The Castle of Chinchilla is a castle located in Chinchilla de Monte-Aragón, Spain. It was declared Bien de Interés Cultural in 1931. 

In the 15th century, Juan Pacheco, Marquis of Villena, restored a castle of Arab origin, “Xerif El-Edrisi”.

In the walls of this construction, the coat of arms of the Marquis of Villena can still be seen. The castle was formed by great steep walls and had 6 corners with towers cut into them. Around it was a moat 16 metres deep. Remains of the wall can still be seen, as can the Keep, altered in the 19th century, and the Diablos y Tiradores Gate.

[Google Map](https://goo.gl/maps/YsU4PqU44c52)

Castle Of Chinchilla Spain

Another lion with a different posture in front of the National Library in Vienna. The animal holds a coat of arms cartouche with one paw. The statue was made by Fritz Zerritsch.

[See the other lion here](https://sketchfab.com/3d-models/lowe-4522a4cdc1c14190bf1a8811fa27da32)

Löwe

Rose Window

Valencia Cathedral, Spain

Gothic style (14th century)

The rose window illuminates one of the transepts of the church and still keeps remains of the old stained glass. It was called “the salomo” because of its elaborate structure and for holding the “Star of King David”. Thus, Jesus was acclaimed as the Messiah and “David's Son”, born in the “Mystic rose” Mary. We know nothing about the master builder of this entrance, former door of the mosque, since the artists worked only for God's glory. In 1354, it was completely finished, a fact that is derived from the coat of arms adorning the entrance (13th and 14th century)

Rose Window - Valencia Cathedral, Spain

Lion on standard with the coat of arms on a war memorial in Sopron commemorating the 8625 fallen soldiers of the former Royal Infantry Regiment.

The shape of the foot of the monstrance is similar to an oval with concave-convex  profiling. The ornately decorated slope of the foot is divided into four fields with symbols of the Eucharist (grain ears and bunches of grapes), two heads of angels and the coat of arms of the abbey. Two Austrian (re-marking) hallmarks are present on the flange of the foot. The stem is shaped like a candelabrum, made of smooth rings and decorated with foliate motifs. The pear-shaped nodus is decorated with angel heads. It features a sunburst aureole consisting of bundles of conjoined rays of different lengths. Reservaculum has a trefoil shape and is enclosed in a frame with floral and cornice board decorations. The frame is studded with blue-turquoise stones (artificial gemstones made of coloured glass).

1st half of the 18th century, early 17th century

Museum of the Benedictine Abbey in Tyniec

Inventory number: MP/6/2012

Monstrance

The cope was sewn from red silk damask of the bizarre style (currently it is pale pink), brocaded with silk and gold threads. The fabric is decorated with plant motifs. On the right side of the belt, the Szembek coat of arms features an appliqué of flat multicoloured silk and silver thread embroidery. The coat of arms is placed inside a cartouche, under a princely mitre with the patriarchal cross on top.
The cope is the surviving part of a red liturgical vestment set. It was mentioned as a set with “Szembek coats of arms” in an inventory dated 1763. The founder of this set could have been Stanisław Szembek (1650–1721) – bishop of Włocławek, archbishop of Gniezno, the Primate of Poland, the abbot of Tyniec over the years 1709–1721 – or Krzysztof Antoni Szembek (1667–1748) – also a Primate and the abbot of Tyniec over the years 1739–1743.

early 18th century, France

Museum of the Benedictine Abbey in Tyniec

Inventory number: T/1/2012

Red cope

> This is the coat of arms of the Alidosio family, a powerful and extensive family from North East Italy which can be traced back to the tenth century. The eagle on the shield faces left, a position known in heraldic terminology as contourné.

- http://collections.vam.ac.uk/item/O127005/coat-of-arms-unknown

Place of origin:
Italy (north, made)

Date:
1508-1509 (made)

Artist/Maker:
Unknown

Materials and Techniques:
Carved istrian stone

Museum number:
7675-1861

Gallery location:
Medieval & Renaissance, Room 50a, The Paul and Jill Ruddock Gallery, case WS

White Coat of Arms - V&A Museum

The Passau Wolf is one of the most famous historical symbols of the city of St. Pölten and commemorates the city's centuries-long affiliation with the Diocese of Passau. The wolf sculpture visible today was erected between 1937 and 1938 and placed on Kardinal-Franz-König-Platz. It is part of a fountain and stands on a stele together with the city coat of arms, emphasizing its heraldic significance. The figure was created by Austrian sculptor Ferdinand Andri, while the architectural design of the fountain was created by architect Rudolf Wondracek.

The wolf is not there as a decorative animal motif, but as a deliberately chosen symbol of power and identity. The so-called Passau wolf is an ancient heraldic figure that originally comes from the coat of arms of the city and the bishopric of Passau and can be traced back to the Middle Ages. Since St. Pölten was under the secular and spiritual rule of the bishops of Passau for many centuries, this symbol was also incorporated into the city's coat of arms.

Passauer Wolf

Coat of arms USSR (Герб СССР)

Pedestal fruit bowl, made of porcelain in 1844 by l’Atelier de Sèvres, featuring a symmetrical composition and an elegant profile characteristic of refined interior decorative objects. The bowl has a wide, slightly concave form with an everted rim and a subtly undulating contour, highlighted by a gilded decorative border.

The interior is defined by a central white field bearing a polychrome heraldic emblem of the Suțu family, surrounded by a cobalt‑blue band framed with stylized gilt motifs. The exterior follows the same decorative scheme, with the family coat of arms repeated on the truncated conical stem, which rests on a circular base adorned with gilded ornamentation.

The decoration combines the chromatic contrast of white–blue–gold with heraldic and stylized vegetal motifs, giving the piece a ceremonial and representative character.

The vessel is displayed at the Filipescu‑Cesianu House Museum, part of the Bucharest Municipality Museum.

Porcelain Fruit Bowl

This marble carving is a **heraldic coat of arms (stemma)** located inside the Siena Cathedral. The shield prominently features a **lion in a rampant pose**, a common symbol representing strength, courage, and authority. Such emblems were used to identify noble families, bishops, or important patrons associated with the cathedral.

These coats of arms were typically installed on altars, chapels, or architectural elements to signify **patronage and contribution**. Wealthy families or church officials who funded construction, decoration, or restoration works were often granted the privilege of displaying their crest within the cathedral.

Beyond decoration, the carving reflects Siena’s historical social and political structure, where religion, power, and family identity were closely intertwined. Today, these heraldic symbols serve as historical markers, offering insight into the individuals and families who played a significant role in shaping the cathedral’s rich artistic and cultural heritage.

Siena - Duomo Stemma / Coat of Arms (Scaniverse)

Bolle kan van geglazuurd steengoed met schouder overgaand in hoge cilindrische hals, op standvoet en met verticaal lintoor; zoutglazuur met ijzerengobe; 3 medaillons: wapen van Dietrich von Buninghaus, en decoratief ornament met twee engelen; het jaartal 1604 in medaillon; type S2-kan-84; afmetingen diameter 15,5 cm, hoogte 26,0 cm; inventarisnr. HOO-498-108-C07; vondstlocatie beerput S114-1 (1638-1675); productieplaats Raeren.
Gevonden tijdens een archeologische opgraving uitgevoerd door Archeologie West-Friesland, in een beerput die in de zeventiende eeuw (1638-1675) werd gebruikt door de familie Sonck te Hoorn.
Stoneware jug decorated with two medallions bearing the coat of arms of Dietrich von Buninghaus and the year 1604, and a medallion with two angels.
Found during an archaeological excavation carried out by Archeologie West-Friesland, in a cesspit used in the seventeenth century (1638-1675) by the Sonck family in Hoorn.

Jug Raeren 1604 | Kan

This model is generated by the state-of-the-art 3D GenAI tool, Rodin Gen-1.However, its ideas and creativity originate from the human author.

Create your own model from images:

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Mariupol city coat of arms

Coat of arms of Ukraine (Герб України, Тризуб) 

National symbols of Ukraine

Coat of arms of Ukraine (Герб України, Тризуб)

Coat of arms of Ukraine

The Royal Coat of Arms has a prominent place above the court one bench.  This is carved into the timber panelling, with the lion of England and the unicorn of Scotland as the supporters. Also featured is the initial GRV, for King George the fifth or George Rex V.
In the other two courts is the Victorian State emblem supported by peace and prosperity.

Coat of Arms - High Court

The Mátyás Hunyadi monument in Kőszeg was created in 1935 and originally erected in front of the main building of what was then the Hunyadi Mátyás Military School. The bronze statue was designed by Hungarian sculptor Székely Károly, who depicted the king as an armored standing figure with a sword. After World War II, the monument was removed from its original location and re-erected in its current location in 1953. The calm, upright posture of the figure and the clear, symmetrical composition emphasize dignity, authority, and a sense of justice, placing the work in the tradition of 20th-century historical monuments.

There are two important pictorial elements on the base of the monument. One is the coat of arms of the Hunyadi family, which shows the characteristic raven with a ring in its beak.  Secondly, a bronze plaque depicting the former military school building reminds us that the monument stood in front of this building between 1935 and 1945.

König Mátyás (I.) von Ungarn

Animated coat of arms of Ukraine. The coat of arms assembles from 4 letters ВОЛЯ, which means "will" or "freedom".

Анімований герб України. Герб збирається з чотирьох літер – ВОЛЯ.

Анимированный герб Украины. Герб собирается из четырех букв – ВОЛЯ.

_______________________

Original project file (Blender): [.blend file](https://mega.nz/folder/egEBybhB#ZMia4MFWsZS49sGdAcI-iQ) (free download).

Example of use: [video](https://www.pexels.com/video/ukrainian-coat-of-arms-in-front-of-flag-11665862/) (free download).
_______________________

To get the right perspective in your 3D program, place camera at -44.4524 meters on Y axis for Z-up or Z axis for Y-up, focal length 200 mm.

_______________________

Keywords:
Тризуб, герб України, герб Украины ВОЛЯ анимация, coat of arms of Ukraine, Ukrainian coat of arms 3D animation, Ukrainian trident

Coin with the coat of arms of Ukraine

Napoleonic Coat Of Arms

Bus stop located in an open field along a highway near Borzna, Chernihiv Oblast, Ukraine.

Coordinates: 51.22250764125077, 32.44495581050475. Image capture: Jun 2015 by Google.

The structure is painted in the blue and yellow colors of the Ukrainian flag. The walls feature graffiti with the national coat of arms and the phrase “Ми єдині!” (“We are united!”), along with a paint stain of unknown origin, most likely vandalism.

Technical details:
• 4 materials with 2K textures
• Metal roof profile (decorative top element): 1528 triangles
• Main props (bus stop structure, trash bin, sign, sidewalk, ground, bench): 3121 triangles
• Dense grass (single-plane mesh): 6000 triangles

Textures sourced from: TextureCan (CC0), Poly Haven (CC0)

Borzna Bus Stop in Ukraine

These are sandy mountains with lakes in the form of the coat of arms of Ukraine.

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19873.110](https://www.online.landessammlungen-noe.at/objects/1517982)

**Material:** Ceramic

**Dimensions:** 1,56 x 17,8 cm

**Dating:** 1470 - 1500 CE

A round ceramic disc with reddish-brown glaze and engravings of eight coats of arms – probably originally 14. The design features a central medallion with two winged angels with curly hair, floating on clouds, holding the Roman imperial crown with a fanon above a coat of arms.
The coats of arms arranged in a circle can be identified, in a clockwise direction, as follows:
-	Coat of arms of Portenau.
-	Coat of arms of Pfirt and Kyburg.
-	Coat of Arms of Habsburg and Tyrol.
-	Historical regions of New and Old Austria.
-	Coat of arms of Carinthia, with fields reversed.
The object has a clear Habsburg connection, being depicting the Habsburg lands.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Baking form with coat of arms

Bolle kan van geglazuurd steengoed met schouder overgaand in hoge cilindrische hals, op standvoet en met verticaal lintoor; zoutglazuur met ijzerengobe; 3 medaillons: wapen van Dietrich von Buninghaus, en decoratief ornament met twee engelen; het jaartal 1604 in medaillon; type S2-kan-84; afmetingen diameter 15,5 cm, hoogte 26,0 cm; inventarisnr. HOO-498-108-C07; vondstlocatie beerput S114-1 (1638-1675); productieplaats Raeren. Gevonden tijdens een archeologische opgraving uitgevoerd door Archeologie West-Friesland, in een beerput die in de zeventiende eeuw (1638-1675) werd gebruikt door de familie Sonck te Hoorn. Stoneware jug decorated with two medallions bearing the coat of arms of Dietrich von Buninghaus and the year 1604, and a medallion with two angels. Found during an archaeological excavation carried out by Archeologie West-Friesland, in a cesspit used in the seventeenth century (1638-1675) by the Sonck family in Hoorn.

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