This model is derived from the Egyptian Museum of Berlin's 3D scan of the *Bust of Nefertiti,* obtained by Cosmo Wenman after a three-year freedom of information effort directed at the Prussian Cultural Heritage Foundation. For more information about this project see this story: https://reason.com/2019/11/13/a-german-museum-tried-to-hide-this-stunning-3d-scan-of-an-iconic-egyptian-artifact-today-you-can-see-it-for-the-first-time/

The version on display here has been reduced in resolution for optimal online viewing. The complete data set is at [thingiverse.com/thing:3974391](https://www.thingiverse.com/thing:3974391)

Attribution info for the original scan:

Bust of Queen Nefertiti

3D-Model by Trigon Art, Berlin 2008

© 3D Model: Ägyptisches Museum und Papyrussammlung, Staatliche Museen zu Berlin – Preußischer Kulturbesitz

[CC BY-NC-SA](http://creativecommons.org/licenses/by-nc-sa/4.0/)

BUST OF NEFERTITI, FOIA Results

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

The Great Drawing Room has the most sumptuous interior in the house. It was a setting for entertaining, music and dancing. The room is inspired by the magnificent [Baroque](https://en.wikipedia.org/wiki/Baroque) style of the late 17th century. This style provided a suitable opulent backdrop for big parties.

![](https://i.imgur.com/jva4GKy.jpg)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Great Drawing Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

On festive occasions the gentlemen sat here after dinner, smoking cigars and talking. On regular days, however, this was the family sitting room, where they gathered to drink coffee and play board games in the evenings.

The smoking room is inspired by the [Orient](https://goo.gl/pDNk9v). It was common in the late 19th century to decorate with oriental features and the room is typical for the ideals of the time. The style is associated with [colonialism](https://goo.gl/epxUNw) and militarism and was therefore considered to be appropriate for a room for gentlemen. The walls are clad in silk which was meant to give the room a feeling of an officer's tent.

![](https://goo.gl/sDhsJy)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Smoking Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

This was intended as a room for socialising for gentlemen. Those who did not participate in the game could watch from the wall-mounted bench.

The Billiards Room, like [The Dining Room](https://skfb.ly/6uLDI), is done in  a style between [Renaissance](https://goo.gl/9XS59E) and early [Baroque](https://goo.gl/BVsvH2). Note that the windows in both rooms are made up from round antique [lights that have been framed in lead](https://goo.gl/G86YdL).

![](https://goo.gl/vq8wcr)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Billiards Room

This is the Picture Gallery located on the top floor of the [Hallwyl Museum](http://hallwylskamuseet.se/en) in Stockholm, Sweden.

Countess Wilhelmina von Hallwyl was a keen collector of Dutch and Flemish artworks of the Golden Age.

 
The diversity of artists and motifs is representative of the Hallwyl House Collection of Dutch and Flemish masters. The collection constitutes a kind of encyclopedia of the [Golden Age of Dutch Art](https://en.wikipedia.org/wiki/Dutch_Golden_Age_painting).

"See For Yourself" was the catchphrase of the Golden Age. 

Let us take a closer look at some of the highlights! There is more than meets the eye!


Text: Annika Williams

Scan: Erik Lernestål

The images for this project were captured using a Panasonic Lumix GX8 camera with a 25 mm lens.

The Picture Gallery

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

In this room Wilhelmina received callers and attended to her correspondence, something that was an important part of a family's networking.

It was common to display family portraits in this type of room. There are portraits of the Hallwyl daughters, great grandchildren and sons-in-law. 

The Morning Room was one of the reception rooms that were used daily, along with [the Dining Room](https://skfb.ly/6uLDI) and the Smoking Room (link coming soon).

![](https://goo.gl/UUgzJE)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Morning Room

The Gislinge boat was a 12th Century CE working boat found near the village of Gislinge, Denmark, in 1993. Dendrochronological dating puts its date of construction at around 1130 CE. It was probably used for fishing and goods transportation, and by the signs of wear and tear must have been 50 years old by the time it sank. This reconstruction is based off the Gislinge Boat Open Source Project by the Roskilde Viking Ship Museum (@vikingshipmuseum) , which can be accessed here: https://www.vikingeskibsmuseet.dk/en/professions/boatyard/building-projects/gislingeboat-2016

The project included the construction of various different experimental replicas based on the original find, and the publishing of all the plans so that other people around the world could build their own replica! In that spirit, I'm offering this model for free :) Enjoy, and check out the Viking Ship Museum's project website!

Length: 7.7m
Width: 1.5m
Draught: 0.25m

Gislinge Viking Boat

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

This room features the main part of Wilhelmina von Hallwyl’s collection of antique arms and armour.

The collection, typical of its period, focuses on arms for hunting and finely decorated pieces.

The weapons are hung according to their various categories, such as firearms, suits of armour and white-arms, and arranged in neat patterns. 

The esthetical experience of the room and its objects was important.

![](https://goo.gl/24GdE6)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Armoury

1884 - 1895
This is one of the most famous sculptures by Auguste Rodin

[The Burghers of Calais on Wikipedia](http://en.wikipedia.org/wiki/The_Burghers_of_Calais)

Scanned in the garden of Musée Rodin in Paris. Reconstructed from 38 photos with Recap360.

Les Bourgeois de Calais by Rodin

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

After a formal dinner, the ladies would retire to the small drawing room for drinks and conversation. The room was only used on special occasions; normally the doors would have been closed.

The room is based on a 1760s [Rococo](https://goo.gl/Uymjmm) interior at the manor house Äs, one of several country homes that belonged to the Hallwyl family. In the late 19th century, the style was considered feminine, with its soft, curvaceous forms. It was therefore suitable for a ladies’ drawing room or boudoir. 

In a grand home at the turn of the 20th century, rooms were generally gender separated. Some of the interiors were designed for the ladies, and others for men.

![](https://i.imgur.com/4bwdMxM.jpg)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Small Drawing Room

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**
Once the home of [Walther](https://hallwylskamuseet.se/en/) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

In The Serving Room the [footmen](https://goo.gl/9r5oY3) polished silver and put the last touches to the dishes before they were served.
The Serving Room is connected to the basement floor kitchen via the back stairs, a lift and a dumbwaiter. There were separate stairs and passages for the servants so that the work could run smoothly and at the same time not be visible in the grand rooms.
The threshold between this room and the dining room marked an invisible border between the family’s domain and the servants' areas; a border that should not be crossed casually. The servants’ work spaces should be respected. This also applied to the owner of the house.

![](https://i.imgur.com/N7N03Is.jpg)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Serving Room

The Statue of Liberty, designed by Frédéric Auguste Bartholdi.

This replica is located at the Musée des Arts et Métiers in Paris. The statue is almost 3 meters tall and it was quite difficult to take pictures from above.

Statue of Liberty

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

This room was built for Wilhelmina von Hallwyl's collection of European porcelain. Almost all manufacturers of porcelain in the 18th and early 19th century are represented here. The collection consists of more than 500 objects, with pieces from [Meissen](https://goo.gl/jZbQ7q), [Sèvres](https://goo.gl/zUohNG) and [Wedgwood](https://goo.gl/RN1WRm), to name a few.

The collection contains both service sets and figurines. It gives us a good overview of the production of the period in general. In this way it deviates from many contemporary collections that often focused on one category of objects.

![](https://goo.gl/vqUiX3)

The images for this project were captured using an [array](https://goo.gl/ePHjDr) of four Panasonic Lumix GX8 cameras.

The Porcelain Room

Musée du Louvre, Paris, France. This one was tricky to shoot : there are spotlights close to the capital and therefore a lot of lens flare. The lens hood helped a lot.

3D scanned using RealityCapture.

Owls (capital of a column)

Moai, or mo‘ai, are monolithic human figures carved by the Rapa Nui people on Easter Island in eastern Polynesia between the years 1250 and 1500. Musée du cinquantenaire (Brussels, Belgium). Made with CapturingReality.

Nearly half are still at Rano Raraku, the main moai quarry, but hundreds were transported from there and set on stone platforms called ahu around the island's perimeter.The tallest moai erected, called Paro, was almost 10 metres (33 ft) high and weighed 82 tonnes (90.4 tons).[8][9] The heaviest moai erected was a shorter but squatter moai at Ahu Tongariki, weighing 86 tonnes. One unfinished sculpture, if completed, would have been approximately 21 m (69 ft) tall, with a weight of about 270 tonnes. The moai were toppled in the late 18th and early 19th centuries, possibly as a result of European contact or internecine tribal wars.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Moai (replica)

This is Rhinocéros of Alfred Jacquemart, standing in front of the Orsay museum, Paris (http://paris1900.lartnouveau.com/paris07/orsay_musee/statues.htm). The photos are taken from Canon 1000D with 40mm prime.

Rhinocéros in Orsay museum, Paris

The 3D model is a digital reconstruction of a woman's dress from the "Taste" tapestry from the "Lady and the Unicorn" (La Dame à la licorne) series. The set of six tapestries is on display in the Musée de Cluny, Paris (https://www.musee-moyenage.fr/). https://en.wikipedia.org/wiki/The_Lady_and_the_Unicorn
 
A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuIMEUKxFJZovd8aMj_kWBo&si=WddCANzL__nhkB6i

For further details see https://www.academia.edu/35595361/Modernization_of_Medieval_costume_reconstruction_methods_based_on_patterns_analysis

The authors of the 3D model are

Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina https://independent.academia.edu/MariiaMoskvina

(Saint Petersburg State University of Industrial Technologies and Design)

Dress #3 (La Dame à la licorne)

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

Inside the stables at No 4 Hamngatan there is a tack room for the coachman and the tack. It was kept as a museum environment after 1908 when the horses were sold.

The Tack Room

Originally from Babylon, Iraq, on loan to the British Museum, London, from the Vorderasiatisches Museum, Berlin.

More info:

http://blog.britishmuseum.org/2013/12/19/a-loan-from-berlin-a-lion-from-babylon/

http://www.smb.museum/museen-und-einrichtungen/vorderasiatisches-museum/home.html

Panel from King Nebuchadnezzar II’s throne room

**Nom** : Smilodon californicus

**Description** : Copie de crâne d'un Tigre à dent de sabre

**Dimensions** : 30cm/40cm

**Âge **: Pléistocène supérieur

**Localité **: Los Angeles, USA

**Méthhode** : Acquisition on Shinning 3D EinScan Pro + Use of Catia for parts assembling.

**Information suplémentaire** : https://www.musee-delapparent.com/fr/echantillons/fossiles/292-smilodon-californicus


https://www.musee-delapparent.com/
https://www.linkedin.com/showcase/geolabunilasalle/

Tigre à dent de sabre

Phosphatodraco, Maastrichien, discovered in a quarry of phosphates of Morocco then sent to the United States for molding.
Flying reptile of 2m long, one of the last pterosaurs before the great extinction.
Molded skeleton scanned in paleolab (Morocco) and assembled on Blender.

https://www.musee-delapparent.com/
https://www.youtube.com/c/GéoLabUniLaSalle
https://www.linkedin.com/showcase/geolabunilasalle/

Pterosaure

Homo heidelbergensis, -700 000 to -200 000 BCE, Africa and Europe. Musée du cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk.

This ancestor was a great migrator. Some populations migrated to Europe, where they gave Homo neanderthalis; while those who remained in Africa have evolved into Modern Men (Homo sapiens). This period delivered wooden hunting weapons that were machined with good sharp stone tools. This implies a society that begins to structure itself to make the tools, the weapons, to process the slaughtered animals.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Homo Heidelbergensis

Aphrodite, ca 360-340 BC J.-C., Cypriot production, Provenance of Amathonte (Cyprus), excavations of Ed. Paridant, Limestone painted. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap Pro from Autodesk.

This feminine figure, with many jewels, holds a flower in her right hand and a bird, dove or pigeon, in her left hand. These motifs bring her closer to the bearers of offering, like the neighboring sculpture. The turreted crown, a motif from the Middle East, covered with a veil, however, designates it as a deity, Aphrodite, cult very developed on the island of Cyprus.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Aphrodite

**Welcome to [The Hallwyl Museum](https://hallwylskamuseet.se/en/) in Stockholm, Sweden.**

Once the home of [Walther](https://goo.gl/79nUeT) and [Wilhelmina von Hallwyl](https://goo.gl/Y8iiJs).

When the couple wanted to build their own house on No 4 Hamngatan it was natural to include stables in the design. The architect [Isak Gustaf Clason](https://goo.gl/8Yo7MD) drew an interior that followed the standard of the day and the equipment was bought from Bolinder’s mechanical factory. The horses were sold in 1908 but Wilhelmina von Hallwyl decided to keep the interior “to save an image of the stables in its original state, to a certain degree”.

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