Chess-piece; walrus ivory; king: bearded wearing floriated crown, mantle, brooch, tunic, seated upon high-backed chair; holding sheathed sword across knees; chair: back ornamented in two compartments with double floral scroll and dragon with floriated tail: interlaced designs on sides.

Date: circa 1150 - 1200 AD

COL: [MCM3280](http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?partId=1&objectId=398)


Height: 98.31 millimetres Width: 53.67 millimetres Depth: 34.27 millimetres Weight: 215.4 grains

Made by Daniel Pett and Lucy Ellis from 133 photographs taken with a Nikon D5100.

A king from the Lewis chessmen

The sheepskin coat was purchased for the collection of the Tatra Museum from Andrzej Kubin of Ratułów in 1929. The owner of the apparel was a sixty-year-old inhabitant of the village of Ciche, who had worn it on her wedding day. The sheepskin coat, tailored in a fashion typical for women, reaches to the knees and is slightly narrowed at the waist and widened at the bottom. It was fashioned from five pieces of leather: two front pieces, back piece and two sleeves. It is fastened with three wooden buttons covered with white leather, which are slid through loops. The stand-up collar is decorated with red leather binding.

ID no.: E/4027/MT

Time of creation: before 1880

Museum: The Dr. Tytus Chałubiński Tatra Museum in Zakopane

https://muzea.malopolska.pl/en/objects-list/1792

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Sheepskin coat

The Felynn (also known as Kit-Cat and Nekomata) is a reoccurring monster class first introduced in Disgaea: Hour of Darkness.

Appearance
Felynn are depicted as cat girls with long hair tied in a ponytail, with such features as large feline ears, a large bushy tail, arms and legs covered in fur beginning just above the elbows and knees, and large paws instead of hands and feet. They are also depicted with curvaceous bodies, having large breasts and muscular thighs. They wear extremely little clothing, having only small strips of cloth that covers their crotch and partially covers their breasts, and nothing more.

Felynn - Disgaea 7

The PlayStation All-Stars armor model was originally posed differently from the Future Saga Ratchet models. The character stood with slightly bent knees and a forward lean, which prevented it from aligning correctly with the Future-era neutral stance.

To correct this, the mesh was manually adjusted rather than relying on the original armature, which produced poor deformation. Using symmetrical sculpting, the model’s posture was gradually refined until the knees, torso, and overall stance matched the Future Saga base pose.

Additional manual adjustments were also required to align the fingers so that the hands match the orientation expected by the Future Saga rigs.

As a result, the model’s proportions and neutral pose now closely match those used by the Future Saga characters. In theory, this means the Future Saga armature and animations should be compatible with the model. However, the model is currently released without an armature; a Future Saga rig may be applied later when I have time.

Tetrafiber Armor P.S.A.S

For full functionality, we recommend downloading the Original format.The converted file is intended exclusively for browser preview. In the Original format, the following are fully preserved:✔ original scene hierarchy✔ all materials without simplification✔ accurate texture maps✔ proper object namingIf you intend to use the asset in a production environment, download the Original format.A young trendy man standing casually. He s wearing stylish black jeans with ripped knees a black t shirt with large monotone prints and light mesh sneakers. His standout piece is a red puffer jacket that s casually draped off his shoulders.

Streetwise Young Man With Popped Puffer

Mini squats are a controlled lower-body exercise used to strengthen the quadriceps and improve knee stability. Stand with feet shoulder-width apart, bend your knees slightly while keeping your back straight, and return to standing.

Angle Guidelines:

Knee bend: 30°–45°
Hip bend: 20°–30°
Keep heels on ground and knees aligned with toes
Avoid bending beyond 45°

Mini-squts

Anthropomorphic mold for the manufacture of clay figurines, with the image of a woman sitting on her heels and knees. She wears a dress or huipil with long sleeves and a wide collar, which leaves part of the shoulders exposed. A spectacular detail is her hairstyle with a line in the middle and her hair braided on top the head with ribbons, tassels, and pompons. One hand holds her stomach and the other rests on her lap holding a round fan with a decorated edge, probably with feathers. A necklace with three spherical beads and three-strand wristbands, with square beads, complete her outfit. Surroundings of Cobán, Alta Verapaz
 IDAEH Cultural Property No. 16.2.5.0256
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 215

Mold with the image of a Woman

For full functionality, we recommend downloading the Original format.The converted file is intended only for use in the web viewer. In the Original format, the following are fully preserved:✔ full scene structure✔ complete materials without reduction✔ correct PBR texture maps✔ original object namesIf you plan to use this model in production, download the Original format.A tall guy in a green hoodie holding a backpack between his knees puts on his glasses.

Let Me Take A Look

Ceramic whistle in the form of a male figure seated with legs crossed in front and hands resting on the knees. The figure displays well-preserved polychromy: the skin is painted in reddish tones, while the jewelry elements show traces of blue pigment. The character wears a decorated-edge loincloth or skirt, wristbands and anklets, as well as a necklace made of small bells. He also wears a headdress made of knotted cloth. The face features scarification designs on the cheeks and around the mouth, which could be mistaken for a beard. This facial decoration may be linked to identity, status, or ritual symbolism.

 IDAEH Cultural Property No. 1.2.144.1411
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 370

Seated man with facial decoration

Anthropomorphic ocarina in the form of a standing figure with legs apart and hands resting on the knees. The figure wears a bird mask with a long beak, an elaborate headdress, earspools, and a necklace. The instrument features three finger holes or tone holes, two on the obverse and one on the reverse, along with a protruding element that functions as the mouthpiece.

 IDAEH Cultural Property No. 1.2.144.1511
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider"

Anthropomorphic Ocarina

A high-quality 3D model of a blonde woman with long, straight hair and bold makeup posing on a city sidewalk. She is wearing a fitted black faux leather jacket, a black bra or crop top, and shiny, tight faux leather pants with rips at the knees. Her arms are spread out to the sides, and her navel piercing is visible. The scene is lit by bright, natural sunlight, highlighting the texture of the materials and the smoothness of her skin.

Urban Siren in Black Leather

Catwalk Walk Forward High Knees

[link to original model](https://www.tripo3d.ai/app/model/73181bc0-183d-40ed-a76e-2726b27fcf3e)
prompt:
# Stalker shadow of chornobyl videogame styled bowing pose putin with t-shirt logo of letter Z on square background, in bowing pose on knees, in underwear

[Tripo3D] Z Russian man on his knees — TXT>IMG

![](https://projektowaniewnetrz3d.weebly.com/uploads/4/1/3/9/41392913/1770394891556-019c33c2-16c0-7b6d-aed9-fe30b309e500_orig.jpeg)A high-quality 3D model of a blonde woman with long, straight hair and bold eye makeup posing on her knees against a neutral, light gray background. She wears a short white crop top tied at the front, black shorts with decorative lacing at the sides, and white thigh-high socks. On one foot is a black high-heeled shoe with a strap. The scene is evenly lit, highlighting the smoothness of her skin and the details of her clothing.

Jessy

Ceramic whistle in the form of a male figure seated with legs crossed in front and hands resting on the knees. The figure displays well-preserved polychromy: the skin is painted in reddish tones, while the jewelry elements show traces of blue pigment. The character wears a decorated-edge loincloth or skirt, wristbands and anklets, as well as a necklace made of small bells. He also wears a headdress made of knotted cloth. The face features scarification designs on the cheeks and around the mouth, which could be mistaken for a beard. This facial decoration may be linked to identity, status, or ritual symbolism.

 IDAEH Cultural Property No. 1.2.144.1411
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Anthropomorphic effigy vessel, orange in color, representing the body of a woman with legs apart and arms bent at the sides and her hands resting on the knees. The figure lacks a head and feet. A horizontal incised line marks the upper waist, with breasts including nipples, and Usulután-style decoration on the arms and back.
 IDAEH Cultural Property No. 1.2.144.0835
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 338

Anthropomorphic effigy vessel

Brown olmec anthropomorphic figurine, representing a nude seated figure with knees bent outward and hands placed under the thighs. The figure has incised hair tied in a knot on the upper left side, open eyes, a prominent nose, open mouth showing teeth, and a navel outlined by a circle.

 IDAEH Cultural Property No. 1.2.144.0807
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Olmec anthropomorphic figurine

Anthropomorphic whistle representing a figure in the form of the Old God, depicted seated with legs flexed forward and hands resting on the knees. The figure displays attributes associated with old age, including a wrinkled face, a mouth with few remaining teeth, and a sagging body. A turtle carapace on the back is a notable feature, identifying the figure as a Pawahtun (God N). The figure wears a headdress in the form of a snail shell.

IDAEH Cultural Property No. 16.2.5.0943

www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Whistle figurine

Female donor figure to the right of thePieta on front or altar reredos dating from the second half of the 15th century, standing up against the internal face of the eastern wall of the chancel of Strade Dominican Friary (MA070-067001-), Co. Mayo. Described by archaeologist John Hunt as; ‘The lady has a close-fitting tunic, with tight sleeves fastened under the forearms with many buttons. The dress has a high neck and a cross at the throat. She wears a brat or great mantle, thrown back from the upper part of the body, but covering her waist and knees. This is treated in a pocked technique to suggest a heavy rough texture. The treatment of the figure drapery is looser than Ossory types or than the Meath school—though the style has closer affinities with Ossory than with the Dublin Pale. The types are also more sophisticated. The carving shows extreme fineness of detail and is in remarkably good condition'. See Archaeological of Ireland Description at: https://tinyurl.com/2u942udw

Strade Abbey Female Figure

Figurine in the form of a kneeling woman seated on her heels. With her right arm she carries a child, and with her left hand she holds what appears to be a rolled piece of cloth resting on her knees. The facial features of both figures are accentuated with black paint. The woman wears a tall, nearly conical, high-crowned hat with a short brim, placed over a textile headdress. The chest area bears black-painted designs that may represent clothing. The figurine was produced using a mold with hand-modeled details. Although the paint was initially thought to be modern, archaeological precedents exist of very similar figurines painted in the same manner (see, for example, Gómez González 2011: 87). The paint has been determined to be original.

 IDAEH Cultural Property No. 1.2.179.0049
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 322

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