Milan's layout, with streets either radiating from the Duomo or circling it, reveals that the Duomo occupies what was the most central site in Roman Mediolanum, that of the public basilica facing the forum. The first cathedral, the "new basilica" (basilica nova) dedicated to St Thecla, was completed by 355. It seems to share, on a slightly smaller scale, the plan of the contemporaneous church recently rediscovered beneath Tower Hill in London. An adjoining basilica was erected in 836. The old octagonal baptistery, the Battistero Paleocristiano, dates to 335 and still can be visited under the Cathedral. When a fire damaged the cathedral and basilica in 1075, they were rebuilt as the Duomo.

source : wikipedia

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Milan Cathedral

This is a 3D model of a replica of the leaning tower of Pisa! This famous torre illustrates the most popular and characteristic monument of Pisa and I got it as a souvenir, when I visited Italy. This 3D model is a project built within the course of “Digitization Technologies, Techniques and Applications”. Leaning Tower of Pisa, alternatively “Italian Torre Pendente di Pisa” is a medieval freestanding bell tower, of the cathedral of the Italian city of Pisa, famous for the settling of its foundations, which caused it to lean 5.5 degrees (about 15 feet [4.5 metres]) from the perpendicular in the late 20th century. Extensive work was subsequently done to straighten the tower, and its lean was ultimately reduced to less than 4.0 degrees. The tower is included in the Piazza del Duomo UNESCO World Heritage Site, which was declared in 1987. Today, it is one of the most touristic attractions in Italy and a great site to take creative pictures.
Source: https://www.britannica.com/topic/Leaning-Tower-of-Pisa

Leaning tower of Pisa

The [**Piccolomini Altar**](https://en.wikipedia.org/wiki/Piccolomini_Altarpiece) in the Siena Cathedral is an elaborate Renaissance marble structure commissioned by Francesco Todeschini Piccolomini, later Pope Pius III. Designed in the late 15th century and attributed to Andrea Bregno, the altar resembles a miniature architectural façade, featuring niches, pilasters, and finely detailed relief carvings.

It was intended to house a series of statues, some of which were sculpted by a young Michelangelo, marking an important early stage in his career. The central niche contains a small devotional image above a simple altar table, creating a focal point for worship.

The altar combines Renaissance balance and symmetry with rich ornamentation, reflecting both religious devotion and the prestige of the Piccolomini family. Today, it stands as a significant artistic and historical feature within the cathedral interior.

Siena - Duomo Piccolomini Altar (Scaniverse)

This marble carving is a **heraldic coat of arms (stemma)** located inside the Siena Cathedral. The shield prominently features a **lion in a rampant pose**, a common symbol representing strength, courage, and authority. Such emblems were used to identify noble families, bishops, or important patrons associated with the cathedral.

These coats of arms were typically installed on altars, chapels, or architectural elements to signify **patronage and contribution**. Wealthy families or church officials who funded construction, decoration, or restoration works were often granted the privilege of displaying their crest within the cathedral.

Beyond decoration, the carving reflects Siena’s historical social and political structure, where religion, power, and family identity were closely intertwined. Today, these heraldic symbols serve as historical markers, offering insight into the individuals and families who played a significant role in shaping the cathedral’s rich artistic and cultural heritage.

Siena - Duomo Stemma / Coat of Arms (Scaniverse)

Stele funeraria duomo di Merano

The [**Porta della Riconoscenza** (“Gate of Gratitude”)]((https://maps.app.goo.gl/rwmgt4QnZek4jQsSA) is the main bronze entrance of the Siena Cathedral. Designed by Enrico Manfrini and installed in 1958, it was created as a symbol of thanksgiving after World War II, reflecting Siena’s gratitude for survival and protection.

The door features a series of sculpted bronze panels illustrating scenes from the life of the Virgin Mary, along with key biblical narratives. These are complemented by symbolic depictions of human suffering and redemption, linking spiritual themes with real human experience.

Artistically, the work combines modern sculptural techniques with traditional religious storytelling. Its high-relief surfaces create strong contrasts of light and shadow, adding depth and emotional intensity. More than an entrance, it acts as a spiritual threshold, inviting visitors to reflect on faith, resilience, and gratitude before entering the cathedral.

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