Alien moon landing entry for Blockbench challenge.

This model is Compatible for Minecraft Bedrock/Modded Java and is Licensed CC. 
You can get the free .bbmodel format over Mcmodels:
https://mcmodels.net/products/13875/tales-from-hart-the-wayfarer

The Wayfarer

This is a Minecraft Creeper, exported from Blockbench.  Model from the Bedrock Edition of the game.

Minecraft Creeper

Minecaft Bedrock version of the BMW M3 GTR (E46) model from Need For Speed Most Wanted 2005.

BMW M3 GTR (E46) (NFSMW - Minecraft)

Cuween Hill Chambered Cairn, near Finstown, Mainland, Orkney, is a late Neolithic (c.3200-2300 BC) 'Maes Howe'-type tomb.  The tomb is located on the side of the hill and the floor is cut into sandstone bedrock.  The chambers are constructed from fine dry-stone walling with corbelled roofs.  The mound measures c.55 feet in diameter and the main chamber is 8 feet 6 inches tall.

The tomb was partly excavated by James Cursiter in 1888 and more extensively investigated by Malcolm M. Charleston in 1901.  The tomb contained at least 8 burials and the skulls of 24 dogs.  The latter may have been a totemic animal, but they were probably deposited in the Bronze Age rather than the Neolithic.  The tomb sites above the Neolithic settlement site of Stonehall, which was excavated by Prof Colin Richards in the 1990s. 

This site is managed by Historic Environment Scotland and is open to the public.  For more information see CANMORE: http://canmore.org.uk/site/2059

Modelled using 1200 photos taken with a Canon 70d.

Cuween Hill Chambered Tomb, Orkney

i took the textures and model of wither from mo's wither and i took models from other people and turn them into my versions example this i turned this bedrock wither to bedrock wither storm

Mo's bedrock storm

Rock 12, the is the largest area of exposed bedrock at Seradina and, with its hundreds of carvings, constitutes an exceptional window on the world of the Iron Age Valcamonica tribes.

The wide surface is one of the most important and well-known in the whole of Valcamonica rock art and is marked by themes which make it unique in the context of the local Iron Age.

On this small section of Rock 12, a there is a row of relatively small armed warriors who, with their arms aloft, appear to be paying some sort of tribute to a much large, animated, human figure above, who is armed with a shield and long spear.

Valcamonica, Seradina 1 - Rock 12 (5)

Giza V2.1 is a watertight “digital bas-relief” of the Khufu plateau, built as a procedural heightfield on a polar disc and extruded into a closed manifold (χ=2). 

It includes the Great Pyramid, Queen pyramids, Sphinx with enclosure trench, mortuary temple + causeway, boat pits, temenos wall, and surrounding desert/bedrock. 

The Great Pyramid uses a true square plan (Chebyshev metric) with linear height falloff, Petrie-slope calibration (~51.844°), and subtle 8-face concavity via a cos(4θ) term. 

Masonry is expressed as stepped courses (35 visible bands) plus a casing-to-core transition (smooth lower “Tura” vs rough “Mokattam”). 

Micro-engraved cues mark the north entrance and internal axis (Grand Gallery / King’s Chamber hint). 

Geology is enriched by PAPP/Hopf-derived stone grain, fault harmonics, and erosion weighting stronger at lower elevations. 

Mesh: 72,050 verts / 144,096 faces, per-vertex color + normals.

Giza_Great_Pyramid_Khufu | PAPP

Rock 12, the is the largest area of exposed bedrock at Seradina and, with its hundreds of carvings, constitutes an exceptional window on the world of the Iron Age Valcamonica tribes.

The wide surface is one of the most important and well-known in the whole of Valcamonica rock art and is marked by themes which make it unique in the context of the local Iron Age.

The bottom section of Rock 12 comprises warriors (including duels) and horsemen, but it is dominated by an unusual composition of several unarmed humans with their arms pointing downwards.  This is a gesture towards the Earth, unlike the 'praying men' who hold their arms up  as if addressing the sky.

a human figure  larger than the others is positioned in the centre of the composition, His power, which has nothing to do with weapons, is emphasosed by his large hands, large feet and clearly visible gender.  The exceptional elements indicate him as a possible deity, shaman or ancestor-spirit (early Iron Age).

Valcamonica, Seradina 1 - Rock 12 (2)

This is a 3d model concept of the dimension of Icerahn/Icehollow as a planet. 

Icerahn is a fictional dimension from Cube Kid's Diary of an 8-Bit Warrior. It is a dimension of eternal night. The sun never rises, leaving the dimension a cold and barren wasteland. Arches of ice and crystalline rock grace the land. This dimension is home to the citadel of Herobrine and was once a bastion of the Knights of Aetheria. 
In my design, the planet is divided into two halves by a gigantic wall of bedrock, that forms tall spikes/mountains on the surface. Herobrine's fortress is located on the snowy, mountainous side, illuminated by void fire and surrounded by stormy clouds. The other half is a vast forest, shrouded by dark fog. Trees vary in size, though the ones on the back side are the tallest. Blue dots are portals opened from the Overworld, used during the Second Great War. 
Objects are not modeled to scale. Also sorry for the clouds and aurora not being transparent. 

Hope y'all like this.

Icerahn planet

Rock 12, the is the largest area of exposed bedrock at Seradina and, with its hundreds of carvings, constitutes an exceptional window on the world of the Iron Age Valcamonica tribes.

The wide surface is one of the most important and well-known in the whole of Valcamonica rock art and is marked by themes which make it unique in the context of the local Iron Age.

The six ploughing scenes identified on this rock can be interpreted as an Iron Age revival of a theme already present two thousand years before.  Here, yoked horses are depicted. replacing the previous oxen of Neolithic and Bronze Age carvings.  

The plough teams are almost always led by someone with a hoe and sometimes followed by erotic scenes.  The symbolic value of this kind of representation is associated with fertility and fertility rites.

Valcamonica, Seradina 1 - Rock 12 (1)

Low poly Minecraft-style glasses made in Blockbench.

✔ Clean voxel design

✔ Optimized low-poly model

✔ Perfect for Minecraft Bedrock addons, resource packs & renders

✔ Mobile-friendly model

Created by: Kareo Gamerz
Feel free to use with credit.
my curseforge account [Kareo_Gamerz ](https://legacy.curseforge.com/members/kareo_gamerz/projects)

"Do not reupload without permission.”

Minecraft glasses  low poly

Rock 12, the is the largest area of exposed bedrock at Seradina and, with its hundreds of carvings, constitutes an exceptional window on the world of the Iron Age Valcamonica tribes.

The wide surface is one of the most important and well-known in the whole of Valcamonica rock art and is marked by themes which make it unique in the context of the local Iron Age.

The central part of the rock is occupied by the imposing scene of a procession of spear-holding horsemen hunting deer and followed by dogs.  The dogs are unusually represented with their jaws wide open and tongue clearly visible.  The hunting horsement theme is not uncommon in the rock art areas of middle Valcamonica and may probably underline the aristocratic status of the carved figures.  Their high social status and wealth is illustrated by their possession of a horse, which constituted a rare and precious commodity in prehistoric times.

Valcamonica, Seradina 1 - Rock 12 (4)

Rock 12, the is the largest area of exposed bedrock at Seradina and, with its hundreds of carvings, constitutes an exceptional window on the world of the Iron Age Valcamonica tribes.

The wide surface is one of the most important and well-known in the whole of Valcamonica rock art and is marked by themes which make it unique in the context of the local Iron Age.

The bottom section of Rock 12 comprises warriors (including duels) and horsemen, but it is dominated by an unusual composition of several unarmed humans with their arms pointing downwards.  This is a gesture towards the Earth, unlike the 'praying men' who hold their arms up  as if addressing the sky.

A human figure  larger than the others is positioned in the centre of the composition, His power, which has nothing to do with weapons, is emphasosed by his large hands, large feet and clearly visible gender.  The exceptional elements indicate him as a possible deity, shaman or ancestor-spirit (early Iron Age).

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