Heavy Nazi Soldier

An officers hat from a Nazi soldier during WWII. I modeled and textured this for a VFX project where we made a movie set in Hengelo in 1944, the day before the allies bombed the city.

Nazi Hat

Photogrammetry images captured with a Sony A7rii from a plane. 

"The Olympiastadion is a sports stadium at Olympiapark Berlin in Berlin, Germany. It was originally built by Werner March for the 1936 Summer Olympics.

When the Nazis came to power in Germany (1933), they decided to use the Olympic Games in 1936 for propaganda purposes. With these plans in mind, Adolf Hitler ordered the construction of a great sports complex in Grunewald named the "Reichssportfeld" with a totally new Olympiastadion. 

The capacity of the Olympiastadion reached 110,000 spectators. It also possessed a special stand for Adolf Hitler and his political associates. At its end, aligned with the symmetrically-designed layout of the buildings of the Olympischer Platz and toward the Maifeld, was the Marathon Gate with a big receptacle for the Olympic Flame." - https://en.wikipedia.org/wiki/Olympiastadion_(Berlin)

![](https://i.imgur.com/vxfMkAY.png)
![](https://i.imgur.com/5FGIGHE.png)

Olympiastadion Berlin

Made in low poly and each with a single low res texture as buildable mapmarkers for a modding project for Hearts of Iron IV. I have placed the Eiffel Tower in the middle for a better size comparison and to show you, how gargantuan both buildings are.

The Palace of the Soviets was a project to construct a Administrative and convention center in Moscow. If built, the 416-metre (1,365 ft) tall palace would have become the world's tallest structure, with an internal volume surpassing the combined volumes of the six tallest American skyscrapers.

The Volkshalle ("People's Hall"), also called Große Halle ("Great Hall") or Ruhmeshalle ("Hall of Glory"), was a proposal for a monumental, domed building to be built in a reconstituted Berlin (renamed as Germania) in Nazi Germany. The project was conceived by Adolf Hitler and designed by his architect Albert Speer. Due to the enormous size of the building and the use of white granite and marble it could even have been seen from space.

clash of ideologies 😉 (low poly)

This is a reproduction of the iconic German rifle of the World War 2. The whole is modeled in Blender and textured in Substance Painter. Lowpoly, optimized for modern game engines. All the textures are provided in 4K.

The MP 40 (Maschinenpistole 40) is a submachine gun chambered for the 9×19mm Parabellum cartridge. It was developed in Nazi Germany and used extensively by the Axis powers during World War II. Designed in 1938 by Heinrich Vollmer with inspiration from its predecessor the MP 38, it was heavily used by infantrymen (particularly platoon and squad leaders), and by paratroopers, on the Eastern and Western Fronts as well as armoured fighting vehicle crews. ~ https://en.wikipedia.org/wiki/MP_40

MP 40 - WW2 Submachine Gun

Full name: **Ner Tamid Lamp from the Great Synagogue in Oświęcim, Poland**

Known as Ner Tamid (Hebrew: "eternal light"), the lamp symbolises the presence of divine light and as such should be kept aflame in a synagogue at all times, regardless whether the temple is open. This tradition is a reminder of the everlasting menorah in the Temple in Jerusalem (also known as The First Temple).

The lamp on display was discovered, alongside other objects, during archeological excavations conducted in 2004 on the site once occupied by the [Great Synagogue in Oświęcim](https://muzea.malopolska.pl/en/articles/673), before it was razed to the ground by the Nazis in November 1939.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2063

Inventory number: MŻ 9

Localisation of the physical object: Auschwitz Jewish Center, Oświęcim, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” project**

Ner Tamid Lamp

In 1967, one of Europe’s largest monument complexes commemorating victims of Nazism was opened on the camp territory. The memorial creates a symbol of the border between life and death with a 100 metre-long concrete wall, on which is written  – “Beyond these gates the land groans”. There are also seven concrete sculptures: “Mother”, “The Unbroken”, “The humuliated”, “Protest”, “Red Front”, “Solidarity”,“The Oath”. The Salaspils Memorial Ensemble is part of Latvia’s cultural canon. An exhibition is constructed at the gates of the monument. Sculptors Ļ. Bukovskis, O. Skarainis, J. Zariņš; architects – G. Asaris, O. Ostenbergs, I. Strautmanis, O. Zakamennijs.
[https://visit.salaspils.lv/en/where-to-go/cultural-heritage-2/the-salaspils-memorial-ensemble-beyond-these-gates-the-land-groans/](http://)

Memorial sculptures in Salaspils

"Anschluss" Monument in Oberschützen. The monument was erected in Oberschützen (Burgenland) after Austria's "Anschluss" to the National Socialism German Reich in 1938/39. Construction according to plans by architect Rudolf Hofer began in October 1938 and was completed in May 1939. It is considered the largest such National Socialism building in Austria. Originally, there were eight pylons with fire bowls in the colonnaded courtyard, and in the centre a gilded eagle was enthroned on a pedestal with the inscription "Ein Volk! Ein Reich! Ein Führer!". After the collapse of Nazi rule, parts of the monument were removed and destroyed. Again and again, a discussion germinated about the further use of the building. It was to be demolished or the history of its creation made taboo. In 1997, the municipality reinterpreted the monument as a "memorial against violence and racism". In 2016, the building was listed as a historical monument. In 2018, a renovation took place.

Anschlussdenkmal

Bismarck was the first of two Bismarck-class battleships built for Nazi Germany's Kriegsmarine. Named after Chancellor Otto von Bismarck, the ship was laid down at the Blohm & Voss shipyard in Hamburg in July 1936 and launched in February 1939. Work was completed in August 1940, when she was commissioned into the German fleet. Bismarck and her sister ship Tirpitz were the largest battleships ever built by Germany, and two of the largest built by any European power.

KMS Bismarck -partial camo

Gjimnazi  “Gjergj Pekmezi”

La scultura, proveniente dalla necropoli di Deir el-Medina (Egitto, XIX dinastia), è stata restaurata nel laboratorio di restauro del Museo Archeologico Nazionale di Firenze in collaborazione con La Haute Ecole Arc Conservation-restauration (HE-Arc CR) di Neuchâtel nell’ambito del tirocinio di laurea della studentessa Sofia Bovo.
L'opera di conservazione dell’opera e è stata anche un’importante occasione di studio eseguita in collaborazione con l’Istituto di Fisica Applicata “Nello Carrara”- Gruppo di Spettroscopia Applicata - SABeC CNR-IFAC: il manufatto, infatti, è un complesso polimaterico composto da terra cruda, tela di lino, carbonato di calcio e policromia a tempera.

Testa di scultura funeraria in terra cruda

Terracotta, XVII secolo
Galleria Nazionale dell’Umbria

Questo raffinato modello in terracotta rappresenta l’apparizione della Madonna con il Bambino a Santa Martina. Si tratta di uno studio preparatorio per uno dei bassorilievi destinati al ciborio dell’altare della chiesa dei Santi Luca e Martina a Roma, opera legata all’ambiente di Pietro da Cortona, tra i protagonisti del Barocco romano.

La scena è intensa e teatrale: Santa Martina, inginocchiata, è riconoscibile attraverso i simboli del suo martirio – la palma e l’uncino, strumento del supplizio. Davanti a lei, sospesa tra le nuvole, appare la Vergine con il Bambino. Gesù porge alla santa un giglio, simbolo di purezza e premio celeste.

Alle spalle della martire si intravedono elementi architettonici classicheggianti, come il basamento di una colonna e il pronao di un tempio, che conferiscono solennità e profondità alla composizione. Le fronde stilizzate sullo sfondo amplificano il senso di movimento e spiritualità.

Apparizione Madonna con Bambino a S.Martina

The prewar Karabiner 98k is a bolt-action rifle chambered in 7.92×57mm Mauser. This first variant of the Karabiner 98k featured many odd details and quickly got removed on the standard Karabiner 98k during World War II. Designed in 1934, Nazi Germany.

Prewar Karabiner 98k (Low-Poly)

The MG 42 is a WW2 era machinegun that was used by the Nazis. The firearm sported an impressive 1200 rounds per minute which gave it the nickname “Hitler’s Buzzsaw”.

The MG42 started out life as the MG34 which was functionally similar, but with a lower firerate and higher production costs. The MG34 was well received but had some crucial issues such as sensitivity to dirt.

MG 42

**Szymon Kluger's Auschwitz Cross**

Instituted by Poland in 1985, the Auschwitz Cross is a decoration awarded to honour survivors of Nazi German concentration camps. Szymon Kluger (1925-2000), the last Jewish resident of Oświęcim, was presented with the Auschwitz Cross on 27 September 1989.

Szymon Kluger was one of the Jewish residents of Oświęcim who survived the Holocaust and eventually returned to their hometown. Surprisingly, he did so in the 1960s, when the last remaining Jews were on the point of leaving the town in the face of mounting antisemitism and a growing sense of isolation. 

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2894

Inventory number: MZ-326-O

Localisation of the physical object: Auschwitz Jewish Center, Oświęcim, Poland 

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” project**

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