Assorted city props. Models are between 400 and 8000 triangles. Most models are PBR and include diffuse, occlusion roughness metallic, emissive, normal, (alpha/opacity if needed) maps.

Both sides of dumpster lid opens.  

## Make sure you also check out my new City Props Collection volume 2

Some models have multipule material options including the bus stop, benches, pallets, crates.

* Bus Stop
* ATM
* Dumpster
* USPS Mailbox
* Utility Box
* Street Light
* Trash Cans
* Fire Hydrant
* Benches
* Storm Drain
* Manhole Cover
* Pallet
* Tarp Covering Crates
* Parking Meter

Free to use for any project. Any feedback is appreciated. Thanks for checking out my models and the likes. 
  
![](http://tampajoey.com/images/Sketchfab/Props2.jpg)

![https://sketchfab.com/TampaJoey](https://tampajoey.com/images/TU.jpg)
    
# Check out all my other models including this most recent model. 
![](http://tampajoey.com/images/Sketchfab/latest_model.jpg)

City Props Collection volume 1

A castle on a floating turtle cruising through the skies. I made this by kitbashing two different photogrammetry models ([turtle](https://skfb.ly/o67Kn), [Bran castle](https://skfb.ly/6QSQV)) and projection mapping in Blender+Photoshop. 

I wrote a post covering how to make stylized painterly 3D scenes, if you would like to know more details on the how it is done: https://medium.com/@shahriyarshahrabi/creating-painterly-3d-scenes-preparing-assets-for-npr-8d6c726cc34f

Floating Castle

*Style3D*

   - This is a model created by Style3D Atelier. You can freely modify the clothing through Atelier and match it with your model. 

   - It can be applied in various production scenarios like movies, animations, games, etc., saving time in clothing model creation and enhancing simulation effects.

   - If you need other formats, you can download Style3D Atelier software and visit the official marketplace. It has over 4000 clothing models, covering all categories.

   - You can freely export to formats like fbx, obj, abc, usd, gltf, glb, etc. Also, you can export it in SMD format in Atelier and perform real-time simulation in UE using the Style3D Simulator plugin.

Official website :

   - Style3D Atelier (Professional clothing model creation) - https://atelier.style3d.com/en
    
   - Style3D Simulator (UE plugin for real-time clothing simulation) -https://simulator.style3d.com/en

Includes :

   - UV

   - textures(normal map, diffuse map, roughness map, SSS map, and specular map)

Man Black Business Suit

This model is featured in the official Sketchfab VR app:

[![](https://forum.sketchfab.com/uploads/db4890/original/2X/5/5a2e2dbd86ddcbce1cad8fb53aefc0a7cc0506c3.jpg)](https://sketchfab.com/virtual-reality)

This building at Skara Brae, Sandwick, Orkney dates from the late Neolithic (c.2900-2400 cal BC) and was the home to stone age farmers . This structure, known as House 1, was discovered after a storm in 1850.  The local laird William Watt excavated this building in the 1850s and1860s discovering a wealth of stone and bone tools.  

Following erosion in the 1920s a defensive sea wall was constructed and Prof. Vere Gordon Childe undertook further excavations.

The walls of this building survive over two metres high and the stone furniture remains in place.   A hearh lies at the centre of the building and a large 'dresser' faces the one metre high door.  The boxes around the sides of the room are bed compartments, which would have been lined with animal skins.  The small stone boxes were used for storage.

Neolithic House, Skara Brae, Orkney

Amazing white goat.
Adding a donate system to my Sketchfab account! Your support means the world to me as an artist and content creator. If you enjoy my work and would like to help me continue creating more high-quality 3D models, you can now make a donation. Any amount is appreciated and will go directly towards covering the costs of software, hardware, and other resources needed for my creations. Thank you for your support and generosity!

visa card: 4023060221499493

Goat

Zalipie, a village in southern Poland, is most famous for its folk art. Local artists have been covering houses in traditional floral motifs, a custom with roots back in the 18th century, when housekeepers would lighten sooty interiors of their huts by covering them with limewash. Through the 19th century the practice evolved into a habit of decorating cottages - both on the inside and on the outside - with colorful painted ornaments. The tradition has been kept up in the 20th century by dedicated artists like Felicja Curyłowa (1904-1974) and - thanks to her and her followers - to this day we can admire unique local art, and house painting contests are still held to support this live tradition. The 3D model was created based on one of the oldest, finest examples of a Zalipie painted house.

Workflow Video: https://youtu.be/HIyd0rxIFBk

RealityCapture:1270 photos 
MusicInfo: Horses to Water - Topher Mohr and Alex Elena

Painted house - Zalipie in southern Poland

View from the Google NYC deck in a foggy day. The clouds covering the One World Trade Center cleared a few hours after :)

Google NYC - Office Views (360)

San Lorenzo Colossal Head 6 is one of the smaller examples of colossal heads, standing 1.67 metres. It measures 1.41 metres wide by 1.26 metres deep and is estimated to weigh between 8 and 10 tons. The head was discovered by a farmworker and was excavated in 1965 by Luis Aveleyra and Román Piña Chan. It is sculpted with a net-like head covering joined together with sculpted beads. A covering descends from under the headdress to cover the back half of the neck. The headband is divided into four strips and begins above the right ear, extending around the entire head. A short strap descends from either side of the head to the ear. The ear ornaments are complex and are larger at the front of the ear than at the back. The face is that of an ageing male with the forehead creased in a frown, wrinkles under the eyes, sagging cheeks and deep creases on either side of the nose.

http://www.mna.inah.gob.mx/index.php?option=com_sppagebuilder&view=page&id=4894

Olmec Head

Messing around with a parallax effect while rediscovering my love for pastel colors. A Switch skin with an ocean/frog type vibe to it :)

Gorgeous concept art by @math.lis
https://www.instagram.com/p/CPZAuTPl5Td/

Nintendo Switch Diorama

Smithsonian source data can be found [here](https://ids.si.edu/ids/media_view?id=3d_package:d8c62e5e-4ebc-11ea-b77f-2e728ce88125)

This media file is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information and to review the 3D disclaimer, visit the Smithsonian’s [Terms of Use](https://www.si.edu/Termsofuse) page.

1903 Wright Flyer

Materials: Airframe: Wood Fabric, Covering: Muslin Engine, Crankcase: Aluminum

Dimensions: Wingspan: 12.3 m (40 ft 4 in), Length: 6.4 m (21 ft 1 in), Height: 2.8 m (9 ft 4 in),   Weight: Empty, 274 kg (605 lb), Gross, 341 kg (750 lb)

Type: CRAFT-Aircraft

Country of Origin: United States of America

Date: 1903

Credit Line: The Estate of Orville Wright.

Inventory Number: A19610048000

EDAN-URL: edanmdm:nasm_A19610048000

1903 Wright Flyer

Green and white hoodie

v2.0

This collection of meshes is game-ready!
After numerous YouTube videos and a lot of time in Blender, I have an error-free armor set for Unreal Engine 5.2

The vertices and skeleton of a tall, normal-weight, male metahuman are matched to the armor set.
Allowing for simple FBX skeletal imports to Unreal. Only the helm is not rigged. I found that importing the helm as a static mesh, due to lack of fabric rigging, is cleaner and allows the MetaHuman face to still animate while the helm/face covering is socketed to the head bone. 


*Note: Remember to change root.00x to root when seperating meshes, or they will not port correctly to UE5*

5 Piece Platemail - MetaHuman (rigged)

Zalipie, a village in southern Poland, is most famous for its folk art. Local artists have been covering houses in traditional floral motifs, a custom with roots back in the 18th century, when housekeepers would lighten sooty interiors of their huts by covering them with limewash. Through the 19th century the practice evolved into a habit of decorating cottages - both on the inside and on the outside - with colorful painted ornaments. The tradition has been kept up in the 20th century by dedicated artists like Felicja Curyłowa (1904-1974) and - thanks to her and her followers - to this day we can admire unique local art, and house painting contests are still held to support this live tradition. The 3D model shows an extraordinary example of a painted interior and was created based on an exhibition room in Dom Malarek (Painters’ House) in Zalipie, a cultural center that promotes traditional Zalipie folk art.

Reality Capture: 833 photos in 6 hours overall processing time
Music: Morning Mood by Grieg

Zalipie | House of Painters | Slavic Interior

For the past several months, I have been doing research, Finding old HM concept art, discovering long lost lore, and eventually modeling the results to create a new Haunted Mansion dedicated to the Imagineers who brought it to life. Unlike many of the other components of the project, this is not based on an old concept, but is in fact my own addition.  This greenhouse, long abandoned, will be the centerpiece of the mansion's backyard. In it, you can find a variety of flora, from small parasitic buds like the hydnora to larger specimens such as the magnificent corpse flower. The top of the greenhouse is designed to match the conservatory built into MK's Haunted Mansion.

This is my first attempt at using generative flora in Blender, using the built in IvyGen add-on. I originally wanted to use the BagPie Ivy generator which produced a much more filled result and looked amazing, but the result was a 12 million polygon 3.2GB monstrosity so IvyGen appears to be much better for uploading to sketchfab. Enjoy!

Haunted Mansion Project: The Greenhouse

**Just updated this download with a new stl file file for printing (21 June 2020) - noticed error in earlier version.**
 A high-poly Zbrush model ready for 3d printing  The model depicts a British cavalry officer during a cavalry charge in WW1.  *During the first world war cavalry tactics changed with an emphasis on dismounted firepower and covering fire from the flanks, using machine guns and attached artillery to support cavalry charges.*  The download for this model includes the textured fbx file displayed here and an stl file ready for 3d printing - see images below.  The stl file is based on a high-poly version of the model decimated for printing.  I have hollowed out the model and thickened some of the very thin parts to help with printing.

![](https://i.imgur.com/93bLBoAh.jpg)
![](https://i.imgur.com/hjg9sX1h.jpg)
![](https://i.imgur.com/9tfnjG5l.jpg)

Cavalry (new stl file) charge - WW1 - British

The ancient Mayan city of Tikal is located deep in the heart of Guatemala's El Petén rain forest, within Tikal National Park. The ancient city, covering an area greater than 16 sq km (6.2 sq mi), is the largest known ancient Maya city-complex dating to the Classic period. It is estimated to have had a peak population of 100,000 to 200,000 with an urban density of 600 to 700 people per square kilometer. During the Classic Maya period from 200 to 850 CE, Tikal flourished, becoming the preeminent political, economic, and military power in the region. At least 33 rulers oversaw the construction of numerous monuments, many of which remain to be uncovered.

Collectors: CyArk 2018: Tikal - LiDAR - Terrestrial . Collected by University of California, Berkeley , xRez Studio . Distributed by Open Heritage 3D. https://doi.org/10.26301/708h-ss96

Tikal Guatemala Point cloud

A set of Garden Lattice perfect for covering in ivy.
6' x 2' , 6' x 3' , 6' x 4' , 6' x 5' with three variations. 
6' x 2' curved lattice and a 6' arch lattice.

Could also be used as a fence.

Check out my other Archviz packs on my page.

Garden Lattice Pack - Wood

Scrap Baby has a somewhat mangled appearance. Her hair is comprised of light orange, dark orange, and grey blue wires that lay flat on her forehead, but spike up in pigtails on the side of her head. Her neck has no metal covering, exposing the wires that lie underneath. She wears on orange bikini with puffy red sleeves. Two large circles, perhaps the remains of speakers, are placed haphazardly in the middle of her chest. One of her hands has been substituted for the claw that once came out of her chest. The other hand has no metal covering, exposing the claw-like wires underneath. Her legs are halfway covered with a thin metal covering, but wires still poke out from underneath. She has red kneecaps, which could be kneepads, considering she has roller skates rather than jester shoes she had in her previous form. Blue pins erupt from her shoulders and part of her thigh, and possibly a crown is adorned on her head. Her face bares somewhat of a resemblance to her past self. and other stuff

Scrap Baby

A dusty multicrate palette. Used maya's nCloth for the covering. Textured with Substance Painter.

Old and dusty multi-crate storage

The church of Piovà Massaia, attributed to Benedetto Alfieri, is dedicated to Saints Peter and George and was built between 1749 and 1774 on the initiative of Count Ricci, on the site of the ancient church of San Michele in Monte Cornigliano.
The building has the typical baroque plan of an elongated Greek cross and an imposing octagonal dome covering the intersection of the arms of the cross.
The two-bay presbytery has a barrel vault and dome with an elliptical base and ends with a semicircular apse with a ribbed semi-vaulted vault.
The galleries have barrel vaults and have carved and painted wooden balustrades.
The façade has two superimposed orders and three bodies with three entrances a large circular window and a tympanum at the top.
The imposing bell tower, whose construction began in 1779, recalls the Juvarra examples of Superga and the Alfierian one of San Gaudenzio in Novara.
At the top of the bell tower is the lantern delimited by angular volutes and surmounted by a metal spire.

Chiesa dei S.S. Pietro e Giorgio a Piovà Massaia

This automated clock is one half of a pair, the other one is a female lion.
![](http://bit.ly/2mW2SRX)
When the clock strikes inside the lion its eyes start rolling, the jaws open and close.

The skin covering the machinery has become worn over the years. We will have to imagine a thick mane and a golden fur on the lion.

To modern eyes the clock looks like a toy. To the 17th century spectator, it was a precious little miracle and a display of human progress. The lion was a symbol of Africa, a continent that the Europeans had recently started discovering. The clock work was a result of the human efforts to control time and the machinery showed the new mechanical knowledge.


The drawer in the clock once contained a key to the clock work, possibly a description of it and, perhaps, remains of a real lion.


It was typical for the 17th century thinking that the lion clocks were a pair. Two halves forming a whole was an important concept.

Text: Sara Dixon

Scan: Erik Lernestål

Lion Table Clock

This is a recreation attempt at making Thomas' CGI Model used throughout the CGI Series until Season 23. Thomas has been through so many adventures ever since his transition to CGI! Those adventures include discovering Hiro and being desparate to fix him, discovering a mysterious Island and meeting Bash, Dash, and Ferdinand, and much, much more! 

Copyright © HiT Entertainment

CGI Thomas (Recreation Model)

final form, covering the face with a flower

milestone 4 jane doe

**Pteranodon ignifalcis: A Breakthrough in Pterosaur Pigmentation**

In 2025, paleontologist Dr. Celeste Navarro led a multidisciplinary team in the Flaming Cliffs region of Mongolia, uncovering a remarkably preserved pterosaur specimen. Named *Pteranodon ignifalcis*—“Fire-Sickle Wing”—this Late Cretaceous flyer exhibited elongated cranial crests, clawed feet, and pigment-bearing integument with iridescent orange and teal hues.

Spectroscopic analysis revealed nanostructures consistent with structural coloration, marking the first confirmed evidence of iridescence in pterosaurs. The find suggests that visual signaling may have played a role in mating or territorial behavior, challenging prior assumptions of muted coloration in aerial reptiles. *P. ignifalcis* reshapes our understanding of pterosaur ecology, offering new insight into the evolution of flight, display, and sensory adaptation in prehistoric skies.

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