High-quality fantasy daggers inspired by medieval and RPG weapons.
Perfect for games, RPGs, fantasy scenes, and cinematic renders.

✔ Game-ready weapon assets.

✔ Ideal for RPG, fantasy, medieval, and dark fantasy projects.

✔ Detailed blades and handles.

✔ Suitable for Unreal Engine, Unity, and other game engines.


Includes multiple dagger designs with unique fantasy and medieval styles.

Daggers Pack

This rock was long known by local inhabitants as the 'Puppet Stone' in reference to the carvings upon it.  The main facing containing most of the engravings is badly damaged, especially the lower part, which remained underground for a long time.

To date over 150 engravings have been identified, including many animals, a dagger and a ploughing scene.  The animals include; stags with large antlers, fawns, chamois with short, hooked horns, ibex with backward-fgacing horns and swine (wild boars & pigs).  The canids, depicted in groups with downward-pointing tails, are interpreted as a pack of wolves.  The cattle, without horns or tails, may represent young oxen or cows grazing.

The presence of daggers which closely resemble finds from the graveyard of Remedello Sotto, dates most of the figures to 2900-2500 BC.  A few animals depicted in a dynamic style, similar to that of figures on the Cemmo 3 & 4 stelae, may be attributed to the Bell Beaker Culture (2500-2200 BC).

Valcamonica, Massi di Cemmo - Boulder 1

Located about 15m south of Cemmo 1, this boulder has an engraved northern face.  The surface has flaked in a few places, with a loss of engravings along the right edge and central part.  Two triangular gaps at the bottom divide the rock into three portions.

The figures include animals (ibex, fawns and canids, including packs of wolves and a dog, depicted with its tail up), weapons (an axe, a halberd and several daggers), human figures, a ploughing scene and a cart.  

No superimposition of decorations has been observed on Cemmo 2, and the engravings, made with a small, are homogeneous.

The two most interesting figures are engraved on the western portion: a cart with four, disc-shaped wheels and a plough.  Both of these are pulled by pairs of oxen with long, curved horns.  The Copper Age ploughs engraved on boulders are of the 'ard' variety, well adapted to mountain soils.  

The uniform style of the entire engraved surface may be dated to 2900-2500 BC by the presence of Remedello-type daggers.

Valcamonica, Massi di Cemmo - Boulder 2

One of the best known sites of the Paspardo area. This small Chalcolithic (Copper Age) carving is, unusually, on a small section of a vertical rock face - unusual because it displays a design type that is more typically found on the stelae of this period (third millennium BC).

The panel is known as the Rock of the Five Daggers, although the daggers, in the area above the wavey lines, have unfortunately not resolved themselves in this 3D model (I would have needed a tall set of stepladders to get level with the surface!).  The two halberds (diagnostic of the period) and the deer to their right however, do show quite well.

Valcamonica, Capitello Due Pini - Plas (1)

The 'Rock of the Sun' is to the right of the Rock of the Five Daggers.  The sun symbol is shown, very indistinctly on the 3D model, to the left of centre at the bottom of the panel.  Other Copper Age symbols - human figures & a zoomorphic figure, can also be faintly seen.  The preservation of the white pigment delineating some of the upper figures is very rare and due to the protective nature of the overhang above them.

There are also Christian-age crosses.  The sacredness of the site is attested to by the presence of the Christian shrine (chapel) consecrated to the Virgin Mary.

Valcamonica, Capitello Due Pini - Plas (2)

This is one of the most important engraved rocks of Valcamonica for studying the period between the end of the 4th millenniun & beginning of the 2nd millennium BC.  It depicts a special moment when metallurgy and farming spread through Western Europe and Italy.

The surface shoes two ploughing scenes which are comparable with the same subject depicted on statue-menhirs .  Daggers nearby have small cup marks decorating the pommel and the usual triangular blade of the period.

Valcamonica, Foppe di Nadro - Rock 4 (2)

This relatively small rock is mostly decorated with carvings from the Copper & Bronze Ages.  Its surface is densely engraved with images of weapons, mainly daggers, in use in the Copper Age (3300-2200 BC) and the First Bronze Age (2200-1800 BC). 

Actual copper daggers, with a triangular blade & half-round pommel, like these have been discovered during archaeological excavations in the big Copper Age cemetery found in Remedello at the end of the nineteenth century.  

Other daggers show stretched and elongated blades, a type more common during the Bronze Age.  On the left, two fighting warriors have been date to within the late Bronze Age, about 1200-1000 BC.

Valcamonica, Foppe di Nadro - Rock 4 (1)

Orc Rogue - Print-Ready Miniature by Mike Gyver Minis! ⚔️🎲 Bring lethal stealth to your next encounter with the elusive Orc Rogue. Hidden beneath a tattered hood and lunging forward with twin daggers drawn, this vicious assassin is perfectly posed for a devastating sneak attack. Part of my project is building high-quality, print-ready D&D (and other TTRPG) miniatures, perfect for your campaigns! 🐉 ⚔️ Expand Your Set  Looking for the Orc Shaman, Druid, Warlock, War Drummer to match this model?  I archive all the class archetypes, elite and command units from this set exclusively on Patreon.   👉 Unlock the full collection, 1 to 1 Print Support & Commercial License here: https://www.patreon.com/MikeGyverMinis ⭐ Why Mike Gyver Minis? ⭐  🏅 Real World Printing: I only showcase the real prints. What you see is what you get.  🎨 Designed for Printability: Sculpted and optimized for successful prints on common 3D printers.  🔬 Rigorously Tested: Printed successfully multiple times on Bambu Lab printers.  ⚙️ Bambu/FDM Ready: Want the tuned, plug-and-play .3mf project file? You can grab it right from my Makerworld page!  ➡️ https://makerworld.com/en/models/2509354-orc-berserker-mgm-print-ready-mini#profileId-2759396 ⚠️ LICENSE: PERSONAL USE ONLY ⚠️ This file is the intellectual property of Mike Gyver Minis.  You may: Print this file for yourself, your friends, or for gaming sessions. You may NOT: Sell the physical prints, sell the digital files, or distribute the files.   Want to sell these prints? Join the Merchant Tier on my Patreon!  Merchants get:  ✅ Commercial License to sell physical prints legally.  ✅ Bambu Lab Optimized Files (Pre-supported & Tested).  ✅ Access to the full Miniature and Decor Collection (Elites, Class Archetypes & Bosses).  ➡️ Get your Commercial License here: https://www.patreon.com/MikeGyverMinis Explore All My Free Model Sites: ➡️ https://linktr.ee/mikegyverminis  Spend less time troubleshooting, more time playing! 🎉 🔥 Important Printing Advice:  Prep Matters! 🔑: A Calibrated printer, Clean build plate (🧼 soap & water!), and Dry filament are essential. Support Removal: Use tweezers/cutters ✂️ carefully. Minor cleanup (light sanding) where supports touch is normal. ✨ Take Care: Be very careful around the knives and cape. Take your time when removing supports! 

Orc Rogue - 32mm

Concept & Lore
This Celestial Witch is a high-fidelity 3D character design featuring a slender silhouette and an ethereal, cosmic aesthetic. She is draped in a deep indigo silk gown that flows with a liquid-like weight, intricately decorated with silver star-charts and constellations.

Her presence is anchored by a stiff structural collar and a majestic crown. Below the waist, her gown transitions into a glowing, vibrant nebula hem, mirroring the holographic veins that shimmer through her translucent skin. For defense, she commands twin floating obsidian daggers etched with ancient celestial runes.

The Astral Sovereign: Weaver of Constellations

Concept & Lore
A master of the higher dimensions, this Celestial Witch commands the power of the stars themselves. She is draped in a gown of deep indigo silk that flows like liquid, intricately embroidered with silver star-charts and ancient constellations. The hem of her dress captures the vibrant energy of a living nebula, glowing with iridescent light.

Adorned with a regal silver crown and a stiff structural collar, she wields twin obsidian daggers forged from the cold vacuum of space. Her skin is translucent, revealing a network of shimmering holographic veins that pulse with astral energy.

The Nebula Queen: Sovereign of the Star-Charts

Rock 28 occupies a panoramic position on a small promontory, overlooking the town of Capo di Ponte and, beyond this, southwards down Val Camonica.  The rock is primarily notable for its depiction of two daggers of a very specific type, which are dateable.  But these figures are the the most obvious visible carvings.  There is a row of square-bodied figures with their arms raised, possibly holding weapons.  Towards the right hand side these superimpose several other carvings, including two buildings of differing sizes.

Valcamonica, Seradina 2 - Rock 28 (1)

Concept & Lore
This 3D character design presents a celestial witch with a slender, commanding silhouette. She is draped in a deep indigo silk gown that flows like liquid, intricately decorated with silver star-charts and constellations that shift as she moves.

The design is accented by a stiff structural collar and various ornate crowns, ranging from silver set with crimson gems to intricate gold geometric halos. Her translucent skin reveals a network of shimmering holographic veins pulsing with astral power, while her weapons—floating obsidian daggers—hover at her side, ready to weave the fabric of the void.

Astraea: Empress of the Star-Charts

A high-fidelity 3D game character concept of the Desert Viper, an agile assassin designed for the harsh environments of shifting dunes and sun-scorched canyons. This model emphasizes organic, rugged textures and a silhouette built for stealth and verticality.

Design Features
Attire: Layered, hand-stitched linens in a palette of sand, ochre, and weathered copper. The fabric features realistic fraying and "lived-in" wear.
Armor: Asymmetrical weathered leather spaulders and a deep, structured hood designed to cast a heavy shadow over the operative's face.
Weaponry: Equipped with dual brass throwing daggers and a specialized dual-hooked climbing blade for both combat and traversal.
Environment Integration: Realistic dust and sand buildup are baked into the crevices of the textures to ground the character in a desert setting.

Desert Viper: Elite Sand-Stalker Assassin

The Vision
This high-fidelity character model represents the ultimate evolution of the Celestial Witch. Combining sharp, structural fashion with the fluid chaos of the cosmos, she is a study in contrast. Her deep indigo silk gown flows with a liquid-like weight, anchored by a stiff structural collar and an ornate, gem-encrusted crown.

Design Highlights
The Nebula Hem: A vibrant, emissive gradient that transitions the garment from fine silk into a living star-forming region.
Silver Star-Charts: The gown is etched with high-resolution constellation maps that catch the light with an iridescent sheen.
Astral Anatomy: Translucent skin reveals a glowing network of holographic veins, while her right eye is focused through a spectral, glowing sigil.
Void Weaponry: Twin floating obsidian daggers, etched with runes, serve as her conduits for astral energy.

Astraea: High Sovereign of the Infinite Nebula

A panel only discovered fairly recently (2016), just adjacent to the path.  This bears an exceptional sequence of daggers with elongated, triangular blades and round pommel.  This type of weapon can be dated to the initial phases of the Bronze Age.

Sets of weapons (daggers and axes) are a typical subject of the Early and Middle Bronze Age but are seldom depicted in the western areas of central Valcamonica.  Currently in the Seradina-Bedolina Archaeolical Park, similar panels are known only at Seradina 2 Rock 36 and Seradina 3 Rock 28.  In the latter case the daggers dated back to the Copper Age of the third millennium BC.

The series, clearly symbolic, recalls the contemporary phenomenon of placing weapons and bronze objects in water courses, ponds and on mountains.

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