The Doom Slayer is the protagonist and playable character of Doom, Doom II: Hell on Earth, Final Doom, Doom 64, Doom (2016), Quake Champions, Quake III Arena and Doom Eternal (and possibly Doom 3 ). He is also known by the UAC as DM1-5, DOOM Marine or The Slayer, and by the Demons of Hell as the Doom Slayer, the Unchained Predator, the Beast or the Hell Walker. Depending on the version of the character, his real name or aliases include William Joseph "B.J" Blazkowicz and Flynn Taggart. He is known in the flashback subtitles as Doomguy.

Doom Eternal Slayer

The Three Graces (1813-1814), Antonio Canova (?) (1757-1822), Ny Carlsberg Glyptotek (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

The Three Graces, celebrated in classical literature and art, were the daughters of Jupiter (or Zeus in Greek mythology), and companions to the Muses. Thalia (youth and beauty) is accompanied by Euphrosyne (mirth), and Aglaia (elegance).It was commissioned from Antonio Canova by John Russel, 6th Duke of Bedford, who visited the sculptor in his studio in Rome in 1814, and was captivated by the group of the Three Graces which Canova had carved for the Empress Josephine, the estranged wife of Napoleon Bonaparte. She had died in May of that year, and the Duke offered to buy the group from Canova, but Josephine's son claimed it, and that version is now in the Hermitage, St Petersburg.

For more updates, please follow @GeoffreyMarchal on Twitter.

The Three Graces

Disney Cinderella Castle (Joseph St.Arnault)

Mausoleum of the former lord of the castle Joseph Maria Sulkowski and his wife Louise Vecseghy at the cemetery of Feistritz am Wechsel. The neo-Gothic funeral chapel was built in 1892.

![](https://noe-3d.at/SF/mausoleum01.jpg)

Mausoleum

The Statues of Trade and Tolerance in 1892 were originally part of the sculpture of Emperor Joseph II. In the Moravian square. In 1918 the sculpture was dismantled, the statues of Trade and Tolerance wandered first into Denis' slashes and in 2005 they were moved to park Lužánky in Brno.

Tolerance Statue

3D scan of two giant spider crabs (*Macrocheira kaempferi*). These large specimens where a gift from the Japanese Emperor Meiji to Emperor Franz Joseph I in 1882. With a leg span of up to 4 meters, these crabs are the largest living crustaceans in the world. They can weight up to 20 kilograms and are only found in the Pacific Ocean around the Japanese Islands. 

The Japanese giant spider crabs are Number 48 of the NHM Top 100 and can be found in Hall 23 of the NHM Vienna, right behind the [giant clam](https://skfb.ly/onAWG). 

**Specimen**: *Macrocheira kaempferi* (Temminck, 1836)

**Inventory number**: NHMW-ZOO-CR-4381

**Collection**: Natural History Museum Vienna, 3rd Zoological Dept., Crustacean Coll. (curator: Martin Schwentner)

Find out more about the NHMW [here](http://www.nhm-wien.ac.at/en).

Scanned and edited by Anna Haider & Viola Winkler (NHMW)

Japanese Giant Spider Crabs (NHMW-ZOO-CR-4381)

Masada (Hebrew: מצדה‎ metsada, "fortress") is an ancient fortification in the Southern District of Israel situated on top of an isolated rock plateau, akin to a mesa. It is located on the eastern edge of the Judaean Desert, overlooking the Dead Sea 20 km (12 mi) east of Arad.
Herod the Great built palaces for himself on the mountain and fortified Masada between 37 and 31 BCE. According to Josephus, the siege of Masada by troops of the Roman Empire at the end of the First Jewish–Roman War ended in the mass suicide of 960 people, the Sicarii rebels and their families hiding there.
Masada is one of Israel's most popular tourist attractions.  wikipedia

coordinates: 31.317779, 35.354158

photogrammetry from video

Masada Fortress  -RAWscan

3D scan of a skeleton cast of the *Diplodocus carnegii*. These dinosaurs roamed North America 150 million years ago, during the Morrison formation in the Jurassic. 

This cast was gifted to Emperor Franz Joseph I in 1909 from the American tycoon Mr. Andrew Carnegie. The original skeleton of “Dippy” is mounted in the Carnegie Museum of Natural History in Pittsburg, PA, USA.

The *Diplodocus* skeleton is the biggest exhibit at the NHM Vienna and Number 29 of the NHM Top 100. It can be found in Hall 10.

**Specimen**: *Diplodocus carnegii* Hatcher, 1901

**Inventory number**: NHMW-GEO-1909/0004/0003

**Origin**: Sheep Creek, Wyoming, USA

**Collection**: NHMW, Geology & Paleontology Dept., Vertebrate Coll. (curator: Ursula Göhlich)

Find out more about the NHMW [here](http://www.nhm.at/en).

Scanned by Robin Koger, Manuel Preslmayr, Rayyan Salem Ahmed, Viola Winkler & Anna Haider (NHM Wien)

Edited by A. Haider and V. Winkler

Scanner: Artec Leo. Infrastructure funded by the FFG.

3D model updated on 26.6.2024

Diplodocus carnegii (NHMW-GEO-1909/0004/0003)

"The Bromo Seltzer Arts Tower, originally The Emerson Tower, has been a Baltimore landmark since its construction in 1911 and was the tallest building in Baltimore at the time. This historic structure...was modeled after the Palazzo Vecchio in Florence, Italy.  The tower was designed by Joseph Evans Sperry and built by Captain Isaac Emerson...The most interesting feature is the still-functioning tower clock, the face of which displays the word BROMO-SELTZER instead of numbers. Designed by Seth Thomas in 1911, it was the largest four-dial gravity-driven non-chiming clock in the world...The original tower was topped by a 51-foot revolving replica of the blue Bromo-Seltzer bottle, which was illuminated with 596 lights and could be seen 20 miles away. Due to structural concerns, the bottle was removed in 1936."

-The Bromo Seltzer Arts Tower [website](http://www.bromoseltzertower.com/about)

Created in RealityCapture from 1431 images taken with a Nikon D750 and a drone.

Bromo Seltzer Tower

This device, used in operating theatres in the 1870s and 1880s, filled the air with a pungent, yellow mist of an antiseptic called carbolic acid. British surgeon Joseph Lister invented it, hoping it would kill airborne bacteria, reducing the chance of infection during surgery.

Use our 3D carbolic steam spray model in the classroom to bring your curriculum teaching to life: https://learning-resources.sciencemuseum.org.uk/resources/listers-carbolic-spray

Find out more in the Science Museum Group online collection: https://collection.sciencemuseumgroup.org.uk/objects/co163555/

Carbolic Steam Spray

Astronomical quintant

Joseph von Utzschneider – artist / maker
Joseph Liebherr – artist / maker

1st half of the 19th century, Munich, Germany
Jagiellonian University Museum, Collegium Maius

This item is an observational astronomical instrument used to determine the altitude of celestial bodies above the horizon. It consists of a frame restricted by two radiuses and an arc with a scale, an observation telescope, and a mirror system. The arc of the quintant is the fifth part of a circle, hence its name, analogous to quadrants, sextants, and octants (based on the fourth, sixth, and eighth parts of a circle, respectively).

For more images and further information, visit: https://muzea.malopolska.pl/en/objects-list/2779

Inventory number: 4103; 103/V

Localisation of the physical object: Archaeological Museum in Kraków

Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” Project

Astronomical quintant

Venus Verticordia White marble; c.1833-38 By John Gibson

Inscribed on the tortoise's shell: 'OPVS IOANNIS GIBSON ROMAE' Gibson recorded how the wealthy MP Joseph Neeld (1789 1856) had visited his studio in Rome several times before asking him to carve a 'Venus, nude, but with some drapery modestly arranged without sacrificing too much of the form'.

Inspired by Classical prototypes, Gibson showed the Roman goddess of love as an idealised female nude with elegant curves and soft modelling, holding the golden apple, awarded by Paris for her beauty. Although apples are often associated with carnal love, Gibson called his statue Venus Verticordia, or the turner of men's hearts and later recalled how he had

> 'endeavoured to give my Venus that spiritual elevation of character which results from purity and sweetness'.

https://data.fitzmuseum.cam.ac.uk/id/object/31066

Venus Verticordia

Bronze lion on the Schemerl Bridge over the Danube Canal in the 19th district of Vienna. The bridge was built in 1894-1899 to the design of Otto Wagner and named after Joseph Maria Schemerl von Leythenbach, architect and hydraulic engineer. The two lions on the bridge were designed by Rudolf Weyr. The bridge also serves as a weir and, as part of the Nussdorf weir and lock system, regulates the inflow of Danube water into the Danube Canal.

Löwe

Main portal of the Votive Church in Vienna's 9th district. Main portal with rich figural decoration by Johannes Benk (statue of Christ the King in the midst of the apostles, surrounded by models from the Old Covenant (Abel, Noe, Melchizedech, Isaac, Samson, Aaron, Moses); in the gable above the Holy Trinity (by Josef Gasser), on the sides four evangelists and Austro-Hungarian patron saints (Koloman (Lower Austria), Vigilius (South Tyrol), Ägydius (Carinthia), Josef (Styria), Leopold (Lower Austria), Wenzel (Bohemia), Spiridion (Dalmatia), Michael (Galicia), George (Carniola), Rochus (Croatia), Nicholas of Bari (Veneto), Ladislaus (Transylvania), Justus (Trieste), Hedwig (Silesia), Ruprecht (Salzburg), John Nepomuk (Bohemia)) by Franz Melnitzky and Peter Kastlunger), above the rose window “Coronation of Mary” by Gasser.

The construction of the church was initiated by Archduke Ferdinand Maximilian after the rescue of his brother Franz Joseph I (assassination attempt by Johann Libenyi on February 18, 1853).

Portal Votivkirche

Oeuvre de François-Joseph Bosio (1768-1845). Le bronze  (H. : 2,60 m. ; L. : 2,10 m. ; Pr. : 0,95 m) a été fondu en 1824 fondu par Carbonneaux conservée au Louvre.
Le sujet est tiré des Métamorphoses d'Ovide : Achéloüs était le rival d'Hercule pour l'amour de Déjanire ; au cours du combat, Achéloüs se transforma en serpent mais fut vaincu par Hercule. Ainsi Hercule se fit-il aimer de Déjanire. Par la suite, essayant de raviver l'amour qu'il lui portait, Déjanire offrit à Hercule une tunique imprégnée du sang de Nessus qui, au lieu d'être un philtre d'amour, se révéla être un brûlant poison.
La reconstruction 3D prête à l'impression a été réalisée à partir d'une série de photos fournies par "OPOIAK" qui a lui-même publier sur Sketchfab en utilisant Autodesk 123D pour la mise en forme.
Pour tenter de suppimer les quelques défauts du travail d' "OPOIAK" j'ai tenté une reconstruction en utilisant successivement "Reality Capture", puis "Autodesk Remake", puis "Autodesk Netfabb" et enfin "Autodesk Meshmixer".

Hercule combattant Archeloüs

Monumento a Josep Girona i Trius
Antonio Ramón González Lopez 1948
Barcelona

Monumento a Josep Girona i Trius

The Hygieia Fountain is a lead-cast statue fountain created by Johann Martin Fischer and erected in 1787 at public expense. It stands in the forecourt of the Josephinum (9th District, Währinger Straße 25).

The depiction of the goddess Hygieia—symbol of health—directly reflects the function of the building behind it, constructed between 1783 and 1785 as a training institution for physicians and military doctors and today housing, among other facilities, the Institute and Museum for the History of Medicine.

The central figure is a calm, classically inspired female statue dressed in antique-style drapery, standing on a high pedestal. In her left hand she holds a bowl from which a snake drinks, while another snake coils around her right arm—traditional attributes of Hygieia. The pedestal and octagonal basin are made of stone, while the basin railing and water spouts, designed as Medusa heads, are crafted from metal.

https://www.geschichtewiki.wien.gv.at/Hygieiabrunnen
Located at
Van-Swieten-Gasse 3, 1090 Wien

Hygieia Fountain

Dr. Joseph Randolph is the main antagonist of the indie horror game The Heilwald Loophole. As the egotistical chief doctor of the once-prestigious Heilwald Klinikum, he promises that “no one dies at Heilwald” — a creed he twists into horrific reality by trapping the hospital in brutal time loops and subjecting patients and staff to grotesque experimentation and abuse. Charismatic at first, Randolph hides his cruelty behind a calm facade while manipulating, injuring, and torturing those under his care. His unethical “treatments” include removing organs and bizarre procedures that break all medical oaths, reflecting his lack of empathy and genuine medical skill. Behind his politeness lies a remorseless, self-serving madman whose actions spawn the hospital’s monstrosities. In the finale, Randolph’s corruption transforms him into a massive, horrifying creature, and the protagonist must exploit the time loop to defeat him, ending his reign of suffering.

The Heilwald Loophole: Dr. Joseph Randolph

For complete workflow compatibility, we recommend downloading the source format.The viewer version is intended exclusively for browser preview. In the Original format, the following are fully preserved:✔ original scene hierarchy✔ unsimplified materials✔ accurate texture maps✔ proper object namingIf you plan to use this model in production, select the original version.Print by Jean Charles Joseph R mond Ancient Ruins near Messina Sicily 1842 . Public Domain canvas painting with CC0 license for interior decoration.

Painting

A guardian lion carved in limestone (‘Palnad marble’), mounted originally seated upright on the vedika railing at the one of the entrances to the pradakshinapatha. 2nd century BC.

This sculpture was doubtless the model used for the illustration seen opp. p. 166 in ‘Indian Fairy Tales’, selected and edited by Joseph Jacobs with illustrations by John D Batten and published by David Nutt in 1892.

Height: 105 centimetres Width: 32.5 centimetres Length: 60 centimetres (side)

COL: RRI1255

Guardian lion

Collectie Museum Plantin Moretus

Beschilderd withouten klavecimbel met ingebouwde spinet. 
De buitenzijde van de klankkast is in zwartgeschilderd hout. De buitenzijde van het deksel ook in zwartgeschilderd hout met een fijne moreskachtige omlijsting. De binnenzijde van het deksel is beschilderd met een tafereel van de musicerende heilige Cecilia met 4 engelen, met op de achtergrond een landschap. Het onderstel bestaat uit 8 balusterpoten met een omlopende voetregel."

Maker: Joannes Josephus Coenen

datering: 1734/1735

inventarisnummer: MPM.V.II.08.001.1-2 en 2-2

meemoo pid: dz0301114q

Beschilderd klavecimbel met ingebouwde spinet

For full functionality, we recommend downloading the Original format.The viewer version is intended exclusively for browser preview. In the source file, the following are fully preserved:✔ full scene structure✔ unsimplified materials✔ accurate texture maps✔ correct object namesIf you are going to integrate the model into a project, choose the source file.Old textile armchair

Armchair By Joseph Chierowski

For complete workflow compatibility, we recommend downloading the Original format.The converted file is intended only for use in the web viewer. In the Original format, the following are fully preserved:✔ native scene structure✔ all materials without simplification✔ correct PBR texture maps✔ correct object namesIf you plan to use this model in production, download the original version.Print by Edmund Tarbell Josephine Knitting 1917 . Public Domain canvas painting with CC0 license for interior decoration.

Dunblane Cathedral’s cross-slab is a fully ornamented stone carved on both faces, now displayed at the west end of the North Aisle after being found beneath a staircase in the Lady Chapel/Chapter House. It stands just over 6 feet high and is usually dated to the 10th century.

Although often described as a late Pictish sculpture, its date places it in a period of major cultural change. By around AD 900, older Pictish identity was giving way to the new Gaelic-speaking kingdom of Alba, so the stone may be better understood in that context rather than as purely “Pictish”.

The carvings were described in detail by John Romilly Allen in 1881 and later reproduced in The Early Christian Monuments of Scotland (with Joseph Anderson). The rear face includes a dense decorative panel featuring paired beasts, spirals, key-patterns, raised bosses, a small cross, a horseman with spear and hound, a circular disc with cruciform design, and a standing man with staff.

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