Artstation Post: https://www.artstation.com/artwork/PmqLW3

**Full resolution textures and rigged model can be downloaded here: https://drive.google.com/drive/folders/1VwJEb5of_BHNTJVuVKCFsR5jYoFEBqyP?usp=sharing**

A set of Lowpoly PBR Fantasy Medival Armour. The model is rigged to the UE4 skeleton, but not animated. 
A .blend file with IK set up is included.
Unity package with the model set up to a humanoid rig is also provided (The dynamic moving parts of the armour may be set up with whichever solution you use in your project).
The pack inclused 3 4k texture variations: Clean, Battered and Worn. The model has two texture sets and is split into several parts: Body, Helmet, Chainmail Hood, Gloves, Spaulders, Frontguard, Sideguards, Kneeguards, Boots. 
Total polycount: 39,455 tris and 22,544 verts.

Lowpoly PBR Knight Armour

E1M1: Hangar is the first map of Knee-Deep in the Dead in Doom. It was designed by John Romero and uses the music track "At Doom's Gate".

Doom E1M1: Hangar - Map

Chess-piece; walrus ivory; king: bearded wearing floriated crown, mantle, brooch, tunic, seated upon high-backed chair; holding sheathed sword across knees; chair: back ornamented in two compartments with double floral scroll and dragon with floriated tail: interlaced designs on sides.

Date: circa 1150 - 1200 AD

COL: [MCM3280](http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?partId=1&objectId=398)


Height: 98.31 millimetres Width: 53.67 millimetres Depth: 34.27 millimetres Weight: 215.4 grains

Made by Daniel Pett and Lucy Ellis from 133 photographs taken with a Nikon D5100.

A king from the Lewis chessmen

A new Maya rig coming out soon

Piggly WigglyFeatures

Built in Maya 2014 - with a fully licencsed advancedSkeleton 5.3 (Bi-ped and Facial rig)

Lo-Resolution Model
Scaleable rig
Individually scaleable body parts - i.e. Head, Hands, feet, Eyes nose, mouth, ears etc.
IKFK Arms, Legs and spine
IKFK Matching and Switching
Bendy - stretchy
Elbow and Knee pinning
Driving systems for fingers as well as FK controllers
Gui picker -mirror copy, flip etc.
Advanced Skeleton facial set-up - Sliders and on-face controllers.
Variety of clothing options

more...

Angel Devil

Back: Relief of the Bodhi tree and an empty dias with Buddhapada on the step, flying celestials above and kneeling worshippers on each side. 

Front: Relief depicting a stūpa with a figure of the Buddha standing at the entrance; about the dome of the stūpa flying celestials, some playing instruments. On the dome are relief panels depicting the Gift of Sujātā, the Conversion of Nanda, the First Sermon, the Great Departure, the Birth of the Buddha and Māyā's Dream.

Height: 124.37 centimetres
Width: 86.25 centimetres
Thickness: 12.5 centimetres
1st Century BC (obverse face) 
3rd Century  (reverse face)

COL entry:  http://bit.ly/2cSDUtK

Produced from 410 full resolution photographs taken by Thomas Flynn with a Canon G7x. Model processed by Daniel Pett.

[![DOI](https://zenodo.org/badge/99800839.svg)](https://zenodo.org/badge/latestdoi/99800839)

Amaravati double-sided relief

Scrap Baby has a somewhat mangled appearance. Her hair is comprised of light orange, dark orange, and grey blue wires that lay flat on her forehead, but spike up in pigtails on the side of her head. Her neck has no metal covering, exposing the wires that lie underneath. She wears on orange bikini with puffy red sleeves. Two large circles, perhaps the remains of speakers, are placed haphazardly in the middle of her chest. One of her hands has been substituted for the claw that once came out of her chest. The other hand has no metal covering, exposing the claw-like wires underneath. Her legs are halfway covered with a thin metal covering, but wires still poke out from underneath. She has red kneecaps, which could be kneepads, considering she has roller skates rather than jester shoes she had in her previous form. Blue pins erupt from her shoulders and part of her thigh, and possibly a crown is adorned on her head. Her face bares somewhat of a resemblance to her past self. and other stuff

Scrap Baby

The equestrian statue of Marcus Aurelius is a larger-than-life bronze statue of the Roman Emperor Marcus Aurelius. Its original site is unknown, but it may have been part of a triumphal arch on whose attic it stood. According to medieval sources, a small barbarian figure kneeling in front of a horse was part of the statue. The dating of the statue, which was originally completely gilded, is disputed and fluctuates between the years around 165 AD with a reference to the triumph over the Parthians in 166 AD, the 170s with a reference to the Marcomannic Wars and a dating only to the time of Commodus' autocratic rule from 180 AD onwards. 

A cast stands in the city of Tulln an der Donau. The statue is intended as a reminder of the centuries-long presence of the Romans on the Danube border.

![](https://noe-3d.at/SF/reiterstatue01.jpg)

Reiterstatue Marc Aurel

The sheepskin coat was purchased for the collection of the Tatra Museum from Andrzej Kubin of Ratułów in 1929. The owner of the apparel was a sixty-year-old inhabitant of the village of Ciche, who had worn it on her wedding day. The sheepskin coat, tailored in a fashion typical for women, reaches to the knees and is slightly narrowed at the waist and widened at the bottom. It was fashioned from five pieces of leather: two front pieces, back piece and two sleeves. It is fastened with three wooden buttons covered with white leather, which are slid through loops. The stand-up collar is decorated with red leather binding.

ID no.: E/4027/MT

Time of creation: before 1880

Museum: The Dr. Tytus Chałubiński Tatra Museum in Zakopane

https://muzea.malopolska.pl/en/objects-list/1792

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Sheepskin coat

- Split and join Minimum vertex
 - Circle corner
 - Rounded rect
 - Circle in Rect
 - Rect in Circle
 - Circle in Circle
 - Knee
 - Finger Joint
 - Uplift
 - Intersect
 - Face

Topology summary

Green Tara, 14th-15th century CE, now in the collection of the Minneapolis Institute of Art. 

From the sculpture's description on [artsmia.org](https://collections.artsmia.org/art/31183/green-tara-tibet) :

*Green Tara is one of the most revered female bodhisattvas, a being who postpones enlightenment to assist others on earth. She is the companion of the Cosmic Buddha Amoghasiddhi and equally transmits his gifts to the worshiper. Remarkable for its size and age, this statue is made from pieces of sheet copper—some now missing—that were hammered, formed, and fastened with rivets. The deity’s right hand, opened in the gift- bestowing gesture, would have rested on her right knee. Her left hand once held the stem of a lotus, which blossomed at her shoulder.*

This model has been repaired for Sketchfab sharing - the upper legs are open in the actual sculpture, but closed and textured in this model.

Green Tara, 14th-15th century CE

Grave figure in the shape of an angel at the Evangelical Cemetery in the 10th district of Vienna. The female angel kneeling with one leg, the lowered head resting on the upturned torch. In her left hand a wreath of flowers.

Grabfigur

The Felynn (also known as Kit-Cat and Nekomata) is a reoccurring monster class first introduced in Disgaea: Hour of Darkness.

Appearance
Felynn are depicted as cat girls with long hair tied in a ponytail, with such features as large feline ears, a large bushy tail, arms and legs covered in fur beginning just above the elbows and knees, and large paws instead of hands and feet. They are also depicted with curvaceous bodies, having large breasts and muscular thighs. They wear extremely little clothing, having only small strips of cloth that covers their crotch and partially covers their breasts, and nothing more.

Felynn - Disgaea 7

The ages of love (A426), relief in marble, after the original model from 1824. Thorvaldsen Museum (Copenhagen, Denmark). Made with ReMake and ReCap from Autodesk.

In this relief we see a winged Psyche in the role of distributing small angelic figures known as cupids, symbolizing love. Psyches gives these cupids to women and men, young and old. There is the young woman kneeling in adorationof her cupid. There is the woman who embraces and kisses her cupid, and the woman who has lost interest in hers. There is the man who is too tired to take an interest in his cupid, and there is the old man who reaches out for his, but cannot catch it. The relief is based on a model from classical antiquity.

For more updates, please follow @GeoffreyMarchal on Twitter.

The ages of love

Priamos robs Achilleus about Hector's body, relief in marble performed in 1868-70 by H.W. Bissen and Vilh. Bissen by original model from 1815. (A775). Thorvaldsen Museum (Copenhagen, Denmark). Made with ReMake and ReCap from AutoDesk.

Reliefs, created as a pendant to the relief, this gets his subject from Homers Iliade, also has Achilleus as a protagonist - this time he is not a victim, but clearly master of the situation. During the siege of Troy, the Achilles Patrokles were killed by Hector, the Trojan King Priamo's son. As a vengeance, Achilleus killed Hektor. The relief shows how the old King Priamos kneeled praying Achilleus to show mercy and handing him the body of Hektor's son.

For more updates, please follow @GeoffreyMarchal on Twitter.

Priamos pray Achilleus about Hector's body

A high-quality 3D model of a blonde woman with long, straight hair and bold makeup, posing against a neutral, light gray background. She wears a sheer black bra and a frilly black miniskirt. Her hands gently cover her chest. On her feet, she wears black ribbed knee-high socks with open toes. The scene is evenly lit, highlighting the texture of the materials, the smoothness of the skin, and the details of the outfit.

Blonde in Black Kitchen Temptation

A photorealistic 3D model of a blonde woman with blue eyes, her hair pulled back in a high bun and a long ponytail. She wears a white lace-up corset with metal eyelets and straps, and a white thong. Another model wears white ribbed knee-high socks. The figure is seen from the side, posing on her hips, with a gentle smile on her face. The background is a simple, neutral gray wall, illuminated by soft studio lighting.

Lace-Up Confidence

A photorealistic 3D model of a blonde woman with blue eyes and long, sleek hair with prominent pink tips. She wears a pink lace-up corset with metal eyelets and a matching pink thong. Her legs are ribbed pink knee-high socks. Her nails are painted bright pink. The figure stands with her hands on her hips, striking a confident pose. The background is a plain, neutral gray wall, illuminated by soft, even studio lighting.

Blonde in a Pink Corset

Repositorio de modelos 3D de Ddiaz Design

![](https://www.dubicars.com/images/4b0af6/w_1300x760/swaidan-motors/05c01f6b-4d2a-4726-87f2-ec18836251ba.JPG)

Infiniti is now extending its Q70 family with the introduction of a long wheelbase variant, as well as the regular version, to the US and other markets. The additional 5.9 inches in the wheelbase not only increases the knee and leg space in the back but also greatly augments the athletic presence of the sedan.

Instagram del proyecto: https://www.instagram.com/ddiaz.design/

Paypal Donations: https://paypal.me/sergiodd

Based on a Infiniti 3d model

Credits: https://3dwarehouse.sketchup.com/user/u2e1cd68e-d595-4d99-9454-7258360a0f19/NURIEZARCH

2020 Infiniti Q70 Luxury 3.7

Realistic full-body 3D character model of a female fantasy assassin, frontal view, confident walking pose. She wears intricate dark silver plate armor over a dark tunic, tall leather boots with metal knee guards, and a heavy dark blue hooded cloak billowing slightly. Face partially hidden by the hood, blonde hair peeking out. Right hand grips a longsword pointed down. Clean geometry, deep surface details, solid white background, neutral studio lighting, no magical effects, no floating parts.

Aelin Galathynius

Futuristic Cyberpunk Guardian Kneepads

跪射俑是秦始皇陵兵马俑中的精锐弩兵。创作于秦代（约公元前3世纪），高约1.2米。其核心特征为右膝跪地、左膝弓起的待射姿态，双手作持弩状。铠甲下摆因跪姿而上翻，鞋底刻有防滑纹，细节极为写实。采用模塑结合工艺制作，原通体施有彩绘。1974年在陕西临潼与兵马俑一同被偶然发现，多出土于二号坑，是展现秦军实战战术与雕塑艺术的杰作。
English Version
The Kneeling Archer is an elite crossbowman in the Terracotta Army, created in the Qin Dynasty (c. 3rd century BCE), standing about 1.2 meters tall. Its defining feature is a ready-to-shoot pose: kneeling on the right knee with the left raised, hands positioned as if holding a crossbow. The armor's lower edge is folded up to accommodate the posture, and the shoe soles have anti-slip patterns, showing meticulous realism. Made with mold-and-sculpting techniques​ and originally painted, it was accidentally discovered in 1974​ in Lintong, Shaanxi, mostly in Pit No. 2. It is a masterpiece showcasing Qin military tactics and sculptural art.

跪射俑 Kneeling Terracotta Archer Figure

The PlayStation All-Stars armor model was originally posed differently from the Future Saga Ratchet models. The character stood with slightly bent knees and a forward lean, which prevented it from aligning correctly with the Future-era neutral stance.

To correct this, the mesh was manually adjusted rather than relying on the original armature, which produced poor deformation. Using symmetrical sculpting, the model’s posture was gradually refined until the knees, torso, and overall stance matched the Future Saga base pose.

Additional manual adjustments were also required to align the fingers so that the hands match the orientation expected by the Future Saga rigs.

As a result, the model’s proportions and neutral pose now closely match those used by the Future Saga characters. In theory, this means the Future Saga armature and animations should be compatible with the model. However, the model is currently released without an armature; a Future Saga rig may be applied later when I have time.

Tetrafiber Armor P.S.A.S

The statue of Saint Peter stands at the entrance to the Calvary Church in Kőszeg and dates from the 18th century. It is part of the Baroque tradition of the Stations of the Cross.

The saint is depicted in a humble, kneeling posture. His hands are folded in front of his chest, suggesting prayer or repentance. His gaze is directed slightly upward, as if he were turning to God. He wears a simple, flowing robe that falls in soft folds over his body. Particularly striking are the keys at the base of the statue—a classic symbol of Peter. They represent the “keys to the Kingdom of Heaven,” which, according to Christian tradition, were handed to him by Jesus.

Hl. Petrus

Zoomorphic ocarina, with the image of a spider monkey seated and with hits legs bent, with the left hand resting on the knee. The figure wears a twisted fabric as necklace and oversized elongated ear pendants. As an instrument it has 3 chambers, with a blow chamber in the upper section. The mouthpiece of direct blow, on top of the head, makes it look bulgy. It has 2 tone holes (one on the front and two on the back (Rodens et al, 2013: 134)
 IDAEH Cultural Property No. 1.2.144.0615
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 323

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