A Hindu temple, or mandir or koil in Indian languages, is a house, seat and body of divinity for Hindus. It is a structure designed to bring human beings and gods together through worship, sacrifice, and devotion. The symbolism and structure of a Hindu temple are rooted in Vedic traditions, deploying circles and squares. It also represents recursion and the representation of the equivalence of the macrocosm and the microcosm by astronomical numbers, and by "specific alignments related to the geography of the place and the presumed linkages of the deity and the patron". A temple incorporates all elements of the Hindu cosmos — presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and the essence of life — symbolically presenting dharma, artha, kama, moksa, and karma

Hindu temple

Aphrodite, ca 360-340 BC J.-C., Cypriot production, Provenance of Amathonte (Cyprus), excavations of Ed. Paridant, Limestone painted. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap Pro from Autodesk.

This feminine figure, with many jewels, holds a flower in her right hand and a bird, dove or pigeon, in her left hand. These motifs bring her closer to the bearers of offering, like the neighboring sculpture. The turreted crown, a motif from the Middle East, covered with a veil, however, designates it as a deity, Aphrodite, cult very developed on the island of Cyprus.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Aphrodite

A majestic 3D model of a towering holy angel with radiant golden wings and a mysterious, faceless head. Designed to feel divine, powerful, and otherworldly, this celestial being fits perfectly into fantasy games, cinematic scenes, and epic world-building projects.
Its glowing wing details, massive silhouette, and sacred aesthetic make it ideal for environments that need a divine guardian, ancient deity, or heavenly protector.

Holy Faceless Angel with Golden Wings

Green Tara, 14th-15th century CE, now in the collection of the Minneapolis Institute of Art. 

From the sculpture's description on [artsmia.org](https://collections.artsmia.org/art/31183/green-tara-tibet) :

*Green Tara is one of the most revered female bodhisattvas, a being who postpones enlightenment to assist others on earth. She is the companion of the Cosmic Buddha Amoghasiddhi and equally transmits his gifts to the worshiper. Remarkable for its size and age, this statue is made from pieces of sheet copper—some now missing—that were hammered, formed, and fastened with rivets. The deity’s right hand, opened in the gift- bestowing gesture, would have rested on her right knee. Her left hand once held the stem of a lotus, which blossomed at her shoulder.*

This model has been repaired for Sketchfab sharing - the upper legs are open in the actual sculpture, but closed and textured in this model.

Green Tara, 14th-15th century CE

哪吒闹海 阴沉木雕 Nezha Conquers the Dragon King Sandalwood Carving

由中国工艺美术大师梁丰助于2001年制作

现收藏于中国衡阳南岳梁丰助工艺美术馆

高24.3公分  长86公分

Hight 24.3CM  Length 86CM

Nezha (哪吒) is a protection deity in Chinese folk religion. His official Taoist name is "Marshal of the Central Altar" (中壇元帥). He was then given the title "Third Lotus Prince" (蓮花三太子) after he became a deity. 

https://en.wikipedia.org/wiki/Nezha

哪吒闹海 阴沉木雕 Nezha Conquers the Dragon King

**Edit:** [My final challenge entry here!](https://skfb.ly/6ysKL)

And yet **another WIP** for Sketchfab Texturing Challenge, with simpler (so less convincing) but much more optimized materials and textures (2k only, hence a lack of details...) than on the [Aquamarine Venus](https://skfb.ly/6xY6Y).

Considering the challenge "philosophy" (representation of gender in classical sculpture), I am not 100% convinced by the naive burnt/amber/fire war figure vs. washed/aquamarine/water deity opposition, and these models don't really have a "classical sculpture" feel to them...

I guess I'll have to make a choice if I ever want to participate in the contest!

Based on "[Doryphoros (The Spear Bearer)](https://sketchfab.com/models/2b213f98afa742a5880af130b4d4eddc)" and "[Venus de Milo (Aphrodite of Milos))](https://sketchfab.com/models/53082b5d6cef4c34a9701a2a24f58075)" by [SMK – National Gallery of Denmark](https://sketchfab.com/smkmuseum), licensed under CC Attribution

WIP - Amber / Aquamarine statues

Ceramic incense burner support, or tubular chimney, featuring the modeled face of a deity.
 IDAEH Cultural Property No. 1.2.179.0082
www.fundacionrutamaya.org


Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Incense Burner Holder

Hanuman is a revered Hindu deity, celebrated as the epitome of devotion (bhakti), strength, and selfless service to Lord Rama. A central figure in the Ramayana, he is a Chiranjivi (immortal) vanara (monkey-humanoid) known for his immense courage, shapeshifting abilities, and loyalty. He is worshipped for removing obstacles, providing strength, and embodying mastery over senses.

Lord Hanuman

五部浄居（寺伝原名：金色孔雀王）是京都三十三間堂內守護千手觀音的「二十八部眾」之一，為國寶，創作於鎌倉時代，像高162釐米。其身份相當於天龍八部眾中的「天」，是代表去除物欲的五個最高天界的守護神。雕像特徵之一是其寶冠上飾有象頭，可能與神祇Vinayaka（伽內什）相關。整體造型莊嚴，體現了鎌倉時代佛教護法神像的典型風格。

The statue of Gobu-jogo (temple tradition name: Golden Peacock King) is one of the Twenty-Eight Deva Guardians protecting the Thousand-Armed Kannon at Sanjūsangen-dō. Designated a National Treasure​ from the Kamakura period, it stands 162 cm tall. It corresponds to the “Deva” among the Eight Legions, representing the guardian deity of the five highest heavens free from material desires. A distinctive feature is the elephant head adorning its crown, possibly linking it to the deity Vinayaka (Ganesha). The statue presents a solemn form, exemplifying the classic style of Kamakura-period Buddhist guardian sculpture.

京都三十三間堂二十八部眾-No.20五部浄居

Plate with divergent walls and a flat base, decorated at the center with the image of a stylized deity bearing a shell and a monstrous head, associating the figure with the aquatic underworld. Surrounding the central image are several oval elements related to water, as well as red and black volutes. A decorative band, divided into two sections, encircles the interior wall: one section features black triangles, while the other displays stepped fret motifs and additional abstract elements. The piece was ritually "killed", with a intentional perforation at the center.
IDAEH Cultural Property No.  16.2.5.0063
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Plate with Aquatic Underworld Deity

畢婆伽羅是京都三十三間堂內守護千手觀音的「二十八部眾」之一，與鳩槃荼同為「天龍八部眾」護法神。此尊國寶雕像創作於鎌倉時代，像高164釐米，為金銅鑄造。其形象為威武的武士立姿，頭戴火焰背光寶冠，面容忿怒，身著細膩的甲胄與飄逸天衣。根據圖像所示，雕像右手置於身側；左手則呈握拳或持物狀，其法器現已缺失。​ 整體姿態威嚴穩健，足踏岩座，展現了鎌倉時代護法神像的典型風格。

The statue of Vibhakara (Mahoraga) is one of the Twenty-Eight Deva Guardians protecting the Thousand-Armed Kannon at Sanjūsangen-dō, revered alongside Kumbhāṇḍa as a protector deity among the “Eight Legions.” This National Treasure, cast in gilt bronze during the Kamakura period, stands 164 cm tall. Depicted as a formidable warrior in a standing pose, it wears a crown with a flaming mandorla, an angry expression, and detailed armor with flowing celestial robes. Based on the provided image, the statue's right hand is resting at its side; its left hand is clenched or posed as if holding a ritual object, which is now missing.​ Standing firmly on a rock base, its dignified posture exemplifies the classical style of Kamakura-period guardian sculpture.

京都三十三間堂二十八部眾-No.24畢婆伽羅

*A high-quality 3D model of a traditional Eastern sculpture depicting the deity Indra riding his celestial multi-headed elephant, Airavata. The figure is captured in a majestic, ceremonial pose, featuring intricate traditional ornaments and authentic symbolic details. This detailed artistic piece is designed to bring a spiritual, mythological, or historical atmosphere to any digital environment. Can be used as a high-fidelity game asset or a premium render prop in your scene.

* Texture 2 sets:

1. Sacred Jade
2. Blue Jade

* PBR textures 4096x4096  .png 8 bit dithering:

* Base color 
* Metallic 
* Normal OpenGl 
* Roughness 
* Displacement

* Geometry:

* Size: 0.1x0.14x0.35m
* Textel density:  110 px/cm

Textures made in Substance Painter

Files are packed in .blend and .fbx.

All objects are made in proportion to the real world.

If you need another version of files or export into another program dm me.

Indra Riding Airavata Jade

大弁功徳天（吉祥天）是三十三间堂内千手观音的重要胁侍，为“二十八部众”护法神之一。此国宝雕像创作于镰仓时代，像高166厘米。其形象为端庄的女性天神，头戴宝冠，身披天衣，常手持宝珠，象征吉祥与财富。雕像风格写实典雅，展现了镰仓佛教艺术的高超技艺。

Daibenkudokuten (Kichijō-ten/Goddess of Fortune) is a principal attendant​ of the Thousand-Armed Kannon and a guardian deity among the “Twenty-Eight Deva Guardians” at Sanjūsangendō. This National Treasure​ statue dates to the Kamakura period​ and stands 166 cm tall. Depicted as a graceful female deva​ wearing a crown and celestial robes, she often holds a wish-fulfilling jewel, symbolizing auspiciousness and prosperity. The statue exemplifies the refined realism and skilled artistry of Kamakura-period Buddhist sculpture.

京都三十三間堂二十八部眾-No.14大弁功徳天

毘沙門天是京都三十三間堂的國寶雕像，創作於鎌倉時代，像高161厘米。其身份為四天王之多聞天，是守護北方的戰神與福德之神。雕像的顯著特徵是左手持握象徵勝利與福德的寶塔，通常身披鎧甲，呈現威武的武士護法形象，體現了鎌倉時代佛教護法神像的雄健風格與精湛工藝。

The statue of Vaiśravaṇa (Bishamonten) at Sanjūsangendō is a National Treasure​ from the Kamakura period, standing 161 cm tall. As Vaiśravaṇa, the Heavenly King of the North​ among the Four Heavenly Kings, he is revered as a god of victory and fortune. The statue's defining attribute is the jeweled pagoda held in its left hand, symbolizing triumph and blessings. Typically depicted in armor as a majestic warrior-guardian, it exemplifies the robust style and masterful craftsmanship of Kamakura-period Buddhist guardian deity sculptures.

京都三十三間堂二十八部眾-No.11毘沙門天

An incised, worked, and openwork conch shell, decorated with the image of a man or deity with an elongated head, possibly the Maize God, emerging from the mouth of an aquatic monster through the conch's distal cannula. Each of the conch's nodules, on its upper protuberances, is carved with the image of a skull.
 IDAEH Cultural Property No. 1.2.159.0187
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 546

Openwork conch w/ image of Maize God

*A high-quality 3D model of a traditional brass mask depicting Khandoba, a revered folk deity. This detailed sculpture features characteristic stylized facial elements, including wide expressive eyes and a prominent mustache, capturing the essence of Indian devotional art. Perfect for use as a game asset, museum artifact, or atmospheric render prop in historical and fantasy scenes. The model showcases realistic geometry and can serve as a centerpiece in architectural visualizations or cultural environments.

* Texture 2 sets:

1. Bronze Corrode
2. Divine Gold

* PBR textures 4096x4096  .png 8 bit dithering:

* Base color 
* Metallic 
* Normal OpenGl 
* Roughness 
* Displacement

* Geometry:

* Size: 0.22x0.22x0.25m
* Textel density:  81 px/cm

Textures made in Substance Painter

Files are packed in .blend and .fbx.

All objects are made in proportion to the real world.

If you need another version of files or export into another program dm me.

Brass Mask of Khandoba Sculptures

薩遮摩和羅（寺伝原名：摩醯首羅王）是京都三十三間堂內守護千手觀音的「二十八部眾」護法神之一，為國寶，創作於鎌倉時代，像高159釐米。其原型為印度教三大主神之一的濕婆神（Śiva），在佛教中被譯為 「大自在天」​ ，被視為統治物質世界的最高神祇。雕像呈現護法神的威嚴造型，體現了鎌倉時代佛教藝術對印度教神祇的吸收與融合。

The statue of Sache Mahora (temple tradition name: Maheshvara) is one of the Twenty-Eight Deva Guardians protecting the Thousand-Armed Kannon at Sanjūsangen-dō. Designated a National Treasure​ from the Kamakura period, it stands 159 cm tall. It represents the Hindu god Śiva, known in Buddhism as "Great Lord of Heaven" (Maheśvara), the supreme deity ruling the material world. The statue exhibits a majestic guardian form, showcasing the Kamakura period's assimilation and synthesis of Hindu deities into Buddhist art.

京都三十三間堂二十八部眾-No.19薩遮摩和羅

Deity+statue+3d+model

Polychrome vase (orange, red, black, and cream) with a composite profile, decorated with red slanted bands and jaguar-skin motifs, combined with horizontal and oblique bands that reinforce this feline reference. The vessel also features three slanted panels with profile representations of the god K’awiil, and a band of pseudo glyphs running below the rim. The piece originates from the Guatemalan Highlands, Nebaj area, Quiché.

 IDAEH Cultural Property No.1.2.144.0211
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 451

Vase with K'awiil Deity

For production-ready use, we recommend downloading the source format.The Converted version is intended only for use in the web viewer. In the source file, the following are fully preserved:✔ native scene structure✔ complete materials without reduction✔ correct PBR texture maps✔ original object namesIf you intend to use the asset in a production environment, download the original version.This sculpture portrays Hermes the Greek god of messages travel and commerce. His relaxed posture with one arm draped over his cloak conveys both physical grace and thoughtful stillness. The iron medium lends weight to the otherwise agile deity grounding the swift footed messenger in a moment of serene introspection.

Iron Hermes

Ornate Deity Statue 3d Model

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/G8xpKn](https://www.meshy.ai/s/G8xpKn)

Thai Temple Deity in Prayer1

Bichrome urn with lid, featuring the face of a deity, possibly Chaac, the rain god. The face displays eyes with staff-shaped irises, a slightly open mouth with a protruding tongue, and volutes emerging from the corners. Two lateral and vertical flanges on each side form the earspools. The lid features a handle shaped like a water bird holding a fish in its beak. The entire decoration is executed using modeling, appliqué, and black paint techniques.

 IDAEH Cultural Property No. 1.2.144.0444
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 343

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