This is a beautiful scan Licenced under CC0 Public Domain that I found [here](https://sketchfab.com/3d-models/triceratops-horridus-marsh-e9c507f179ed4455aac3b208c9e6c973) made by The @Smithsonian Institution. 

I spent a couple of days cleaning and rigging the mesh to be able to animate it. I wanted to do a short looping animation by starting and finishing it with the same initial scan position



Made with Blender

*If you have any questions, do not hesitate to contact me.*

[![](https://gist.githubusercontent.com/Zechasault/865783a976dcc6e517bc87be1bc4f018/raw/76af4192ae268349f522423eff72aa978928080b/instagram.svg)](https://www.instagram.com/zacxophone_/) 
[![](https://gist.githubusercontent.com/Zechasault/04e425ffe61171372ed64694242a8262/raw/a37ee34792cdd0ceb010d1df18b12e09add8da1a/twitter.svg)](https://twitter.com/ZackCiminera)

Animated triceratops skeleton

Hurrayyy🥳 it’s me stupids !!!

I bring this model to present you the Ducati Panigale V4, highly texture with the fine detailing and sweet finishing.

Hope you found this model usefull

Enjoy free 3D models!!!!!!!!!!!

_ROY_

Ducati Panigale V4

Loved the game. After finishing it I moved on to blender to create my own low poly Okami character. I used concept art from the game designers and also screenshots from the game as my reference.

Low-Poly Sekiro

Sculpted and textured this Victorian coat. As I was finishing up texturing I suddenly became inspired by how vampire-ish the model for this jacket looked, so I added some subtle blood stains and a dusty layer.

Victorian Vampire

CC0 (Public Domain)

Free to use in any capacity.

No textures yet but will be adding some in the future. also will go through and refine some objects too.

This kit is a great shortcut to finishing off or mocking up automotive models. loads of small detailed objects to add some realism to models and renders.

feel free to support me at:

https://www.buymeacoffee.com/Britdawgmstrfnk

Any requests and comments welcome :)

The_Breakers_Yard Part 1 (CC0)

Yep , you guessed it right. It's made after watching the famous Corvette C7 course by CG Masters. 
After finishing the course I decided to put everything I learn in a good use , which led me to convert this model into a Grand Sport. A lot of details has been changed and improved.

-You can view the full project & renders in here : https://www.behance.net/gallery/151209105/Corvette-C7-%28Stingray-Z06-GS%29-Free-Models

(FREE) Chevrolet Corvette C7 Grand Sport '17

CC0 (Public Domain)

Free to use in any capacity.

No textures yet but will be adding some in the future. also will go through and refine some objects too.

The second part to this kit and again a great shortcut to finishing off or mocking up automotive models. loads of small detailed objests to add some realism to models and renders.
feel free to support me at:

https://www.buymeacoffee.com/Britdawgmstrfnk

Would love to hear your comments and requests.

thanks :)

The Breakers Yard Part 2 (CC0)

St Michael’s Church, Rosemary Lane, Conwy LL32 8HY


https://en.wikipedia.org/wiki/Stations_of_the_Cross


http://www.britishlistedbuildings.co.uk/wa-87416-crucifixion-and-stations-of-the-cross-at-#.WK-GqpMzNC0

"Many Roman Catholic churches have a set of depictions of the 12 Stations of the Cross* but usually indoors. Rarely are they displayed outdoors in such a remarkable setting as here. The scenes of the Easter story are portrayed in 13 reliefs and the Calvary, the free-standing sculpture depicting Christ on the cross."

source: http://historypoints.org/index.php?page=marble-sculptures-st-michael-s-church


Consider this process a work in practice, I will clean all the meshes and textures over time and update.  The background wall and tower needs finishing with high res texture and normals maps to improve the realism, I appreciate the lighting needs work along with background to improve the presentation of these fantastic pieces, there really is alot for me to do on this one.

Conwy Town Walls 'Stations of the Cross'

Here's the first full video from the 3D Prophecy campaign! Head over to the Vikings Facebook page to guess the role of this noose in tonight's premier for a chance to win the print that we made! This year we went all out with finishing and made almost every piece life size. This noose was 4 separate builds, epoxied and finished to look like the real thing.

[Watch the Reveal](https://youtu.be/-HEMm6RsM4s)
[See more at 3D Brooklyn](http://www.3dbrooklyn.com/case-studies/2016/11/30/vikings-3d-prophecy)

Noose - Vikings 3D Prophecy - Episode 11

Yet another Work In Progress that I'll left "unprogressed on", as a by-product of my latest Blender/Sketchfab experiments.

* High-resolution hand scan: ["Hand"](https://skfb.ly/6GW88) by @artec3d, CC-attribution. 
* Base hand mesh used for the retopology: [Low Poly Human Hands (All Quads)](https://skfb.ly/6NUy9) from @JeremyGrayson, CC-Attribution.
* Eye: [Blue Eyeball (Free)](https://skfb.ly/6HUzo) from @tomhodes, CC-Attribution.
* Base face mesh: "Female Base Mesh" from [Javier Zuccarino](https://www.artstation.com/zuka) (who shared it for free on his Gumroad profile: "Zucca")
* [Initial face texture](https://bit.ly/32r2bl8) from "The Internet", a.k.a. sorry I did not manage to trace it back to the photographer :(

This model is left unfinished and most noticeably some of the hands are not posed by simple lack of patience, but I did not feel like I was really going anywhere with this scene.

Note to self: think about finishing something someday !

Crippling

## Scanning
The scan took place in two steps: First the top of the lawn mower and then the bottom. For both scans I didn't use any scan spray or similar, just took the scanner and started scanning at 1mm resolution. Since then markerless laser scanning made quite some progress, especially in wired mode where scan speed was increased from 20 FPS to 60 FPS with the latest update. Hopefully this will also transfer to wireless mode in the future. 

## Post-Processing
Processing just consisted of generating the point cloud when finishing the single scans, aligning the scans to each other (I used manual feature alignment since the overlap was quite minimal) and then I meshed the scan with default settings. Only divergence from default was using the semi watertight setting since it delivers a more closed model without too much "artistic freedom" to close holes. The scan was then reduced and aligned in Quicksurface.

Lawnmower - Einstar Rockit (markerless laser)

## Scanning
Scanning was done in sPC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 20M triangle file...) until target quality was reached. Keep an eye on ideal scan distance since it reduces with increasing point distance. When you are too far away scanning will be drastically slower compared to when you're in the ideal distance. 

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wax Statue Virgin Mary - Einscan Rigil

## Scanning
Scanning was done in PC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 20M triangle file...) until target quality was reached.
I placed the casting on bed of marker cards and geometries so I can also capture the sides of the casting which I also use for aligning the two scans I created (top and bottom). The scan itself was performed with both cross and parallel line mode taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wax Casting Traditional Scene - Einscan Rigil

Camera model: Zivid 2+ MR60

Distance : 500mm

Name : ZividTwoPlusMR60_RobotGuidance_SurfaceFinishing_Painting_Automotive_CarDoorHandle1

Car door handle

## Scanning
Scanning was done in PC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 15M triangle file...) until target quality was reached. Keep an eye on ideal scan distance since it reduces with increasing point distance.
I placed the statue on bed of marker cards and geometries so I can also capture the sides of the statue which I also use for aligning the two scans I created (top and bottom). The scan itself was performed with both cross and parallel line mode taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wood Statue Boy with Dog - Einscan Rigil

## Scanning
For scanning I placed the shell on a bed of marker cards and geometries securing it with blue tack against rolling (which actually caused problems...). The scan itself was created in standalone mode with marker tracking and 0.2mm resolution in laser mode. It tool roughly 7min to reach full data quality on the front side. I also captured the back side but supposedly the blue tack deformed which resulted in the scan being unusable... Next time I wull try clay.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to mesh it in recommended settings (semi-watertight). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Trench Art from WW1 - Einscan Rigil

Camera model: Zivid 3 XL250
Distance : 1700mm

Name : ZividThreeXL250_RobotGuidance_SurfaceFinishing_Polishing_Metal_LargePlate

Large metal plate

this is with wing sections for finishing the avatar gagdet F-16 for personal use for VRChat as i made this last version.

https://sketchfab.com/3d-models/f-16a-b-sections-glb-5fcc431ec3d34008a4e16471752fc9e5

F-16 Fuselage Sections with wing Section.GLB

Camera model: Zivid 2+ MR60

Distance : 550mm

Name :ZividTwoMR60_RobotGuidance_SurfaceFinishing_Painting_Automotive_CarHood

Car hood

## Scanning
Scanning was done in PC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 15M triangle file...) until target quality was reache
I placed the statue on bed of marker cards and geometries so I can also capture the sides of the statue which I also use for aligning the two scans I created (top and bottom). The scan itself was performed with both cross and parallel line mode taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wood Statue of Bird Nest - Einscan Rigil

Camera: Zivid 2+ MR60

Distance : 600mm

Name : ZividTwoPlusMR60_RobotGuidance_SurfaceFinishing_Painting_Automotive_CarGasDoor

Car door and gas cap

## Scanning
Scanning was done in sPC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 20M triangle file...) until target quality was reached.
I placed the casting on bed of marker cards and geometries so I can also capture the sides of the casting which I also use for aligning the two scans I created (top and bottom). The scan itself was performed with both cross and parallel line mode taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wax Portrait Virgin Mary - Einscan Rigil

Camera model: Zivid 2+ MR60

Distance : 600mm

Name : ZividTwoPlusMR60_RobotGuidance_SurfaceFinishing_Sanding_Metal_GritPlates

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