Free 4K model of a worn glass incandescent bulb: globe with visible coil filament, metal screw base, realistic scratches, smudges and reflective surface.

Lightbulb 01

If you're not careful enough to fall out of reality, you could end up in the Backrooms, where there's nothing but the musty smell of old carpet, the madness of yellow wallpaper, the endless unbearable noise of fluorescent lights, and 600 million square miles of randomly arranged empty rooms. God forbid you hear something wandering nearby, because this very thing already knows about you for sure ...

The backrooms wallpaper texture

Evanescent Smoke

Yet more fun with sketchfab displacement!

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![http://fractalscapes.net/Sketchfab/ko-fi.png](http://fractalscapes.net/Sketchfab/ko-fi.png)
# **https://ko-fi.com/tycho**

Evanescent Smoke

This model represents the USS Enterprise NCC-1701-A (NOT the 1701 refit seen on TMP). She is in her final configuration as seen on Star Trek VI: The Undiscovered Country. I textured her like the 1701 refit. Then overlayed the 1701-A aztec. The "paint job" is as close as i could get to the ILM re-paint of the 7ft studio model. ILM repainted the original studio model several times over, and destroyed her original pearlescent finish as seen on TMP. The final result is very dull, and lusterless. Despite that you can still see "some" of the original paint job. Is she perfect? Hell No! There is always room for improvement. Plus it's a low poly gaming model (almost 30k in triangles). Right now i consider her "close enough". Again she is meant to be rendered in Full View. Not extremely close up. Too many low poly flaws.

Special Thanks to [Big Jim Slade](http://www.cygnus-x1.net/links/lcars/slade.php) for outstanding Blueprints, and [Trekmodeler](http://www.trekmodeler.com/index.htm) for an awsome paint guide.

U.S.S. Enterprise NCC-1701-A

![](http://fractalscapes.net/Sketchfab/ko-fi.png)
# **https://ko-fi.com/tycho**

Evanescent Plasma

Chichen Itza,  from Yucatec Maya: Chi'ch'èen Ìitsha'  ("at the mouth of the well of the Itza people") was a large pre-Columbian city built by the Maya people of the Terminal Classic period. The archaeological site is located in Tinúm Municipality, Yucatán State, Mexico.

Chichen Itza was a major focal point in the Northern Maya Lowlands from the Late Classic (c. AD 600–900) through the Terminal Classic (c. AD 800–900) and into the early portion of the Postclassic period (c. AD 900–1200). The site exhibits a multitude of architectural styles, reminiscent of styles seen in central Mexico and of the Puuc and Chenes styles of the Northern Maya lowlands. The presence of central Mexican styles was once thought to have been representative of direct migration or even conquest from central Mexico, but most contemporary interpretations view the presence of these non-Maya styles more as the result of cultural diffusion

[Map](https://goo.gl/maps/VJVGEidS9bH2)

Chichen Itza Pyramid 3D Reconstruction

Learning ZBrush, sculpt 3: Polar bear adolescent walk animation.

Polar Bear

A simple worn hanging light with 2 fluorescent bulbs.  Handy prop for any interior scene.  

PBR textures @2k

Worn Overlead light

Extracted with Unity Asset Explorer

The Glow Whale is a friendly Leviathan-class Organism that lives in the shallow waters of Sector Zero of 4546B. They are large blue whale-like creatures with very large side fins and a fluked tail. They have many barnacles growing on their skin, and they have 2 blue glowing horns. Their mouth is large and can expand itself to become larger snd swallow up its main source of food, groups of small fish. The glow whale also has bioluminescent spots on its body. They will periodically breach the water surface in a spectacular jump, landing back into the water. They also swim in pods, like earth whales.

Asset made by UnknownWorlds devs of Subnautica Below Zero.

Glow Whale

Extracted with Unity Asset Explorer

The Shadow Leviathan is a 60+ meter long Leviathan Class organism that can be found exclusively in large caves of Sector Zero of 4546B. It has a large triangular head with 3 eyes on each side, and a mouth lies underneath the head, which is bioluminescent and blue. The mouth is long, and also has many long, blue teeth. The shadow leviathan is a very oppritunistic hunter, going for any large prey, presumably because of the lack of any of large animals in the Crystal Caves and Fabricator Caverns. The few animals even there are small fish and bacteria, which is hupothesized to also feed the shadow leviathan's massive appetite. It is capable of nearly destroying a seatruck or prawn suit before letting go of you with its large mantis-like arms. It has a long eel-like body to easily move around large crystal formations.

Asset made by UnknownWorlds devs of Subnautica Below Zero

Shadow Leviathan

Imitates the battle sample. Double axes were known in the ancient civilizations of the Mediterranean, and often had a ritual or sacred significance. Consists of a handle and the axe head. Made of steel and shaped as two crescents, located symmetrically about the central axis of the handle. The axe tube goes into a flat tip, consisting of a notched "apple" and rhombic plume. The handle is steel, octagonal, with a knob on the end. The tip has engraving in Arabic (1201-?); both-the axe and the tip-decorated with floral ornament and stylized images of animals. The upper part of the handle is decorated with floral ornament inlaid with silver.


Country: Iran, Caucasus (?)

Time of production: XVIII-XX c.

Material: Steel

Decoration technique: Engraving, silvering

Sizes, cm: 84,5x21,0

Weight, kg: 1.729

Decorative Double-Bladed Battle Axe

## A detailed 3D model of a weathered fluorescent light for industrial, urban, or vintage-themed environments.
* Single mesh for optimized performance.
* Single material setup for streamlined rendering.
* Includes high-quality PBR textures (4096 x 4096 resolution) for realistic surface detail.

Weathered Fluorescent Light/Lamp - 4096px²

Relief representation of a visit to a patient. The stone relief, which is reminiscent of the former Mautner Markhof'sche children's hospital, shows a doctor taking the pulse of a girl. The depiction is located within a window-like frame decorated with flower garlands and a woman's mask. The relief was created by Carl Kundmann and dates from 1873.

Relief

Consists of a handle and the axe head. Axe is shaped as a crescent, is made from copper alloy. Handle is wooden, round, plugged with a steel plate with longitudinal canals. The blunt side is decorated with engraced figure of a bird. Both sides of the axe head are decorated with floral ornament with two stylized figures of animals.

Country: Iran, Caucasus (?)

Time of production: XVIII-XIX c.

Material: Steel, copper alloy, wood

Decoration technique: Engraving

Sizes, cm: 47,0x16,5

Weight, kg: 0,8

Decorative Battle Axe

The firefly squid is found in the Western Pacific ocean at depths of 183 to 366 metres (600–1200 feet) and is bioluminescent. The mantle, head, arms and tentacles are dotted with tiny, light-producing organs called photophores. When flashed, the light attracts small fish, which the squid can feed upon.

Firefly squid

Staff based on a Roman Guro's concept art. 

Software used: Blender, Zbrush, Substance Painter.

Link to Roman Guro's art: https://www.artstation.com/artwork/lRVga

Crescent Moon Staff

Volcanic stone Ganesha, 10th - 11th C CE, now in the collection of the Minneapolis Institute of Art.

From the sculpture's description on artsmia.org:

*'...In this classic tenth-century Javanese depiction, from the island of Java, Ganesha sits erect on a double lotus base. Pot bellied and with his chubby feet held tightly together, he eats sweetmeats from a bowl in his lower left hand. His headdress, made of braided locks, bears a protective crescent moon and skull. His lower right hand grasps a broken tusk, while his upper right hand holds a rosary topped with a pomegranate, a symbol of abundance. In his upper left hand, he displays a battle-axe used to counter evil. Ganesha images often decorated the principal niche in the western wall of a Shiva temple.'*


More information:

https://collections.artsmia.org/art/81675/ganesha-indonesia

Ganesha, 10th - 11th C CE

English Archer Helmet, 15th ct., 1.6 mm steel. This particular helm is based not on what the nobles might have worn, but instead, on what the typical troop would have favored, possessing a straight-forward design that is both effective and protective, being shaped similarly to a barbute, of later 15th century Italian descent. It is made entirely from 16 gauge steel and features rivets about the skull-cap, as well as protection on the sides and back of the head and face, while leaving the front open, so as to not interfere with an archers vision or draw. The interior of the helmet also features a leather liner with an adjustable chin strap, which helps to make the helmet all the more comfortable and easy to wear. The helmet is based entirely on a historical piece, which is held in the Royal Armouries, in Leeds, England.

This model is a part of the Callectable Item Pack for Unreal Engine 4.

Helmet - Archery

Faience baboon, 7th - 6th C BCE, about 16cm / 6 inches tall.

From the sculpture's gallery description:
"The baboon was usually associated with Thoth, one of the moon gods. This animal has a hole in the crown that once held a lunar disk sitting on top of a crescent moon, an attribute of Thoth. For a 2600-year-old artwork it is in remarkable condition, and though the animal is small in size, its posture and expression command authority."

More information about the model here:

https://collections.artsmia.org/art/126884/baboon-egypt

Baboon (Moon God Thoth)

Nas paisagens de Évora e Montemor-o-Novo  é possível encontrar alguns dos mais significativos exemplares do megalitismo ibérico, entre os quais se destacam pela sua monumentalidade, as Antas Grandes do Zambujeiro e da Comenda da Igreja. O seu registo tridimensional e a sua divulgação através dos meios técnicos da “realidade virtual”, são uma chamada de atenção para um património pré-histórico real e concreto mas hoje especialmente ameaçado - este é o projecto Anta Grande ².
A Anta Grande do Zambujeiro é um monumento que adotava originalmente a arquitetura dolménica mais comum, isto é, câmara com sete esteios, chapéu monolítico e corredor baixo e longo dirigido a nascente. A tampa jaz fragmentada a ocidente da câmara, precisamente na zona oposta ao corredor, sobre a parte melhor conservada da mamoa.

Anta Grande do Zambujeiro

Extracted with Unity Asset Explorer
 
 The Reefback leviathan, or just the Reefback, is a large leviathan class organism which is very strange in its biology, having evolved drastically to survive attacks from now extinct predators. Often, the reefbacks can become centuries old, and have many species of coral and plants grow on its back, putting their roots into deep scars in the large chitonous back. The creature evolved this back, asbits just one chitonous large bone like structure, as opposed to the other evolutionary paths of a spine with multiple vertibrae. The Reefback has large fina that look like claws, but actually control where the creature turns. The reefback will produce booming calls and songs like earth whales, using 2 large mouths on its sides, which also filter microorganisms from the water. The bottom also has blue bioluminescent stripes, and a collection of enzyme pods, which have no real purpose. Often, resources can be found on its back.
 
 Asset made by UnknownWorlds devs of Subnautica

Reefback

The Garden Temple Gate is a feature in Castle Park, Colchester.

It is Grade II listed and appears to be made of 'found' stones including Roman tile as well as modern brick.

Date: 1747 (Erected by Charles Grey)

https://www.waymarking.com/waymarks/WME20K_Garden_Temple_Gate_Castle_Park_Cowdray_Crescent_Colchester_Essex

36 photos taken in January 2012 with a Sony Nex 3 and processed in Reality Capture in February 2021.
Roof repainted by hand because I could not capture that area.

Garden Temple Gate

Another model from my personal work Breeze Of The Past. The work consists of an old office room in good condition and this chessboad is part of that room.I started this work wanting to create a silent story, so I made the components of the room appear to be speaking for themselves; each piece tells you a story and is reminiscent of memories. I modeled in blender and textured in substance painter.
If you wanna see Full Room Go to my artstation profile https://www.artstation.com/artwork/EaJQBN

Classic Chessboard

Retro Incandescent Econolite traffic signals for a 1960's California setting.

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