Whenever I think of futuristic worlds and holograms, I always think of simulated nature--whether that be animals or plants. For the "Holograms of the Future" Challenge I decided on fish...because fish seemed sensibly fluid (and elegant) mixed with some harder edges meant to vaguely represent loose digital pixel sets and a center column to give the fish a central anchor.

Model made and animated in Maya LT, textured in Substance Painter.

Fish Hologram

"You are finally thinking of getting back to art again huh? " 

This backpack was made to learn zbrush back in january , I sculpted every highpoly details in Zbrush then Textured in substance painter . I used anchor points in substance painter to make the texture as detailed as i could and tried to mimic real life references .
Backpack Model was made inside Blender & zbrush and textured in substance painter and Post processed in Adobe Photoshop & Davinci resolve . The scene building that is in artstation was  done in UE5 using Quixel Megascan assets as I didnot have time to make other assets apart from the backpack . Sound effects of the video were taken from opengameart website .
You can check more stuff about the backpack in this link 
https://www.artstation.com/artwork/VJ1bv5
You can also check out the video here : 
https://www.youtube.com/watch?v=kvI5gqHova4&ab_channel=RigdhiGamerNoob

Old Backpack ( Renewed Hope)

![](https://bit.ly/3rRsqxS)
![](https://bit.ly/3jjIUts)

In May 2012, five sections of the hull of an armed Elizabethan merchantman were moved to Stoney Cove Dive Centre, some 400 years after it sank in the Thames Estuary. The site consists of a section of bow and 15m of the port side, as well as an anchor.

The ship is now part of a unique underwater museum display where it also serves to train the next generation of nautical archaeologists. 

Originally discovered in 2003 by the Port of London Authority, excavation was undertaken by Wessex Archaeology. The hull remains and associated artefacts, including iron bars, lead and tin ingots, pottery and leather were recovered together with 4 guns, one bearing the insignia 'TG' and the moulded emblem of a grasshopper, the mark of Sir Thomas Gresham (1519 - 1579). He was a financier and adviser to Queen Elizabeth.

Twelve tree-ring samples from the hull suggest that the timbers were felled in England after 1574. 

Photos: Martin Davies

The Gresham Ship - Stoney Cove, Feb 2013

"Upnor Castle was originally built on the orders of Queen Elizabeth I in 1559 as a gun fort to defend her warships at anchor in the reaches of the Medway and Chatham Dockyard.":
https://www.visitmedway.org/attractions/upnor-castle-2819/

https://www.english-heritage.org.uk/visit/places/upnor-castle/
https://historicengland.org.uk/listing/the-list/list-entry/1204365

5647 photos taken with a Sony a7R III and 120 photos with a DJI Mavic 2 in August, October and November 2023 and processed in Reality Capture.
Two large trees and the wood palisade (in the water surrounding the bastion) not shown for brevity.

Upnor Castle

The passenger steamer Norrtelje was built in 1900 at the William Lindberg shipyard in Stockholm. Her designer was Ernst Hemberg. For many years, the ship served the Stockholm–Furusund–Norrtälje route and was a regular sight in the Stockholm archipelago. Since 1968, she is anchored in Norrtälje harbour as a museum ship and restaurant. Original model built at the Swedish Maritime Museum by Göran Forss between 1965 and 1970. 3D model by Adam de Kaminski for SMTM, 2023.

*Passagerarfartyget Norrtelje byggdes år 1900 på William Lindbergs Varvs- och Verkstads AB i Stockholm med Ernst Hernberg som konstruktör. Under många år gick hon på traden Stockholm–Furusund–Norrtälje och var en välbekant syn i Stockholms skärgård. Sedan år 1968 ligger hon förtöjd i Norrtälje där hon fungerar som museum och restaurang. Originalmodellen byggd av Göran Forss i Sjöhistoriska museets modellverkstad 1965–1970. 3D-modell producerad av Adam de Kaminski för SMTM 2023.*

S/S Norrtelje (1900)

A vending machine, inspired by **cats.**

This project took about 4 days. Some decals were drawn on paper, and cleaned up in Blender. I also used some fonts from Dafont.com.

I have learnt a ton of stuff while making the prop, like using anchors in Substance Painter, and drawing on the texture map.

**Note:** The normals on the bottles and cans are horrible, i will remaster this asset in the future.

**==============================================================**

**[⏹️2 texture sets]:**

**-Glass(2K):** Base color, Roughness, Metallic, Normal, Opacity, AO.

**-Vending machine(4K):** Base color, Roughness, Metallic, Normal, Emission, AO.

**==============================================================**

Modelled in Blender, textured in Substance Painter.

Thanks again for checking out my stuff, it means a lot to me. ❤️

**[🎨🚉 My artstation]:** https://www.artstation.com/minh_nguyen_2004

I like cats, they are cool, meow 🐈

**==============================================================**

Cat Vending Machine (4K)

Sailing ships were often bestowed with elaborate carvings and this wooden cat once adorned the famous 'Cutty Sark'. The ship was actually built in Dumbarton, on site currently occupying Scottish Maritime Museum building.

A cathead is a large wooden beam located on either bow of a sailing ship, and angled outward at rougly 45 degrees. The beam is used to support the ship’s anchor when weighing or lowering it. Many had a cat’s or lion’s head carved on the seaward beam end.

This little cat was a donation from the 'Cutty Sark' Trust and is the carved end of one of the ship’s original catheads. The beams were removed as part of restoration work, with the Museum receiving the donation in 1987.

Model created as a part of 'Scanning The Horizon' 3D digitisation project at the Scottish Maritime Museum.

Cat's head from the Cutty Sark

A World War 2 auxiliary water pumping station at the end of the L-shaped pier by the Anchor & Hope pub, Charlton, London.

These pumping stations were used to pump water from the river into the mains water supply to provide extra supply when putting out fires in nearby areas such as the docks. This is one of the last to survive.

In front of the pumping station can be seen a small wooden boat wreck. (https://citizan.org.uk/interactive-coastal-map/1737/)

263 photos taken in August 2022 with a Sony a7R III and 326 photos taken with a DJI Air 2S. Processed in Reality Capture. Underside of pier slightly repainted where no photos could be taken.

A huge thank you to Brian Roberts (The Drone Detective: https://www.thedronedetective.co.uk/) for gaining all the required permissions to fly a drone here and undertook all the aerial photography.

Location identified using the excellent book, The Thames At War by Gustav Milne.

Charlton Auxiliary Pumping Station

This'll make a nice story.

This is a 3D model of Ms. Redd, an OC i created for one of accountnamed334’s scripts. She is the anchorwoman for Mobius News Digest.

If you use my model, please give me credit. Thank you!

Do not steal my model or use it for anything explicit.

Ms. Redd

ERyxian Terran Ascendancy Mandate: Heavy infantry in ballistic plate and energy shielding — the human frontline anchor. Taunt represents their trained role: drawing enemy fire so lighter, faster units can maneuver. Armored Infantry don't flinch, don't retreat, and are armored enough to survive what hits them.

![Eryxian Open Game Universe](https://res.cloudinary.com/dnfbskuf4/image/upload/v1774012885/eryxian-worldgithub-250_zqm9hk.png)

[Eryxian Universe Lore](https://eryxian.com/)

Armored Infantry [Eryxian TCG] v0.11

A farm cow—known to overly dramatic pasture biologists as Bovinus mooicus contemplatus—is the calm philosopher of the barnyard. It grazes with slow, deliberate focus, turning sunlight and grass into quiet strength. Its steady hooves press soft paths through the field, and its low, resonant moo drifts across the farm like a warm foghorn. Patient, sturdy, and unhurried, the cow anchors the daily rhythm of rural life, offering milk, manure, and a gentle presence that steadies the whole landscape.

Farm Cow

Garrol Hill Boundary Stone. It is depicted on the OS 1st and 2nd  edition maps at the junction of the boundaries between the three parishes of Banchory-Ternan and Durris . Now built into a wall, the exposed face is inscribed with the letters D and B.
NO79SW00093
NO7211 9013

Garrol Hill Boundary Stone, Banchory

“THE OBJECT 01” is a 3D-printed chair conceived as both an architectural object and a functional piece of furniture. It sits between minimal brutalism and Japanese restraint, built around proportion, mass, and negative space rather than decoration.⠀
⠀
Printed in recycled PETG with a modular block logic and finished in cold grey which I personally call “Kyoto Fog”. With a weight of 20 kilos, it looks heavier than it is.⠀
⠀
It’s an art statement you can actually use, a sculpture you can sit on indoors or in a park, a small architecture that anchors the room.

License: CC BY-NC-ND
You may download and use this model only for non-commercial purposes and only in its original, unchanged form.
No edits, no re-uploads, no remixes, no retextures, no kitbashing, no conversions (FBX/GLB/etc.) for redistribution.

Credit is required anywhere this model is shown publicly (post/video/portfolio/game credits): Chair/Sculpture Design by Nako Baev

All rights reserved to Nako Baev©

"THE OBJECT 01" by Nako Baev

Trash Totem is a 3D sculpture that arises from accumulation and imbalance. Discarded everyday objects – wheels, industrial parts and urban remains – are organized in an unstable vertical structure, as if trying to reconstruct a ritual meaning from what no longer has a use.

The work proposes a clash between the symbolic and the residual: a totem pole built with garbage, where each element retains its functional identity but loses its original purpose. The red fire hydrant acts as a visual and conceptual anchor, supporting a fragile system that seems on the verge of collapse. Trash Totem functions as a metaphor for the contemporary urban landscape: layers of consumption, repetition and excess piled up without a clear order, but loaded with meaning. It is an improvised monument to forgotten matter and to the constant tension between balance and fall.

Trash Totem

**My Room, My Story: NYC Memories & Daily Rituals**

This 3D model captures my personal space as a canvas of my dual journey, daily routines and NYC adventures. The comfort nook with my bed, fairy lights, and stuffed toys reveals my love for cozy retreats amid design hustle.

The left wall holds my NYC narrative: clipped photos and objects marking cherished memories, places visited, and paths traveled through the city. Each item traces my story across Manhattan's streets and hidden gems.

On the right wall, post-its form my workspace brain dump brainstorming sessions, task trackers, and routine anchors that keep my creative process grounded.

This room isn't just shelter, it's a spatial diary where physical artifacts map my growth as a designer navigating life in New York! Together, they reveal my personality and the stories that shape me.

Mehak Kumar_room

Chained Dagger (Currently working)

Inspired by the Naruto-style dagger used by many shinobi, with a unique twist: when the blade pierces an enemy, a sharpened edge deploys at the back, anchoring itself so it becomes the foundation point when the chain is pulled.

Plate 01_BaseStructure

Object: The Collins Monument
Location: Ohio River Valley

**Historical Significance:**
This towering 19th-century pedestal, bearing the family name "COLLINS," is a classic example of Victorian-era funerary architecture. Monuments of this scale and expense were almost exclusively designed to serve as a base for a large crowning statue, such as a draped urn, an angel, or a symbolic figure.

**Preservation Status & The Lost Statue:**
This "Digital Twin" documents a severe loss of historical context. While the heavy limestone pedestal has survived, the crowning artwork has been completely sheared off by kinetic impact or decades of freeze-thaw fracturing. Only jagged, unidentifiable stone anchors remain on the top plinth. Without early photographic records, the original identity of the statue is a permanent mystery. This archive preserves the surviving family name and architectural geometry before the remaining stone succumbs to advanced biological weathering.

Digitization: The American Digital Heritage Project

Collins Monument: Lost Statuary (19th C.)

An Old anchor I once made and never used anywhere, 
CC0, feel free to use anywhere.

Hand Painted Anchor

For complete workflow compatibility, we recommend downloading the source format.The viewer version is intended exclusively for browser preview. In the original file, the following are fully preserved:✔ full scene structure✔ unsimplified materials✔ accurate texture maps✔ original object namesIf you plan to use this model in production, select the source file.Print by Hendrik Willem Mesdag Sunset at Scheveningen A Fleet of Fishing Vessels at Anchor 1894 . Public Domain canvas painting with CC0 license for interior decoration.

Painting

Anchor Barrel

For production-ready use, we recommend downloading the original file.The Converted version is intended exclusively for browser preview. In the source file, the following are fully preserved:✔ full scene structure✔ all materials without simplification✔ accurate texture maps✔ proper object namingIf you intend to use the asset in a production environment, download the Original format.This is a modern outdoor picnic table with a sleek wood and metal design perfect for gardens parks and commercial spaces. It features durable materials weather resistance and secure anchoring for stability. Its low maintenance design makes it ideal for both residential and public use. Perfect for anyone seeking a stylish and sturdy outdoor seating solution.

Picnic Table And Chairs

A powerful Stylized Urban Building, inspired by North African urban architecture. This multi-tiered structure features a blend of earthy plastered facades and prominent exposed brickwork, hinting at an organic urban evolution. Functional fenestration, with both closed and open shutters, complements the pragmatic design, while integrated utility lines and a pole anchor it to a lively streetscape. Crafted with AI and optimized for real-time use, this Tier I asset is ideal for Game environments. Perfect for stylized exteriors, infrastructure nodes, or lore-rich overlays. Shared freely to empower creators and celebrate open-access artistry.

Stylized Urban Building – Tier I

A stylized church sculpt created as part of a graveyard environment project. This piece serves as a central focal point, designed to anchor the scene while reinforcing a moody, atmospheric setting.

The sculpt focuses on strong, readable shapes and exaggerated proportions to enhance its stylized appeal. Architectural elements such as the tower, rooflines, and stonework were simplified and pushed to create a clear silhouette while still maintaining recognizable structure.

Surface details like worn edges, uneven stone, and subtle damage were added to give the church a sense of age and history, helping it feel naturally integrated into a graveyard environment.

Created in ZBrush, this high-resolution sculpt emphasizes form, composition, and environment storytelling, and can serve as a foundation for further development into a game-ready asset.

I'd love to hear how you use this!

Stylized Church – Graveyard Environment Sculpt

For full functionality, we recommend downloading the original file.The viewer version is intended exclusively for browser preview. In the source file, the following are fully preserved:✔ native scene structure✔ all materials without simplification✔ proper texture maps✔ correct object namesIf you intend to use the asset in a production environment, download the Original format.Realistic old anchor

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