**Model of Tut's Dagger **

> *Tutankhamun's iron dagger blade closely correlates with meteoric composition, including homogeneity. Originally discovered in 1925 in Tutankhamun's tomb (14th C. BCE) by Howard Carter.*


Made in Blender and Substance Painter

Tutankhamun's Meteoric Dagger 1323 BCE

The Flatiron Building, originally the Fuller Building is a triangular 22-story 285-foot-tall (86.9 m) steel-framed landmarked building located at 175 Fifth Avenue in the eponymous Flatiron District neighborhood of the borough of Manhattan, New York City. Designed by Daniel Burnham and Frederick Dinkelberg, it was one of the tallest buildings in the city upon its 1902 completion, at 20 floors high and one of only two "skyscrapers" north of 14th Street – the other being the Metropolitan Life Insurance Company Tower, one block east.

source: wikipedia

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Flatiron Building

Late 13th/Early 14th Century

Private Owner, in the care of the Oakeshott Institute

Click the model for audio!

Swords of this form were common in Europe throughout the 13th and 14th Centuries. Similar swords are depicted in I.33, the earliest European personal combat instruction that we know of today. . This was a dynamic time in the use of the sword as combatants transitioned from mail to plate armor and the use of the buckler was common.


* Overall Length : 36.06 in | 916mm
* Blade Length: 28.89 in | 734mm
* Blade Width: 2.75 in | 70mm
* Grip Length : 3.66 in | 93mm
* Guard Width : 9.21 in | 234mm
* Weight: 2.95 lbs | 1339 gr

![](https://i.imgur.com/KJ8QVVT.jpg)

Thanks to Renee Werbowski for narration.

Music - *Virtutes Instrumenti* Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
http://creativecommons.org/licenses/by/3.0/


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Moonbrand (Early 14th C Arming Sword)

The interior and partial exterior of the round of Temple Church, London.

The church was built by the Knights Templar and consecrated in 1185. This section is the round at the western end of the church and on the floor can be seen the 14th-century stone effigies. Above is the circular triforium with tiled floor.

https://en.wikipedia.org/wiki/Temple_Church
https://www.templechurch.com/

3981 photos taken in January (exterior) and June (interior) 2022 with a Sony a7R III and processed in Reality Capture (exterior) and Agisoft Metashape (interior).
The main pillars are quite noisy/messy because they are wrapped with glass/reflective information boards and did not capture well.

Temple Church Round

In one of those “out there” news items, Call of Duty: Warzone may soon be getting a visit from the likes of Godzilla and King Kong. According to Xfire, Activision is potentially planning on having the King Kong and Godzilla arrive for events in Warzone later this year, in addition to “more spectacular global in-game events” planned.

Xfire states that they were provided with images from a now-deleted Twitter account. Among the images were “King Kong swatting a WW2 plane out of the sky whilst soldiers aimed rifles at him in the distance” and “Godzilla destroying troops below with a bright blue beam”.

Granted, these images were concept art, but the noteworthy aspect of these images was that they were alongside Warzone Season 2 images. Season 2 of Warzone kicked off on February 14th, if you’re wondering

model by MMDCharizard

Call Of Duty Warzone Godzilla

Boadiam Castle is a 14th-century moated castle near Robertsbridge in East Sussex, England. It was built in 1385 by Sir Edward Dalyngrigge, a former knight of Edward III, with the permission of Richard II, ostensibly to defend the area against French invasion during the Hundred Years' War. Of quadrangular plan, Bodiam Castle has no keep, having its various chambers built around the outer defensive walls and inner courts. Its corners and entrance are marked by towers, and topped by crenellations. Its structure, details and situation in an artificial watery landscape indicate that display was an important aspect of the castle's design as well as defence. It was the home of the Dalyngrigge family and the centre of the manor of Bodiam.

3D scanned with photogrammetry by WDS-LAB

www.wds-lab.com

For more information: 
https://en.wikipedia.org/wiki/Bodiam_Castle
https://www.nationaltrust.org.uk/visit/sussex/bodiam-castle

Boadiam Castle

*Vianden Castle (Luxembourgish: Veianer Schlass [ˈfɑɪɑnɐ ˈʃlɑs] or (locally) Veiner Schlooss [ˈfɑɪnɐ ˈʃloːs]), located in Vianden in the north of Luxembourg, is one of the largest fortified castles west of the Rhine. With origins dating from the 10th century, the castle was built in the Romanesque style from the 11th to 14th centuries. Gothic transformations and trimmings were added at the end of this period. A Renaissance mansion was added in the 17th century but thereafter the castle was allowed to fall into ruins. It has, however, recently been fully restored and is open to visitors.* https://en.wikipedia.org/wiki/Vianden_Castle

Experimental, reconstructed from various 4K drone footage only

Vianden Castle

One naturally preserved watch tower of Great Wall in Hebei province, China.

By the name "Inner Great Wall", this section was built in the 14th century, it's the last defence line to keep the nomadic tribes out.

Please check the annotations for more detail.

https://en.wikipedia.org/wiki/Ming_Great_Wall

14th century Great Wall

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Table Fountain*, c. 1320–40. France, Paris, 14th century. Gilt-silver and translucent enamels; overall: 33.8 x 25.4 x 26 cm (13 5/16 x 10 x 10 1/4 in.). The Cleveland Museum of Art, Gift of J. H. Wade 1924.859

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1924.859

1924.859 Table Fountain

*Bellver Castle is a Gothic-style castle on a hill 3 km to the west of the center of Palma on the Island of Majorca, Balearic Islands, Spain. It was built in the 14th century for King James II of Majorca, and is one of the few circular castles in Europe. First serving as the residence of the Kings of Majorca, and afterward long used as a military prison throughout the 18th to mid-20th century, * https://en.wikipedia.org/wiki/Bellver_Castle

Experimental, reconstructed from various 4K drone footage only

Bellver castle

Rose Window

Valencia Cathedral, Spain

Gothic style (14th century)

The rose window illuminates one of the transepts of the church and still keeps remains of the old stained glass. It was called “the salomo” because of its elaborate structure and for holding the “Star of King David”. Thus, Jesus was acclaimed as the Messiah and “David's Son”, born in the “Mystic rose” Mary. We know nothing about the master builder of this entrance, former door of the mosque, since the artists worked only for God's glory. In 1354, it was completely finished, a fact that is derived from the coat of arms adorning the entrance (13th and 14th century)

Rose Window - Valencia Cathedral, Spain

**CAT** El claustre, construït durant els segles XIV i XV, és situat atípicament als peus de l'església, per manca d'espai. És de planta lleugerament trapezoïdal. Sorprenen les seves grans dimensions, un dels claustres més grans de tota Europa. Destaca la rica decoració dels 17 enormes finestrals que el configuren.

**ES** El claustro, construido durante los siglos XIV y XV, es situado atípicamente a los pies de la iglesia, por falta de espacio. Es de planta ligeramente trapezoidal. Sorprenden sus grandes dimensiones, uno de los claustros más grandes de toda Europa. Destaca la rica decoración de los 17 enormes ventanales que lo configuran.

**ENG** The cloister, built during the 14th and 15th centuries, is atypically located at the foot of the church, due to lack of space. It has a slightly trapezoidal plan. They are surprisingly large, one of the largest cloisters in all of Europe. The rich decoration of the 17 huge windows is remarcable.

+info in the comments

Claustre de la Seu Vella de Lleida

Ruins of Dill Castle, municipality of Dill in the Hunsrück area, Germany. Visible remains from the 14th century.

Photogrammetry as part of the ARGO Augmented Archaeology project (https://ar-route.de/).
Drone survey by Geocoptix (https://www.geocoptix.com/).

Burg Dill

Medieval, 14th century armor for using in game, you can use it if you want!
Happy New Year!

Medieval Armor

14th century, Einbeck

A planispheric astrolabe consisting of a mater, rete, ruler, alidade as well as a pin and wedge (horse) holding all the elements together. The design of the rete is based on the four-leaf clover symbol - the four halves supporting the equator and the ecliptic are spaced along the astrolabe's major axes, one full clover is inside the circle of the ecliptic, and two quarters of the clover provide support for the arc below the ecliptic.

**For more images and further information, visit:**  https://muzea.malopolska.pl/en/objects-list/2783

Inventory number: 4043; 41/V

Localisation of the physical object: Jagiellonian University Museum, Collegium Maius, Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” Project**

**3D model by Stanisław Ogarek**

Planispheric astrolabe

Kalong Vase, 14th-16th C CE, now in the collection of the Minneapolis Institute of Art. 


More information about the object here:

https://collections.artsmia.org/art/127611/kalong-vase-with-fish-thailand

Kalong Vase, 14th-16th C CE

Bronze Indian Somaskanda, 14th or 15th C CE, now in the collection of the Minneapolis Instutute of Art. 

About 60cm x 70cm x 30cm (23 x 26 x 13 inches)

From its description on artsmia.org:

*'Shiva and his wife Uma sit next to each other on double lotus pedestals, between them a residual remnant of their small child, Skanda, now missing from the magnificent bronze. The standard format—known as Somaskanda—arose as early as the 6th century in temples from Tamil Nadu, and remains Shiva’s main manifest form today. In south Indian temples, bronze images play a huge role in devotional practice, where they are treated as living embodiments of the gods. The holes in the base indicate that this particular bronze would have been carried in processions outside the temple grounds.'*

More information:
https://collections.artsmia.org/art/6224/somaskanda-india

Somaskanda, 14th or 15th C CE

The ruins of the gateway/gatehouse and bridge to Waltham Abbey, located 100m north of the west end of Waltham Abbey Church, Essex.

Date: Mid 14th Century.

https://historicengland.org.uk/listing/the-list/list-entry/1124156

859 photos taken in April 2023 with a Sony a7R III and processed in Reality Capture. Top not captured so is blurry there.

Waltham Abbey Gateway

Green Tara, 14th-15th century CE, now in the collection of the Minneapolis Institute of Art. 

From the sculpture's description on [artsmia.org](https://collections.artsmia.org/art/31183/green-tara-tibet) :

*Green Tara is one of the most revered female bodhisattvas, a being who postpones enlightenment to assist others on earth. She is the companion of the Cosmic Buddha Amoghasiddhi and equally transmits his gifts to the worshiper. Remarkable for its size and age, this statue is made from pieces of sheet copper—some now missing—that were hammered, formed, and fastened with rivets. The deity’s right hand, opened in the gift- bestowing gesture, would have rested on her right knee. Her left hand once held the stem of a lotus, which blossomed at her shoulder.*

This model has been repaired for Sketchfab sharing - the upper legs are open in the actual sculpture, but closed and textured in this model.

Green Tara, 14th-15th century CE

The sculpture depicts St Olaf, the patron saint of Norway. It originally stood in [Bunge church](https://bit.ly/3kRRJxG) on the Swedish island of Gotland. It is dated to the early 14th century. A number of sculptures from the same period are assumed to be from the same artisan, called the Bunge Master.

The sculpture is carved in oak. Religious sculptures in Gothic style have extravagant dresses with many folds. In the deep folds of the St Olaf sculpture traces of red, green and blue paint as well as gilding are visible.
[St Olaf (Olaf Haraldsson)](https://bit.ly/3yGw6VO) was a Norwegian King living between 995 and 1030. He introduced Christianity in Norway, in the same way his father-in-law [Olof Skötkonung](https://bit.ly/3talcGT) did in Sweden.

Online Collections: [93962_HST](https://bit.ly/3BAVhuU)

St Olaf, the Patron Saint of Norway

Plaque from the 16th century with the depiction of the Dance of Death. The plaque cast in silver has 2 fastening pins on the back. 21x4 cm.

Between 1410 and 1425, a mural with originally 30 and today still 24 dancing couples was created in the abbey of La Chaise-Dieu. The Dance of Death is the representation of the influence and power of death that emerged in the 14th century. Death dances with everyone, whether king, knight, maid, clergyman or child.

Happy Halloween (did not found a good looking pumpkin this year). Contact me, for commercial use.


Plakette aus dem 16. Jahrhundert mit der Darstellung des Totentanz. Die aus Silber gegossene Plakette hat auf der Rückseite 2 Befestigungsstifte. 21x4 cm.

Zwischen 1410 und 1425 entstand in der Abtei La Chaise-Dieu ein Wandgemälde mit ursprünglich 30 und heute noch 24 Tanzpaaren. Der Totentanz ist die im 14. Jahrhundert aufgekommene Darstellung des Einflusses und der Macht des Todes. Der Tod tanzt mit jeden, egal ob König, Ritter, Magd, Geistlichen oder Kind.

Dance of Death/Danse Macabre

*EN*

**Polychrome wood carving (14th-15th century).**

Originally from the Church of Santa María de Tábara and currently on display in the permanent collection of the Zamora Museum (Spain).
I created this model from an incomplete and low-quality photogrammetry image. I processed it with Reality Capture and had to discard the texture of the original model due to the poor lighting quality. I then used Blender to complete the parts of the sculpture that were not captured (mainly the back). Next, in ZBrush, I sculpted the reconstructed parts and integrated them with the original photogrammetry. Finally, I recreated the texture with Substance 3D Painter, reproducing the current state of the piece. The deterioration of the polychrome layer and the damaged stucco layer reveal the wood beneath in some areas.


*ES*

**Talla en madera policromada (S XIV-XV).**

Proveniente de la Iglesia de Santa María de Tábara y actualmente expuesta en la colección permanente del Museo de Zamora.

San Sebastián Polychrome Wood Carving

Discovery 2 at the second visit: A partial cross slab (bottom part, but used here upside down) dating likely to the 13th or 14th century, judging from the fleur-de-lys motif. Also not recorded by the National Monuments Service (yet). There is no inscription on it, but they tended to be towards the head of the cross which is missing. It might still be in the graveyard somewhere, though.

Made in KiriEngine from 107 images.

Ballyellin: partial cross slab

One of four medieval cross slabs surviving in Ballycallan (St Brigid's) Graveyard. It dates to the 13th or 14th century. It is the lower portion of an incised cross, now sticking out of the ground upside down. It does not seem to be tapering and I'd say, it might have been wider once, because it seems unusual to just have one bevelled edge.

Not sure exactly which of the four it is, so I will have to assign the SMR numbers by their location on the HEV map.

SMR no. (possibly) KK018-072006-

Made in KiriEngine from 96 images.

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