1. Texture and height map get from https://github.com/cgcostume/pubg-maps
2. Buildings created from simple rectangle splines and moved to surface with script http://www.scriptspot.com/3ds-max/scripts/move-to-surface

Map PUBG (Erangel)

For complete workflow compatibility, we recommend downloading the Original format.The converted file is intended only for use in the web viewer. In the original file, the following are fully preserved:✔ full scene structure✔ complete materials without reduction✔ correct PBR texture maps✔ original object namesIf you plan to use this model in production, select the original version.FortaPanel 01 A modern decorative wall panel with geometric shapes circles squares half circles and rectangles in gray and orange tones. Perfect for interior design partitions or as a stylish background in architectural projects.

Fortapanel

A huge rock, with a very weathered surface.  Towards the top of this rock, there is a concentration of incised rock art.  Less than 20% of the rock art in Valcamonica is incised or engraved (graffiti-type rock art), the majority being produced by percussion, or pecking.  

Graffiti-type rock art is of two types, determined by its method of production. One type is produced by abrading the lines, know as the polissoir method; the other, represented here is by engraving, to produce filiform rock art.  Filiform because the resulting lines resemble thin wire, rather than the thicker grooves made by the polissoir method.

On this part of Rock 1, towards the right in the 3D model,  there is a group of incised axe heads.  To the left there is a further grouping of geometrical shapes, predominately rectangles, also triangles and house-like shapes - common themes in Western European filiform rock art. Many of these figures have internal decoration.

Valcamonica, Luine - Rock 1 (1) - Filiform

For production-ready use, we recommend downloading the Original format.The converted file is intended for web viewing only. In the Original format, the following are fully preserved:✔ full scene structure✔ all materials without simplification✔ proper texture maps✔ proper object namingIf you plan to use this model in production, choose the Original format.Scifi Decal 021 Rectangle Latch made with decal machine

Scifi Decal 021 Rectangle Latch

Cutter for clay in the shape of concentric rectangles.  All my cutters have a knife edge design to get a clean cut and are therefore very strong.  Three sizes available: 25 mm,30 mm and 35 mm.  Dimensions are from the longer side, inner side.  The height is 10 mm and the cutting edge is 0.4 mm.  Print with "Detect Thin Walls": ON

CONCENTRIC RECTANGLES CLAY CUTTER

For full functionality, we recommend downloading the original file.The viewer version is intended only for use in the web viewer. In the source file, the following are fully preserved:✔ original scene hierarchy✔ unsimplified materials✔ correct PBR texture maps✔ original object namesIf you are going to integrate the model into a project, choose the Original format.Basic aluminium window for archviz. Lightmaps for Unreal Engine. Lightweight model.

Window Al Basic Single Rectangle Open

The Simon and Mouchel grain silos were built by National Grain Silo Ltd at Kennedy Quay in Cork. The rectangler part(Simon) was built in 10 days in 1964 and the long part(Mouchel) in 1971 both were demolished in 2013. The Simon when it was built was said to be 165ft tall and the bins were said to be 135ft but measurements from images show that it could not be case because of the diameter of the bins were 30ft.

Simon and Mouchel Grain Silos

For full functionality, we recommend downloading the source format.The viewer version is intended only for use in the web viewer. In the Original format, the following are fully preserved:✔ full scene structure✔ complete materials without reduction✔ accurate texture maps✔ original object namesIf you intend to use the asset in a production environment, choose the original version.Pollination of Hortensia Winter Rectangle Carpet by Moooi

Pollination Of Hortensia Winter Carpet

Plate with divergent walls and a flat base, decorated with black designs on a cream background. The interior features, at the center, the image of the God K’awil’s profile within a black rectangle. Surrounding this is a decorative band with a series of K’an symbols. The inner wall is organized into six panels: three decorated with profiles of the God K’awil on a black background, and three with two nominal glyphs each, arranged in an alternating pattern. The exterior wall presents the Primary Standard Sequence, or Dedication Formula, painted in black ink on a cream background and framed by two horizontal red bands. The vessel and its decoration are original, although some sections were heavily repainted during the 1970s.

 IDAEH Cultural Property No. 1.2.144.0400
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 387

Plate w/ Standard Sequence and God K’awil

Polychrome jar (red, black, white, and brown on a light orange slip) with a globular body and a short, vertical neck. The vessel is decorated with horizontal bands beginning at the neck, which is painted red. From this point, the decorative bands alternate: two additional red-painted bands (with elements that may represent a modified K’in symbol painted in white) and two celestial bands. Each band is separated by narrower horizontal black bands featuring short white rectangles at regular intervals. The final decorative band, near the base, consists of three rows of disks in a yellowish or light brown tone.

 IDAEH Cultural Property No. 1.2.179.0126
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 511

Polychrome Ulúa-style vessel, decorated with a supernatural scene featuring two seated anthropomorphic figures with red-painted bodies and tall headdresses. One figure shows exposed teeth and tongue, while the other wears a zoomorphic mask and appears to write on a block of paper covered in jaguar-skin (possibly a codex). Both wear circular earspools, wristbands, a skirt with red and black belt, and hold an object over a rectangle featuring feathers and a mat-pattern design.

 IDAEH Cultural Property No. 1.2.159.0054
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 341

Vase Featuring Supernatural Scene

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-8271.2](https://www.online.landessammlungen-noe.at/objects/229525)

**Material:** Copper

**Dimensions:** 5,2 × 3,8 cm

**Dating:** 800 - 975 CE

Crescent-shaped temple ring. This is a piece of jewelry that hangs from a headdress or from the front of the hair braids on the side of the head. The right hook is bent sharply forward and the crescent-shaped pendant is slightly damaged at the edges. The decoration is partly executed in tremolo stitch. It is possible that the main motif represents a highly abstracted face. On the back is a rectangle applied using the same technique.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Temple Ring

Orange-colored vessel, decorated with bands, rectangles, fret patterns, triangles, and other geometric figures outlined in black. The decoration resembles a textile or the surface of a basket. A band of red pseudo glyphs is located just below the rim. NAA an of the paste indicates northeastern Petén as the place of origin or manufacture.
 IDAEH Cultural Property No. 1.2.144.0356
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 258

Vase with Textile-like Decoration

Basic aluminium window for archviz. Lightmaps for Unreal Engine. Lightweight model.

Window Al Basic Single Rectangle

Theater-Type incense burner from the Pacific Coast of Guatemala, dating to the Early Classic period (150/200–650 AD). It features a pedestal base and decorated lid depicting a warrior who wears a large butterfly-shaped nose ornament. His headdress bears a central supernatural butterfly surrounded by smaller ones, and the lower frame includes three glyphs bordered by fringes or feathers. The warrior holds side panels evoking atl-tlachinolli (“water-fire”), symbol of ritual conflict, while the lower rectangle displays three detailed representations of the Teotihuacan “reptilian eye”.

 IDAEH Cultural Property No.1.2.1.0305
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Incense Burner/Warrior with Butterfly Headdress

05 — Ink Leaf

Actual leaf-shaped solid — not a flat texture on a rectangle. Asymmetric dendritic venation: midrib with primary veins at 24° right / 18° left, cross-reticulum at 68° right / 62° left. Gold node accents at vein junctions. Dune field terrain with interlaced ribbon crosshatch from MIT seed. Mean-beta PAPP shortcut. Ivory body, ink veins, gold highlights — Japanese botanical calligraphy. 80,004 vertices, 160,004 faces, χ=2, closed manifold.

Gneretad by PAPP Framework

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