Texture mapping on the clandestinely scanned bust
--
The texture was retrieved from my previous [photogrammetry model](https://skfb.ly/GWMR), while the 3D object was downloaded from [AD&amp;D 4D](https://skfb.ly/6QUFB)' Sketchfab model. 

The combination of these two models was completed with **MeshLab**, using the very efficient "Point Based Gluing" alignment method.

Finalization with realistic lightings performed in Sketchfab.

Click here to download the texture (PNG format, 1024 &times; 1024 pixels): http://c.yamahata.fr/sketchfab/Nefertiti_texture_HQ2.png

---
Check [Nefertiti Hack](http://nefertitihack.alloversky.com/) to get the original _.obj_ high resolution model (by Jan Nikolai Nelles & Nora Al-Badri).

🎞️ You may also check out this [Youtube video](https://youtu.be/x7cV316ulGY?si=g57Q1V83t7QR6q-O). I made it by combining footages from the Neues museum in Berlin with this 3D model.


![](https://i.imgur.com/BYjUyfw.png)

*Texture (PNG format, 1024 &times; 1024 pixels)*

Nefertiti's bust (like in the museum)

Die **Burg Hohenzollern** ist der Stammmsitz des Hauses Hohenzollern und liegt in der Gemeinde Bisingen.

**[Interaktive Karte aller Modelle](https://drive.google.com/open?id=1Y3h9JGowHjneXdkfL_1TYbdxgPdlmB-z&usp=sharing)**

Fotos: Christoph Steffen

2018 (c) Landesamt für Denkmalpflege im Regierungspräsidium Stuttgart

Burg Hohenzollern

###Busto policromado en el Neues Museum
---
**2016** Este modelo (A) ha sido distribuido por Nora Al Badri y Jan Nelles, artistas alemanes. Es una intervención artística para inspirar una revisión crítica de la noción colonial de posesión que permanece en Alemania y en  el mundo.  Escanearon la cabeza de Nefertiti de forma clandestina y sin permiso del museo. 

**2019** Modelo (B) Escaneo del Neues Museum

Fuente: [**Nefertiti Hack**](http://nefertitihack.alloversky.com/)

---

###Bibliografía

Busto Nefertiti:  [**ArqueoHistoria**](http://goo.gl/MfhNiE)

"Nefertiti es de todos" [**ElPeriodico**](http://goo.gl/rtlW9i)

Nuevas teorías sobre la tumba de Nefertiti [**El Pais**](http://goo.gl/JUFcD9) 



---

Wikipedia / [**Busto de Nefertiti**](https://es.wikipedia.org/wiki/Busto_de_Nefertiti)


![](http://i.imgur.com/VsYPhjR.jpg)

What is the genuine Nefertiti?

**Ulmer Münster**

Ulm (Stadt Ulm)

**[Interaktive Karte aller Modelle](https://drive.google.com/open?id=1Y3h9JGowHjneXdkfL_1TYbdxgPdlmB-z&usp=sharing)**

Fotos: Martin Schaich

2020 (c) Landesamt für Denkmalpflege im Regierungspräsidium Stuttgart

Ulmer Münster

Es Un Barco Holandes Grande Con Texturas 2k

dutch ship large

**Burg Lichtenstein**

**[Interaktive Karte aller Modelle](https://drive.google.com/open?id=1Y3h9JGowHjneXdkfL_1TYbdxgPdlmB-z&usp=sharing)**

Fotos: Christoph Steffen

2019 (c) Landesamt für Denkmalpflege im Regierungspräsidium Stuttgart

Burg Lichtenstein

Die Klause Kastel ist ein Landesdenkmal in Rheinland-Pfalz und wurde von Mönchen in die Felswand aus Sandstein geschlagen. Die Ursprünge der Klause gehen auf das 13. Jh. und die Kreuzzüge zurück. Die Klause, die bis heute erhalten geblieben ist, ist dem preußischen König Friedrich Wilhelm IV zu verdanken, der durch den preußischen Baumeister Karl-Friedrich von Schinkel ein Grabmal für den blinden Böhmenkönig Johann errichten ließ.

The Kastel hermitage is a state monument in Rhineland-Palatinate and was carved into the sandstone rock face by monks. The origins of the Klause date back to the 13th century and the Crusades. The hermitage, which has been preserved until today, is owed to the Prussian King Frederick William IV, who had the Prussian master builder Karl-Friedrich von Schinkel build a tomb for the blind Bohemian King John. 

Infos: Kulturdatenbank der Region Trier [1](https://kulturdb.de/einobjekt.php?id=1109)  [2](https://kulturdb.de/einobjekt.php?id=46666)

Klause Kastel-Staadt

Das Grutenhäuschen ist ein teilrekonstruierter römischer Grabtempel, der sich in einem Weinberghang nahe der Gemeinde Igel in Rheinland-Pfalz an der Mosel befindet. Es wurde auf den Resten der ursprünglichen Grabkammer 1962 vom Rheinischen Landesmuseum Trier restauriert. 2001 wurden die oberen und vorderen Teile des ursprünglichen Tempels rekonstruiert. 
Weitere Informationen in der [Kulturdatenbank der Region Trier](https://kulturdb.de/einObjekt.php?id=1554)

The Grutenhäuschen is a partially reconstructed Roman burial temple located on a vineyard slope near the community of Igel in Rhineland-Palatinate on the Moselle River. It was restored on the remains of the original burial chamber in 1962 by the Rheinisches Landesmuseum Trier. In 2001, the upper and front parts of the original temple were reconstructed. 
Further information in the [cultural database of the Trier region](https://kulturdb.de/einObjekt.php?id=1554)

Roman burial temple "Grutenhäuschen"

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-23109.9](https://www.online.landessammlungen-noe.at/objects/1508896)

**Material:** Iron, Gold, Coral

**Dimensions:** 74 x 5,8 cm

**Dating:** 375-200 BCE

The sword is forged from iron, and has an iron scabbard. It is characterised by a hilt with remnants of wood, a small rivet, a spherical pommel with volute decorations, a crossguard featuring a roof-shaped metal plate with spiral volutes, and a rivet securing the plate. The scabbard has a  roof-shaped mouth. On the front are two connected decorative rivets with a gold sheet rivet, coral overlay, below that sheet metal with volutes and below that a triangular, openwork net ornament. Several circular elements can be seen on the sides. The back features a profiled bar, accompanied by a small triangular net ornament backed with gold sheet.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Sword with a scabbard

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-2373](https://www.online.landessammlungen-noe.at/objects/1029450)

**Material:** Bronze

**Dimensions:**  63,3 x 6,89 cm, 28,4 mm

**Dating:** 1050-801 BCE

A bronze sword with an oval handle, decorated with three wide, circumferential strips adorned with diagonal lines. The lower end of the handle is flared and has an angular notch in the middle. The blade exhibits a slight indentation and is gently curved. The central region of the specimen is characterised by a flat ridge, flanked on either side by two narrow, low strips. The latter are distinguished by the presence of diagonal hatching towards the upper end. Concentric circle ornaments are stamped onto the upper end of the blade, where the edges are indented. The antennae exhibit a wide, ribbon-shaped and simply rolled structure.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Antenna Sword

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-13817](https://www.online.landessammlungen-noe.at/objects/1259441)

**Material:** Iron, Copper

**Dimensions:** 

**Dating:** 

The artefact is composed of an iron disc that has been covered with a gold-plated copper plate, which features a concentric decorative scheme. The central area is characterised by the presence of a circular protrusion. Four sets of motifs can be discerned emanating from the object's centre and extending to its periphery. The sequence of elements from the central point towards the periphery is as follows: firstly, a band of waves, radiating flame-like rays, and subsequently, a bar with floral decoration. A band of waves is once again evident at the periphery.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Phalera

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19020.36040.1](https://www.online.landessammlungen-noe.at/objects/1475584)

**Material:** Iron

**Dimensions:** 93,6 x 14,4 cm

**Dating:** 680 - 900 CE

The spatha is a type of straight, long sword. It is characterised by its double-edged blade. It is typically held with one hand and is primarily used for cutting. The edges of this specimen curve inwards slightly towards the rounded, relatively short tip. The central part of the blade has grooves. Faint remnants of the wooden scabbard are visible on one side of the blade. Small areas with textile impressions are visible on both sides.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Spatha

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22511.1](https://www.online.landessammlungen-noe.at/objects/1014670)

**Material:** Silver

**Dimensions:** 7,71 x 4,47 cm, 17 mm

**Dating:** 475 - 525 CE

The silver brooch is distinguished by its semi-circular, hollow headplate. The headplate is embellished with five buttons of alternating shapes, which have been inserted, soldered and secured by iron pins. Three of these buttons are still intact. The longitudinally profiled bow is fitted with a diamond-shaped base plate featuring an animal head at one end. The inner surfaces of the head and base plates are decorated with five spiral tendrils in a fluted pattern, whilst the eyes and nostrils of the animal head are gilded. The frame of the foot and the central bar of the clasp are nielloed. 

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Bow Fibula

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-](https://www.online.landessammlungen-noe.at/objects/Object ID)

**Material:** 

**Dimensions:** 

**Dating:** 

The ring is fitted with a setting. The setting has an irregular square shape with a flat base. Noteworthy features include the relatively high, diverging rear bezel and the high, grooved, converging front bezel, which has a raised edge. The setting contains an irregularly cut, semi-opaque dark blue sapphire cabochon. The ring band has an oval cross-section with a uniform change in width. The ring shoulders are depicted as highly detailed, sculptural animal heads with open mouths and tongues.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Ring with saphir

**Collection:** Roman Archeology Dept.
 
**Inv.-No.:** [CAR-K-3567](https://www.online.landessammlungen-noe.at/objects/1306792)

**Material:** Ceramic

**Dimensions:** 8 × 6,1 × 3,3 cm

**Dating:** 2nd-3rd century AD

Appliqué with red paint in the form of a Silenus head. The head of an old, bearded man with a button nose and round, protruding eyes looks straight ahead. The mouth is slightly open and depicted with thick lips. On the plastically rendered hair at the forehead, he probably wears a stylized wreath. A full beard frames the round face and is braided into thick plaits. On the reverse, the ridges of the vessel wall are still visible. The appliqué comes from a vessel that was probably used in Dionysian festivities.

This object was digitized through the 'Kulturerbe digital' program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Appliqué in the form of a head of Silen

**Collection:** Roman Archeology Dept.
 
**Inv.-No.:** [CAR-M-2802](https://www.online.landessammlungen-noe.at/objects/1306555)

**Material:** Bronze, enamel

**Dimensions:** 3,5 x 0,6 cm

**Dating:** 2nd - early 3rd century AD

Brooch in the shape of a shoe-sole with a hinge mechanism and a border loop at the heel. The base plate is completely enamelled in green, and the nail decoration is suggested by 25 preserved (and two missing) dark blue enamel dots. The pin is only partially preserved.

This object was digitized through the 'Kulturerbe digital' program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Shoe-sole brooch

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-23104.76.1](https://www.online.landessammlungen-noe.at/objects/1510524)

**Material:** Bronze

**Dimensions:** 16,2 x 6,37 cm, 12,1 mm

**Dating:** 450 - 260 BCE

Openwork belt hook made from bronze. The basic shape is triangular. At the upper end, there is a hook that curves inwards. The fastening end is also triangular in shape, and five rivets are utilised to secure the end of the strap. The belt hook is embellished with openwork and cut-out patterns. The geometric patterns consist primarily of teardrop-shaped and circular motifs. The belt hook is used to fasten a belt by hooking it into a belt loop or a ring. Thechnologically it is a simple design which offers a quicker handling. However in contrast to a belt buckle, it was easily comes undone. 

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Belt hook

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19444.18.2](https://www.online.landessammlungen-noe.at/objects/1516088)

**Material:** Ceramic

**Dimensions:** Height: 113 mm, Rim diam.: 85 mm

**Dating:** 1050 - 800 BCE

The conical-necked vessel exhibits a blackish-brown pigmentation on its surface.  The object's decoration features vertical fluting from the shoulder to the belly.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Vessel

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19018.071.6.2](https://www.online.landessammlungen-noe.at/objects/236842)

**Material:** Bronze, gilded

**Dimensions:** 12,2 × 3,5 cm

**Dating:** 741 - 770 CE

The strap end is made of cast non-ferrous metal and has been gilded. The front of the object features an illustration of a combat between animals in the central panel, with a hare in the side panel. The animals' bodies are decorated with triangular perforations. The back is adorned with a symmetrical, S-shaped ornament.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Strap End

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19018.152.7](https://www.online.landessammlungen-noe.at/objects/237553)

**Material:** Bone

**Dimensions:** 26,3 × 2,6 cm

**Dating:** 568 -820 CE

The artefact is a well-preserved limb of a composite reflex bow, featuring a recess for the bowstring. The term 'composite bow' is used to denote a bow that has been constructed from multiple parts and layers of organic origin. The limbs and grip are composed of one or more pieces of wood, which form a core.  The grip is constituted of varying numbers of horn or antler plates which were adhered to the core. The term "reflex" is employed to denote the bow whose limbs, in the unstrung state, are flexed outwards. In the strung state, the limbs are oriented vertically, and in the drawn state, they are directed towards the archer. 

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Bow limb

Jede deutsche Gemeinde pflanzt drei Bäume in Form eines gleichseitigen Dreiecks mit jeweils 10 m Seitenlänge. Symbolisch ware das für den Westen eine Rotbuche und für die östlichen Bundesländer eine Kiefer. Die Eiche steht für daş wiedervereinigte Deutschland.
Das Wachsen dieser Bäume und der Kronen soll Wachstum, Aufschwung, Wandel und das Zusammenwachsen des ehemals geteilten Landes dokumentieren.
Der Bezirk Steglitz-Zehlendorf hat diese Bäume am 3. Oktober 2015
gepflanzt.
Die Steinblöcke waren Bestandteile der Stufen- und Rampenanlage vor dem Palast der Republik bis zu seinem Rückbau im Jahr 2005.

📍 [Berlin, Berlin](https://scaniver.se/L52.42730,13.26304)

Einheitliches Wiedervereinigungsdenkmal

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19018.071.6.4](https://www.online.landessammlungen-noe.at/objects/236844)

**Material:** Bronze, gilded

**Dimensions:** 5,2 × 3,2 cm, 4 mm

**Dating:** 711 - 740 CE

The fitting is distinguished by its rectangular configuration. The illustration depicts a mythological creature, known as a griffin. The piece was cast in openwork and subsequently gilded. The body of the griffin features triangular-shaped indentations.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Belt fitting

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-23092.415.1](https://www.online.landessammlungen-noe.at/objects/1518075)

**Material:** Ceramic

**Dimensions:** 24x8,8 cm

**Dating:** 3500 - 2700 BCE

The bowl is composed of stone-tempered reddish-brown clay. It is equipped with a saddle-shaped, narrow handle. The vessel's exterior is characterised by the presence of partial decorations, manifesting as incised lines and notches. The most intriguing aspect of this vessel is its structural design, which comprises two distinct compartments intended for the accommodation of disparate materials. The artefact was subjected to significant restoration due to its poor physical condition.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Bowl with a divider inside

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-8334](https://www.online.landessammlungen-noe.at/objects/1047576)

**Material:** Ceramic

**Dimensions:** 15,68 x 15 cm

**Dating:** 100 - 301 BCE

A pot with a rounded body and a tall, slightly conical. The rim has been flared. The vessel was shaped on a potter's wheel and subsequently fired in a reducing atmosphere. This process is the reason for the artefact's characteristic light brown-grey colour. The surface has undergone a process of meticulous polishing.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

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