Free 8K model: a marble Renaissance-style male bust with finely carved features, subtle surface veining, light weathering and a round plinth.

Marble Bust 01

Free 8K model of a vintage carved lion head sculpture with dramatic flowing mane, ornate wood-like texture, weathered patina and detailed square plinth.

Lion Head

Free 8K model of an antique bronze horse head bust with flowing mane, ornate sculptural details and worn patina on a square plinth.

Horse Head

I decided to completely re-do this project with a different approach, our tutors gave us hints that they like the current League of Legeds style and its workflow , and so I decided to drop the PBR and switch to 100% handpainted style.  
* (((((((and yes i know this looks nothing like me))))




check under plinth for nice surprise

Magic Witch

National Maritime Museum, Greenwich, London

"Figurehead of HMS 'Thames' , a 46-gun fifth-rate (frigate) built at Chatham Dockyard in 1823. It is a vigorously carved male head-and-shoulders bust, white-painted, of a scowling, bearded river god no doubt intended to represent the spirit of the RIver Thames. The base of the figure has a carved rope trim around it and the whole stands on an lettered black plinth. The 'Thames' became a convict ship in 1841 and sank at her moorings in Bermuda in June 1863, when the wreck was sold."

Read more at http://collections.rmg.co.uk/collections/objects/18813.html#T1TAbrkqvVzRo22V.99

100 photos Canon G7x, Agisoft Photoscan, Blender 3D. 

Subject was in a corner and mounted high up - would require step ladder to capture whole.

Figurehead of HMS Thames, 1823 [incomplete]

Farmhouse. Possibly formerly a summer house for the abbots of Burton. Early C16 carcass remodelled in the mid C17 and late C19. Timber framed on stone plinth with closely-spaced uprights (parts replaced by brick) with diagonal struts to gables. Brick and lath and plaster infill panels; brick and sandstone ashlar side stacks to the east; tiled roofs. Large U-shaped plan, open to the south (the main prospect) with later additions against the western limb. Probably formerly of hall and cross wings layout, entered through a screens passage to the western side, but substantially altered to take a central porch and upper storeys. 

Created in RealityScan by Epic Games from 303 images in 00h:19m:29s.

Sudbury Gasworks Digital Imaging is a collaborative team of individuals working together for the benefit of the wider community to help record historic artifacts.

Please feel free to download and use this model. All we ask if that you like, leave a comment and give credit to the author Shiro Morturn.

Thanks

Sinai Park House - Drone Mapping

A highly detailed 3D sculpture of a majestic horse captured mid-gallop, mounted on a low rectangular stone plinth. Inspired by classical public art monuments, this piece showcases powerful muscular anatomy, dynamic motion, and finely sculpted mane and tail flow to emphasize strength and elegance.

The statue features a smooth bronze material with subtle surface variation and a natural green patina, adding realism and timeless character. Designed with clean manifold geometry and optimized topology, this model is suitable for real-time rendering and outdoor decor visualization.

Perfect for:
• Public park environments
• Architectural visualizations
• Historical or classical scenes
• Game environments
• Outdoor monument renders

Technical Details:
• High-resolution 8K textures
• Clean topology
• Manifold mesh
• Optimized for Sketchfab real-time viewing
• PBR workflow ready

**Made with Ai**

Horse 3D sculpture

This Statue of Cupod on stood at the foot of the Aft Grandstaidcase of RMS Titanic on an ornate wooden plinth. The statue of Cupid was lifesized and was cast in Bronze and held an ornate candleubrum which provided aesthetic light. This particular artifact pieCe, to my knowledgeable has never been recovered and was in the middle of the Breakup Zone when Titanic experienced a catastrophic structural failure and split into two pieces. Ripping apart and destroying everything within that radius. 

I do recommend adding a part in the form of a disc to act as a platform as the overall 3D Print is off centre at one side and addIng a disc to the base greatly increases stability. The statue is very quite able to stand on jts own but brcsusr it is very light it will fall kvervif accidently bumped. But overall it is an incredibly detailed and historically accurate model.

Titanic Cupid Cherub

Labradoodle on Plinth

Object: The Collins Monument
Location: Ohio River Valley

**Historical Significance:**
This towering 19th-century pedestal, bearing the family name "COLLINS," is a classic example of Victorian-era funerary architecture. Monuments of this scale and expense were almost exclusively designed to serve as a base for a large crowning statue, such as a draped urn, an angel, or a symbolic figure.

**Preservation Status & The Lost Statue:**
This "Digital Twin" documents a severe loss of historical context. While the heavy limestone pedestal has survived, the crowning artwork has been completely sheared off by kinetic impact or decades of freeze-thaw fracturing. Only jagged, unidentifiable stone anchors remain on the top plinth. Without early photographic records, the original identity of the statue is a permanent mystery. This archive preserves the surviving family name and architectural geometry before the remaining stone succumbs to advanced biological weathering.

Digitization: The American Digital Heritage Project

Collins Monument: Lost Statuary (19th C.)

A powerful 3D model of a Stone Eagle Statue, specifically designed as a gate guardian for grand building entrances or estate perimeters. This sculpture features a stoic, perched eagle on a heavy, multi-layered stone plinth, symbolizing strength and vigilance.

The model is optimized for high-end architectural visualization and physical production. Its robust, solid base makes it an ideal candidate for 3D printing or stone CNC carving. Whether you are detailing a virtual government plaza or creating physical miniatures for a tabletop estate diorama, this eagle provides a classic, authoritative presence.

Style: Neoclassical / Brutalist / Estate Architecture.

Texture: Clean, unweathered stone (perfect for custom material overlays).

3D Printing: Solid manifold geometry with a wide base for easy printing.

Applications: Gatehouse decor, library entrances, ArchViz, and tabletop terrain.

Majestic Stone Eagle Gate Guardian

The whole of Rock 18 is covered in engravings, but this central area holds the greatest concentration, where a number of characteristic forms known as 'huts' occur.

Some of these contain certain realistic features: a central post, a supporting plinth and a roof with projecting beams.

The huts, which are a feature typical of the Camunian area, have been interpreted in various ways: initially as images of real structures such as houses, warehouses (grain stores) and temples.   More recently it has been suggested that they are imaginary places, probably sacred and connected with the afterlife (with cinerary urns from Tuscany & Lazio providing a comparison).   

My own thoughts are that they represent real structures as they occur in village scenes with people and animals around them. The population had to occupy some sort of structures and no other types of dwelling occur on the corpus of engravings in Valcamonica.

Between the huts are warrior figures, goblets, animals, an inverted bird and an inscription.

Valcamonica, Seradina 2 - Rock 18

**Description**: Anglo-Scandinavian stone cross located in the churchyard of St Mary's Church, Rolleston, 0.75m west of the church. The cross is of stepped form and is early medieval and modern in date. The monument includes the base, consisting of a plinth and two steps, of late 19th century date; and an early medieval shaft and cross-head which have been carved from a single block of stone. 

**Methodology**: Photogrammetry Process: High-resolution capture with a Sony RX100 IV (DNG). Controlled lighting via Zhiyun M40 & M20 LED panels. RAW processing in Adobe Camera Raw. Created in RealityScan by Epic Games from 140 images in 00h:13m:11s.

**License**: CC BY 4.0. Model created by Shiro Morturn - Sudbury Digital Imaging for documentation and educational purposes.

Sudbury Digital Imaging is working with Staffordshire Wildlife Trust on the Trent Valley Past and Present project, helping to connect communities with their heritage. (https://www.thetrentvalley.org.uk/projects/tvpp/)

Anglo-Scandinavian cross, St Mary's churchyard

This Product includes: A Full Figure version of the model in 32mm & 72mm scale A Bust in 72mm Scale  A Greatures Nest Base in 32mm-72mm scales All models include Un-supported and Pre-Supported versions The Full figure has been split into  parts for printing and painting convenience(body, Arms and Plinth for bust version) 

Rabbit-Folk Ranger with Base-32mm&72mmScale & 72mmScale Bust

CONCEPT BY: ArcSCULPTED BY: ArcSIZE: 1:8 Display ScalePARTS: 9 Parts (8 busts, 1 plinth) This is it, the perfect bust. Happy April Fools 2026! Comes in 8 versions:  Bust Basic Bust Alternate  Bust Petite Bust Pierced Bust Nipple Tassels Bust Triple (Total Recall, anyone?) Bust XXL (a bit more... stylized) Bust Rat Version (6 boobs!)  — 1:8 Display Scale Busts with Plinth. Fully presupported.

APRIL FOOLS: The Ultimate Bust

A small rock with an isolated figure of a 'hut.' The hut figures are generally less common on the western side of the valley than the east (Naquane, Foppe di Nadro etc.) but there are nevertheless many such depiction here in Seradina and close by in Bedolina.

The huts, which are a feature typical of the Camunian area, have been interpreted in various ways: initially as images of real structures such as houses, warehouses (grain stores) and temples. 

Some of these contain certain realistic features: a central post, a supporting plinth and a roof with projecting beams.

More recently it has been suggested that they are imaginary places, probably sacred and connected with the afterlife (with cinerary urns from Tuscany & Lazio providing a comparison).   

My own thoughts are that they represent real structures as they occur in village scenes with people and animals around them. The population had to occupy some sort of structures and no other types of dwelling occur on the corpus of engravings in Valcamonica.

Valcamonica, Seradina 2 - Rock 17

Wooden sculptures at Malham Tarn are part of a scenic, often muddy, nature trail managed by the National Trust, featuring carvings of animals like rabbits and fish. These sculptures are situated in the woodland areas surrounding the glacial lake, specifically around Great Close Plantation, offering a charming, unexpected artistic element to the hiking experience. 

The sculptures can be found along the walking trails near Malham Tarn, often accessed from Street Gate or near the woodland area.

Carvings include local wildlife and nature-themed subjects, such as a wooden rabbit on a wall, a fish on a plinth, and various sheep sculptures.

The carvings are situated in a landscape famously known as the inspiration for Charles Kingsley's 1863 novel, The Water-Babies. 

Visitors often recommend following the National Trust waymarkers to locate the woodland areas where these wooden, carved figures are hidden.

https://www.nationaltrust.org.uk/visit/yorkshire/yorkshire-dales/malham-tarn-nnr-walk

Malham Tarn Hare Sculpture

Baron Blinkwhistle leans out of the midway’s painted dream like he’s about to hawk you a miracle for a nickel. He’s all theatrical menace and charm: a tall black top hat with a gold band, shock-red curls, arched brows, and a handlebar mustache that practically conducts the air. The expression is pure sideshow—eyes wide, grin gone feral, tongue out in a taunting flourish—caught forever in that moment before the crowd laughs and then wonders why they’re suddenly uneasy. His coat is deep blue with blazing red-and-gold embroidery, like a poster come to life, perched on a small plinth base for display. Perfect for a creepy-fun prop, a stylized NPC collectible, or the “face” of a sinister traveling show.

Baron Blinkwhistle, a carnival ringmaster bust

LOKA Pattern 03 V2: SVAR (Svar-loka) is a monumental Shikhara temple relief built as a fractal tower field and carved into clean stone terraces (“shadow logic”). 

Architectural steps: continuous height is discretized into 8 terrace levels using a sharp sigmoid edge (k=18), and every step riser is undercut by a shadow groove (depth=0.06) for dramatic light separation.

The main spire is capped with a ribbed Āmalaka crown (12 ribs), set on a sharpened Jagatī platform and stepped plinth. PAPP is present but minimized (0.04) as a subtle Hopf stone grain and spectral harmonic.

Built from a 5-level recursion (total 2341 towers, scale ratio φ⁻¹=0.618).

Mesh: 57,170 verts / 114,336 faces, watertight manifold (χ=2), Z range −0.342 → 3.416. 

Seed [49,7,10,16], β*≈20.5, triple (399,40,401), V₄D=1848.

100% algorithmically generated (math-driven). 

“Procedural, math-first construction — the form emerges from the pipeline, not from manual modeling.”

Contact me if you want to know more.

Generated by PAPP Framework

Loka 03 - SVAR Shikhara (Terraced Stone Relief)

Hut figures are common here at Naquane and in the neighbouring Foppe di Nadro park.  some of these on Rock 35 interestingly incorporate natural scratches (glacial striations) on the rock surface into elements of their design.

The huts, which are a feature typical of the Camunian area, have been interpreted in various ways: initially as images of real structures such as houses, warehouses (grain stores) and temples. 

Some of these contain certain realistic features: a central post, a supporting plinth and a roof with projecting beams.

More recently it has been suggested that they are imaginary places, probably sacred and connected with the afterlife (with cinerary urns from Tuscany & Lazio providing a comparison).   

My own thoughts are that they represent real structures as they occur in village scenes with people and animals around them. The population had to occupy some sort of structures and no other types of dwelling occur on the corpus of engravings in Valcamonica.

Valcamonica, Naquane - Rock 35 (3)

For complete workflow compatibility, we recommend downloading the source format.The viewer version is intended for web viewing only. In the source file, the following are fully preserved:✔ native scene structure✔ complete materials without reduction✔ accurate texture maps✔ original object namesIf you intend to use the asset in a production environment, select the source file.Ermes is a marble dining table. The peculiarity of this extraordinary piece of furniture is the plinth consisting of two leaning marble bases that follow the inclination of the top edge. The result is a balanced and dynamic design that communicates strength and solidity. Available as a rectangular 8 seater in specific marble finishes.

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