseppe Ceracchi, 4 Jul 1751 - 31 Jan 1801  

Sitter: George Washington, 22 Feb 1732 - 14 Dec 1799  

Medium: Marble

Dimensions: 69.5cm (27 3/8"), Accurate

Type: Sculpture

Date: c. 1819 copy after 1792 original

Credit Line: National Portrait Gallery, Smithsonian Institution

Object Number: NPG.70.4
    
Data Source: National Portrait Gallery

EDAN-URL: edanmdm:npg_NPG.70.4

George Washington Bust

Tottieska malmgården in Skansen, Stockholm. Built in 1770. https://sv.wikipedia.org/wiki/Tottieska_malmg%C3%A5rden A film about the restoration: https://www.youtube.com/watch?v=BCk1Irxw414

This scan is part of the work to compare different scanner types and brands for different tasks on behalf of Digisam. Digisam coordinates the digitization of 22 heritage institutions. www.digisam.se

This model is made photogrammetrically with a zoom lens and autofocus. That is not recommended as it gives distortion to the images. I have made it so I can compare to a fix lens, fix focus model and both of those to the laserscans.

Report can be found here: http://hagaeus.se/kunskapsbank/

Created in RealityCapture from 669 images in 02h:46m:28s.
i7, 32 Gb, Gtx 1070.
Olympus OM-D E-M10 Mark II, 14-42 mm @14 mm

Tottieska malmgården, Zoomlens and autofocus

A reclaimed statue on Milford Lane, off Strand, London.

One of three on this road, this one is half way down the road. They are all about 2 meters wide.

The statues are by Henry Poole (1873-1928) and were one of several that adorned the offices of the United Kingdom Provident Institution that formerly stood on this site.

Historical information source and huge thanks to: IanVisits
https://www.ianvisits.co.uk/blog/2021/01/20/london-public-art-three-large-stone-heads-on-milford-lane/

220 photos taken in November 2020 with a Sony a6000 and processed in Reality Capture.

Milford Lane Statue 2

The Apollo Intensa Emozione: Void-Eater Edition is a structural paradox. It represents a "System Malfunction" in traditional automotive design, replacing clean lines with aggressive, insect-inspired organic geometry. This 780HP V12 monster is reimagined through a Black Institutional lens, transforming it from a hypercar into a predatory "Void-Tech" artifact.

The primary hull is draped in Obsidian Purple Carbon (#12001A), a finish that maintains a high-gloss 0.03 Roughness. This deep, crystalline purple acts as a "Dark-Matter" shell, absorbing light in the shadows while flashing a bruised, metallic violet under high-intensity LEDs. This is contrasted by the dry, 0.15 Roughness Satin Black used for the complex aerodynamic fins and the massive "Whale-Tail" rear wing, creating a tactile "Glitch" between different carbon weaves.

Apollo IE - Purple Dragon

A high-fidelity 3D recreation of the Porsche 911 GT3, customized with a signature Void-Tech aesthetic. This model features a meticulously tuned Satin Jet Black (#0A0A0A) finish, designed to balance deep shadows with sharp, technical reflections.

Technical Specifications:
Body Paint: Satin Metallic Black | Roughness: 0.40

Modeling Software: Blender 4.2+

Workflow: Principled BSDF PBR Texturing.

Design Philosophy:
Part of the Black Institutional design language—prioritizing absolute black backgrounds, minimalist geometry, and high-impact functional accents. Optimized for high-end workstations and real-time rendering.

“Innovation is in the details.” — Huzaifa Zaeem

Porsche 911 GT3 - Satin Black

The Bugatti Divo: Deep Forest Edition is a 1,500 HP masterclass in Environmental Camouflage and High-Tech Institutional design. While the Divo is traditionally known for its loud, racing-inspired liveries, this spec adopts a "System-Stealth" philosophy, utilizing a 0.12 Roughness finish that mimics the light-absorbing properties of a dense, nocturnal forest.

The body is draped in Deep Forest Green (#013220), a shade so saturated it appears as a "Green-Black" void in low light, only revealing its organic, metallic depth under direct high-intensity beams. This "Satin-Press" finish provides a soft, oily sheen that highlights the Divo’s complex aerodynamic channels without the distraction of sharp, mirrored reflections.

Bugatti Divo - Deep Forest

The Aston Martin Vulcan: Soft Lavender Edition is a high-performance paradox—a brutal, track-bred monster reimagined through the lens of High-Tech Minimalism. While the 7.0L naturally aspirated V12 engine remains a raw, analog force of nature, the visual identity has been completely "system-flashed" into a clean, light-mode aesthetic.

The sculpted body of this custom Aston Martin Vulcan is finished in a Satin Caspian White, creating a seamless, architectural silhouette that hides its aggressive aero-lines in soft shadows. This "blank canvas" is disrupted only by precision-engineered accents in Soft Lavender (#E6E6FA), applied to the massive brake calipers, interior stitching, and the razor-thin edges of the carbon-fiber diffuser.

This isn't just a race car; it’s a mobile workstation of speed. The Soft Lavender Edition represents the ultimate intersection of "Institutional" power and "Void-Tech" elegance—turning one of the world's rarest track weapons into a masterpiece of sophisticated, futuristic design.

Aston Martin Vulcan: Soft Lavender Edition

A 2026 technical study of the Lamborghini Temerario, the 920CV "Fuoriclasse" successor to the Huracán. This iteration, built under the Defiance-Void Protocol, utilizes a Nero Granatus (#0D0208) finish—a deep obsidian that reveals a blood-red metallic pulse only under direct light.

The chassis is an all-new Aluminum Spaceframe with a 20% increase in torsional stiffness, rendered here with Exposed Forged Carbon aero-flickers and hexagonal daytime running lights. The heart of the machine is a twin-turbo V8 that screams to a 10,000 RPM redline, illuminated in the engine bay by an Institutional Gold heat-shielding. The interior is a focused, "Feel Like a Pilot" sanctuary, stripped of traditional colors in favor of Obsidian Alcantara and Soft Lavender (#E6E6FA) telemetry displays, featuring the designer's signature laser-etched on the carbon sills: "I would like death rather than defeat.

TEMERARIO - DEFIANCE-VOID

A 2026 "Major Glow Up" for the Aston Martin Valhalla. This specimen moves away from traditional paint into an Obsidian Wildberry Liquid-Glass finish (#1E0536), designed to manipulate light across its active-aero surfaces.

Grounded by Satin Gunmetal F1-style monoblock rims and Electric Phosphor (#00FFC8) braking units, the Valhalla functions as a high-velocity "Institutional" sensor. The internal "Safety Cell" is a sanctuary of Charcoal Alcantara and Soft Lavender (#E6E6FA) instrumentation, signaling a state of constant "System-Ready" performance.

Aston Martin Valhalla - Frost Sky

The Hygieia Fountain is a lead-cast statue fountain created by Johann Martin Fischer and erected in 1787 at public expense. It stands in the forecourt of the Josephinum (9th District, Währinger Straße 25).

The depiction of the goddess Hygieia—symbol of health—directly reflects the function of the building behind it, constructed between 1783 and 1785 as a training institution for physicians and military doctors and today housing, among other facilities, the Institute and Museum for the History of Medicine.

The central figure is a calm, classically inspired female statue dressed in antique-style drapery, standing on a high pedestal. In her left hand she holds a bowl from which a snake drinks, while another snake coils around her right arm—traditional attributes of Hygieia. The pedestal and octagonal basin are made of stone, while the basin railing and water spouts, designed as Medusa heads, are crafted from metal.

https://www.geschichtewiki.wien.gv.at/Hygieiabrunnen
Located at
Van-Swieten-Gasse 3, 1090 Wien

Hygieia Fountain

GöttwAIg – Wunderkammer(21). Barock digital | Geologie der Institution

"Das Kloster erscheint wie gegossen - Material gewordene Ordnung von Zeit, Macht und Erinnerung."

Das Projekt transformiert die fragmentarisch überlieferte Wunderkammer des Stifts Göttweig mithilfe von KI in eine zeitgenössische digitale Form. Initiiert von Markus Wintersberger (USTP St. Pölten) und Viola Rühse (UWK) entstehen digitale Neukreationen ausgewählter Objekte. Die von Abt Gottfried Bessel im 18. Jahrhundert geschaffene Sammlung wird nicht restauriert, sondern als Raum des Staunens neu interpretiert und als aktuelles Experiment bedeutet. 

UWK - Plattform für Nachhaltige Entwicklung
USTP - Experimentelle Medien / IC\M/T
Verein DruckKunst – Verein zur Förderung und Verbreitung der bildenden Künste
Kunstsammlungen, Archiv & Bibliothek Benediktinerstift Göttweig

Kunst und Kultur im digitalen Raum – Call 2025

https://research.ustp.at/projekte/goettwaig-wunderkammer-21-.-barock-digital

GöttwAIg – Geologie der Institution

A 2026 "Feel Like a Pilot" study of the Lamborghini Revuelto. The exterior architecture is finished in Verde Hydra (#0B2118), a deep emerald metallic that emphasizes the car's aeronautical surfaces. The vehicle sits on Matt Bronze Triguero forged wheels, providing a high-contrast "Institutional" stance.

The hybrid V12 powertrain is left exposed, illuminated by a Huzaifa Innovator signature Soft Lavender (#E6E6FA) core. The cockpit is a strict Obsidian-Void sanctuary of Alcantara and forged carbon, focusing the pilot's attention on the three-screen digital array and the raw mechanical sound of the 9,500 RPM V12.

REVUELTO V12  - AETHER-GREEN

A 2026 high-fidelity study of the LaFerrari (F150), the first production Ferrari to integrate F1-derived hybrid technology. This "Lead Designer" iteration replaces the traditional Rosso Corsa with a Nero Daytona (#0A0A0A) metallic finish, utilizing a 1.0 Metacilicism flake-density to absorb and reflect ambient studio light.

The aero-active chassis is defined by Obsidian-Void carbon fiber elements, while the HY-KERS cooling vents are accented with a subtle Electric Cyan (#00FFFF) inner-glow. The cockpit is an Institutional Sanctuary of black Alcantara, stripped of all red accents and replaced with Soft Lavender (#E6E6FA) digital interfaces and dashboard telemetry, creating a bridge between classic V12 heritage and future-state "Void-Tech" aesthetics.

LaFERRARI - NEBULA-VOID EDITION

Collection:  Lansing Community College Collection
Type: Hand Sample
Technique: Revopoint MetroX 3D Scanner
Institution: Michigan Geological Repository for Research and Education, Michigan Geological Survey
Location: Amapa, Brazil
Description:

Pyrolusite and Psilomelane

Collection:  Lansing Community College Collection
Type: Hand Sample
Technique: Revopoint MetroX 3D Scanner
Institution: Michigan Geological Repository for Research and Education, Michigan Geological Survey
Location: Portageville New York
Description:

Whetstone

The IIUM Roadmap 2023-2024 strategy framework is made up of overlapping circles resulting in several domains. As the circle overlap, the shade of the domains colour becomes darker. The darkest shade domain shows where the circles overlap the most (i.e. humanising education). Overlapping circles represent the need to work together and eliminate silos, and that everyone is involved in the Whole Institution Transformation. When looked upon in 3D form, the framework can be interpreted as having several layers.

IIUM Roadmap 2023-2024 Strategy Framework

Collection:  Lansing Community College Collection
Type: Hand Sample
Technique: Revopoint MetroX 3D Scanner
Institution: Michigan Geological Repository for Research and Education, Michigan Geological Survey
Location: Boulder County, Colorado
Description:

Ferberite

Collection:  Lansing Community College Collection
Type: Hand Sample
Technique: Revopoint MetroX 3D Scanner
Institution: Michigan Geological Repository for Research and Education, Michigan Geological Survey
Location: Nelson County, Virginia
Description:

Rutile in Feldspar

Collection:  Lansing Community College Collection
Type: Hand Sample
Technique: Revopoint MetroX 3D Scanner
Institution: Michigan Geological Repository for Research and Education, Michigan Geological Survey
Location: Torrington New South Wales
Description:

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