ID no.: 96/X

Museum: Cardinal Karol Wojtyła Archdiocesan Museum in Kraków 

http://muzea.malopolska.pl/en/obiekty/-/a/54355/1126764

Object copyright: Cardinal Karol Wojtyła Archdiocesan Museum in Kraków

Digitalisation RDW MIC, Małopolska's Virtual Museums project

Priest Karol Wojtyła’s sports shoes

Raw scan made on cinema movie projector that is standing in Kijów Centrum Cimena in Kraków, Poland
It was used for 35mm tape. Produced in the 1961 by Łódzkie Zakłady Kinotechniczne in Poland. The projector was designed for cinemas with rooms up to 1000 seats. It was then one of the most popular models used in Polish cinemas

The projector was equipped with an aspherical mirror with a diameter of 356 mm and a focal length of 120 mm. The standard lens provided by the manufacturer was Polkinar 1.8 / 100

The basic equipment of the projector was an optical sound reading system with two exposure bulbs - one in the working position, the other one in reserve (both fixed in the rotating holder, which allowed for exchange without interrupting the projection). In addition, the projector could be equipped with a 4-channel magnetic sound pickup

The projector was powered by a three-phase asynchronous motor. The engine was started using an automatic starter.
https://youtu.be/-xr1BMyKNWI
MusicInfo: Piano by AShamaluevMusic

Cinema Movie Projector AP5 - 1961

Full name: **Seventeenth-century Italian hydria apothecary vase**

A hydria-type apothecary maiolica vase created in Savona (Italy) in the late 17th century. Handles in the shape of (fantastic) animal heads on massive bent necks. At the front, towards the bottom of the vase, a gargoyle in relief. Plugged with regular cork, its mouth doubles as an opening for pouring out the contents of the vase. Smaller gargoyles, without any openings, located under the handles, alongside the vase.

Exhibit from the collection of apothecary ceramics donated to the Museum in 1976 by Mateusz Bronisław Grabowski, a Polish-British, London-based pharmacist.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/577

Inventory number: KGZ 5919

Localisation of the physical object: Pharmacy Museum, Jagiellonian University Medical College, Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” project**

Hydria apothecary vase

The National Museum in Kraków

Inventory number: MNK XII-A-810

Time of creation: 1803–1822

Place of creation: Rome

https://muzea.malopolska.pl/en/objects-list/1869

The bust of Napoleon Bonaparte

"Aphrodite of Milos", a plaster cast of an antique figure

Id no.: Rz 123

Museum of the Academy of Fine Arts in Kraków

https://muzea.malopolska.pl/en/objects-list/2279

Digitalisation: RDW MIC, Virtual Małopolska project

"Aphrodite of Milos", a plaster cast

ID no.: MHF 645/I

Museum of Photography in Kraków

https://muzea.malopolska.pl/en/objects-list/953

Digitalisation: RDW MIC, Virtual Małopolska project

Project Visualization (3D model + textures): Marcin Solarz

Speed Graphic Camera

Sculpted by Pierre Franqueville (Pietro Francavilla, Petrus a Francvilla), the statuette is one of the three models recorded in the collection of the Jagiellonian Library as early as 1783. Pietro Francavilla (1547–1615) was a Franco-Flemish sculptor who worked in Italy.

Écorché models were widely used by artists to practice drawing and to improve their knowledge of the human body.

Our 3D model is featured in the photorealistic 2022 Unity teaser for "Enemies" [https://youtu.be/eXYUNrgqWUU?t=20](http://), a long-anticipated digital project: [https://unity.com/demos/enemies](http://)

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2850

Localisation of the physical object: Jagiellonian University Museum Collegium Maius, Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” project**

Project Visualization (3D model + textures): Marcin Solarz

Anatomical figure – écorché

A royal crown – a prop from the School of Fine Arts

ID no.: Rz A 116

Museum of the Academy of Fine Arts in Kraków

https://muzea.malopolska.pl/en/objects-list/2288

Digitalisation: RDW MIC, Virtual Małopolska project

A royal crown – a prop

ca. 1500, Kraków, Poland, Hungary

An exceptionally valuable monument of sacred goldsmiths from the treasury of the Miechów monastery (Poland), which has survived to our times, is the richly decorated late-gothic silver chalice with a six-leaf foot. It is assumed that it was created around 1500, perhaps in a workshop in Hungary or in the capital city of Krakow. There are precious stones on the base of the chalice: sapphire, amethyst, ruby and emerald. In the upper part of the foot, figures of the Virgin Mary and an unknown saint are visible.

**For more images and further information, visit:** 
https://muzea.malopolska.pl/en/objects-list/2979

Inventory number:  MZM/D/S/63

The Museum of Ziemia Miechowska in Miechów

**Regional Digitalisation Lab, MIK, Visiting Museums of Małopolska project** 

Project Visualization (3D model + textures): Wojciech Szczekan

Gothic chalice

ID no. MHF 1234/I "Stereoscopic camera by Heinrich Ernemann A.G. Company"

Museum: The Walery Rzewuski History of Photography Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/448

Digitalisation RDW MIC, Małopolska's Virtual Museums project

Stereoscopic camera by Heinrich Ernemann

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/2250

Inventory number: MP 045

Localisation of the physical object: Krystyna and Włodzimierz Tomek Natural Science Museum in Ciężkowice, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” project**

Lekking ruffs

Sculpture “Mercury about to kill Argos” by Bertel Thorvaldsen

ID no.: ND 11280

Museum: The National Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/15

Object copyright: The National Museum in Kraków

Digitalisation: RDW MIC, Małopolska’s Virtual Museums project

“Mercury about to kill Argos” by B. Thorvaldsen

Eugène Bourdon (1808–1884) – artist / maker ca. 1835, Paris

A nineteenth-century model of the Watt steam engine. It allowed to demonstrate the principle of the steam engine’s operation by mechanically turning a flywheel and connecting the machinery to an external source of steam or compressed gas.

For more images and further information, visit: https://muzea.malopolska.pl/en/objects-list/2763

Inventory number: 4988; 993/V

Localisation of the physical object: Jagiellonian University Museum, Collegium Maius, Kraków, Poland

Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” Project

3D model & animation by Stanisław Ogarek as a diploma work at Tischner European University.

Model of the Watt Steam Engine with animation

ID no.: MHK 276/VII

Museum: Historical Museum of the City of Kraków

https://muzea.malopolska.pl/en/objects-list/82

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Esther’s scroll in a cover

ID no. MŻKW III/74/3/M

"Halite crystals"

 Museum: Kraków Salt Works Museum in Wieliczka

https://muzea.malopolska.pl/en/objects-list/125

Digitalisation: RDW MIC, Małopolska's Virtual Museums project

Halite crystals

Sculpture of a Roman gladiator

**A 3D model of an eighteenth-century bronze sculpture created by Pius Weloński (1849–1931).**

This figurative, whole-body sculpture depicts a Roman gladiator with an upraised arm. The pedestal bears the following inscription: Ave Caesar! Morituri, salutant [Long live Caesar! Those who are going to die greet you]. The gladiator is – judging by his props – most likely a retiarius [net-fighter]. He fought with a trident or harpoon made of tuna bones, a dagger, and a net that he threw at his opponent’s head.

**For more images and further information, visit**: https://muzea.malopolska.pl/en/objects-list/21

Inventory number: MNK II-rz-340

Location of the physical object: National Museum in Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” project.**

Project Visualization (3D model + textures): Marcin Solarz

Sculpture of a Roman gladiator

Ding censer with an openwork cover and handles in the shape of stylised dragons

ID no.: MNK VI-NN-33 ab

Museum: The National Museum in Kraków

https://muzea.malopolska.pl/en/objects-list/2490

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Ding censer with an openwork cover

8th century, Poland
Wawel Royal Castle – National Art Collection

A Hussar szyszak was a type of helmet commonly used by the troops of the Polish Hussars, similar to the pappenheimers used in Western Europe. Usually, it was decorated similarly to the Hussar armour – with trimmings and appliqué motifs of brass stamped with geometrical ornaments. There were a few variants of this helmet: with a tip on the top, a high crest, or fan-like wings on the skull (the latter was popular in the 1st half of the 18th century, during the Saxon’s reign).

For more images and further information, visit: https://muzea.malopolska.pl/en/objects-list/1253
Localisation of the physical object: Wawel Royal Castle – National Art Collection

Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” Project

Project Visualization (3D model + textures): Marcin Solarz

Hussar helmet

The horn of Salt Diggers Brotherhood of Wieliczka is a unique Renaissance work of art commemorating the past wealth of Kraków salt mines. It is the only historical object of its kind preserved in Poland – a genuine horn of the aurochs, an ancestor of present-day cattle (the species became extinct in Poland in the 17th century). Framed in silver, it features a number of precisely executed metalwork techniques. Weighing almost 3 kilos, it was created in Kraków in 1534. The figure shown in the horn’s base is a salt miner, depicted as Hercules wearing antique armour. This representation symbolically emphasises the hard work of the Wieliczka salt diggers, excavating the precious mineral for hundreds of years.

**For more images and further information, visit:** 
https://muzea.malopolska.pl/en/objects-list/273

Inventory number: ID no. MŻKW IV/ 150

Location of the physical object: 

**Digitalisation: Regional Digitalisation Lab, Małopolski Institute of Culture in Kraków, Poland**

Horn of Salt Diggers Brotherhood of Wieliczka

ID no.: MHF 411/I

Museum of Photography in Kraków

https://muzea.malopolska.pl/en/objects-list/949

Digitalisation: RDW MIC, Virtual Małopolska project

Zefir Camera with Emitar lens

**Fish-shaped besamin box**

Besamin boxes [Heb. bassamim, psumin-byksy] served as containers for spices and were used during the end of the Sabbath and were usually tower-shaped. Interestingly, the besamin box from Nowy Sącz is fish-shaped, whose head, connected to a trunk by a hinge, can be opened and tilted to the side. The fish trunk consists of five overlapping segments, each tapering towards the tail fin, each ending with semi-circular scales, each textured and covered in a network of furrows. The individual segments of the trunk are mutually conjoined in such a way that the body of the fish can be slightly bent.

**For more images and further information, visit:** 
https://muzea.malopolska.pl/en/objects-list/696

Inventory number: MNS/3733/S 

Location of the physical object: Nowy Sącz District Museum, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” Project**

Fish-shaped besamin box

**Mass chalice**

1773, Kraków, Poland, Museum of Miechowska Land in Miechów

**For more images and further information, visit:
**
https://muzea.malopolska.pl/en/objects-list/3095

Inventory number: MZM/D/S/6

Localisation of the physical object: Museum of Miechowska Land in Miechów

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” Project**

Mass chalice

Astronomical quintant

Joseph von Utzschneider – artist / maker
Joseph Liebherr – artist / maker

1st half of the 19th century, Munich, Germany
Jagiellonian University Museum, Collegium Maius

This item is an observational astronomical instrument used to determine the altitude of celestial bodies above the horizon. It consists of a frame restricted by two radiuses and an arc with a scale, an observation telescope, and a mirror system. The arc of the quintant is the fifth part of a circle, hence its name, analogous to quadrants, sextants, and octants (based on the fourth, sixth, and eighth parts of a circle, respectively).

For more images and further information, visit: https://muzea.malopolska.pl/en/objects-list/2779

Inventory number: 4103; 103/V

Localisation of the physical object: Archaeological Museum in Kraków

Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” Project

Astronomical quintant

**Table from a gothic library in the Cistercian Abbey in Mogiła**

**For more images and further information, visit:**
https://muzea.malopolska.pl/en/objects-list/4433

Inventory number: OCM-Biblioteka Gotycka

Museum of Cistercian Spirituality and Culture with the Library in the Cistercian Abbey in Mogiła

**Digitisation: Regional Digitisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Kultura cyfrowa 2024” Project**

Project Visualization (3D model + textures): Wojciech Szczekan

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