posible bug: textures not applying in blender. work around: idfk :) my discord is <3UwU<3#3284 just incase lol NOT MADE BY ME

Keqing fbx with textures

Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c6393a-4ebc-11ea-b77f-2e728ce88125)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian’s [Terms of Use](https://www.si.edu/Termsofuse) page.

Baluster vase, from a five-piece garniture (F1980.190-.194)

Medium: Porcelain with cobalt pigment under clear colorless glaze

Dimensions: H x Diam (assembled): 46.3 × 17.2 cm (18 1/4 × 6 3/4 in)

Style: Jingdezhen ware

Type: Ceramic Vessel

Origin:  Jingdezhen, Jiangxi province, China

Date: 1662-1722

Period:  Qing dynasty 

Credit Line:  Gift of Myron S. Falk, Jr. and his sisters, Mrs. Mildred F. Loew and Mrs. Eleanor F. Lenzner

Accession Number: F1980.191a-c
 
EDAN-URL: edanmdm:fsg_F1980.191a-c

Baluster vase, from a five-piece garniture

Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c62634-4ebc-11ea-b77f-2e728ce88125)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian’s [Terms of Use](https://www.si.edu/Termsofuse) page.

Baluster vase, one of three in a five-piece garniture (F1980.190--194)

Medium: Porcelain with cobalt pigment under clear colorless glaze

Dimensions: H x Diam (assembled): 45.5 × 17.1 cm (17 15/16 × 6 3/4 in)

Style: Jingdezhen ware

Type: Ceramic, Vessel

Origin: Jingdezhen, Jiangxi province, China

Date:1662-1722

Period: Qing dynasty

Credit Line: Gift of Myron S. Falk, Jr. and his sisters, Mrs. Mildred F. Loew and Mrs. Eleanor F. Lenzner
    
Accession Number: F1980.192a-c

EDAN-URL: edanmdm:fsg_F1980.192a-c

Baluster Vase, One of Three in a Five-Piece

Chinese knot is a hand-made handicraft. The sentiment and wisdom it shows is just one side of the ancient civilization of the Han nationality.  It was originally sewn and knotted in the Paleolithic age, and then extended to the Han Dynasty. It has evolved into today's decorative craft. The jade worn by people in Zhou Dynasty was often decorated with Chinese knot, while the bronze wares in Warring States period also had the pattern of Chinese knot. It was not until the Qing Dynasty that Chinese knot really became a popular art.

Chinese knotting

A big point cloud of the Humility Brings Prosperity gate, now installed in Gallery 200 at Mia.

*The gate comes from Shanxi province, which, because of its dry climate, contains the largest concentration of surviving historic wooden structures in China. An inscription on the main beam dates the gate to 1858, during the Qing dynasty (1644–1912).*

[More info](https://collections.artsmia.org/art/127331/humility-brings-prosperity-gate-china)

*This imposing gate once formed the entrance to the main courtyard of an urban middle-class family compound. The four-character panel over the doorway reads, Humility Brings Prosperity (Lüqian Jianfeng 履謙漸豐). The gate demonstrates the hallmarks of traditional Chinese architecture: a post-and-lintel structure that supports a graceful gable roof and intricate rafters, as well as brackets that extend the eaves and provide decoration. Like other works of traditional Chinese architecture, no glue or nails were used, and the gate was assembled using only joinery and wooden pins.*

Humility Brings Prosperity gate - point cloud

Old Chinese vase from the Qing dynasty.
Game-ready
![](http://i.pinimg.com/474x/9c/e8/b1/9ce8b1df1a37858d46380ca661dc0712--dinastia-qing-asian-history.jpg)

Chinese Vase

From a dataset of 138 images. The badly textured area was difficult to capture via my smartphone without any selfie stick or other equipment handy as it was a fall to my doom down the mountain if I leaned too far :P

I am told this statue is of a wind lion god. He was with other similar statues at the entrance of a mountain temple in Chongqing, China.

My 3D asset generated with photogrammetry software 3DF Zephyr v4.004 processing 115 images from a Huawei Mate 10 Pro camera.

Entry for 3DFlow Zephyr 2018 World Cup competition, competing as Polarathene / Kazakhstan : https://worldcup.3dflow.net/

Statue - Temple Wind Lion

Chinese knot is a hand-made handicraft. The sentiment and wisdom it shows is just one side of the ancient civilization of the Han nationality. It was originally sewn and knotted in the Paleolithic age, and then extended to the Han Dynasty. It has evolved into today’s decorative craft. The jade worn by people in Zhou Dynasty was often decorated with Chinese knot, while the bronze wares in Warring States period also had the pattern of Chinese knot. It was not until the Qing Dynasty that Chinese knot really became a popular art.

A low-res version of the Humility Brings Prosperity gate, now installed in Gallery 200 at Mia. 
The gate comes from Shanxi province, which, because of its dry climate, contains the largest concentration of surviving historic wooden structures in China. An inscription on the main beam dates the gate to 1858, during the Qing dynasty (1644–1912).

[More info](https://collections.artsmia.org/art/127331/humility-brings-prosperity-gate-china)

*This imposing gate once formed the entrance to the main courtyard of an urban middle-class family compound. The four-character panel over the doorway reads, Humility Brings Prosperity (Lüqian Jianfeng 履謙漸豐). The gate demonstrates the hallmarks of traditional Chinese architecture: a post-and-lintel structure that supports a graceful gable roof and intricate rafters, as well as brackets that extend the eaves and provide decoration. Like other works of traditional Chinese architecture, no glue or nails were used, and the gate was assembled using only joinery and wooden pins.*

Humility Brings Prosperity gate - low-resolution

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

Figure of Daoist Immortal He Xiangu, 1700s. China, Qing dynasty (1644-1911). Boxwood with colored ivory base; overall: 13.5 cm (5 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 1976.60

Learn more on The Cleveland Museum of Art’s Collection Online: 
https://www.clevelandart.org/art/1976.60

1976.60 Figure of Daoist Immortal He Xiangu

A quick texture painting study in Blender. Based on a painting by Youqing (Eugene) Wang. Visit their website! https://wangfineart.com/

Twitter: https://twitter.com/FaruqTawsif

Honeydew Melons

Creator: Imperial court workshop

Time and place of creation: late 18th century, Qing Dynasty, Emperor Qianlong (1735–1796), China

Jagiellonian University Museum Collegium Maius

Inventory number: 15570; 1069/IV

https://muzea.malopolska.pl/en/objects-list/2773

Carved lacquer box

The precious antique cliffy paintings of Stone Forest are carved on the vertical cliffs with connected base, 20 m high. The bottom color of painting is orange, which is painted with reddish brown color. The recognizable image include human head, figure with sword, figure with stick, hunting image; battlefield, acrobatics, sacrificial offerings, dancing, pudenda, star and moon, pictograph" ["image, ox and horse, inverted bell, etc, which were
originally with a sign of Chinese characters as follows："乾隆50年正月30
L"(a lunar calendar of the Qing Dynasty in Chinese history, ie, A.D.1785).
According to the textual research, the earlier images were made before the Eastern Han Dynasty (A.D.25---220), the middle ones are in relation to the original religion of Yi nationality in Stone Forest area, the late ones are probably made by the descendants.

https://commons.wikimedia.org/wiki/Category:Antique_Cliffy_Paintings_of_Stone_Forest

Antique Cliffy Paintings of Stone Forest

Chinese classical furniture combines the dual temperament of solemn and elegant, reflecting the simplicity of Chinese style. Chinese style is reflected in the artistic conception it creates. The soothing mood is always a unique feeling, which makes a poetic life, and flows through the direction of thousands of years. Chinese style is not a complete sense of the retro Ming and Qing Dynasties, but through the characteristics of Chinese style, the pursuit of elegant and elegant, dignified and rich Oriental spiritual realm is expressed.

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