Yunnan Province, China, ~518 million years old.

*Cotyledion* lived on the sea floor, using **tentacles** to feed on particles suspended in the water. Some individuals have been found attached to small fragment of trilobites. The overall body shape, presence of tentacles surrounding the mouth and U-shaped gut, are characters that unite *Cotyledion* with entoprocts – a modern group of animals that measure less than a centimetre across.

Created for the First Animals exhibition at Oxford University Museum of Natural History: www.oum.ox.ac.uk/firstanimals

Model by Mighty Fossils: www.mightyfossils.com

Cotyledion tylodes

Messing around with refractive materials!

![Imgur](https://i.imgur.com/IGupCf4.jpg)

The [Mosquito scan](https://skfb.ly/6tFKT) (415k tris) is from [Geoffrey Marchal](https://sketchfab.com/geoffreymarchal).

**Modeling**:

* The scan was first remeshed with [mmgs](mmgtools.org) and baked to a lighter version (11k tris). 
* The amber fragment was roughly sculpted in blender ("I have no clue what I'm doing" style), keeping the main face flat (clay strips + flatten brushes).
* The small fragments inside the amber were done by splitting all the main fragment edges and applying the "shrink/fatten" tool, followed by a random Displace modifier. Exterior fragments were then removed with a boolean modifier.

**Material**:

The important parts are the roughness and normal maps, which are a mix of PBR textures (rougher edges, smoother main face), while the refractivity is just a product of tweaking Sketchfab settings: opacity set to refractive and using the object's roughness.

![Imgur](https://i.imgur.com/T67c2w1.jpg)

Mosquito in amber

Ukraine.
Irpin.
Destroyed civilian cars - russian invasion to Ukraine.

People were running from war.

This wreckyard is gathered from cars found in Bucha, Irpen city near the Kiyv.
Cars were shot and burned. You can inspect bullet and fragments holes on car bodies.

https://www.artstation.com/artwork/nEOwKX

This scan was made by :
Mykola Kondrashev - drone operator
http://Kondrashev.com.ua

Aleksey Chekalenko - photogrammetry process
http://tongar.artstation.com

Destroyed cars

300,000 to 600,000 YA. The Homo erectus skull Peking Man is also known as Pithecanthropus pekinensis (Sinanthropus). The gray coloration indicates areas that were sculpted based on the original fragments. This scan was made as a collaborative effort between The Ohio State University [Department of Anthropology](https://anthropology.osu.edu/), the [Office of Distance Education and eLearning](https://odee.osu.edu/), and the [Department of Art](https://art.osu.edu/).

Captured with a Canon EOS camera array and processed/edited in Agisoft Photoscan.

This scan was produced in 2017 the 3D scanning lab, created and run by Andrew Frueh, in the Department of Art at The Ohio State University.

Homo erectus Skull

The Herculaneum boat was found during excavation work on the ancient shoreline of Herculaneum in 1982. It was found inverted on the shoreline, with the fore of the boat having been stoved in by other timber and debris from the eruption and completely destroyed. The hot pyroclastic flows that hit herculaneum carbonized the other 2/3rds of the boat and buried it, preserving it to this day. The vessel is 8.6 m long, 2.2 m wide, and about 85 cm deep. It was preserved up to the oarlocks, and most of the sternpost was preserved. After removing the boat from the shoreline, it sat in storage for awhile until a method was designer of flipping it over and excavating the inside. The boat is now on display at Herculaneum, along with other nautical equipment found on the shore including oars and a rudder fragment from other boats (but used here). The boat is yet to be fully published, the main resource for this reconstruction was an unpublished 2005 paper by Richard Steffy: https://tinyurl.com/mr2nzm7x

Herculaneum Boat - Roman Boat

[English version [here](https://skfb.ly/LsnA).]

Im Juli 2015 wurden in Risch-Rotkreuz ZG ein Stosszahn und verschiedene weitere Knochenfragmente (rot markiert) eines adulten Mammutbullen entdeckt. Ausweislich zweier Radiokarbondatierungen gehören die Knochen an das Ende der letzten Eiszeit bzw. in die Zeit um 15‘000 v. Chr.<br>
<br>
Markierung der in Rotkreuz gefundenen Knochen durch Eva Kläui, ADA ZG, auf einem lasergescannten Mammutskelett aus der Sammlung der Smithsonian Institution in Washington D.C., siehe hier [https://skfb.ly/6QS7F](https://skfb.ly/6QS7F).<br>
<br>
**Literatur**

“Das letzte Zuger Mammut?” (2016). [http://dx.doi.org/10.5169/seals-632509](http://dx.doi.org/10.5169/seals-632509).

“Durchleuchtet und analysiert. Ein Update zur Genetik, Isotopie und Radiografie...” (2018). [http://dx.doi.org/10.5169/seals-787150](http://dx.doi.org/10.5169/seals-787150).

“CT-based Age Estimation of a Mammoth Tusk” (2022). [https://doi.org/10.1148/radiol.220265](https://doi.org/10.1148/radiol.220265).

Risch-Rotkreuz, Mammutstosszahn und -knochen

Destroyed abandoned manufactory - small fragment

Model 3D created in RealityCapture from 702 images (sony a6000) and laser scanning 3D (Leica P40)

**If you like my work leave a like or comment and follow me for more! Thanks :)**

![](https://i.imgur.com/oWuNdjT.jpg)

Destroyed abandoned manufactory - small 02

The stairs located at the south west corner of London Bridge on Montague Close.

https://www.londonremembers.com/memorials/nancy-s-steps-plaque-2
https://londonist.com/london/history/where-are-nancy-s-steps-and-why-do-they-lie-to-us

From the blue plaque: "These steps and arch are surviving fragments of the 1831 London Bridge designed by John Rennie and built by his son Sir John Rennie. These steps were the scene of the murder of Nancy in Charles Dicken's novel Oliver Twist."
It is not clear who placed this plaque and the part about Oliver Twist is not accurate. See links above.

867 photos taken in February 2022 with a Sony a7R III and processed in Reality Capture.

London Bridge Nancy Steps

"Turquoise, brown and dark manganese faience mosaic was common in monumental Seljuq prayer niches. This impressive niche with Qur’anic inscriptions and arabesque and geometric patterns, once belonged to the Bey Hakim Mosque in Konya, Turkey. It was assembled from fragments and restored parts." ~ http://www.discoverislamicart.org/database_item.php?id=object;ISL;de;Mus01;19;en&cp

Name of Object:
Prayer niche (mihrab)

Location:
Berlin, Germany

Holding Museum:
Museum of Islamic Art at the Pergamon Museum

Date of Object:
About Hegira 669 / AD 1270

Museum Inventory Number:
I. 7193

Material(s) / Technique(s):
Glazed ceramic, faience mosaic.

Dimensions:
Height 395 cm, width 280 cm

Period / Dynasty
Seljuqs of Rum (Anatolian Seljuq)

Provenance:
Bey Hakim Mosque, Konya, Turkey.

![](https://i.imgur.com/Uq7BfcQ.jpg)

Prayer niche (mihrab)

Might take a while to load because of big textures. Designed to be viewed from the bottom front.

I thought to make more stuff, like curtains behind windows, but that would require a lot more time to do that properly.

Modeled in Blender. Textured in Substance Painter.

Wall fragment

Ce masque *Ejumba* a été exécuté entre la fin du 19e et début du 20e siècle chez les Diola au Sénégal. Il a été réalisé en vannerie recouverte d'un enduit noir et ornée d'un réseau de graines rouges et de cauris, de vraies cornes de bovidé, de boutons de porcelaine et de fragments d'écorce battue et peinte.

Connue depuis le 12e siècle chez les Diola au Sénégal et chez les peuples voisins, la cérémonie *bukut* est un rite initiatique marquant le passage de l’adolescence à l’âge adulte. Menée par les anciens, cette cérémonie correspond à une période de réclusion qui se déroule dans le bois sacré à l’écart du village au cours de laquelle les participants subissent plusieurs épreuves. Ils sont désormais des hommes et peuvent donc se marier, avoir des terres et participer à la vie politique.

N° d'inv. : 934.529 issu du musée d'Angoulême (16 - France). [Voir la fiche dans notre base de données en ligne](http://www.alienor.org/collections-des-musees/fiche-objet-7557).

Numérisation 3D : scanner Eva - Artec3D

Masque d’initiation des jeunes Diola au Sénégal

Nas paisagens de Évora e Montemor-o-Novo  é possível encontrar alguns dos mais significativos exemplares do megalitismo ibérico, entre os quais se destacam pela sua monumentalidade, as Antas Grandes do Zambujeiro e da Comenda da Igreja. O seu registo tridimensional e a sua divulgação através dos meios técnicos da “realidade virtual”, são uma chamada de atenção para um património pré-histórico real e concreto mas hoje especialmente ameaçado - este é o projecto Anta Grande ².
A Anta Grande do Zambujeiro é um monumento que adotava originalmente a arquitetura dolménica mais comum, isto é, câmara com sete esteios, chapéu monolítico e corredor baixo e longo dirigido a nascente. A tampa jaz fragmentada a ocidente da câmara, precisamente na zona oposta ao corredor, sobre a parte melhor conservada da mamoa.

Anta Grande do Zambujeiro

Basic 3D reconstruction of a dish based on images from the British Museum:
https://www.britishmuseum.org/collection/object/W_1878-1230-497

Mesh based on this previous reconstruction of a similar dish from the Metropolitan Museum of Art's collection: https://skfb.ly/6QSq6

**Object Type**
dish

**Museum number**
1878,1230.497

**Description**
Dish, made of polychrome underglaze pottery. The dish has a straight sloping rim and rests on a tapering ground-down foot-ring. It is painted in cobalt blue, apple green and thick pinkish bole-red outlined in greyish black with spotted tulips and curved carnation sprays with snapped stems between prunus blossom and small cloud fragments.

Polychrome Dish

Fragments of a sarcophagus, 150-175 CE, Asia Minor, marble. Musée du Cinquantenaire (Brussels, Belgium). Made with ReMake and ReCap from Autodesk.

A robust wild boar rushes to Anchee, while Meleager is brandishing a lance with his arm. Behind the boar of Calydon, Theseus is about to strike him with a stick. On the upper edge and in the field, a later epitaph is engraved in bad characters of the third century: "I have received the tomb ... and the columns" and "¨ [This tomb belongs to] Markos Aurélios Anikétos. 'One, by violence, comes to place some other [body, he will suffer a punishment].'

For more updates, please follow @GeoffreyMarchal on Twitter.

Fragments of a sarcophagus

3D model of the Marc Anton monument next to the Secession building in Vienna's 1st district. The large bronze sculpture from 1899/1900 is by Arthur Strasser, who created his work for the Paris World's Fair in 1900. It shows the Roman general and politician Marcus Antonius, comfortably reclined in a triumphal chariot. Antonius is dressed in a tunic and has a toga lying across his body. The chariot is pulled by a team of lions consisting of a male lion in the center and two lionesses. Next to the chariot is a led lioness, who nestles against the chariot with her eyes closed. During a bombing of Vienna on February 7, 1945, it was pierced by bomb fragments and restored in 1956.

![](http://wien.denkmal-3d.at/SF/marcanton01.jpg)

Marc-Anton-Monument

In the oral traditions of Chile’s coastal regions, particularly among Mapuche communities, there exists a long-whispered legend of ghostly beings that walk the shores before and during catastrophes. These entities had no formal name for centuries - only described in fragments and murmurs passed from survivor to survivor.

It wasn’t until the 27F Earthquake in 2010 that a term gained traction: “Muru”, a word meaning complaint or warning in Mapudungun. Survivors, particularly in Talcahuano, Dichato, and Curanilahue, began using this term to refer to the strange, faceless entities seen walking in the waves before the tsunami struck.

the muru ( T Pose + made in paints 3d )

GöttwAIg – Wunderkammer(21). Barock digital | The Museum After the Impact

"Sammlung wird hier zur Schockwelle: Dinge ordnen sich erst im Nachbeben."

Das Projekt transformiert die fragmentarisch überlieferte Wunderkammer des Stifts Göttweig mithilfe von KI in eine zeitgenössische digitale Form. Initiiert von Markus Wintersberger (USTP St. Pölten) und Viola Rühse (UWK) entstehen digitale Neukreationen ausgewählter Objekte. Die von Abt Gottfried Bessel im 18. Jahrhundert geschaffene Sammlung wird nicht restauriert, sondern als Raum des Staunens neu interpretiert und als aktuelles Experiment bedeutet. 

UWK - Plattform für Nachhaltige Entwicklung
USTP - Experimentelle Medien / IC\M/T
Verein DruckKunst – Verein zur Förderung und Verbreitung der bildenden Künste
Kunstsammlungen, Archiv & Bibliothek Benediktinerstift Göttweig

Kunst und Kultur im digitalen Raum – Call 2025

https://research.ustp.at/projekte/goettwaig-wunderkammer-21-.-barock-digital

GöttwAIg – The Museum After the Impact

GöttwAIg – Wunderkammer(21). Barock digital | Nachdenken.exe

"Verchromte Körper verharren im Loop – Denken als stille Maschine zwischen Mensch und Code."

Das Projekt transformiert die fragmentarisch überlieferte Wunderkammer des Stifts Göttweig mithilfe von KI in eine zeitgenössische digitale Form. Initiiert von Markus Wintersberger (USTP St. Pölten) und Viola Rühse (UWK) entstehen digitale Neukreationen ausgewählter Objekte. Die von Abt Gottfried Bessel im 18. Jahrhundert geschaffene Sammlung wird nicht restauriert, sondern als Raum des Staunens neu interpretiert und als aktuelles Experiment bedeutet. 

UWK - Plattform für Nachhaltige Entwicklung
USTP - Experimentelle Medien / IC\M/T
Verein DruckKunst – Verein zur Förderung und Verbreitung der bildenden Künste
Kunstsammlungen, Archiv & Bibliothek Benediktinerstift Göttweig

Kunst und Kultur im digitalen Raum – Call 2025

https://research.ustp.at/projekte/goettwaig-wunderkammer-21-.-barock-digital

GöttwAIg – Nachdenken.exe

Dark humor!
Cloning is a technique that uses vectors, often viruses or plasmids, to replicate genes or cells. For example, a fragment of DNA can be linked to a chromosome of a bacterial virus, allowing human DNA to be amplified by generating millions of copies in a single day. Cloning vectors, such as the pBR322 plasmid, are used to insert genes into host cells, usually bacteria like Escherichia coli, and transform them into colonies of cells containing the gene of interest. This process is fundamental to genetic engineering and allows the creation of clones of organisms, which has scientific and ethical implications. Here in this pharmaceutical laboratory, "Phage T4" viruses are bred and formatted, then reduced to a size of 200 nm long and 80 to 100 nm wide, ready to be injected by our dear practitioners concerned about our health. Viruses that will allow complete control of humankind, driven by the 6G of HAARP, what a wonderful future!

Virus Manufacturing-Phage T4

GöttwAIg – Wunderkammer(21). Barock digital | Museum der Abwesenheit

"Nicht Objekte, sondern ihre Geister: ein gläsernes Inventar, in dem Bedeutung als Bruch, Licht und Leerstelle erscheint."

Das Projekt transformiert die fragmentarisch überlieferte Wunderkammer des Stifts Göttweig mithilfe von KI in eine zeitgenössische digitale Form. Initiiert von Markus Wintersberger (USTP St. Pölten) und Viola Rühse (UWK) entstehen digitale Neukreationen ausgewählter Objekte. Die von Abt Gottfried Bessel im 18. Jahrhundert geschaffene Sammlung wird nicht restauriert, sondern als Raum des Staunens neu interpretiert und als aktuelles Experiment bedeutet. 

UWK - Plattform für Nachhaltige Entwicklung
USTP - Experimentelle Medien / IC\M/T
Verein DruckKunst – Verein zur Förderung und Verbreitung der bildenden Künste
Kunstsammlungen, Archiv & Bibliothek Benediktinerstift Göttweig

Kunst und Kultur im digitalen Raum – Call 2025

https://research.ustp.at/projekte/goettwaig-wunderkammer-21-.-barock-digital

GöttwAIg – Museum der Abwesenheit

*Photorealistic model of Modern Abstract Female Torso Sculpture .The piece features a unique "fragmented shell" design with organic cutouts and textured leaf-like overlapping layers. Can be used as game asset or render prop in your scene.

* Texture 2 sets:

1. Abstract colors
2. Bronze oxydated

* PBR textures 4096x4096  .png 8 bit dithering:

* Base color 
* Metallic 
* Normal OpenGl 
* Roughness 
* Displacement

* Geometry:

* Size: 0.21x0.32x0.75m
* Textel density:  38 px/cm

Textures made in Substance Painter

Files are packed in .blend and .fbx.

All objects are made in proportion to the real world.

If you need another version of files or export into another program dm me.

[![Donate if you are intrested :)](https://i.imgur.com/hVFcKzS.png)](https://www.paypal.com/paypalme/EleanieND)

Abstract Female Torso Sculpture  pieces

GöttwAIg – Wunderkammer(21). Barock digital | Kalte Liturgie der Interfaces

"Zwei glasige Körper verhandeln Bedeutung über Kabel und Bildschirme – Erinnerung ist nur noch ein Protokoll, das im Licht gefriert."

Das Projekt transformiert die fragmentarisch überlieferte Wunderkammer des Stifts Göttweig mithilfe von KI in eine zeitgenössische digitale Form. Initiiert von Markus Wintersberger (USTP St. Pölten) und Viola Rühse (UWK) entstehen digitale Neukreationen ausgewählter Objekte. Die von Abt Gottfried Bessel im 18. Jahrhundert geschaffene Sammlung wird nicht restauriert, sondern als Raum des Staunens neu interpretiert und als aktuelles Experiment bedeutet. 

UWK - Plattform für Nachhaltige Entwicklung
USTP - Experimentelle Medien / IC\M/T
Verein DruckKunst – Verein zur Förderung und Verbreitung der bildenden Künste
Kunstsammlungen, Archiv & Bibliothek Benediktinerstift Göttweig

Kunst und Kultur im digitalen Raum – Call 2025

https://research.ustp.at/projekte/goettwaig-wunderkammer-21-.-barock-digital

GöttwAIg – Kalte Liturgie der Interfaces

*Photorealistic model of Modern Abstract Female Torso Sculpture .The piece features a unique "fragmented shell" design with organic cutouts and textured leaf-like overlapping layers. Can be used as game asset or render prop in your scene.

* Texture 2 sets:

1. Diorite/bronze
2. Rusted
3. Stone moss

* PBR textures 4096x4096  .png 8 bit dithering:

* Base color 
* Metallic 
* Normal OpenGl 
* Roughness 
* Displacement

* Geometry:

* Size: 0.21x0.32x0.75m
* Textel density:  38 px/cm

Textures made in Substance Painter

Files are packed in .blend and .fbx.

All objects are made in proportion to the real world.

If you need another version of files or export into another program dm me.

[![Donate if you are intrested :)](https://i.imgur.com/hVFcKzS.png)](https://www.paypal.com/paypalme/EleanieND)

Abstract Female Torso Sculpture 3 pieces

GöttwAIg – Wunderkammer(21). Barock digital | Schwebendes Erbe

Das Projekt transformiert die fragmentarisch überlieferte Wunderkammer des Stifts Göttweig mithilfe von KI in eine zeitgenössische digitale Form. Initiiert von Markus Wintersberger (USTP St. Pölten) und Viola Rühse (UWK) in Kooperation mit Stift Göttweig, Neuhauser Kunstmühle und Verein DruckKunst entstehen digitale Neukreationen ausgewählter Objekte, begleitet von transdisziplinärer Forschung und unter Berücksichtigung von Nachhaltigkeit. Die von Abt Gottfried Bessel im 18. Jahrhundert geschaffene Sammlung wird nicht restauriert, sondern als Raum des Staunens neu interpretiert.

UWK - Plattform für Nachhaltige Entwicklung
USTP - Experimentelle Medien / IC\M/T
Verein DruckKunst – Verein zur Förderung und Verbreitung der bildenden Künste
Kunstsammlungen, Archiv & Bibliothek Benediktinerstift Göttweig

Kunst und Kultur im digitalen Raum – Call 2025

https://research.ustp.at/projekte/goettwaig-wunderkammer-21-.-barock-digital

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