Angkor Wat is a temple complex in Cambodia and the largest religious monument in the world, with the site measuring 162.6 hectares (402 acres). It was originally constructed as a Hindu temple of god Vishnu for the Khmer Empire, gradually transforming into a Buddhist temple towards the end of the 12th century. It was built by the Khmer King Suryavarman II in the early 12th century in Yaśodharapura, the capital of the Khmer Empire, as his state temple and eventual mausoleum. Breaking from the Shaiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. As the best-preserved temple at the site, it is the only one to have remained a significant religious centre since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors.

[Google Map](https://goo.gl/maps/GiYmfLK3RjL2)

Angkor Wat Temple Cambodia

Ellora is a UNESCO World Heritage Site located in the Aurangabad district of Maharashtra, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring Hindu, Buddhist and Jain monuments, and artwork, dating from the 600–1000 CE period.Cave 16, in particular, features the largest single monolithic rock excavation in the world, the Kailasha temple, a chariot shaped monument dedicated to Lord Shiva. The Kailasha temple excavation also features sculptures depicting the gods, goddesses and mythologies found in Vaishnavism, Shaktism as well as relief panels summarizing the two major Hindu Epics.

There are over 100 caves at the site, all excavated from the basalt cliffs in the Charanandri HillsAll of the Ellora monuments were built during Hindu dynasties such as the Rashtrakuta dynasty, which constructed part of the Hindu and Buddhist caves, and the Yadava dynasty, which constructed a number of the Jain caves.

Ellora Caves | India

Here is the detail scan. link to the collection https://skfb.ly/oCyDJ 

The product of the popularization of pagodas after they were introduced to China . No longer the role of Buddhist pagodas.

It was produced by combining Chinese culture.
Sightseeing, worship, monument purpose. Chinese pagoda.

Gold represents "阳" (Sun, positive) in Tai Chi.
Red represents righteousness and fairness. It is festive and removes evil spirits.

Eight thick pillars make your heart feel that the building is very stable.
Yes, Chinese architectural wisdom. And Chinese 风水 "Feng Shui".

Historically, Chinese dynasties have always been very large. So they keep trying good management systems to extend the life of the dynasty.

The ancient Chinese understood a truth, "水能载舟,亦能覆舟" means "Water can carry a boat, but it can also overturn it." the water is people.

Therefore, the meaning of Chinese architectural style is stability and solemnity.

"天下太平" Mean "Between the sky and the land all the where,all can peace and stability."

Chinese pagoda

GO INSIDE FROM BOTTOM OF THE MODEL
![ Wanfaguiyi Hall](https://www.orientalarchitecture.com/gallery/china/chengde/putuo-zongcheng-monastery/photos/putuo-zongcheng42.jpg)"The Golden Temple" ([1935.50.4633](http://kulturarvsdata.se/SMVK-EM/objekt/html/2656068)). That is what the Swedish explorer Sven Hedin called [Wan fa Gui yi Hall in the Putuo Zongcheng Temple, Chengde](https://en.wikipedia.org/wiki/Putuo_Zongcheng_Temple). In 1929, Hedin travelled to China with the mission to procure a Lamaistic temple to the World Exhibition in Chicago in 1933. An exact model was manufactured at the architect W. H. Liang's workshops in 1932 in Beijing. Two smaller models in scale 1:10 were also made. One of them was sent to Chicago as well. The other was taken to the Ethnographic Museum in Stockholm. It is this model that you can see here as a 3D model.![](https://collections.smvk.se/carlotta-em/web/image/zoom/2536118/Buddhistiska%20glimtar)

Model of the Golden Temple, Wan fa Gui yi Hall

Buddist nun character model made suing Adobe Fuse, Marvelous Designer and Substance painter, editing done usung Blender and 3Ds Max. This model is part of a project showcasing hermits from around the world. Chinese Buddhist and Taoist nun and monks are amoung these people. the project is the broaded the knowledge to the general public about hermits in history and hermits that live in isolation today.

Character Model Buddhist Nun

Ling Xu Zi - Introduction

The Wolf Spirit is a character in the Chinese classical mythology novel Journey to the West.

The Wolf Spirit, whose Taoist name is Lingxuzi, swore brotherhood with the Black Bear Spirit and the White Flower Snake Monster. On his way to attend the Buddhist Clothing Meeting held by the Black Bear Spirit, he was beaten to death by Sun Wukong.

Render ripped by game 《Black Myth: Wukong》

Respect for intellectual property rights, no commercial use.

*I just ripped the model and animation then upload it.*

**Copyright 2024 Game Science All rights reserved.**

Black Myth: Wukong - Ling Xu Zi[Animation Vol.2]

**Low Poly model of a japanese Toro lantern.**

It was made using Blender, Zbrush, Substance Painter and Adobe Photoshop.

**It’s gameready with roughly 1.8k triangles and 892k vertices.**

If you enjoy this Model please some feedback in the comments!

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In Japan, a tōrō (灯籠 / 灯篭, 灯楼, light basket, light tower)is a traditional lantern made of stone, wood, or metal. Like many other elements of Japanese traditional architecture, it originated in China where they can still be found in Buddhist temples and Chinese gardens. They are not as common in Korea and Vietnam as they are in China or Japan. In Japan, tōrō were originally used only in Buddhist temples, where they lined and illuminated paths. Lit lanterns were then considered an offering to Buddha. Their use in Shinto shrines and also private homes started during the Heian period (794–1185).

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Follow me on:

Artsation: https://www.artstation.com/andereberna 
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Japanese Toro

# #30 Fly Trap - Catch "Inktober2019

If hunting is an art! This is a damn torture!

**What we need to do this experiment:**

- 1º A knot in the brain
- 2º An iron hulk with locking mechanisms
- 3º Smell very bad, (I recommend two weeks without taking a shower)
- 4º to have obtained the patience of a Buddhist monk
- 5º damn, put "bait" for flies, nothing to wear lingerie

#30 Fly Trap - Catch "Inktober2019

Black Myth: Wukong - Ling Xu Zi [Static]

Made in China in 2018, this statue is of an ancient man called Bhaiṣajyaguru, also known as the Medicine Buddha – someone that Buddhists believe can help reduce suffering.

Use our 3D medicine Buddha model in the classroom to bring your curriculum teaching to life:  https://learning-resources.sciencemuseum.org.uk/resources/medicine-buddha

Buddha Statue

Cave 20 at the [world heritage site Yungang](http://whc.unesco.org/en/list/1039), one of the largest Buddhist cave temples (grottoes) in China. Cave 20 belongs to the famous Tanyao Five dated to 460-465.

Yungang Cave 20

Gilt bronze statuette of Sakyamuni Buddha seated on a lotus throne. The gesture (*mudra*) of the right hand of the Buddha suggests he is preaching the Buddhist law. H. 68 centimeters (base included). Dated late Tang or Five Dynasties (10th century). Excavated from the crypt of the Thunder Peak Pagoda (Leifengta) in Hangzhou, China. Now exhibited at the Zhejiang Provincial Museum Gushan Branch in the same city.![](https://flic.kr/p/23JYekD)

Gilt bronze statuette of Sakyamuni Buddha

A statue of the Chinese Zodiac Ox. Carved Out of Granodiorite. The Statue resides at the Kek Lok Si Buddhist Temple in Penang. It is located on the upper terrace of the temple, near the 30m tall statue of Kuan Yin.

Just don't look at the horrible texture on its belly :P

http://kekloksitemple.com/

Ox Statue (Kek Lok Si Buddhist Temple, Penang)

Bodhisattva, Shanxi Province, Jin Dynasty, c. 1200, Cassia wood, traces of polychromy, rock crystal. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap from AutoDesk.

A bodhisattva is a "promised enlightenment," but delays its entrance into nirvana to help all living beings to attain illumination. The crystalline pupils are made of rock crystal. Such care is justified by the fact that the consecration of a Buddhist statue consisted in opening his eyes ritually. This ceremony gave him a soul and made it an object of worship. The tiara in her hair, the necklace on her chest, the drapery retained at the waist by an elaborate belt are the image of the historical Buddha, Shakyamuni. The bodhisattva originally stood in a temple next to a larger Buddha. The present presentation at the museum aims to restore the oblique angle of vision under which it appeared to the visitor in the Chinese sanctuary.

For more updates, please follow @GeoffreyMarchal on Twitter.

Bodhisattva

> China, early Ming dynasty, 15th century
> 
> Wood with remains of colouring

> Guanyin, the Bodhisattva of compassion, sits here on a rock in the paradise of Potalaka, a bent leg connoting "royal serenity". According to the traditional visual vocabulary, she is gazing at the moon reflected in the surface of the water at her feet. Her crown bears an image of the Buddha Amithaba (Chinese Emituofo), to whom Guanyin is assigned in the Buddhist pantheon.

455  images captured on an iPhone 15 Pro in 11 minutes at Museum für Kunst und Gewerbe, Hamburg.
  
Processed in RealityCapture, edited in Blender.

Water Moon Guanyin

此尊造像為京都三十三間堂（蓮華王院）內守護千手觀音的「二十八部眾」護法神之一，屬於其中「四龍」尊格，被奉為司掌慈雨與善水的海龍王。雕像為鎌倉時代（13世紀）木造傑作，現已列為日本國寶。其形象威嚴磅礡：頭戴精雕龍首寶冠，身著細膩鎧甲，右手持劍，左手則握持一條蜿蜒的白龍，雙足穩踏岩座。整體姿態挺拔，鎧甲表面呈現出深沉的金屬質感與歲月斑駁，展現了鎌倉時代佛教雕塑將神祇威儀與高超寫實技法相結合的巔峰成就。

This statue is one of the Twenty-Eight Deva Guardians protecting the principal Thousand-Armed Kannon at Sanjūsangen-dō (Rengeō-in) in Kyoto, specifically one of the “Four Dragon” deities revered as the Dragon King of the sea who governs benevolent rain and pure water. A wooden masterpiece from the Kamakura period (13th century) and a designated National Treasure, the figure is majestically portrayed: wearing an intricately carved dragon-head crown, adorned with detailed armor, holding a sword in its right hand and grasping a coiled white dragon in its left, standing firmly on a rock base. The dignified posture and the deep metallic texture with subtle patina on the armor exemplify the peak of Kamakura-period Buddhist sculpture, masterfully blending divine majesty with superb realism.

京都三十三間堂二十八部眾--裟伽羅龍王

五部浄居（寺伝原名：金色孔雀王）是京都三十三間堂內守護千手觀音的「二十八部眾」之一，為國寶，創作於鎌倉時代，像高162釐米。其身份相當於天龍八部眾中的「天」，是代表去除物欲的五個最高天界的守護神。雕像特徵之一是其寶冠上飾有象頭，可能與神祇Vinayaka（伽內什）相關。整體造型莊嚴，體現了鎌倉時代佛教護法神像的典型風格。

The statue of Gobu-jogo (temple tradition name: Golden Peacock King) is one of the Twenty-Eight Deva Guardians protecting the Thousand-Armed Kannon at Sanjūsangen-dō. Designated a National Treasure​ from the Kamakura period, it stands 162 cm tall. It corresponds to the “Deva” among the Eight Legions, representing the guardian deity of the five highest heavens free from material desires. A distinctive feature is the elephant head adorning its crown, possibly linking it to the deity Vinayaka (Ganesha). The statue presents a solemn form, exemplifying the classic style of Kamakura-period Buddhist guardian sculpture.

京都三十三間堂二十八部眾-No.20五部浄居

提頭頼吒王（寺傳名：五部浄）是京都三十三間堂的「二十八部眾」護法神之一，為國寶。此尊鎌倉時代造像高166厘米，其身份是守護須彌山東方的四天王之持國天，職責為警固佛界。雕像呈現典型的武士護法形象，身著精緻鎧甲，面容威嚴，姿態穩健，體現了鎌倉時代佛教造像的力量感與寫實風格。

The statue of Dhṛtarāṣṭra (Jikokuten) is one of the Twenty-Eight Deva Guardians at Sanjūsangendō, a National Treasure​ from the Kamakura period, standing 166 cm tall. As the Heavenly King Who Upholds the Realm​ of the Four Heavenly Kings, he guards the eastern slope of Mount Sumeru, protecting the Buddhist domain. The statue embodies the classic guardian-warrior form, featuring detailed armor, a stern expression, and a solid posture, showcasing the powerful realism characteristic of Kamakura-period Buddhist sculpture.

京都三十三間堂二十八部眾-No.12提頭頼吒王

大弁功徳天（吉祥天）是三十三间堂内千手观音的重要胁侍，为“二十八部众”护法神之一。此国宝雕像创作于镰仓时代，像高166厘米。其形象为端庄的女性天神，头戴宝冠，身披天衣，常手持宝珠，象征吉祥与财富。雕像风格写实典雅，展现了镰仓佛教艺术的高超技艺。

Daibenkudokuten (Kichijō-ten/Goddess of Fortune) is a principal attendant​ of the Thousand-Armed Kannon and a guardian deity among the “Twenty-Eight Deva Guardians” at Sanjūsangendō. This National Treasure​ statue dates to the Kamakura period​ and stands 166 cm tall. Depicted as a graceful female deva​ wearing a crown and celestial robes, she often holds a wish-fulfilling jewel, symbolizing auspiciousness and prosperity. The statue exemplifies the refined realism and skilled artistry of Kamakura-period Buddhist sculpture.

京都三十三間堂二十八部眾-No.14大弁功徳天

伊鉢羅（寺傳名：滿善車王）是京都三十三間堂內守護千手觀音的「二十八部眾」護法神之一，與裟伽羅龍王同為經典護法。此尊國寶雕像創作於鎌倉時代，像高164厘米，為銅造立像。其最大特征在於頭頂與眉部雕刻出鮮明的鰭狀造型，形象威猛獨特。雕像身披鎧甲，雙手持法器，足踏岩座，整體姿態剛健，充分展現了鎌倉時代佛教雕塑在表現護法神威嚴與力量感上的高超技藝。
English Version
Ibadara (temple tradition name: Manzensha-ō) is one of the Twenty-Eight Deva Guardians protecting the Thousand-Armed Kannon at Sanjūsangen-dō in Kyoto, often paired with Sāgara Nāgarāja. Designated a National Treasure, this 164-cm tall standing bronze statue dates to the Kamakura period. Its most distinctive feature is the prominent fin-like forms carved into its hair and eyebrows. Clad in armor, holding ritual implements in both hands, and standing on a rocky base, the figure embodies a vigorous and formidable presence, showcasing the masterful Kamakura-period artistry in expressing the awe-inspiring power of Buddhist guardian deities.

京都三十三間堂二十八部眾-伊鉢羅Ibadara

毘沙門天是京都三十三間堂的國寶雕像，創作於鎌倉時代，像高161厘米。其身份為四天王之多聞天，是守護北方的戰神與福德之神。雕像的顯著特徵是左手持握象徵勝利與福德的寶塔，通常身披鎧甲，呈現威武的武士護法形象，體現了鎌倉時代佛教護法神像的雄健風格與精湛工藝。

The statue of Vaiśravaṇa (Bishamonten) at Sanjūsangendō is a National Treasure​ from the Kamakura period, standing 161 cm tall. As Vaiśravaṇa, the Heavenly King of the North​ among the Four Heavenly Kings, he is revered as a god of victory and fortune. The statue's defining attribute is the jeweled pagoda held in its left hand, symbolizing triumph and blessings. Typically depicted in armor as a majestic warrior-guardian, it exemplifies the robust style and masterful craftsmanship of Kamakura-period Buddhist guardian deity sculptures.

京都三十三間堂二十八部眾-No.11毘沙門天

毘楼勒叉（寺伝原名：東方天）是京都三十三間堂內守護千手觀音的「二十八部眾」護法神之一，為國寶，創作於鎌倉時代，像高165釐米。其尊名為印度語（梵文：Virūḍhaka）的音譯，在佛教中其身份是四天王之一的「增長天」，職責為守護南方。雕像呈現威嚴的護法神形象，但其右手原本所持的法器現已失傳。此像體現了鎌倉時代佛教造像的藝術成就。
English Version
The statue of Virūḍhaka (temple tradition name: Eastern Heaven) is one of the Twenty-Eight Deva Guardians protecting the Thousand-Armed Kannon at Sanjūsangen-dō. A National Treasure​ from the Kamakura period, it stands 165 cm tall. Its name is a transliteration from Sanskrit (Virūḍhaka). In Buddhism, it is identified as "Growth Heavenly King" (Virūḍhaka), one of the Four Heavenly Kings, tasked with guarding the southern direction. The statue presents a majestic guardian form, though the ritual implement originally held in its right hand is now lost. This work reflects the artistic achievements of Kamakura-period Buddhist sculpture.

京都三十三間堂二十八部眾-No.17毘楼勒叉

薩遮摩和羅（寺伝原名：摩醯首羅王）是京都三十三間堂內守護千手觀音的「二十八部眾」護法神之一，為國寶，創作於鎌倉時代，像高159釐米。其原型為印度教三大主神之一的濕婆神（Śiva），在佛教中被譯為 「大自在天」​ ，被視為統治物質世界的最高神祇。雕像呈現護法神的威嚴造型，體現了鎌倉時代佛教藝術對印度教神祇的吸收與融合。

The statue of Sache Mahora (temple tradition name: Maheshvara) is one of the Twenty-Eight Deva Guardians protecting the Thousand-Armed Kannon at Sanjūsangen-dō. Designated a National Treasure​ from the Kamakura period, it stands 159 cm tall. It represents the Hindu god Śiva, known in Buddhism as "Great Lord of Heaven" (Maheśvara), the supreme deity ruling the material world. The statue exhibits a majestic guardian form, showcasing the Kamakura period's assimilation and synthesis of Hindu deities into Buddhist art.

京都三十三間堂二十八部眾-No.19薩遮摩和羅

For complete workflow compatibility, we recommend downloading the original file.The converted file is intended exclusively for browser preview. In the source file, the following are fully preserved:✔ native scene structure✔ complete materials without reduction✔ accurate texture maps✔ proper object namingIf you plan to use this model in production, download the Original format.A high quality 3D sculpture of a Standing Bodhisattva depicted in a graceful pose on a lotus pedestal. The model features intricate details on the crown jewelry and flowing robes capturing the essence of classical Buddhist art.

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