Ashley Graves 3d model from game The Coffin of Andy and Leyley (TCOAAL). 
This is a very interesting adventure about brother-sister relationships in a cruel world.

Modeled, painted, rigged, animetad in Blender. Blend file includes custom rig and IK constraints.

Ashley Graves | The Coffin of Andy and Leyley

Egypt (Thebes)

Dynasty 22, 945–712 BC

Painted wood

Gift of Theodore M. Davis 

Harvard  Museum of the Ancient Near East 1902.50.9

Ankh-khonsu was a doorkeeper in the Temple of Amun-Re at Karnak. He inherited his position from his father Ankh-en-amun. His brightly painted coffin lid is covered with images of protective deities. Particularly prominent are winged scarab (dung) beetles, symbols of rebirth. One sits on Ankh-khonsu’s head and encircles his face with its wings. A second scarab covers his chest. Both scarabs hold a shen hieroglyph, symbol of eternity, with their hind legs in place of a dung ball. Offering spells including Ankhkhonsu’s name are written on the outside of his coffin. Traces of resins (now black) and water poured over it during his funeral are visible on the top and sides of the coffin.

Photogrammetry by Peter Der Manuelian

3D modeling by Mohamed Abdelaziz, Indiana University, Egyptology

This model is for educational, non-commercial use only

Coffin of Ankh-Khonsu

The most famous of the Govan stones, the sarcophagus represents a rare monument type in early medieval Scotland prior to the 12th century AD. It was rediscovered in the churchyard by a gravedigger in 1856 and was moved into the church in 1908. It is decorated with a hunting scene, different arrangements of interlaced beasts, and six panels of interlace, some of which appear to be interlaced snakes. It is not known what the lid might have looked like, but two complete drainage holes in the base of the monument (and the worn surfaces surrounding them) suggest that the sarcophagus originally acted as a coffin for the remains of a royal saint, but later functioned as a reliquary. 

This was created as part of Dr Megan Kasten’s PhD, made available here: http://theses.gla.ac.uk/74266/. Created with Agisoft Metashape, edited in Zbrush.
While the download of this 3D model is free, if you are able please consider supporting the Govan Stones by donating to the [Govan Stones Appeal.](https://tghts.enthuse.com/profile)

The Govan Sarcophagus - Govan 1

Coffin of Pa-di-mut

Egypt (Thebes, Deir el-Bahari)

Dynasty 22, 945–712 BC

Painted cartonnage (linen and plaster)

Gift of Theodore M. Davis 

Harvard Museum of the Ancient Near East 1901.9.1

-------------------------

Coffin of Mut-iy-iy

Egypt (Thebes)

Dynasty 22, 945–712 BC

Painted wood

Gift of Theodore M. Davis 

Harvard Museum of the Ancient Near East 1902.50.10

-------------------------
Coffin of Ankh-khonsu

Egypt (Thebes)

Dynasty 22, 945–712 BC

Painted wood

Gift of Theodore M. Davis 

Harvard Museum of the Ancient Near East 1902.50.9

-------------------------

Photogrammetry by Peter Der Manuelian

3D modeling by Mohamed Abdelaziz, Indiana University Egyptology

This model is for educational, non-commercial use only.

Coffins of Pa-di-mut, Mut-iy-y, and Ankh-Khonsu

For my assessment at AIE I was required to design a room in a preexisting game that hasnt been seen while replicating the style and feel of the game also to include a Hero asset as well as other assets. The Hero asset in this scene is of one of the many coffins featured in the game which is scattered throughout and i also sculpted some statues to hold it up. I sculpted the coffin design in Zbrush initially while learning it so there are some slight imperfections and Im just starting to learn how to use Substance Painter.

Bloodborne is generally abondant with assets, texture, lots of statues and candles. The general feel of the game is very dark and gothic with a desaturated pallet and a blueish tinge throughout the whole game to tie it all together. I wanted for the most part to capture the feel of the game because its unique and captivating to be present in its world. It does have an underlining nostalgic feel to it and the idea is that your stuck in a dream. The Hunters dream.

The Hunters Rest

The coffin ensemble of Taditjaina consists of an outer coffin (inventory no. 150a; approx. 76 x 193 x 73 cm) and an inner one (inventory no. 150b; approx. 43 x 173 x 48 cm). They are possibly from the Theban necropolis, and date back to the beginning of the 26th Dynasty (approx. 664–525 B.C.). Both coffins perfectly fit into one another. The two coffins and the mummy of lady Taditjaina were a gift to the Württembergian royal house from the German consul to Alexandria, Mr. von Dumreicher, between 1820 and 1830. They were later given to the University of Tübingen in 1911. The wooden coffins are white stuccoed, and have polychrome scenes, painted red, black, blue, dark green and yellow. The inscriptions of the coffins contain various scenes and texts from the ancient Egyptian Book of the Dead—a guide for the afterlife. The texts should guarantee the continued existence and provision of Taditjaina, the lady of the house, the noble one, in the Netherworld.

(inventory no. 150a–b)

Coffin Ensemble of Taditjaina

Coffin of the Pharaoh Akenaten in the Egyptian Museum, Cairo, Egypt.

This coffin was recovered from a tomb in the Valley of the Kings in what has been designated Tomb KV55.  The tomb was discovered by Edward R. Ayrton in 1907 while working for the wealthy American Theodore M. Davis.  The tomb has been controversial since it's discovery, originally being designated the burial of Queen Tiye.  It has now been shown through DNA analysis that the remains found in the tomb are those of Akenaten himself.  The DNA has further demonstrated that Akhenaten was the father of Tutankhamen (King Tut).
The face of the coffin and the name in the cartouche have been deliberately removed in an attempt to condemn the “heretic” pharaoh in the afterlife and erase his memory.

Information on the tomb can be found [here](https://en.wikipedia.org/wiki/KV55).  A scan of another artifact from the tomb can be seen [here](https://skfb.ly/6PoHS).

Created using 138 photographs (Canon EOS Rebel T5i) using Metashape 1.3.

Coffin of Akhenaten, Tomb KV55

This is a modular enviroment scene that was created for my second assessment at AIE where we needed to create six+ objects to build a modular scene and texture it. I tried to achieve a wow/diablo feel to my scene in a PBR workflow.

Here is the desciption I wrote for the scene at the begining of the saaseesment:

An old and forgotten crypt, a shaft of moonlight coming from a hole in the ceiling falls upon a large stone coffin at the back of the room up a small set of stairs. The coffin has a banner lying on top of it as if marking a hero or a king, down the stairs is a larger room with a carpets running across the room. On some of the walls there is a arched inset with a candles and a plaque with some writing on it that cant be read correctly due to age and erosion. There is also banners placed around the room with a emblem on it perhaps representing a family or clan.

Crypt of Kings

Wooden Coffins (Free)

Lowpoly game asset ready to go in your game project. find my youtube channel here :- https://www.youtube.com/channel/UCLC6Rrzz3ZKYCAMUkvlOR8w

Coffin

Traditional representation of a cow, powerfully linked to Sugawara no Michizane, japanese poet and politician from the 9th century (Heian Period of Japan). If you want to learn more about this character, I found an interesting japanese blog that wrote [about him](http://kansai-odyssey.com/sugawara-no-michizane-japans-famous-scholar/) .

At the Michizane funerals, the cow pulled the coffin of Michizane. Possessed by his spirit, the cow then layed down during the procession, at the place where he wanted his soul to rest.

Created in reality capture. 

- LOD0 IS 50K tris and 8k textures diffuse/normal/metalness/roughness
- LOD1 is 5k tris and 4k textures diffuse/normal
- LOD2 is 998 tris and 2k textures diffuse/normal

[link to my 50+ collection of sculptures scans](https://sketchfab.com/Dystopia/collections/my-statuomania-photogrammetry)

4K render of LOD2 (left) and LOD1 (right) :

![](https://i.imgur.com/pEmCmQr.jpeg)

100th model : Goshingyu - Japan Heritage

**(after quite a few requests, I have made this model public on the condition that I am credited when its used)**

A model I made for no specific project. I wanted to step away from my past low-poly and stylized assets/art and create something more realistic.
The model itself was made in Maya and textured it in Substance Painter.

I tried to create a very dark and aged tone with this model and used Substance Painter's advanced tools to achieve a gothic and eerie undertone.

Over all, this model was a fun little project and let me gain a far better understanding of Substance Painters generators and texturing tools. I really look forward to using this newfound knowledge in future projects.

Photogrammetry capture of the crypt and Dissenters' Chapel interior at Kensal Green Cemetery, London.

Date: 1830s.

https://en.wikipedia.org/wiki/Dissenters%27_Chapel,_Kensal_Green
https://www.kensalgreen.co.uk/

Access and assistance supplied by trustee, Colin Fenn.

4848 photos taken in March 2021 with a Sony a6000 and processed in Reality Capture.
Area around loculi (coffin shelves), some railings and side gallery of chapel cleaned up by hand due to processing errors.
One corner of the crypt could not be scanned due to a locked gate to where the coffins are stored.
Scale: There is a red/orange 1 meter ruler on the ground in front of the black gate in the crypt.

Kensal Green Dissenters' Chapel Crypt

A look-alike of a 1930s Cord 812 model, the one with the supercharged engine, most easily told by the metal tubes on the side of the 'coffin nose' 
Made in Blender, textured with CC0 materials from ambientcg

1936 Cord 812 Look-alike 3D model

# Egyptian Cat God Coffin ” – Personal Stylized Project

The product of a game project. Stylized in style. Drawing endless inspiration from the mystical stories of ancient Egypt.

Everything was modeled and hand-textured in a stylized low-poly approach, aiming for a friendly and inviting visual style that fits well in stylized games or animated shorts.

# Contact me for support. Hope to receive feedback from everyone. Thank You very much.

Egyptian Cat God Coffin

coffin

Located in Strade Dominican friary (MA070-067001-), one of a group of five floriated graveslabs standing upright attached to the internal face of the south wall of the friary chancel. Tapered graveslab with floriated cross measuring 1.19m long by 0.39m wide that served as the lid of a medieval stone coffin/sarcophagus.  The surface of the slab is worn, but the outline of a long cross fleury carved in low relief extending almost the full length of the slab is visible.   Greek crosses rise from the terminals of the diagonal arms which represent the Crucifix and may represent a version of the Lily Crucifix.  Wavy diagional line near cross base has flowering terminals topped with a Greek cross.  Carving is best viewed in Matcap render. Flowering cross based on the Tree of Life.  In Christian theology, the crucifixion of Jesus transforms the cross from a "tree of death" into a new "Tree of Life," reversing the fall of humanity in Eden.  Archaeological Survey of Ireland description at; https://tinyurl.com/yyy65tpx

Strade Abbey Graveslab MA070-067009-

Strade Dominican Friary is a National Monument in state ownership (No. 172). The abbey dates to the mid-13th century, when it first started as a Franciscan Friary, established by the Lord of Athlethan (Ballylahan), Jordan de Exeter. The Dominican friars moved into Strade in 1253. The priory was dedicated to the Holy Cross & was a daughter house of Sligo Dominican priory (SL014-068008-). One of a group of 5 graveslabs on display against the south wall of the chancel of the Dominican friary church. This tapered slab served as the lid of a stone coffin. It bears a floriated cross in low relief, the terminals of the cross appear to form trefoils/bud & leaf or flower & leaf motif, a fleur-de-lis/flower of the lily. Fleury Cross/Lily Cross, terminals representing the flowering head of the lily plant. Diagonal arms represent the Crucifixion. Carving is best viewed in matcap render.  Archaeological Survey of Ireland description at: https://tinyurl.com/yc44ez49

Strade Abbey Graveslab MA070-067007-

One of five floriated tapered graveslabs set upright against the internal face of the south wall of the chancel of Strade Dominican Friary (MA070-067001-), Co. Mayo. Broken tapered cross-slab grave-cover which served as the lid of a stone coffin/sarcophagus.  Only the lower half of a cross-fleury carved in low relief with raised border running along edge of the stone.  The base of the cross has a fleur-de-lis or lily flower terminal consisting of acentral teardrop shaped projection flanked on either side by curling leaves. Vertical line in central teardrop may represent the stamen of the flower head.  Vertical groove running along centre of cross-shaft.  Floriated cross possibly symbolising the flowering lily known in French as the Fleur-de-Lys/Flower of the Lily.  The lily, is a  symbol of the Virgin Mary often appearing in art representing the Annunciation.  Associated with Resurrection & Easter & the triumph of Christ over death.  See Archaeological of Ireland Description at: https://tinyurl.com/3dpfb3sp

Strade Abbey Graveslab MA070-067008-

Strade Dominican Friary is a National Monument in state ownership (No. 172). The abbey dates to the mid-13th century, when it first started as a Franciscan Friary, established by the Lord of Athlethan (Ballylahan), Jordan de Exeter. The Dominican friars moved into Strade in 1253. The priory was dedicated to the Holy Cross & was a daughter house of Sligo Dominican priory (SL014-068008-). A papal indulgence granted in 1434 may have resulted in a rebuilding phase of the church. One of a group of 5 graveslabs on display against the south wall of the chancel of the Dominican friary church. This tapered graveslab served as the lid of a stone coffin.  It bears a floriated cross in low relief, the terminals of the cross appear to form trefoils/bud & leaf or flower & leaf motif, a fleur-de-lis/flower of the lily.  Fleury Cross/Lily Cross, terminals representing the flowering head of the lily plant. Diagonal arms represent the Crucifixion.  Archaeological Survey of Ireland description at: https://tinyurl.com/yneefntn

Strade Abbey Graveslab MA070-067010-

Located in Strade Dominican friary (MA070-067001-), one of a group of five (see also MA070-067007- to MA070-067010-) no upright where they are mounted up against the south wall of the chancel of the friary church. Tapered graveslab (L 1.9m) of 13th/14th-century date with chamfered sides, served as the lid of a stone coffin. Grave-cover decorated with a cross-fleury or floriated cross with stylised leaf-like terminals or bud-and-leaf terminals.  Possible foliage/leaf/fruit/disc motifs springing from the shaft of the cross symbolising the tree of life.  A cross fleury is a cross adorned at the ends with flowers in heraldry. It generally contains the fleur-de-lis, trefoils, etc.  The Tree of Life represents God's gift of eternal life appearing first in Genesis 2:9 as a source of immortality in Eden & in Revelation 22.2 as a part of the new garden of paradise. The Eucharist, the Body & Blood of Christ, is the Fruit of the Tree of Life Archaeological Survey of Ireland, description at: https://tinyurl.com/y258xyy4

Strade Abbey Graveslab MA070-067004-

[![](https://blog.sketchfab.com/scripts/assets/weekly.png)](https://sketchfab.com/blogs/community/sketchfab-weekly/?ref=sfb)

Symphony of the Vampire!

*Such a lovely bed*

Coffin Piano - Week 6

For full functionality, we recommend downloading the source format.The Converted version is intended exclusively for browser preview. In the source file, the following are fully preserved:✔ full scene structure✔ unsimplified materials✔ correct PBR texture maps✔ correct object namesIf you intend to use the asset in a production environment, select the source file.A wooden coffin with a cross on it. Enjoy!

Wooden Coffin

Gesso painted wood coffin lid - BCN | SPAIN
Late period (715-332 BC)

Made with a single wood beam. The green colour of the face, related to the idea of tertility, is usually employed in the fog Osiris depictions.

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