A Dark Knight character I created start to finish within 4 weeks. Used some techniques from Vitaly Bulgarov (Mortal Shell) and Danny Sweeney (Total War: Warhammer) to help create this character. I also took inspiration from the game For Honor. Character concept by Jiwoo Lee. 

Free to download.

If you choose to pick it up please consider giving it a like.

https://www.artstation.com/artwork/xJVllr

Dark Knight

Hello! I really like the new Mortal Kombat 11. I really like Kitana, but I don’t like the fact that with each new part of Mortal Kombat there are more and more clothes on the female characters. I decided to make Kitana from MK11 in a costume from MK9.

I tried to do it the way the developers from NetherRealm would do it. Used programs 3ds Max, Topogun, Substance Painter, xNormal and GIMP.

Kitana MK11 in MK9 suit

Kang Jin Long - Introduction

Kang Jin Long, belonging to the dragon, is Kang. Protected by the big horn, it is one of the twenty-eight constellations in Chinese mythology and the second constellation in the east. It is the god of wind, like a fire bead, located at the neck position in the Canglong constellation, and is the essence of the Canglong, so it is named Kangjinlong. Its appearance and temperament are similar to those of a dragon. It is long, has scales, can fly, and is good at walking. In ancient books, people often see it playing in the water.

In "The Romance of the Gods", its original name is Li Daotong. After being killed in the Ten Thousand Immortals Formation, it was deified.

In "Journey to the West", it once helped Sun Wukong escape from the golden cymbals.

Render ripped by game 《Black Myth: Wukong》

Respect for intellectual property rights, no commercial use.

*I just ripped the model and animation then upload it.*

**Copyright 2024 Game Science All rights reserved.**

Black Myth: Wukong - Kang Jin Long [Static]

Author Hans Christian Andersen, known as H.C. in Denmark, has been immortalized next to Copenhagen's City Hall. 
Already in 1936 there was a proposal for a statue of Hans Christian Andersen on the City Hall square. 
In 1937 Utzon-Frank won a competition for a memorial for the poet. 
However, the statue was not finished by the artist's death in 1955, and it was Luckow-Nielsen who has taken over.

![](https://rigsters.com/sketchfab_img/hans-christian-andersen-3d-scan-rigsters.jpg)

Hans Christian Andersen

Tia Dalma, played by Naomie Harris, is a fictional character from the films Pirates of the Caribbean: Dead Man's Chest and Pirates of the Caribbean: At World's End. It is revealed in At World's End that she is the sea goddess Calypso.

Prior to the events of the films, Tia Dalma was known as the goddess Calypso. Davy Jones, a human, fell in love with her. Calypso gave him the task of guiding the spirits of the dead lost at sea, and Jones accepted the task out of love for her. Jones was granted immortality on the condition that he could return to shore only once every ten years. However, when Jones returned to shore after ten years of service, Calypso failed to appear.

Tia Dalma

This is a 3D model of a Neoclassical statuette, which copies an ancient marble statue in the National Archaeological Museum (Naples). It displays a woman (the goddess Aphrodite? a mortal?) partially draped in her robes. This pose and subject is a statue type called the “Aphrodite Kallipygian” (Callipygian Venus). This modern name came from the Greek words *kallos* (beauty) + *pyge* (buttocks). The original Roman work dates from the 1st c. BCE. It was recovered in the 16th c. missing its head.

**Biobliography**: [Auction Catalog](https://bit.ly/2x11ILY); statue type: [Wikipedia](https://bit.ly/3bQw5DT)

# Ancient World 3D
This model posting is part of [Ancient World 3D](https://exhibits.ulib.iupui.edu/aw3d/items/show/3), a project that provides curated 3D open access content for Classical Studies. The [original model was posted by Scan The World](http://mmf.io/o/71798). This entry was composed by Samantha Schlegel (Dr. Elizabeth Thill, advisor, Cheyenne Eversole, curator).

100.KZ.11 Aphrodite Kallipygos Statuette

The car features gull-wing doors and an innovative fiberglass body structure with a steel backbone chassis, along with external brushed stainless-steel body panels. It became widely known and iconic for its appearance, and a modified DMC-12 was immortalized as the DeLorean time machine in the The car features gull-wing doors and an innovative fiberglass body structure with a steel backbone chassis, along with external brushed stainless-steel body panels. It became widely known and iconic for its appearance, and a modified DMC-12 was immortalized as the DeLorean time machine in the **Back to the Future** media franchise. media franchise.

DeLorean DMC-12

Lovingly sculpted for the folks at Sketchfab. My entry for the Progressive Challenge, Round 1: Mythological Creature. 

Exact Polys: 2,999,892

Link to the quad-based model (split into ten obj's with vert count suffix, ideal for high-quality baking): https://www.dropbox.com/s/bimj2715dw7zio2/Arachne_Quad-Based%20High-Poly.zip?dl=0

Link to the ZTool (for Zbrush users): 
https://www.dropbox.com/s/rnu29mfivj3ftq7/Arachne.ZTL?dl=0


Arachne was once a mortal weaver of unparalleled skill, but she became prideful and arrogant from all the praise she received for her work. She later challenged Athena to a contest to see who was truly the best weaver. Though there were different variations of the story of the contest, there was one similarity shared by all: Athena ended up transforming Arachne into the first spider and made her immortal. She then became the Goddess of challenge, spiders, and weaving. Hence, Arachne's name came to mean "spider" in Greek.

Arachne, Weaver of the Gods

"After five days of entrapment, Henry finds a hole that has opened up in his bathroom wall. The hole leads Henry to a variety of strange areas, inhabited by dangerous and sometimes immortal creatures. In these areas, Henry witnesses the murders of people who are stuck in corresponding realms like him; the murders also occur in the Real World". 

Another tribute to my favorite videogame. Modeled in Blender. Textured in Substance Painter

Horror-hole in the wall

Another mask made for fun. This one is mashup based on the masks Mortal Kombat characters wear.
You can see it printed here:
https://www.myminifactory.com/object/3d-print-ninja-mask-mk-inspired-120178

MK inspired Mask1

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

Figure of Daoist Immortal He Xiangu, 1700s. China, Qing dynasty (1644-1911). Boxwood with colored ivory base; overall: 13.5 cm (5 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 1976.60

Learn more on The Cleveland Museum of Art’s Collection Online: 
https://www.clevelandart.org/art/1976.60

1976.60 Figure of Daoist Immortal He Xiangu

Ganymede with Jupiter's Eagle, 1817, Bertel Thorvaldsen, Marble. 93,3 x 118,3 cm. Thorvaldsen Museum (Copenhagen, Copenhagen). Made with Memento Beta (now ReMake) from AutoDesk.

In Greek mythology the boy Ganymede was carried up into the sky, to the home of the gods on Olympus to be the gods’ taster. According to legend it was Zeus, in the shape of an eagle, who took the beautiful boy from Phrygia in the north-western part of Asia Minor (Turkey). The effect of Thorvaldsen’s sculpture is created mostly by the contrast between the smooth skin of the boy and his trusting nature, which is juxtaposed by the detailed rendering of the eagle’s feathers, its harsh look and its sharp beak. Ganymede was to take the place of Hebe as the taster of the gods, because she spilled the drink – the nectar – that made the gods immortal. Thorvaldsen modelled the group sculpture in 1817 and it exists in several marble copies.

For more updates, please follow @GeoffreyMarchal on Twitter.

Ganymede with Jupiter's Eagle

The Saurus form one of the core species of the conglomerate Lizardmen race, created by the Old Ones to be the warriors and guardians of their society. When the temple-cities are on the warpath, it is the Saurus who make up the hardened core of the fighting forces. This is of no surprise, for the Saurus were created solely for the purpose of warfare and nothing else. They are large and ferocious predator-warriors, so single-minded in their duties that they have no concept of thought, individuality or personality.

**"Thus the Al Nehekharin were destroyed and they collapsed into heaps of skulls and bones strewn across the desert. Their numbers could not prevail against the might of the Stegadons and the rage of the Al Saurim. Although the wailing and sight of the evil hordes would've struck terror into the hearts of mortal men, the Al Saurim were not at all afraid, they just slew anything that came near."**

Saurus

Hanuman is a revered Hindu deity, celebrated as the epitome of devotion (bhakti), strength, and selfless service to Lord Rama. A central figure in the Ramayana, he is a Chiranjivi (immortal) vanara (monkey-humanoid) known for his immense courage, shapeshifting abilities, and loyalty. He is worshipped for removing obstacles, providing strength, and embodying mastery over senses.

Lord Hanuman

Inspired by, but not an exact copy of, the Windfall from Vader: Immortal

Features two fully articulating wings.  

Free to use in your Star Wars or other projects so long as full credit is given.

Link your projects in the comments below!

Delta Windfall

Bastions are the highest stage of augmentation and the title of knighthood within the Order.
Inside their armored bodies resides a living human brain — the noble core of a once-mortal individual. After the ritual known as the “Dusk of Flesh,” the body is permanently abandoned, and the person becomes a steel fortress with no weakness of flesh.

Only the chosen may become Bastions.
All others exist in service to the Order as squires — attendants, fighters, and scouts.

A Bastion is not a machine. It is will and honor sealed within armor, for which the entire Order exists.

Bastion A

Día de los Muertos blends remembrance with celebration, turning the border between life and death into a doorway of color. Families build ofrendas with marigolds, candles, and sugar skulls to welcome returning spirits. Among the festival’s iconic figures stands El Catrín, the elegant male counterpart to La Catrina. Dressed in a sharp suit, top hat, and skeletal grin, he represents a playful truth: death comes for everyone, rich or poor, and dignity lies in accepting that with style. His refined appearance isn’t meant to frighten but to remind celebrants that mortality can be faced with grace, humor, and a well-tailored coat.

El Catrin 1 - t pose - Day of the Dead

Día de los Muertos is a celebration where memory becomes art. Families gather to honor ancestors with altars glowing in candlelight, marigold paths, and the sweet crunch of sugar skulls. Amid the festival’s color strides El Catrín, the dapper skeleton in a tailored suit and polished shoes. He’s the embodiment of elegance in the face of mortality, a reminder that death doesn’t erase dignity—it reveals it. His presence adds a playful sophistication to the holiday, showing that even the afterlife can have style. In the swirl of music, food, and remembrance, El Catrín stands as a symbol of grace, humor, and the shared humanity that binds the living to the dead.

El Catrin 2 - Day of the Dead

Día de los Muertos is a celebration shaped by centuries of cultural blending. Its roots lie in Indigenous rituals that honored ancestors with offerings, flowers, and food, later merging with Catholic traditions brought during colonization. Today, families build ofrendas, light candles, and decorate graves with marigolds to welcome the spirits home. At the center of its modern imagery stands La Catrina, inspired by José Guadalupe Posada’s early 20th‑century engraving of an elegant female skeleton. Originally a satire of upper‑class Mexicans who imitated European fashion, she evolved into a national symbol of identity and mortality. La Catrina reminds celebrants that death is universal, and that it can be faced with dignity, humor, and unmistakable style.

La Catrina - Day of the Dead

Ganesha and his vahana Krauncha turned into stone when Ganesha's father Shiva activated the finish line petrification-immortalization of both the elephant-headed god and his male rodent vahana.

Ganesha and Krauncha, petrified into stone

Día de los Muertos transforms remembrance into celebration, filling streets with marigold paths, candles, and the scent of pan de muerto. Families honor ancestors with ofrendas that glow through the night, inviting spirits home with warmth rather than fear. Moving through this vibrant world is El Catrín, the suave skeleton in a crisp suit and polished shoes. He embodies charm in the face of mortality, a reminder that death is not a shadow but a companion we can meet with confidence and style. His refined presence adds a touch of elegance to the festival, showing that honoring the dead can be both heartfelt and beautifully composed.

El Catrin 3 - Day of the Dead

HEAR ME, MORTALS! THE UNSTABLE GOD IS HERE!

Prepare your puny retinas for SUPER SAIYAN NOVA! This isn't just a transformation; it's a NUCLEAR FUSION ADAPTATION fueled by pure RAGE! He’s arching his spine into the fourth dimension, screaming loud enough to rip reality a new one!

The ground? INSTANT BLACK GLASS! The air? VAPORIZED! We’ve infused EMISSIVE MATERIALS into every molten vein and fiery strand of hair! This beast literally GLOWS with the white-hot intensity of a collapsing star! It’s not a statue, it’s a LIVING REACTOR! GET READY TO BURN!

Super Saiyan Nova (Emissive)

Blazing Phoenix commonly refers to the mythical firebird symbolizing rebirth, immortality, and renewal, often associated with sun gods in Greek and Egyptian lore

Blazing Phoenix

婆籔仙是三十三間堂千手觀音的脅侍仙人，與功徳天同為常隨護法，屬佛教守護神，尊火祀火。其形象源於印度神話中最富有的聖仙，後融入佛教。此尊國寶為鎌倉時代作品，像高156厘米，採用檜木寄木造技法。其頭巾為另木製作，取下後可見頭部地肌雕刻打磨精細並施有彩繪。

Basosen is an attendant immortal​ of the Thousand-Armed Kannon at Sanjūsangendō, serving alongside Kudokuten as a perennial guardian and a Buddhist protector deity who venerates and worships fire. Its iconography originates from a wealthy sage in Indian mythology, later assimilated into Buddhism. This National Treasure​ statue dates to the Kamakura period, stands 156 cm tall, and is crafted using the Japanese joined-wood (yosegi-zukuri) technique with cypress. Notably, its detachable hood is made from a separate piece of wood; beneath it, the scalp is meticulously carved, polished, and painted。

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