An improved version of my old model. Generic Japanese-made small-cabin truck. The design corresponds to the time period from 1990 to the late 2000s.
Update: New 3 ton cargo box, new wheels, materials and much more.

I unconditionally give you permission to use this model at your discretion, modify it or implement it into a digital product. Use the model as you see fit and have a nice day.

LCT 3000 '95 - Low poly model

Generic Japanese-made small-cabin truck.

I unconditionally give you permission to use this model at your discretion, modify it or implement it into a digital product. Use the model as you see fit and have a nice day.

LCT 3000 '07- Low poly model

The 3D model is a digital reconstruction of a woman's dress from the "Taste" tapestry from the "Lady and the Unicorn" (La Dame à la licorne) series. The set of six tapestries is on display in the Musée de Cluny, Paris (https://www.musee-moyenage.fr/). https://en.wikipedia.org/wiki/The_Lady_and_the_Unicorn
 
A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuIMEUKxFJZovd8aMj_kWBo&si=WddCANzL__nhkB6i

For further details see https://www.academia.edu/35595361/Modernization_of_Medieval_costume_reconstruction_methods_based_on_patterns_analysis

The authors of the 3D model are

Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina https://independent.academia.edu/MariiaMoskvina

(Saint Petersburg State University of Industrial Technologies and Design)

Dress #3 (La Dame à la licorne)

The 3D model presents a historical mannequin (a dress form) dating to 1900s. The virtual mannequin was generated automatically by using a new method of parametric modelling (for further details see https://doi.org/10.1108/IJCST-06-2019-0093). The values of body measurements were taken from a sizing table. The measurements are: bust – 81.4 cm; waist – 51.4 cm; hip – 92.4 cm. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLvTramFMrmp93PEDaIVTLKR&feature=shared 

The authors of the 3D model are

Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina https://independent.academia.edu/MariiaMoskvina

(Saint Petersburg State University of Industrial Technologies and Design)

The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins.

Mannequin (1900s): M size

The 3D model presents a digital twin of a theatrical costume for Glafira Alekseevna in the play “Wolves and Sheep” (1875) by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuPHIgwa-2zSI41YyVMijm0&feature=shared

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev, faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

DOIs of the garments are as follows
http://doi.org/10.13140/RG.2.2.15105.53600
http://doi.org/10.13140/RG.2.2.28527.30883

Costume: Glafira, "Wolves and Sheep"

The 3D model presents a digital twin of a theatrical costume for Ippolit in the play “It’s Not All Shrovetide for the Cat” (1871) by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuPHIgwa-2zSI41YyVMijm0&feature=shared

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev, faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

Costume: Ippolit, "It's Not All Shrovetide..."

The 3D model presents a digital twin of a theatrical costume for Olympiada Samsonovna in the play “It’s a Family Affair-We’ll Settle It Ourselves” (1850) by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuPHIgwa-2zSI41YyVMijm0&feature=shared

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev, faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

Costume: Lipochka, "It's a Family Affair..."

The 3D model presents a historical dress form dating to 1900s. The virtual mannequin was generated automatically by using 3D scannig (for further details see https://doi.org/10.1108/IJCST-06-2019-0093). A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLvTramFMrmp93PEDaIVTLKR&feature=shared 

The authors of the 3D model are

Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina https://independent.academia.edu/MariiaMoskvina

(Saint Petersburg State University of Industrial Technologies and Design)

and Victor Kuzmichev https://www.researchgate.net/profile/Viktor-Kuzmichev

(Ivanovo State Polytechnic University)

1900 dress form

The 3D model is a digital reconstruction of a woman’s dress from the “Hearing” tapestry from the “Lady and the Unicorn” (La Dame à la licorne) series. The set of six tapestries is on display in the Musée de Cluny, Paris (https://www.musee-moyenage.fr/). https://en.wikipedia.org/wiki/The_Lady_and_the_Unicorn
 
A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuIMEUKxFJZovd8aMj_kWBo&si=WddCANzL__nhkB6i

For further details see https://www.academia.edu/35595361/Modernization_of_Medieval_costume_reconstruction_methods_based_on_patterns_analysis

The authors of the 3D model are

Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina https://independent.academia.edu/MariiaMoskvina

(Saint Petersburg State University of Industrial Technologies and Design)

Dress #11 (La Dame à la licorne)

The 3D model presents a digital reconstruction of the very specific kind of women’s clothes such as a side-saddle riding habit (RH) used in 1875-1915. The riding skirt is presented in a historical book  Levitanus, Z. (1907), Shkola krojki (School of dress cutting), Published by the author, Riga, p. 87. Outline shapes and construction of “shaped” riding skirts as important part of side-saddle riding habit at the end of XIX – the beginning of XX centuries were explored (for further details see https://www.emeraldinsight.com/doi/full/10.1108/IJCST-12-2017-0192).

A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLt-9bp4HQ50imgIu-9Pj85T&si=YD4s6RQAvTBv5VYO

The authors of the 3D model are

Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin

Mariia Moskvina https://independent.academia.edu/MariiaMoskvina

(Saint Petersburg State University of Industrial Technologies and Design)

Riding skirt (1907) - a digital reconstruction

The 3D model presents a digital look of a historical costume from a Russian lubok print “Rayok” dating to the 18th century. The costume was made for a theatrical performance «Indecent is decent» (Ivanovo State Museum of Local History named after D.G. Burylin, October 30, 2019 – March 1, 2020, http://xn--80ablhhepdp1a2ae9h.xn--p1ai/). The 3D reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuo_6RFLyIWZcO8f-c0LcaM&feature=shared

The authors of the 3D model are Mariia Moskvina and Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design)

The authors thanks Victor Kuzmichev for his valuable contribution to the reconstruction.

Raek’s costume from a traditional engraving

The 3D model presents a digital twin of a theatrical costume for Alexey Bulanov in the play “The Forest” (1871) by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuPHIgwa-2zSI41YyVMijm0&feature=shared

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev, faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

Costume: Bulanov, "The Forest"

The 3D model is a digital reconstruction of a woman's dress from the "Touch" tapestry from the "Lady and the Unicorn" (La Dame à la licorne) series. The set of six tapestries is on display in the Musée de Cluny, Paris (https://www.musee-moyenage.fr/). https://en.wikipedia.org/wiki/The_Lady_and_the_Unicorn
 
A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuIMEUKxFJZovd8aMj_kWBo&si=WddCANzL__nhkB6i

For further details see https://www.academia.edu/35595361/Modernization_of_Medieval_costume_reconstruction_methods_based_on_patterns_analysis

The author of the 3D model is Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)

Dress #16 (La Dame à la licorne)

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/4SLctK](https://www.meshy.ai/s/4SLctK)

Lamentation over the Dead Christ

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/HuLctX](https://www.meshy.ai/s/HuLctX)

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