More commonly known as a "Deuce and a Half", these ex-military trucks are fairly common in rural areas as farm vehicles, or offroad toys. They were built from 1950 to 1988, and have served in every conflict around that time.

Processed from 215 photos taken on an impromptu stop on the side of the road.

M35 2½-ton Cargo Truck (Raw Scan)

[English version [here](https://skfb.ly/LsnA).]

Im Juli 2015 wurden in Risch-Rotkreuz ZG ein Stosszahn und verschiedene weitere Knochenfragmente (rot markiert) eines adulten Mammutbullen entdeckt. Ausweislich zweier Radiokarbondatierungen gehören die Knochen an das Ende der letzten Eiszeit bzw. in die Zeit um 15‘000 v. Chr.<br>
<br>
Markierung der in Rotkreuz gefundenen Knochen durch Eva Kläui, ADA ZG, auf einem lasergescannten Mammutskelett aus der Sammlung der Smithsonian Institution in Washington D.C., siehe hier [https://skfb.ly/6QS7F](https://skfb.ly/6QS7F).<br>
<br>
**Literatur**

“Das letzte Zuger Mammut?” (2016). [http://dx.doi.org/10.5169/seals-632509](http://dx.doi.org/10.5169/seals-632509).

“Durchleuchtet und analysiert. Ein Update zur Genetik, Isotopie und Radiografie...” (2018). [http://dx.doi.org/10.5169/seals-787150](http://dx.doi.org/10.5169/seals-787150).

“CT-based Age Estimation of a Mammoth Tusk” (2022). [https://doi.org/10.1148/radiol.220265](https://doi.org/10.1148/radiol.220265).

Risch-Rotkreuz, Mammutstosszahn und -knochen

This model was made with images from the Zoosphere Project. 
Find out more here: [http://www.zoosphere.net/project](http://www.zoosphere.net/sequence/76/Leucopholis/irrorata)

"*Leucopholis irrorata* (Chevrolat), of family *Scarabaeidae*, subfamily *Melolonthinae*, is a Chafer Beetle considered as pest of Oryza sativa (rice) and Zea mays (maize) in the Philippines. The adults feed on the leaves while the grubs (called White Grubs or Root Grubs) feed on the roots of rice plants by digging through the soil. Root grubs feed on rice during the seedling stage of the crop.

**Distribution**: Luzon, Philippines. Synonyms: Leucopholis pollinosa; Leucopholis simillima.

**Habitat**: Backyard. This scarab beetle was being chased by my cat and just happened to land on a newly harvested Langka/Jackfruit." - *http://www.projectnoah.org/spottings/23126081*

![](http://gbif.naturkundemuseum-berlin.de/zoosphere_objects/Leucopholis_irrorata_3/images/thumbnails/small.jpg)

Leucopholis irrorata

The shape of the foot of the monstrance is similar to an oval with concave-convex  profiling. The ornately decorated slope of the foot is divided into four fields with symbols of the Eucharist (grain ears and bunches of grapes), two heads of angels and the coat of arms of the abbey. Two Austrian (re-marking) hallmarks are present on the flange of the foot. The stem is shaped like a candelabrum, made of smooth rings and decorated with foliate motifs. The pear-shaped nodus is decorated with angel heads. It features a sunburst aureole consisting of bundles of conjoined rays of different lengths. Reservaculum has a trefoil shape and is enclosed in a frame with floral and cornice board decorations. The frame is studded with blue-turquoise stones (artificial gemstones made of coloured glass).

1st half of the 18th century, early 17th century

Museum of the Benedictine Abbey in Tyniec

Inventory number: MP/6/2012

Monstrance

Statue by Pierre Loison (1816-1886).
"Cour Carrée", Louvre palace, Paris, France.
3D scanning, 140 photos, Agisoft Photoscan.

Sappho on the rock of Leucas (1859)

> Bronze, about 1835-40
Donated by Lord Archer through the Cultural Gift Scheme on behalf of himself and Dame Mary Archer
This expressive figure deep in brooding melancholy epitomises the interests of the Romantic sculptors.
When first exhibited at the Paris Salon in 1834 it was described as 'a personification, with plenty of verve and ardour, of the evil genius at odds with being powerless.' The bronze inspired numerous other sculptures throughout the nineteenth century. culminating with Rodin's Thinker in 1902. WA2015.48

📍 [Ashmolean Museum, Oxford, England](https://goo.gl/maps/BuMFLQSgFXgEm3Qi6)

EDIT: check out this great update / rework of this scan by [re1monsen](https://sketchfab.com/re1monsen) 🔗 skfb.ly/oFUnO

Satan, Jean-Jacques Feuchère (1807-1852)

Based on "Cráneo de Drill, Mandrillus Leucophaeus" (https://skfb.ly/o6q7Q) by Museo [UV] Historia Natural is licensed under Creative Commons Attribution (http://creativecommons.org/licenses/by/4.0/).

Another test using rapidcompact.com, this time using a vertex coloured model, converting the vertex colours to JPG colour map, as well as generating normal and AO maps. 4 million faces > 25,000.

Mandrillus Leucophaeus - RapidCompact

Original work by @nebulousflynn 

Title: Satan
Creator: Jean-Jacques Feuchère
Date Created: circa 1836
Location: France
Physical Dimensions: 31 × 21 × 12 1/2 in. (78.74 × 53.34 × 31.75 cm)

**MADE IN BLENDER**
 
Level 0 ("The Lobby") is the first and foundational level of the Backrooms, characterized as an infinite, non-Euclidean, and non-linear space resembling an abandoned office with yellow wallpaper, damp, moldy carpet, and buzzing fluorescent lights

Backrooms level 0

BullShark (Carcharhinus Leucas), one if not the only shark species that can live in fresh and saltwater. In the top 3 of most dangerous sharks because of its high testosterone (many times that of an elephant in the musth) which makes it aggressive and also its tendency to inhabit warmer coastal waters and even rivers, making contact with humans more likely. Sadly enough overfishing with nets mostly is wiping out this shark species too, and while it will attack a few times worldwide per year at most, we kill 60 million sharks on average each year, take a good look because this shark is becoming rare. And ofcourse the netting will not be done at the coast mostly, still we should preserve:)

BullShark (Carcharhinus Leucas)

This is pure computational topology. 
Not sculpted by hand, this model is the direct 3D output of the Polytopic Archetypal Projection Protocol (PAPP).
The Origin: The seed is the Shamseh, a radial star pattern from Islamic sacred geometry. 
Its 2D ratios were fed into an "algebraic transducer", mapped onto a 4D space using a Fibonacci lattice on an $S^3$ hypersphere, and projected into 3D via a Hopf fibration.
The Build (V5.1): Driven exclusively by the Golden Ratio ($\phi$) and Euclidean metrics, it generates hyper-dense, crystallized concentric shells—a "Cosmic Onion".
Network Science Data: Vertices: 163,892 deterministic nodes.
Clustering (C): 0.847 (pathologically high local density).
Path Length: 30.14.It acts like a "harmonic glass": locally perfect but lacking the small-world routing of our later builds.
Visual proof that coherent math collapses into brutal spatial elegance.

Shamseh V5.1 "Cosmic Onion"

GöttwAIg – Wunderkammer(21). Barock digital | Ontology of the Surface (Glanzhaut des Relikts)

"AI verwandelt Materie in eine leuchtende Datenhaut – ein Relikt, das sich erst im Blick als Wunde zeigt."

Das Projekt transformiert die fragmentarisch überlieferte Wunderkammer des Stifts Göttweig mithilfe von KI in eine zeitgenössische digitale Form. Initiiert von Markus Wintersberger (USTP St. Pölten) und Viola Rühse (UWK) entstehen digitale Neukreationen ausgewählter Objekte. Die von Abt Gottfried Bessel im 18. Jahrhundert geschaffene Sammlung wird nicht restauriert, sondern als Raum des Staunens neu interpretiert und als aktuelles Experiment bedeutet. 

UWK - Plattform für Nachhaltige Entwicklung
USTP - Experimentelle Medien / IC\M/T
Verein DruckKunst – Verein zur Förderung und Verbreitung der bildenden Künste
Kunstsammlungen, Archiv & Bibliothek Benediktinerstift Göttweig

Kunst und Kultur im digitalen Raum – Call 2025

https://research.ustp.at/projekte/goettwaig-wunderkammer-21-.-barock-digital

GöttwAIg – Ontology of the Surface

La scultura, proveniente dalla necropoli di Deir el-Medina (Egitto, XIX dinastia), è stata restaurata nel laboratorio di restauro del Museo Archeologico Nazionale di Firenze in collaborazione con La Haute Ecole Arc Conservation-restauration (HE-Arc CR) di Neuchâtel nell’ambito del tirocinio di laurea della studentessa Sofia Bovo.
L'opera di conservazione dell’opera e è stata anche un’importante occasione di studio eseguita in collaborazione con l’Istituto di Fisica Applicata “Nello Carrara”- Gruppo di Spettroscopia Applicata - SABeC CNR-IFAC: il manufatto, infatti, è un complesso polimaterico composto da terra cruda, tela di lino, carbonato di calcio e policromia a tempera.

Testa di scultura funeraria in terra cruda

Strade Dominican Friary, National Monument No. 172.  The abbey at Strade dates to the mid-13th century, when it first started as a Franciscan Friary, established by the Lord of Athlethan (Ballylahan), Jordan de Exeter. The Dominican friars moved into Strade in 1253. The priory was dedicated to the Holy Cross & was a daughter house of Sligo Dominican priory (SL014-068008-).  A papal indulgence granted in 1434  may have resulted in a rebuilding phase of the church.  The carving of the vulning pelican (from the Latin vulnerō, “to wound”) on the north wall of the crossing tower of the friary church dates from the 15th-century.  In Medieval Christianity, the pelican feeding its young with its own blood was a symbol for the sacrifice of Jesus Christ on the cross & the Eucharist.  Also known as the Pelican in Her Piety, the bird piercing it's breast to shed blood is an allegory of Christ on the Cross, a symbol of the Passion of Christ. Archaeological Survey of Ireland description at: https://tinyurl.com/mumyk56y

Strade Abbey -The Vulning Pelican

Two speices of Lobate Comb Jellies and 1 Not. Lobata is an order of transparent marine invertebrates belonging to the phylum of Ctenophora in the class Tentaculata, and are commonly referred to as comb jellies or sea gooseberries.
The other (Brown Comb Jelly) is from family Beroidae  more commonly referred to as the beroids. It is the only known family within the monotypic order Beroida and the class Nuda. They are distinguished from other comb jellies by the complete absence of tentacles, in both juvenile and adult stages.
Brown Comb Jelly *Beroe ovata*
Redspot Comb Jelly *Eurhamphaea vexilligera*
Warty Comb Jelly *Leucothea multicornis*

1 X Lobate Comb Jellies-2-1 Class Nuda

Model By FranchuMar, Megatron Retexure By Me For Transformers The Game Remake PSP Mod Made By Me ![](https://images-wixmp-ed30a86b8c4ca887773594c2.wixmp.com/f/801c8e3a-0356-48f3-860d-3adbd997f42d/dfoxd0o-df0c2808-9777-4c32-9796-4255b38f31c1.png/v1/fit/w_750,h_1200/megatron__2007__by_steampunk671213_dfoxd0o-375w-2x.png?token=eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJzdWIiOiJ1cm46YXBwOjdlMGQxODg5ODIyNjQzNzNhNWYwZDQxNWVhMGQyNmUwIiwiaXNzIjoidXJuOmFwcDo3ZTBkMTg4OTgyMjY0MzczYTVmMGQ0MTVlYTBkMjZlMCIsIm9iaiI6W1t7ImhlaWdodCI6Ijw9NDA5NiIsInBhdGgiOiIvZi84MDFjOGUzYS0wMzU2LTQ4ZjMtODYwZC0zYWRiZDk5N2Y0MmQvZGZveGQwby1kZjBjMjgwOC05Nzc3LTRjMzItOTc5Ni00MjU1YjM4ZjMxYzEucG5nIiwid2lkdGgiOiI8PTI1NjIifV1dLCJhdWQiOlsidXJuOnNlcnZpY2U6aW1hZ2Uub3BlcmF0aW9ucyJdfQ.ABaQ6_Hlt7fh7mEE5_P-NBG2r-dJPjH0wNgwZznCq9k)

Megatron 2007 PSP Retexure

GöttwAIg – Wunderkammer(21). Barock digital | Afterimage of a Collection

"Die Sammlung erscheint als Nachbild: leuchtend, instabil, und radikal gegenwärtig."

Das Projekt transformiert die fragmentarisch überlieferte Wunderkammer des Stifts Göttweig mithilfe von KI in eine zeitgenössische digitale Form. Initiiert von Markus Wintersberger (USTP St. Pölten) und Viola Rühse (UWK) entstehen digitale Neukreationen ausgewählter Objekte. Die von Abt Gottfried Bessel im 18. Jahrhundert geschaffene Sammlung wird nicht restauriert, sondern als Raum des Staunens neu interpretiert und als aktuelles Experiment bedeutet. 

UWK - Plattform für Nachhaltige Entwicklung
USTP - Experimentelle Medien / IC\M/T
Verein DruckKunst – Verein zur Förderung und Verbreitung der bildenden Künste
Kunstsammlungen, Archiv & Bibliothek Benediktinerstift Göttweig

Kunst und Kultur im digitalen Raum – Call 2025

https://research.ustp.at/projekte/goettwaig-wunderkammer-21-.-barock-digital

GöttwAIg – Afterimage of a Collection

Collection:  Lansing Community College Collection
Type: Hand Sample
Technique: Revopoint MetroX 3D Scanner
Institution: Michigan Geological Repository for Research and Education, Michigan Geological Survey
Location: Eucalyptus, Bolivia
Description:

Cassiterite

Der Granatapfel 'Wonderful' ist eine der beliebtesten Sorten mit einer dicken, leuchtend roten Schale und großen, saftigen, dunkelroten Samen, die süß-säuerlich schmecken. Er wächst auf einem robusten Strauch, der bis zu 4 Meter hoch wird, und reift im Herbst, wobei die Frucht etwa 800 Gramm wiegt. Die Kerne sind knackig und werden oft pur, in Salaten oder als Saft genossen.

Granatapfel

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/R7EuCE](https://www.meshy.ai/s/R7EuCE)

Patchwork Banjo Player

A stylized residential structure inspired by the dreamlike, gravity-defying aesthetic of Catatonia. This model explores the visual language of storybook architecture pushed into gothic surrealism. Where organic curves meet asymmetrical facades, and familiar domestic forms are stretched, tilted, and reimagined.

Architectural highlights:
Exaggerated rooflines with steep, irregular pitches characteristic of the Catatonia style
Warped wall planes and non-euclidean proportions that suggest organic growth rather than rigid construction
Layered structural elements including overhanging eaves, clustered chimneys, and mismatched window arrangements
A silhouette designed to feel simultaneously inviting and unsettling — cozy from a distance, surreal up close

Modeling notes:
Built with stylized proportions prioritizing visual storytelling over architectural realism
Clean topology optimized for real-time viewing on Sketchfab
Geometry crafted to support both close-up inspection and full-scene composition

Caledonia Stylized House

Beyond aesthetic geometry: this is a mathematically optimized routing topology. 

This model is the V5.4 evolutionary peak of the Shamseh seed, processed through the Polytopic Archetypal Projection Protocol (PAPP).

The Build (V5.4 Hybrid): Previous versions (like the V5.1 "Cosmic Onion") were geometrically dense but network-fragile. 

This V5.4 dual-phase algorithm fixes this by combining angular proportional matching with Euclidean k-nearest coupling.Network Science 

Data: This structure exhibits perfect "Small-World" topology characteristics:Fiedler Value ($\lambda_1$): 0.005944 (a 35x structural strength increase).Clustering (C): 0.253 (The "Goldilocks zone", mirroring human brain networks).

Average Path: Only 3-4 jumps to cross the entire massive network.Resilience: 100% core integrity maintained even after randomly removing 10% of nodes.
A sacred geometry seed transmuted into a bulletproof, highly efficient spatial network.

Procedurally generated via the PAPP Framework (Python/SciPy).

Shamseh V5.4 Hybrid Network | PAPP Topology

RELIQUIE WEIN4 – Spurensicherung Laa
Installation, Ausstellung, Performance
nagl∼wintersberger
Eröffnung & Performance: 20. Juni 2026, 15.00 Uhr
Kunsthaus Laa an der Thaya
Im Rahmen des Wein/4-Festival 2026

Wie ein Future Fossil: weich, fremd und leuchtend zwischen Natur und digitalem Artefakt. 

Das Künstler:innenkollektiv nagl∼wintersberger (Andrea Nagl & Markus Wintersberger) entwickelt im Kunsthaus Laa eine poetische Installation zwischen geologischer Feldforschung, Embodiment, digitaler Kunst und Performance. Ausgangspunkt sind Gesteine des Weinviertels, die historische Bürgerspital-Kapelle und die Reliquie als Trägerin von Zeit, Erinnerung und Identität.
Videos, AR-Objekte, AI-generierte „future fossils“, Zeichnungen, skulpturale Setzungen und eine Tanzperformance verdichten den Raum zu einem ästhetischen Resonanzkörper. Stein erscheint dabei als geologische und kulturelle Spur – als Material, das Geschichten speichert und neue Blickweisen auf Landschaft, Architektur und Erinnerung eröffnet.

RELIQUIE WEIN4 - Gelatine Organism

Located in Strade Dominican friary (MA070-067001-), one of a group of five (see also MA070-067007- to MA070-067010-) no upright where they are mounted up against the south wall of the chancel of the friary church. Tapered graveslab (L 1.9m) of 13th/14th-century date with chamfered sides, served as the lid of a stone coffin. Grave-cover decorated with a cross-fleury or floriated cross with stylised leaf-like terminals or bud-and-leaf terminals.  Possible foliage/leaf/fruit/disc motifs springing from the shaft of the cross symbolising the tree of life.  A cross fleury is a cross adorned at the ends with flowers in heraldry. It generally contains the fleur-de-lis, trefoils, etc.  The Tree of Life represents God's gift of eternal life appearing first in Genesis 2:9 as a source of immortality in Eden & in Revelation 22.2 as a part of the new garden of paradise. The Eucharist, the Body & Blood of Christ, is the Fruit of the Tree of Life Archaeological Survey of Ireland, description at: https://tinyurl.com/y258xyy4

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