The Frank G. Schenuit Rubber Co. factory was located at 1750-60 Union Avenue in Baltimore. Built in the 1840s as a cotton mill, from 1925 to the late 60s, the building was used to manufacture tires. Sadly, it is currently being demolished with plans for a self-storage facility to be built in its place. I will miss seeing the iconic smokestack during my commute to work each day!

Created using 917 images taken with a DJI Mavic Mini and processed in RealityCapture.

Schenuit Rubber Co. factory

Mount Clare is a five-part Georgian Palladian plantation house located at Carroll Park in Baltimore. It was built in 1754 and is the oldest standing structure in the city. Currently, the house operates as a museum and is undergoing reinterpretation by a [commission appointed in 2021](https://www.baltmccpc.com/) to study the enslaved, indentured and imprisoned laborers who lived and worked at Mount Clare and a nearby ironworks.

“We are excited to be helping to usher in a new era that will create the framework for the research, interpretation, physical discovery and promotion of programming centered on Black Ingenuity and the contributions of the enslaved at Mount Clare. We also seek to reestablish Mount Clare as a site for envisioning and executing forms of racial equity in Baltimore and beyond.”

-Dale Glenwood Green, Founding Co-Chair of the Commission

Created in RealityCapture from 1729 images taken with a Nikon D750 and drone.

Mount Clare Museum House

Welding is a permanent joining process that ensures the continuity of the material being joined; the weld is the resulting joint (although the term is often used for the process itself). This continuity is what distinguishes welding from other mechanical joining techniques (riveting, bolting, stapling, etc.) or adhesive joining techniques (bonding), as well as brazing techniques. Welding is the primary activity of a welder, and, for metal joints, it requires the technical expertise of a metallurgist and the study of plasma physics (for processes involving a flame or an electric arc).

Welder Sculptor iullustration

Jabba the Hutt’s Space Yacht as it appeared in the Legends continuity. Derived from multiple inconsistent sources, this is a combination of all of them to create one comprehensive representation.

The model is already scaled approprately at 160 meters.

The Windows are already glass, but may need some edits to make it work with your project. 

Free to use in any project.

Star Jewel, Jabbas Space Yacht

Concept and execution: Reinhold Wittig, Göttingen

Location: Jüdenstraße, opposite St. Jakobi

Object: Bronze panel on concrete base

The sundial is a complement to the Göttingen Planetenweg, which was also designed by Reinhold Wittig.

-----------

Konzept und Ausführung: Reinhold Wittig, Göttingen

Ort: Jüdenstraße, gegenüber St. Jakobi

Objekt: Bronzetafel auf Betonsockel

Die Sonnenuhr ist eine Ergänzung des Göttinger Planetenwegs, der ebenfalls von Reinhold Wittig konzipiert wurde.

This model is part of Göttingen [Open Digital Museum project](https://github.com/nuit-dhiver/GoeODM). It's an independent project dedicated to capturing and maintaining 3D models of monuments and public art in Göttingen using 3D reconstruction. [You can support the project by donating.](https://www.paypal.com/paypalme/saiemami)

Göttingen Sonnenuhr (Sundial)

I have seen compass-drawn circles in many locations throughout Valcamonica - e.g. Luine, Bedolina, Nadro & Paspardo.  They do not seem to garner very much attention or comment.  Here at Rock 6, there are many compass-drawn circles of hugely varying sizes, and some with multiple concentric rings, all with distinct central holes.   On the same surface are also a number of pecked, cup and ring marks, usually assigned to the late Neolithic/Bronze Ages.  

Whatever the actual date of the compass-drawn circle is, they will have been produced many centuries after the cup & ring marks, yet they take a similar form.  Is there some sort of continuity of meaning in these geometrical forms & is there a connectivity here between this area and that of Atlantic rock art?   This struck me quite strongly the first time I visited this rock at Luine, and the thought has been re-enforced by my observations elsewhere.  It would be significant as the interpretation of cup & ring marks in the Atlantic area is a complete mystery.

Valcamonica, Luine - Rock 6 (5)

Jabba the Hutt's Space Yacht as it appeared in the Legends continuity.  Derived from multiple inconsistent sources, this is a combination of all of them to create one comprehensive representation.  

The model is already scaled approprately at 160 meters.  

You may need to adjust some textures - the .gltf upload doesn't translate as well as for others.  The Engines are emissive and there is a glass texture for the cockpit windows.  

Free to use in any project.

This object is a one-stroke dense knot domain extruded into a closed 3D tube mesh, using the PAPP-OSG route from constrained path to validated woven geometry.
Generated, not hand-modeled: the Dara Knot begins as a gate-constrained one-stroke path on a 32-grid dense circular domain, then is materialized as a Catmull–Rom ribbon and a 10-sided tube with parallel-transport framing and z-lift weaving. Its signature is maximum crossing density packed into a single closed oak-root knot field.
Dara Knot is the most compact and crossing-rich of the set: a filled circular Celtic field built to maximize interlace density, so the eye reads not a single emblem but a continuous root-like network. Inspired by the oak-root 
Dara tradition, it behaves like a woven infrastructure inside a disc boundary, with compressed over/under rhythm, layered continuity, and strong visual depth.

Generated by PAPP Framework

Dara Knot OSG | PAPP

Harry Potter, the youngest Triwizard Champion, faced the First Task with a mix of fear, determination, and ingenuity. Confronted by the deadly Hungarian Horntail—considered the most dangerous of the dragons—he relied on quick thinking rather than brute force. Using the Summoning Charm, Harry called his Firebolt broomstick and took to the air, transforming the challenge into a high-speed aerial pursuit. Drawing on his exceptional Quidditch skills, he dodged flames and the dragon’s barbed tail, eventually luring it away from its nest long enough to dive and seize the golden egg. Though injured by the Horntail, Harry’s daring performance impressed the judges and demonstrated his courage, resourcefulness, and natural talent under pressure.

Lego Harry Potter: Harry Potter(2019-1st Task)

This piece is a one-stroke symbolic knot converted into a watertight tube mesh, where a continuous path is lifted into 3D and woven with explicit crossing logic. 
Generated, not hand-modeled: the Ankh starts as a gate-constrained one-stroke path on a 30-grid symbolic domain, then becomes a Catmull–Rom ribbon and a 10-sided tube via parallel-transport framing and z-lift weaving. Its uniqueness is the phi-ratio crossbar fused to an oval loop and vertical stem in one continuous watertight band.
The Ankh domain combines an oval loop, a vertical stem, and a phi-ratio crossbar into a single spatial structure, keeping the ancient Egyptian silhouette readable while giving it the thickness and continuity of knotwork. 
The result feels halfway between emblem, pendant, and ceremonial object: an Egyptian cross of life rebuilt as a braided volumetric form instead of a flat sign.

Generated by PAPP Framework.

Ankh OSG | PAPP

**Kummer Surface K3 Flux** is a computational 3D visualization inspired by the Kummer surface, a classical K3 example obtained by resolving the quotient (T⁴/(±1)). 
In mathematics, the Kummer construction is known for its singular quotient structure and its 16 exceptional curves introduced through resolution. 
This object translates that logic into a PAPP flux geometry: a woven network of volumetric strands that suggests concentration, branching, and reconstructed continuity. 
Rather than serving as a literal algebraic model, the piece acts as a geometric interpretation of the Kummer idea—where singularity, symmetry, and smooth resolution meet inside a single topological-looking 3D artifact. 
It sits between mathematical visualization, abstract structure, and computational sculpture. 

Generated by PAPP Framework.

Kummer Surface K3 Flux | PAPP

Artist: Günter Grass (1927–2015)
Location: Papendiek / SUB, entrance to Paulinerkirche
Object: Bronze cast, 1982


The sculpture is approximately 2.30 meters tall. It was created from a 1982 clay model by Günter Grass and installed for the 2004 exhibition Günter Grass: Bronzes – Terracottas – Works on Paper in the Paulinerkirche.
In Grass’s body of work, the flounder (here referring to the halibut) symbolizes life experience and wisdom. A similar but smaller version, the “Bücher-Butt” (“Book Flounder”), served as the trophy for the Deutscher Bücherpreis (German Books Prize), a short-lived award presented in connection with the Leipzig Book Fair.
The complete works of the Nobel Laureate in Literature and recipient of the Samuel Bogumil Linde Prize of the twin cities Göttingen and Toruń are published by Steidl Verlag, Göttingen.

3D Reconstruction: Alex Emami
Part of [GoeODM Project](https://github.com/nuit-dhiver/GoeODM)

Butt im Griff

**Artist:** Bernd Löning
**Donated by:** Martina Hesse and Herbert Fischer
**3D reconstruction:** Alex Emami

Saint Eligius (c. 588–660) was a gifted goldsmith who became master of the royal mint under Frankish kings. Known for his honesty and skill, he later became a priest and Bishop of Noyon, working as a missionary in Frankish-Frisian borderlands. He used his wealth to help the poor, free slaves, and build churches. Famous legends include him miraculously healing a horse by removing and reattaching its leg to shoe it—hence his symbols: hammer, anvil, horseshoe, and chalice.
He is the patron saint of goldsmiths, silversmiths, blacksmiths, metalworkers, and farriers.
To reflect women’s growing role in the Church and goldsmithing, artist Bernd Löning reimagined the saint as Saint Eligia, a female version.

This model is part of [Open Museum project](https://github.com/nuit-dhiver/GoeODM). You can [support the project by donating](https://www.paypal.com/paypalme/saiemami).

Die heilige Eligia (The Holy Eligia)

ingenuity mars helicopter

jason continuity of service sentinel 6

Perfume Bottle

"A titan of ballistic ingenuity, this Marksman Rifle boasts best-in-class rate of fire and exceptional controllability."

Call of Duty: MWIII (2023) - DM56

Artist: Bernd Löning, Bad Gandersheim

Place: East side of Jacobikirchhof, Göttingen

Material: Concrete

3D Reconstreuction: Alex Emami

Saint James the Greater, first apostle-martyr, born around the time of Christ. His relics, saved from the Saracens in the 8th century, were brought to Santiago de Compostela, Spain, origin of one of Europe’s major pilgrimage sites and the scallop shell (Jakobsmuschel) symbol of the Way of St. James.

The sculpture of Saint James (hat, staff, scallop) by sculptor Bernd Löning (b. 1935, Meppen/Ems; former farmer, self-taught in ceramics; works mainly in grogged clay and concrete) was unveiled on 25 July 2008.

This model is part of Göttingen [Open Digital Museum project](https://github.com/nuit-dhiver/GoeODM). It's an independent project dedicated to capturing and maintaining 3D models of monuments and public art in Göttingen using 3D reconstruction. [You can support the project by donating.](https://www.paypal.com/paypalme/saiemami)

Jakobus Skulptur - Göttingen

**Artist:** *Katharine Hobson-Kraus*

**Material:** Bronze casting

**3D Reconstruction:** *Alex Emami*

This small bronze monument honors *Charlotte Müller* (born October 18, 1840 – died April 8, 1935), known as the oldest street vendor in the world. She ran a popular fruit and sweets stand near the Göttingen train station from 1889 until her death at age 94. A beloved local figure, she was twice widowed, had three daughters, and became famous for her long career, later even noted in the Guinness Book of Records.

The sculpture, created by American-born sculptor *Katharine Hobson-Kraus*, shows Charlotte in a kneeling pose as if selling her wares. Charlotte posed for the artist in 1932, three years before her passing.

This model is part of [Open Museum](https://github.com/nuit-dhiver/GoeODM). It's an independent project dedicated to capturing and maintaining 3D models of monuments and public art. [You can support the project by donating.](https://www.paypal.com/paypalme/saiemami)

Charlotte Müller

Een bord van roodbakkend aardewerk. De bovenzijde is beschilderd met gele en groene slib in een spiraal vanuit het midden. De bovenzijde is met loodglazuur bedekt. Diameter 22.5 cm, hoogte 4.8 cm. Afkomstig van wrak NE72, een schip uit het begin van de 19de eeuw, dat in de buurt van Creil is gevonden. Z1956-XII54

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