Northumberlandia (the "Lady of the North") is a huge land sculpture in the shape of a reclining female figure, which was completed in 2012, near Cramlington, Northumberland, northern England. Made of 1.5 million tonnes of earth from neighbouring Shotton Surface Mine, it is 34 metres (112 feet) high and 400 metres (1,300 feet) long, set in a 19 hectares (47 acres) public park. Its creators claim that it is the largest land sculpture in female form in the world.[1]

Processed with Agisoft Metashape in August 2020 using frames from a Youtube video - https://www.youtube.com/watch?v=lQoKTgduJsU

It came out a bit patchy on the water and the shadows could do with being de-lit, but will likely drone scan it in myself one day when in that region to get a better result.

Northumberlandia land sculpture

This wire sculpture by British artist Richard Stainthorp showcases his signature ability to turn industrial materials into expressive human forms. Composed of tightly wound black and white wires, the reclining figure captures anatomical detail with surprising nuance: the curve of the torso, the tension in the limbs, the quiet balance of a body at rest. Stainthorp has worked with wire since the mid‑1990s, developing a technique that emphasizes emotion through posture rather than facial expression. In this piece, the relaxed, grounded pose suggests contemplation and ease, while the layered wirework reveals the underlying structure like exposed musculature. The result is a striking blend of strength, vulnerability, and material precision, an artwork that feels both mechanical and deeply human.

Surrendering Form - sculpture

Buddha Cave (MAHS-THA-YLA-MUY-NAT-S-001-F-0001), also known as Tham Chaeng, is a modified limestone cave on the hillside east of Wat Khuha Phimuk, Yala. Reached by large southern staircases, it forms a spacious religious hall with skylights, terracotta-tiled floors, and more than 20 Buddha images. The main object of veneration is the large reclining Buddha, accompanied by seated Subduing Mara images, a raised Buddha platform, and a mandapa, with a passage leading outside to a Buddha’s footprint. The cave remains an active Buddhist space visited by devotees and tourists regularly.

For open-access to our complete dataset of archaeological sites and historical artifacts from the Maldives, Indonesia, and Thailand, please visit us at: https://maritimeasiaheritage.cseas.kyoto-u.ac.jp

The full dataset for this model is available for free download at OpenHeritage3D.org under Creative Commons licensing (CC BY-NC-ND)

Digital Asset code: MAHS-THA-YLA-MUY-NAT-S-001-DA-003

3D Model created by Sheak Mahfujur Rahman

Buddha Cave, Yala, Thailand

This model was generated using Meshy(https://www.meshy.ai)'s AI toolkit. It provides tools that effortlessly turn human imagination into stunning 3D models.

If you're interested in this model, visit the model page on Meshy to explore more about it: [https://www.meshy.ai/3d-models/Reclining-Kryptonian-Woman-in-Space-Station-Night-Club-v2-019d2f23-6b98-719c-baf6-af66dba42e74?utm_source=sketchfab](https://www.meshy.ai/3d-models/Reclining-Kryptonian-Woman-in-Space-Station-Night-Club-v2-019d2f23-6b98-719c-baf6-af66dba42e74?utm_source=sketchfab)

Reclining Kryptonian Woman in Space Night Club

This model was generated using Meshy(https://www.meshy.ai)'s AI toolkit. It provides tools that effortlessly turn human imagination into stunning 3D models.

If you're interested in this model, visit the model page on Meshy to explore more about it: [https://www.meshy.ai/3d-models/Reclining-Kryptonian-Woman-in-Space-Station-Night-Club-v2-019cfcbe-8097-724b-9d9a-998609335c4f?utm_source=sketchfab](https://www.meshy.ai/3d-models/Reclining-Kryptonian-Woman-in-Space-Station-Night-Club-v2-019cfcbe-8097-724b-9d9a-998609335c4f?utm_source=sketchfab)

Economy class train cars in Indonesia offer affordable travel in two main types: Regular Economy (upright seats facing each other, with a capacity of 106 passengers) and New Generation Economy (reclining seats, 2-2 seating, with a capacity of 72 passengers). All economy class cars are now equipped with air conditioning, toilets, and USB chargers.

Economy Pecut Livery

Kidney-shaped effigy vessel representing a reclining dog or canid emerging from the body of the vessel. The canine figure preserves traces of black paint and incised lines defining the legs, as well as perforations in the head area. The genitalia are exposed, and the figure wears a necklace of rounded beads. The remainder of the vessel features vertical walls, a divergent neck, and an everted rim, decorated with orange-painted triangles filled with inclined parallel lines. The overall silhouette is curved and irregular.

 IDAEH Cultural Property No. 1.2.179.0193
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 365

Effigy Vessel

Note that in the 2010's era (PT. KAI era) Business class uses gray doors. Business class (K2) is a class of train service in Indonesia that offers comfort between economy and executive class, with a capacity of 64 seats per carriage. The soft seats can be rotated facing each other, equipped with air conditioning, power outlets, and luggage compartments. However, they generally lack reclining seats and are becoming increasingly rare, replaced by newer models.

Business Class Pecut Livery

Tetrapod zoomorphic effigy bowl in the form of an aquatic bird reclining on its back. The head is attached to the rim, featuring a long beak, round eyes, and a curved neck. The wings and tail are attached to the rim. The vessel has a cream-colored ground and button-shaped supports.
 IDAEH Cultural Property No. 1.2.144.0908
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 299

Tetrapod Bowl in form of Aquatic Bird

This sculpture captures the serene elegance of a reclining nude figure embodying the essence of classical beauty. The gentle curves of her body flow with natural grace exuding a sense of calm almost dreamlike tranquility. The thoughtful pose with her head resting on her hand invites the viewer into a moment of introspection and narrative possibility. Resting on a draped beast s head the sculpture harmonizes themes of wild strength and quiet softness. It transcends mere representation of the body it is a poetic expression carved in stone rich with emotion and untold stories.

Canova Naiad

Bowl with convex walls and pedestal support with rattles, orange with cream slip. The surface is decorated in low relief and consists of a horizontal band with two incised figures on opposite sides of the wall. Both figures are positioned reclining, resting on their right elbow with bent legs: the right knee facing forward and the left upward.

IDAEH Cultural Property No. 1.2.159.0036
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 336

Bowl

This sculpture depicts a reclining female figure likely a naiad a water nymph . She lies at ease resting her left elbow on a sculpted lion s head her gaze turned slightly outward with a serene knowing smile. Her expression is gentle and calm imbued with quiet confidence and a dreamlike aura.

Iron Canova Naiad

This model is generated by the state-of-the-art 3D GenAI tool, Rodin Gen-1.However, its ideas and creativity originate from the human author.

Create your own model from images:

[https://hyper3d.ai](https://hyper3d.ai)

Brown leather reclining armchair

Conemporary Reclining Gray Leather Arm Chair

Contemporary Recliner

This sculpture beautifully portrays a reclining lion capturing a poetic fusion of stillness and latent strength. The lion s closed eyes and tranquil expression evoke a sense of serenity tinged with melancholy as if it were immersed in a quiet dream. The overall form is gracefully natural while the intricate detailing of the mane and musculature conveys both majesty and gentleness. The outstretched paw and elegantly curled tail introduce a subtle rhythm that flows through the composition imbuing it with a quiet dynamism. The polished surface reflects light in soft gradients creating delicate shadows that breathe life into the sculpture. It appears almost animate inviting contemplation and evoking a deep emotional resonance in the viewer.

Steel Lucerne Lion

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-23000.442.1](https://www.online.landessammlungen-noe.at/objects/1431369)

**Material:** Ceramic

**Dimensions:** 2,8 × 3,8 cm

**Dating:** ca. 1400 CE

A small clay horse made of brown-red, fine clay, finished with a thin, colourless lead glaze. The horse’s front and hind legs are stretched out, and its head is tucked in. The saddle has a high-rising front section and is shaped like a reclining chair at the rear. The chest is pierced from the front to accommodate a wooden lance. It is most likely a part of a children’s jousting game.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Toy horse

Wooden carved figurine of an elegant woman.

Reclining Woman Sculpture

This sculpture tells a tender story in the hush of stillness. The gentle gaze exchanged between the reclining figure and the curious cub captures a moment of wordless understanding. There s a quiet breath between human and animal a soft trust carved into stone that feels alive. Like a hidden miracle resting on a hillside this scene invites us into a realm where kindness needs no voice and connection needs no name.

Pan Et Oursons

The sculpture captivates with its tranquil sensuality and organic flow of form. The figure s reclining pose allows the body s natural curves to stretch fluidly across the base conveying a sense of restful ease without stiffness or forced drama. Her bent arm gently supporting the head introduces a pose that feels both intimate and relatable an echo of everyday repose elevated into timeless elegance. The smooth surface of the woman s body contrasts beautifully with the textured lion skin she lies upon highlighting the duality of softness and strength humanity and animality repose and latent power.

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