Limestone statue of attendant god dedicated to Nabu by Adad-Nirari III and Sammuramat; carved from inferior limestone, standing in the attitude of submission, wearing the single-horned crown proper to minor deities. There is a cuneiform inscription around the skirt.

© The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

See: https://www.britishmuseum.org/collection/object/W_1856-0909-65

Statue, Neo-Assyrian, Temple of Nabu

Model by Ded Makar is licensed under Creative Commons Attribution (http://creativecommons.org/licenses/by/4.0/). Textures added.

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vintage flight attendant

Bastions are the highest stage of augmentation and the title of knighthood within the Order.
Inside their armored bodies resides a living human brain — the noble core of a once-mortal individual. After the ritual known as the “Dusk of Flesh,” the body is permanently abandoned, and the person becomes a steel fortress with no weakness of flesh.

Only the chosen may become Bastions.
All others exist in service to the Order as squires — attendants, fighters, and scouts.

A Bastion is not a machine. It is will and honor sealed within armor, for which the entire Order exists.

Bastion A

大弁功徳天（吉祥天）是三十三间堂内千手观音的重要胁侍，为“二十八部众”护法神之一。此国宝雕像创作于镰仓时代，像高166厘米。其形象为端庄的女性天神，头戴宝冠，身披天衣，常手持宝珠，象征吉祥与财富。雕像风格写实典雅，展现了镰仓佛教艺术的高超技艺。

Daibenkudokuten (Kichijō-ten/Goddess of Fortune) is a principal attendant​ of the Thousand-Armed Kannon and a guardian deity among the “Twenty-Eight Deva Guardians” at Sanjūsangendō. This National Treasure​ statue dates to the Kamakura period​ and stands 166 cm tall. Depicted as a graceful female deva​ wearing a crown and celestial robes, she often holds a wish-fulfilling jewel, symbolizing auspiciousness and prosperity. The statue exemplifies the refined realism and skilled artistry of Kamakura-period Buddhist sculpture.

京都三十三間堂二十八部眾-No.14大弁功徳天

Funerary inscription of Callityche, a chamber attendant. Roman, Early 1st century CE. Marble, pigment; 29.5 x 18.4 x 5.5 cm. ID: 0000.00.1030.

Callityche was a hairdresser ("ornatrix") from the town of Puteoli on the Bay of Naples, in Italy. She was formerly enslaved by Aulus and Gaia Valerius. We don't know if Callityche, which means "good luck" in Greek, was her actual name or a name assigned to her by her former enslavers.

Inscription:

* Latin: *Valeria A(uli) et ((C))(aiae) liberta / Callityche / ornatrix*
* Translation: "Valeria Callityche, the freedwoman of Aulus and Gaia. A hairdresser."

For more info and links to raw data, see: https://quod.lib.umich.edu/k/kelsey/x-0000.00.1030

Funerary inscription of Callityche, hairdresser

婆籔仙是三十三間堂千手觀音的脅侍仙人，與功徳天同為常隨護法，屬佛教守護神，尊火祀火。其形象源於印度神話中最富有的聖仙，後融入佛教。此尊國寶為鎌倉時代作品，像高156厘米，採用檜木寄木造技法。其頭巾為另木製作，取下後可見頭部地肌雕刻打磨精細並施有彩繪。

Basosen is an attendant immortal​ of the Thousand-Armed Kannon at Sanjūsangendō, serving alongside Kudokuten as a perennial guardian and a Buddhist protector deity who venerates and worships fire. Its iconography originates from a wealthy sage in Indian mythology, later assimilated into Buddhism. This National Treasure​ statue dates to the Kamakura period, stands 156 cm tall, and is crafted using the Japanese joined-wood (yosegi-zukuri) technique with cypress. Notably, its detachable hood is made from a separate piece of wood; beneath it, the scalp is meticulously carved, polished, and painted。

京都三十三間堂二十八部眾-No.13婆籔仙

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Flight Attendant Uniform

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Vintage Flight Attendant

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Flight Attendant PunUp

Here is a little test to practice a bit !

I animated the scale of 64 different meshes for the fire. While waiting for the UV animation support, to me, that seems to be more appropriate than [timeframe](https://help.sketchfab.com/hc/en-us/articles/203058018-Animations#timeframe) which reload the full scene each frame.

[Follow this link for a better experience !](https://sketchfab.com/models/ebb16a3df22247dd990a04585de64741?preload=1&autospin=0.2)

- - - - -

Voilà un petit test pour m'exercer un peu !

J'ai animé le scale de 64 objets différents pour le feu. En attendant la prise en charge de l'animation des UV, cela me semble plus approprié que [timeframe](https://help.sketchfab.com/hc/en-us/articles/203058018-Animations#timeframe) qui recharge complètement la scène à chaque frame.

[Suivez ce lien pour une meilleure expérience !](https://sketchfab.com/models/ebb16a3df22247dd990a04585de64741?preload=1&autospin=0.2)

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