This helmet, with its rather special appearance, is one of the few preserved objects that we know was owned by the Swedish king [Gustav Vasa](https://en.wikipedia.org/wiki/Gustav_I_of_Sweden). 

It was made in Germany in 1540, probably in Augsburg or Nuremberg, which were home to some of the most skilled armour makers of the time. The visor, the part that covers the face, did not originally belong to the helmet, but it is thought to be of the same period.

A helmet of this type was made not for battle but for celebratory occasions. In the 16th century, full suits of steel armour were the height of fashion. For parades and other royal festivities, the social elite would dress up in specially-made sets of costume armour with a close helmet. During these celebrations it became popular, in the early 16th century, to wear close helmets with grotesque visors in the form of animal or human faces, like this one, to enhance the festive atmosphere and heighten the sense of theatricality. 


Scan by Erik Lernestål

Helmet with Grotesque Visor

The helmet was fashioned in southern Germany circa [1540](https://bit.ly/2kdFNLr), and is unusual because it is one of the few surviving helmets adorned with a crown.

It was purchased in [Augsburg](https://bit.ly/2MwwuQc) on the King's behalf by his agent, the merchant Claus Heijder. The helmet was likely used in [Gustav Vasa's](https://bit.ly/2k10R7K) funeral procession in 1560, because a helmet adorned with a gilded crown is mentioned by a contemporary who witnessed the ceremony. The gilded crown is medieval in style – a suitable symbol of Gustav Vasa, who had one foot in the old union and one in the newly minted [hereditary monarchy](https://bit.ly/2kdG7tD).

King Gustav Vasa's Helmet with a Gilt Crown

This helmet was most likely made in the 1610s in the district of Norrmalm, Stockholm. 
The helmet is very similar to those made for King Gustav II Adolf and helmets worn at jousting tournaments at the time.

The helmet weighs 5.086 grams (≈ 11.2 lb) and would have provided the wearer with adequate protection. 

Worth noting is that the helmet features the same basic shape as other closed 16th century helmets on display in the museum.

This 2-piece visor consists of a visor and an upper bevor.

Jousting Helmet

Club Atomic.

Based on 2D pixel art game Atomic Blonde by Gustavo Viselner. An 2D image of the game hangs in the bar.

Music: “Cool Club Through The Wall”, a free-use public domain song courtesy of YouTube’s Audio Library. DOUG MAXWELL/MEDIA RIGHT PRODUCTIONS

Limited Mozilla Hubs version of just the bar area

https://hubs.mozilla.com/scenes/4s9raA3/atomic-bar

https://hubs.mozilla.com/scenes/i2MNi4i

Club Atomic: Where the holograms go.

The National Costume is a historic Swedish costume, designed by King Gustav III and introduced in 1778.

This particular creation was worn by the King on April 24th 1778.


https://en.wikipedia.org/wiki/Gustav_III_of_Sweden


https://en.wikipedia.org/wiki/Nationella_dräkten


Detailed info in swedish:

http://www.europeana.eu/portal/en/record/2064105/Museu_ProvidedCHO_Livrustkammaren_67942.html



 
20k texture

Scan by Erik Lernestål

The National Costume

King Gustav III of of Sweden took part in the archipelago fleet battles in 1789-1790 traveling with the fleet. He had two vessels, the larger schooner Amphion and a small yacht Amadis. This yacht was designed by F. H. Chapman. It is similar to other single mast relay and signal boats used by the Swedish archipelago fleet. King Gustav III was on board Amadis just behind the frigates at line of battle at the start of the battle. The Amadis had a single main mast with main, gallant and top, gavel behind and bowsprit and flysprit in bow.

Hull dimensions:
•	Length at waterline: 16.63 m (at keel 16.33 m)
•	Greatest width (breadth): 5.73 m
•	Greatest depth: 1.78 m

Ship 07, Swedish royal yacht Amadis, closed sails, 12.5.2020, programs: 3ds Max, UE4.

This model was created in the Maritime Museum of Finland project "Historia eläväksi digitaalisella tarinankerronnalla" by Zoan Oy and is part of Smoke on the Waves experience at Maritime Centre Vellamo. https://kohtalonaruotsinsalmi.fi/

Swedish royal yacht Amadis

A World War 2 auxiliary water pumping station at the end of the L-shaped pier by the Anchor & Hope pub, Charlton, London.

These pumping stations were used to pump water from the river into the mains water supply to provide extra supply when putting out fires in nearby areas such as the docks. This is one of the last to survive.

In front of the pumping station can be seen a small wooden boat wreck. (https://citizan.org.uk/interactive-coastal-map/1737/)

263 photos taken in August 2022 with a Sony a7R III and 326 photos taken with a DJI Air 2S. Processed in Reality Capture. Underside of pier slightly repainted where no photos could be taken.

A huge thank you to Brian Roberts (The Drone Detective: https://www.thedronedetective.co.uk/) for gaining all the required permissions to fly a drone here and undertook all the aerial photography.

Location identified using the excellent book, The Thames At War by Gustav Milne.

Charlton Auxiliary Pumping Station

Clínica OTOVISION - Paragominas/PA

Instalações Hidrossanitárias

Arq. Gustavo Zoghbi - MEDINE Arquitetura Hospitalar

Clínica OTOVISION - Hidrossanitário

Modello scultoreo digitale ispirato al Canto V dell'Inferno. L'opera raffigura Francesca da Polenta e Paolo Malatesta, trascinati in eterno dalla bufera per il loro tragico amore.

Rielaborando le illustrazioni di Gustave Doré, il modello unisce tormento romantico e pulizia neoclassica. Filologicamente, la centralità è data a Francesca: è lei l'assoluta protagonista e voce narrante dell'episodio dantesco, mentre Paolo le resta al fianco in un pianto silenzioso.

Tecnicamente, il panneggio è stato ingegnerizzato come solido piedistallo naturale. Questo trasforma l'impalpabile "volo" delle anime in una struttura statuaria stabile e ottimizzata (topologia a triangoli), pronta per essere esportata e realizzata fisicamente tramite stampa 3D.

A cura di Alessio Langella per gli studenti dell'ITI di Alghero.

Omaggio a Francesca e Paolo di Dante Canto V

Clínica OTOVISION - Paragominas/PA

Instalações de Refrigeração

Arq. Gustavo Zoghbi - MEDINE Arquitetura Hospitalar

Clínica OTOVISION - Refrigeração

For production-ready use, we recommend downloading the original file.The viewer version is intended only for use in the web viewer. In the Original format, the following are fully preserved:✔ original scene hierarchy✔ complete materials without reduction✔ proper texture maps✔ correct object namesIf you intend to use the asset in a production environment, download the source file.Print by Gustav Klimt Baby Cradle 1917 1918 . Public Domain canvas painting with CC0 license for interior decoration.

Painting

For full functionality, we recommend downloading the original file.The converted file is intended only for use in the web viewer. In the original file, the following are fully preserved:✔ full scene structure✔ unsimplified materials✔ correct PBR texture maps✔ proper object namingIf you intend to use the asset in a production environment, choose the original version.Print by Gustave Courbet Calm Sea 1866 . Public Domain canvas painting with CC0 license for interior decoration.

**CAT** Aquest capitell (25x34x14 cm) és una còpia de 1995 realitzada en pedra artificial per Olga Ricart i Marisol Dueñas a partir de l'original de Pere Jou (c. 1918-1920). Se situa a la façana del Baluard de Miquel Utrillo i és la parella de la peça l'escultor Gustave Violet.

**ES** Este capitel es una copia de 1995 realizada en piedra artificial por Olga Ricart y Marisol Dueñas a partir del original de Pere Jou (c. 1918-1920). Se sitúa en la fachada del Baluard de Miquel Utrillo y forma pareja con el del escultor Gustave Violet.

**EN** This capital is a 1995 copy made in artificial stone by Olga Ricart and Marisol Dueñas after the original by Pere Jou (c. 1918–1920). It is located on the façade of the Baluard de Miquel Utrillo and forms a pair with that of the sculptor Gustave Violet. 

Nº reg.: 1a, PMA 13B

Adreça web: https://museusdesitges.cat/ca/museu/palau-de-maricel/palau-de-maricel

Model: Lucia Ponce i Mònica Urquizu - [Projecte](https://shorturl.at/WeMyw)

La infermera britànica Edith Clavell, CPS

For production-ready use, we recommend downloading the Original format.The Converted version is intended for web viewing only. In the original file, the following are fully preserved:✔ original scene hierarchy✔ all materials without simplification✔ proper texture maps✔ correct object namesIf you intend to use the asset in a production environment, choose the Original format.Print by Gustave Caillebotte Skiffs 1877 . Public Domain canvas painting with CC0 license for interior decoration.

For full functionality, we recommend downloading the source format.The converted file is intended for web viewing only. In the source file, the following are fully preserved:✔ native scene structure✔ unsimplified materials✔ accurate texture maps✔ original object namesIf you are going to integrate the model into a project, download the Original format.Print by Gustave Caillebotte Dahlias Garden at Petit Gennevilliers 1893 . Public Domain canvas painting with CC0 license for interior decoration.

Concept CAD model inspired by the Messerschmitt Bf 109 G (Gustav), created in FreeCAD as a learning project to refresh modelling skills after a break.

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