Despite the absence of the head and arms this sculpture radiates a profound sense of grace and authority. The finely chiseled folds of the garment and the poised grounded stance evoke a timeless elegance. The detailed chest armor adorned with sacred symbols suggests that this figure may represent a divine being perhaps the goddess Athena. The missing head does not diminish its power instead it invites the viewer to imagine to contemplate the divinity once present. The statue resonates with an aura of mystery and reverence.

Athena Promachos

This seated statue (MAHS-THA-COL-072-O-0005) is from the Jai Heng Kiang Shrine Collection, associated with the religious practices of the Chinese-Hokkien community in Sai Buri. The figure is characterized by a round, plump face and abdomen and is dressed in a Chinese-style robe with large sleeves and a round collar. The hairstyle includes a diadem-like headpiece. According to oral tradition, the statue represents Mazu, the goddess of the sea and navigation revered by overseas Chinese seafarers and later adopted in Thai belief as Mae Ya Nang Ruea, a protective spirit of boats and other vehicles. The statue was reportedly brought from the original shrine in the Wat Lieb area.

For open-access to our complete dataset of archaeological sites and historical artifacts from the Maldives, Indonesia, and Thailand, please visit us at: https://maritimeasiaheritage.cseas.kyoto-u.ac.jp

MAHS Digital Asset code: MAHS-THA-COL-072-DA-004

3D Model created by Sheak Mahfujur Rahman

Seated Statue of Mazu, Sai Buri, Thailand

A figured ostracon consisting of a dynamic sketch executed in red and brown pigments upon the relatively flat surface of a limestone sherd. The upper register depicts a standing cow, a zoomorphic manifestation of the goddess Hathor, identifiable by the sacred solar disc nestled between her long, curved horns. Beneath the divine animal is a lower register showing a procession of figures with their arms raised in the traditional gesture of adoration or praise. The lines of the sketch are delicately applied but weathered, with some fading evident across the lower figures. The reverse of the limestone flake is unworked and features a handwritten notation in blue pencil indicating that the object originates from Deir el-Medina. The object dates to the New Kingdom (c. 1550–1069 BC),

Figured Ostracon (W1327)

A high quality 3D model of the celebrated Venus de Milo one of the most famous works of ancient Greek sculpture. Depicting Aphrodite the goddess of love and beauty this asset captures the iconic contrapposto pose and intricate drapery details. The model is optimized for photorealistic rendering and game engines making it an excellent choice for digital museums architectural visualization garden scenes or historical environments. It features precise geometry and realistic texture maps suitable for close up shots.

Weathered Venus De Milo Statue

This sculpture presents a striking dialogue between two figures. One figure with a composed and steady gaze stands alongside a companion whose gentle expression seems to embody hope. The graceful flow of the drapery and the delicately carved features breathe warmth and vitality into the stone inviting viewers to sense a quiet promise of a brighter future. With its bold composition and refined details this work radiates a subtle uplifting energy that resonates deeply with the observer.

Bertel With The Goddess Of Hope

A three-piece Norse pantheon altar bundle for Asatru practitioners, pagan collectors, and tabletop RPG enthusiasts who want functional, display-worthy pieces with a heroic sacred aesthetic.

WHAT YOU GET
This download includes six files across three designs — STL and GLB formats for each:
- Valkyrie Incense Cone Holder: a standing warrior figurine, approximately 120-150mm tall, with a shallow cradle depression integrated into the extended palm or base to seat a standard incense cone (cradle designed at roughly 15mm diameter and 5mm deep)
- Odin Raven Altar Candle Stand: a perch-ring stand featuring raven sculpts, sized to hold a standard taper or votive candle
- Freya Cat Goddess Offering Dish: a shallow offering bowl flanked by seated cat sculpts, suitable for small offerings, crystals, or loose incense

All three pieces share a stylized-but-detailed Norse aesthetic — chainmail surface texture, hard-surface armor accents, strong characterful silhouettes, and solid flat bases for stable display. Organic asym…

Norse Valkyrie Incense Cone Holder STL | Altar…

This statue depicts the goddess Venus crouching as if surprised while bathing. Her glance over the shoulder conveys both modesty and alertness a classical motif found in ancient Greek mythological art. The softness of the skin and the dynamic curves are exquisitely rendered in marble.

Crouching Venus

KYLE — WARRIOR OF DEATH

Knight of Crimson Cross Order from Aetheria. Died defending capital during Shadow Invasion at 23. Scar across eye remained forever.

Goddess Morrana offered choice: eternal peace or become her blade. Kyle chose return.

Now Warrior of Death. Dark armor, crimson cloak.

Abilities:
- Blade of Oblivion
- Gaze of Morrana  
- Steps Between Worlds
- Invulnerability

Price: No warmth, taste, or joy. Every soul haunts him. Eternal wandering.

Mission: Punish necromancers, tyrants, demons, traitors.

"Am I human or weapon?" His scar reminds of humanity.

Dark Knight appears where balance breaks. Meet him—fate sealed.

"I do not bring death. I remind it is inevitable."
— Kyle

KYLE — WARRIOR OF DEATH

The sculpture s brilliance lies in the silent dialogue between the two figures. The central male figure stands upright eyes locked forward with a gaze full of inner strength and stoic calm. His stance is grounded confident and unshakable. By contrast the smaller female figure at his side presents a softer presence delicate reflective almost prayerful. Her hand touches her chest and her pose turns slightly inward creating a beautiful emotional counterbalance to the firmness of the interplay of scale and posture evokes a sense of protection and aspiration as if anchoring the present while nurturing a fragile ideal. The drapery also heightens this contrast thick weighty folds on the male versus fluid graceful lines on the female creating a sculptural rhythm that guides the viewer s eye between the two.

Steel Bertel With The Goddess Of Hope

Despite the absence of its head and arms this sculpture conveys a powerful sense of motion its flowing drapery suggesting a moment caught mid stride as though the figure were moving swiftly through the wind. The dynamic sweep of the garment rising behind her implies action perhaps the goddess Artemis in the midst of drawing her bow or racing across a battlefield. The sculptor s mastery in rendering the weight texture and fluidity of fabric over the body gives the figure an almost living presence. Paradoxically the missing parts only heighten its poetic stillness transforming it into a timeless monument of divine motion and grace suspended forever in marble.

Artemis Parthenon

This model was generated using Meshy(https://www.meshy.ai)'s AI toolkit. It provides tools that effortlessly turn human imagination into stunning 3D models.

If you're interested in this model, visit the model page on Meshy to explore more about it: [https://www.meshy.ai/3d-models/Goddess-Parvati-in-a-Floral-Landscape-v2-019de00c-57e3-7de6-af42-208ffa163787?utm_source=sketchfab](https://www.meshy.ai/3d-models/Goddess-Parvati-in-a-Floral-Landscape-v2-019de00c-57e3-7de6-af42-208ffa163787?utm_source=sketchfab)

Radha

The central figure with a broad stance and open chested garment radiates confidence and authority. Yet the relaxed posture and gentle placement of the hand on the smaller figure s head suggest protection and familiarity rather than dominance adding a layer of narrative intimacy to the scene.

Brass Bertel With The Goddess Of Hope

# Project Description:
Tall Ziraʿa is an archaeological mound in northern Jordan, continuously inhabited for about 5,000 years. Its rich layers reveal ancient settlements, architecture, and artifacts, highlighting its role as a key regional center over millennia.
# Description:
> Fragment of a mold-made terracotta female figurine with a lion-like head (2878 / TZ 015312-001), dating to the Late Bronze Age–Iron Age. It depicts the upper body of a fertility goddess with a large centrally parted hairstyle falling over the shoulders, one visible ear, and exposed breasts. The lower part is broken off and facial details are eroded, but the fragment is otherwise stable.

**Methodology:** Scanned by GDH in July 2025 using Canon R5. Processed in RealityCapture.

**Acknowledgment:** This project was a collaboration between the **DoA, GDH, ACOR** and German Protestant Institute of Archaeology (GPIA).

For more info about Tall Zira’a: https://www.tallziraa.de/

Tall Zira'a-Female figurine with lion-like head

Despite the absence of the head and arms this statue conveys an undeniable presence of divine grace and beauty. The exquisitely carved drapery flows over the body with astonishing realism capturing the motion and weight of fabric as if frozen in time. Beneath the right foot lies a small turtle a subtle but potent symbol suggesting that this figure represents Aphrodite Venus in Roman mythology . In ancient Greek symbolism the turtle often stood for silence modesty and domestic virtue qualities that intriguingly contrast with the goddess of love and sensuality. This juxtaposition deepens the sculpture s meaning fusing opposites motion and stillness softness and strength reality and myth into a singular poetic presence.

Aphrodite With Tortoise

Transform your altar or collection with this stunning Egyptian Bastet cat goddess figurine STL. This high-detail 3D printable model captures the divine feline deity in stylized Art Deco–Egyptian fusion, ready to download and print immediately on your FDM or SLA printer.

Everything you need in one file: a meticulously crafted, manifold-optimized mesh that prints cleanly without fragile details or excessive supports. The model features an upright ceremonial posture, graceful geometric stepped planes defining the feline silhouette, almond-shaped eyes conveying serene reverence, and an optional uraeus crown positioned for rear support placement during printing. Standing 4–6 inches tall when printed, it's the perfect desktop display or altar centerpiece for pagan practitioners, Egyptian mythology collectors, and cat-loving spiritual enthusiasts.

**What's Included:**
- High-resolution STL file (3D-printer-ready, manifold and sliced for standard FDM/SLA settings)
- Bonus GLB preview file for visualization before …

Bastet Egyptian Cat Goddess Altar Figurine STL…

Bejeweled Goddess

A high-quality 3D model of a blonde woman with long, light hair in multiple braids, posing against a neutral gray background. She wears a light blue lace-up corset with straps tied in bows and matching panties in the same color. She wears white, ribbed, high socks. Her hands are on her hips. The scene is evenly lit, highlighting the smoothness of the corset, the texture of the braids, and the details of the garment.

Azure Corset Goddess

A fragment of a ritual musical rattle, known as a sistrum, cast from a blue-glazed faience. The preserved section highlights a beautifully detailed, bi-frontal head of the goddess Hathor. She is depicted with a wide, serene human countenance and characteristic stylised cow ears. Her heavy tripartite wig is secured with horizontal bands and flanked on either side of her face by a rearing uraeus (sacred cobra). Positioned directly above her head are the structural remains of a naos (shrine-shaped soundbox). Emerging from the front centre of this shrine structure is a single prominent uraeus crowned with a miniature solar disc. Small vertical perforation holes are located near the outer margins of the wig, which originally accommodated the metal rods and rattling discs of the complete instrument. The preserved ear is pierced. It dates to the Twenty-sixth Dynasty (c. 664–525 BC).

Sistrum (AB23)

A fragment from the wall of a coarse pottery jar, composed of an unglazed marl clay. Appliquéd and modeled in high relief on the exterior surface is the head of a horned cow, a zoomorphic representation of the goddess Hathor. The facial features include prominent, rounded eyes with incised circular details, an elongated snout with defined nostrils, and subtle textural incisions along the cheeks suggesting hair or skin folds. The long, upward-curving horns frame the upper head, though the tips are lost due to the fractured edges of the sherd. The reverse side reveals a relatively smooth, unfinished ceramic wall.

This vessel fragment features a broad chronological attribution, potentially dating anywhere from the New Kingdom to the Ptolemaic Period (c. 1550–30 BC).

Hathor Jar (W1284a)

Clean Venus De Milo Statue

This sculpture likely represents Bertel Thorvaldsen the renowned 19th century Danish neoclassical sculptor depicted beside one of his iconic works the Goddess of Hope. With carving tools in one hand and his gaze fixed downward in contemplation the statue conveys the quiet intensity of a master at work.

Iron Bertel With The Goddess Of Hope

Marble Venus De Milo Statue

A finely molded, blue-grey glazed faience group statue depicting the deities Sekhmet and Nefertum standing side-by-side before a shared architectural support. The goddess Sekhmet is positioned on the left, clad in a traditional, form-fitting long dress with her arms extending vertically downwards (pendant) along the sides of her body. Her head has suffered severe damage, leaving her face entirely missing from just above the shoulders. To her right stands Nefertum, represented in a dynamic striding posture with his left leg advanced forward. He wears a short, pleated kilt (shendyt) and a striated wig, though his characteristic lotus-blossom headdress is now completely broken away and missing. The structural back support is fashioned in the explicit shape of a round-topped stela. The reverse of this stela is carved with four distinct vertical registers of incised hieroglyphic text containing ritualistic good wishes and blessings. This piece dates to the Twenty-sixth Dynasty (c. 664–525 BC).

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