🇬🇧🇺🇸 English-Usa: USS Dwight D. Eisenhower (CVN-69) is a nuclear-powered aircraft carrier currently in service with the United States Navy. Commissioned in 1977, the ship is the second of ten Nimitz-class aircraft carriers currently in service, and is the first ship named after the 34th President of the United States, Dwight D. Eisenhower.

🇮🇩Indo:USS Dwight D. Eisenhower (CVN-69) adalah kapal induk bertenaga nuklir yang saat ini dalam pelayanan dengan Angkatan Laut Amerika Serikat. Ditugaskan pada tahun 1977, kapal ini adalah yang kedua dari sepuluh kapal induk kelas Nimitz saat ini dalam pelayaran, dan merupakan kapal pertama bernama setelah Presiden ke-34 Amerika Serikat, Dwight D. Eisenhower.

🇷🇺 Russia: USS Dwight D. Eisenhower (CVN-69) — атомный авианосец, который в настоящее время находится на вооружении ВМС США. Введенный в эксплуатацию в 1977 году, корабль является вторым из десяти авианосцев класса «Нимиц», находящихся в настоящее время на вооружении, и первым кораблем, названным в честь 34.

USS DWIGHT D.EISENHOWER CVN-69 AIRCRAFT CARRIER

Bronze Indian Somaskanda, 14th or 15th C CE, now in the collection of the Minneapolis Instutute of Art. 

About 60cm x 70cm x 30cm (23 x 26 x 13 inches)

From its description on artsmia.org:

*'Shiva and his wife Uma sit next to each other on double lotus pedestals, between them a residual remnant of their small child, Skanda, now missing from the magnificent bronze. The standard format—known as Somaskanda—arose as early as the 6th century in temples from Tamil Nadu, and remains Shiva’s main manifest form today. In south Indian temples, bronze images play a huge role in devotional practice, where they are treated as living embodiments of the gods. The holes in the base indicate that this particular bronze would have been carried in processions outside the temple grounds.'*

More information:
https://collections.artsmia.org/art/6224/somaskanda-india

Somaskanda, 14th or 15th C CE

Tottieska malmgården in Skansen, Stockholm. Built in 1770. https://sv.wikipedia.org/wiki/Tottieska_malmg%C3%A5rden A film about the restoration: https://www.youtube.com/watch?v=BCk1Irxw414

This scan is part of the work to compare different scanner types and brands for different tasks on behalf of Digisam. Digisam coordinates the digitization of 22 heritage institutions. www.digisam.se

This model is made photogrammetrically with a zoom lens and autofocus. That is not recommended as it gives distortion to the images. I have made it so I can compare to a fix lens, fix focus model and both of those to the laserscans.

Report can be found here: http://hagaeus.se/kunskapsbank/

Created in RealityCapture from 669 images in 02h:46m:28s.
i7, 32 Gb, Gtx 1070.
Olympus OM-D E-M10 Mark II, 14-42 mm @14 mm

Tottieska malmgården, Zoomlens and autofocus

Realistic Alaskan Grizzly Bear - Roaring & Standing - UE5

Unleash the power of the wild with this hyper-realistic Alaskan Grizzly Bear.
Captured in a dramatic standing roar, this asset is designed for high-end cinematics, wildlife simulations, or as a centerpiece "hero" asset in Unreal Engine 5.

Key Features:
Hyper-Realistic Detail: Features individual strand-level fur textures and macro-detail on claws, teeth, and nose.
Cinematic Quality: Rendered with dramatic backlighting and volumetric considerations in mind.
Versatile Use: Perfect for nature documentaries, horror games, or survival simulators.

Realistic Alaskan Grizzly Bear - R3.0

Realistic Alaskan Grizzly Bear - Roaring & Standing 

Unleash the power of the wild with this hyper-realistic Alaskan Grizzly Bear.
Captured in a dramatic standing roar, this asset is designed for high-end cinematics, wildlife simulations, or as a centerpiece "hero" asset in Unreal Engine 5.

Key Features:
Hyper-Realistic Detail: Features individual strand-level fur textures and macro-detail on claws, teeth, and nose.
Cinematic Quality: Rendered with dramatic backlighting and volumetric considerations in mind.
Versatile Use: Perfect for nature documentaries, horror games, or survival simulators.

Realistic Alaskan Grizzly Bear -M2.5

Pecahan sederhana adalah konsep dalam matematika yang digunakan untuk menunjukkan bagian dari suatu keseluruhan. Pecahan ini biasanya dituliskan dalam bentuk a/b, di mana a disebut pembilang (bagian yang diambil) dan b disebut penyebut (jumlah seluruh bagian yang sama besar).

Dalam kehidupan sehari-hari, pecahan sederhana dapat ditemukan saat membagi makanan, seperti kue atau pizza, menjadi beberapa bagian yang sama. Proses memahami pecahan melibatkan pengenalan secara konkret (melalui benda nyata), semi konkret (gambar atau model), dan simbolik (angka dan notasi pecahan). 

Dengan mempelajari pecahan sederhana, siswa dapat mengembangkan kemampuan berpikir logis, memahami perbandingan, serta menerapkannya dalam berbagai situasi sehari-hari.

PECAHAN SEDERHANA

For full functionality, we recommend downloading the original file.The Converted version is intended only for use in the web viewer. In the source file, the following are fully preserved:✔ native scene structure✔ unsimplified materials✔ proper texture maps✔ correct object namesIf you are going to integrate the model into a project, choose the source file.Decorative grass in two modern concrete pots

Miskant Gracillimus Indoor Plant

The runestone Ög 165 stands between Vårfrukyrkan and the main square in Skänninge. It is made of gray granite and is about 230 cm tall. 

The inscription, carved by Torkel, is partly written in verse using the Old Norse poetic meter fornyrðislag, and it is one of the few signed runestones in Östergötland. The text begins on the front of the stone, continues along the left side, and the carver’s signature appears on the right side. 

The stone was rediscovered during repairs to the church in 1874, when its back had been used as a threshold at the northern church door. According to the runologist Erik Brate, the stone resembles Ög 87 at Högby kyrka, suggesting it may originally have come from Högby and could be connected to a man named Toste and his possible widow, Torun.

The runic text can be read as: Torun and the brothers, Toste’s sons, raised this stone in memory of their father. I, Torkel, carved this stone in memory of Toste.

Runestone Ög 165, Skänninge, Sweden

Östergötland Runic Inscription 166 (Ög 166) is a runestone located outside Skänninge in Mjölby Municipality. The stone stands erected at the ruins of a hospital chapel just northeast of the town. About a meter away stands another runestone, Östergötland Runic Inscription N272. Ög 166 is made of granite. The stone was once broken, and a piece is missing. The remaining parts have been rejoined using cement.

"Bolde and Ulv raised these stones in memory of Trond and Farulv, their brothers."

Runestone Ög166, Skänninge, Sweden

http://staircon.com/ <br>Export by <b>Stolmark Marek Kesy</b> (lic 0)

Beniowskiego 84B - Gdansk_obr�bka skanu

Runic inscription Ög 62 is a rune stone that originally stood at Biskopsberga, about 1.5 km northeast of Skänninge. 

The stone is now split into two pieces, one of which has been lost, while the other half has been raised at the remains of Saint Ingrid’s Monastery inside Skänninge. The material consists of gray-red granite.

In addition to the runic band, a Christian cross was also carved on the stone. The inscription on the missing portion is known from older reproductions.

https://sv.wikipedia.org/wiki/%C3%96sterg%C3%B6tlands_runinskrifter_62

Runestone Ög 62, Skänninge, Sweden

rzeźba Mariana Koniecznego UKEN / WydziałSztuki / dr Michał Hyjek

rzeźba Mariana Koniecznego / skan Michał Hyjek

For full functionality, we recommend downloading the original file.The Converted version is intended only for use in the web viewer. In the Original format, the following are fully preserved:✔ original scene hierarchy✔ unsimplified materials✔ correct PBR texture maps✔ original object namesIf you are going to integrate the model into a project, download the source file.Scandinavian Desk Skandi

Scandi Desk

Amongst the Skanderans none of the fighters on foot are as praised as those who fight with great axes. 

Skanderan Lordlings with Great Axes

Św. Grzegorz, z kościoła w Rzepienniku Biskupim

Krągło rzeźbiona figura św. Grzegorza Wielkiego (św. Grzegorza Papieża), wraz z przedstawieniem innego Doktora Kościoła, najprawdopodobniej któregoś ze świętych biskupów - być może św. Ambrożego lub św. Augustyna (zob. MNK I-480) - stanowiła wypełnienie predelli dużego retabulum szafiastego. Grzegorzowi towarzyszy anioł - zazwyczaj atrybut św. Mateusza Ewangelisty. Wyposażanie Ojców Kościoła w atrybuty Ewangelistów było pospolite w ikonografii średniowiecznej. Najwłaściwszym miejscem dla pomieszczenia wizerunków tak Ewangelistów jak i Doktorów Kościoła były predelle ołtarzowe, które stanowiły w sensie dosłownym podstawy dla retabulów, a w sensie przenośnym fundament dla realizowanego przez nastawę ołtarzową zamysłu „łagodnego wzywania grzeszników” słowami Ewangelii - by użyć słów samego św. Grzegorza. Rzeźba pozyskana została z kościoła św. Jana Chrzciciela w Rzepienniku Biskupim.

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