Yunnan Province, China, ~518 million years old.

<i>Vetulicola</i> had a large **body** with triangular **pouches** on either side and a segmented **tail** for swimming. The pouches may be gill slits opening into an internal body chamber, as found in modern tunicates, such as sea squirts and salps. It is thought that <i>Vetulicola</i> fed by drawing water in through the wide frontal opening to internally filter microscopic food particles suspended in water, with waste water expelled through the side pouches.

Created for the First Animals exhibition at Oxford University Museum of Natural History: www.oum.ox.ac.uk/firstanimals

Model by Mighty Fossils: www.mightyfossils.com

Vetulicola cuneata

Made with 3ds Max 2017 and Substance Painter

**From Wikipedia:**
The Corinthian helmet originated in ancient Greece and took its name from the city-state of Corinth. It was a helmet made of bronze which in its later styles covered the entire head and neck, with slits for the eyes and mouth. A large curved projection protected the nape of the neck.

Out of combat, a Greek hoplite would wear the helmet tipped upward for comfort. This practice gave rise to a series of variant forms in Italy, where the slits were almost closed, since the helmet was no longer pulled over the face but worn cap-like. Although the classical Corinthian helmet fell out of use among the Greeks in favour of more open types, the Italo-Corinthian types remained in use until the 1st century AD, being used, among others, by the Roman army.

PBR Corinthian Helmet

LARGE WHIP SNAKE

- Short slow slithering forward.
- Attack to scare with retraction.

Motion captured at the University of Cyprus using Optitrack motion capture system.

Edited by Sami Sabra.

3D scanning and modelling by Digital Life: http://digitallife3d.org/

For more information, please visit our website: http://3dreptiles.cs.ucy.ac.cy/

© Copyrights Graphics and Virtual Reality Lab

3D Cyprus Reptiles: Large whip snake - SCENE 03

Frilled Shark is one of the most primitive and mysterious sharks still alive today, often called a “living fossil” because its appearance has remained almost unchanged for millions of years. This ultra-realistic 3D model accurately captures its elongated eel-like body, wide mouth, needle-sharp teeth, and distinctive frilled gill slits. The model is carefully crafted with clean quad topology, realistic proportions, and detailed surface textures, making it suitable for close-up shots. Ideal for documentaries, educational projects, games, cinematics, and marine biology visualizations. Optimized for performance while maintaining high visual fidelity.

Animated Frilled Shark

A 2026 re-imagining of the Ferrari P80/C one-off. Moving away from the client’s original "Rosso Vero" red, this specimen utilizes a Deep Abyss Black (#050505) liquid-mirror finish to emphasize the wedge-shaped "Sports Prototype" silhouette.

The "Catamaran" rear architecture is left exposed in Raw Titanium, revealing the 3.9L Twin-Turbo V8 core. The signature Huzaifa Innovator Soft Lavender (#E6E6FA) glow is integrated into the front LED slits and the rear diffuser vanes, signaling a fully-active "System-Protocol" state.

FERRARI P80/C - VOID-PROTO

Worm of Regret is a grotesque subterranean aberration born from the psychic remnants of collective guilt. Its gnarled flesh is riddled with blister-like pits, each pulsing with the echo of forgotten sorrows. It slithers through the molten wastes of a forsaken underrealm, feeding on memory, remorse, and the emotional decay of fallen civilizations. The design emphasizes silhouette and surface tension, focusing on weight, asymmetry, and tactile revulsion.

Sculpted entirely in ZBrush, with detailing inspired by skin pathologies, coral formations, and the fungal aesthetics of organic decay. The textures and tone are heavily influenced by the visual languages of FromSoftware and Capcom's Resident Evil series. Rendered in Blender’s Cycles engine.

Worm of Regret

1) Detailed crest with classic Spartan shape

2) Aged bronze finish for an antique look

3) Iconic eye slits and nose guard

Spartan

毘楼勒叉（寺伝原名：東方天）是京都三十三間堂內守護千手觀音的「二十八部眾」護法神之一，為國寶，創作於鎌倉時代，像高165釐米。其尊名為印度語（梵文：Virūḍhaka）的音譯，在佛教中其身份是四天王之一的「增長天」，職責為守護南方。雕像呈現威嚴的護法神形象，但其右手原本所持的法器現已失傳。此像體現了鎌倉時代佛教造像的藝術成就。
English Version
The statue of Virūḍhaka (temple tradition name: Eastern Heaven) is one of the Twenty-Eight Deva Guardians protecting the Thousand-Armed Kannon at Sanjūsangen-dō. A National Treasure​ from the Kamakura period, it stands 165 cm tall. Its name is a transliteration from Sanskrit (Virūḍhaka). In Buddhism, it is identified as "Growth Heavenly King" (Virūḍhaka), one of the Four Heavenly Kings, tasked with guarding the southern direction. The statue presents a majestic guardian form, though the ritual implement originally held in its right hand is now lost. This work reflects the artistic achievements of Kamakura-period Buddhist sculpture.

京都三十三間堂二十八部眾-No.17毘楼勒叉

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19868.1837.1](https://www.online.landessammlungen-noe.at/objects/1247299)

**Material:** Ceramic

**Dimensions:** 5,00x7,45cm

**Dating:** 4500-4301 BCE

The ceramic rim piece shows only minor signs of weathering. The rim is semi-oval in shape and slopes inwards around the circumference. The surface is evenly smoothed both inside and outside. The clay is characterised by a fine, slightly rough and hard texture. The colour of the artefact is a light orange-brown, with traces of red paint visible on both the interior and exterior surfaces.The outer edge of the object features an appliqué in the shape of a flat, triangular goat’s head. This is positioned at a slight angle and has slit-like eyes and forward-facing ears.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Pottery piece with a zoomorphic applique

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19868.1837.2](https://www.online.landessammlungen-noe.at/objects/1247300)

**Material:** Ceramic

**Dimensions:** 5,79 x 4,73 cm

**Dating:** 4500-4301 BCE

The ceramic rim piece shows only minor signs of weathering. The rim is semi-oval in shape and slopes inwards around the circumference. The surface is evenly smoothed both inside and outside. The clay is characterised by a fine, slightly rough and hard texture. The colour of the artefact is a light orange-brown, with traces of red paint visible on both the interior and exterior surfaces.The outer edge of the object features an appliqué in the shape of a flat, triangular goat's head. This is positioned at a slight angle and has slit-like eyes and forward-facing ears.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Polychrome tripod plate (red, orange, and black on light orange) with semispherical supports featuring slits and rattles. The interior is decorated with a skull-like face in profile with ribbons and scrolls, surrounded by a glyphic band encircling the rim, with glyphs outlined in black.
 IDAEH Cultural Property No. 1.2.144.1366
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 219

Tripod Plate with Skull Motif and Glyphic Band

"Death Eater" was the name given to followers of Lord Voldemort. The group primarily consisted of wizards and witches who were radical pure blood supremacists, who practiced the Dark Arts with reckless abandon without regard or fear of Wizarding law. Lord Voldemort used this select group of wizards and witches during both the First and Second Wizarding Wars, employing them as his elite force. They often wore black hoods and masks with snake-like eye slits to cover their faces. Only the members of the inner circle of the Death Eaters had Dark Marks burned into their left forearms. When Voldemort touched one of them, each of the Death Eaters felt it, signaling for them to Apparate to Voldemort's side.

Lego Harry Potter: Death Eater (2019)

A piscina at Youghall Collegiate Church dated to c.1220. The information sign inside explains the use of the two drains and the powers of the slit in the middle.

Made in KiriEngine from 68 images.

Youghal: Collegiate Church piscina

A high-fantasy raid boss featuring a jagged, thorn-covered silhouette and a “void-knight” aesthetic. Clad in matte obsidian plate armor pulsing with glowing cyan-blue veins, the spikes on pauldrons, helm, and limbs create an untouchable close-combat presence. The spiked great-helm with a narrow T-slit visor radiates cold authority. Wielding a massive serrated black greatsword in the right hand and a towering spiked greatshield attached to the left arm with a glowing red rift, this knight embodies extreme defensive and offensive power. Ideal for epic fantasy games, cinematic bosses, and dark medieval scenarios.

Void-Thorn Knight Boss Lightning

Cynthia Velasquez - Victim 16:
When Henry returns to the subway station later in the game, Cynthia has become victim 16 of the 21 Sacraments. She now comes after Henry as the other victims do. She slithers on the ground when being attacked and impales Henry with her bare hands to grab his heart. In the Subway World, she appears at the turnstiles, the Lynch Street Line platform, the men's bathroom, and the King Street Line Platform. If she isn't pinned down in the Subway World with a Sword of Obedience, she will appear in the Building World in Garland's, the alleyway with restaurants, and the room with the numerous locked doors. She will also haunt Room 203 in Apartment World.

Silent Hill 4: Victim 16

Apex Legends Alternator SMG Slithering Strike Reactive

Apex Legends Alternator SMG Slithering Strike

For production-ready use, we recommend downloading the Original format.The converted file is intended exclusively for browser preview. In the original file, the following are fully preserved:✔ full scene structure✔ complete materials without reduction✔ accurate texture maps✔ proper object namingIf you plan to use this model in production, download the original version.Rusted door reslitix scan

Rusted Door

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19868.1837.0](https://www.online.landessammlungen-noe.at/objects/71960)

**Material:** Ceramic

**Dimensions:** 4,8 x 7,72 cm

**Dating:** 4500-4301 BCE

The ceramic piece is composed of two constituent parts. The surface has been smoothed to a consistent level, both internally and externally, ensuring an even finish. The clay exhibits a distinctive texture, characterised by its fine, slightly rough and hard consistency. The colour of the artefact is a light orange-brown, with traces of red and white paint on both the interior and exterior surfaces. The exterior of the object is embellished with an appliqué that comprises a triangular goat's head, rendered in a two-dimensional, flat configuration. The subject is positioned at a slight angle, and possesses slit-like eyes and forward-facing ears.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Zoomorphic ocarina depicting a toad in a swimming posture. It features bulging eyes with modeled eyelids in relief and a closed mouth incorporating the blowing slit. The figure wears a necklace of square plaques, achieved through incised lines. A square decorative element with a central cross, along with volutes on the back, completes the ornamentation. Of particular interest is its double resonance chamber and double indirect mouthpiece with an air duct.

 IDAEH Cultural Property No. 1.2.144.1440
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Double-chamber ocarina with the shape of a Toad

Tripod bowl with lid, brown- black with straight wall, flat base and rectangular supports with rattles elements. The lid features a handle in the form of a seated spider monkey (Ateles geoffroyii) holding a cacao pod with both hands, its tail curled over the top of the lid. The body of the bowl is decorated with an incised band divided into two panels, each containing stylized geometric motifs rendered in incision. It also presents a raised basal flange composed of two bands with motifs resembling either leaves or shells. The supports bear incised decoration and are perforated with two vertical slits.

 IDAEH Cultural Property No.  1.2.159.0006
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images:436

Tripod bowl with lid and monkey handle

A photorealistic 3D model of a blonde woman with long, wavy hair and blue eyes, standing in a sensual pose. She is wearing a fitted, short, lilac strappy dress with a subtle side slit. She wears a silver watch on her left wrist and a large, intricate tattoo on her right calf. She wears white wedge sandals. One hand is on her hip. She is presented against a plain, light gray background with soft, even studio lighting that highlights the texture of the fabric and the smoothness of the skin.

Shyla

A high-quality 3D model of a blonde woman with long, wavy hair and blue eyes posing against a neutral, light gray background. She wears an elegant, flowing black maxi dress with thin straps, a very low neckline, and a high thigh slit. She wears matte, dark brown ballet flats. Her arms are raised behind her head, adding to the sensuality of the pose. The scene is evenly lit, highlighting the texture of the fabric and the smoothness of her skin.

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