Cute plush teddy bear toys
Brown / white with a ribbon

Render example with hair particles using blender: https://www.instagram.com/p/Cbu5vf_NF8c/

rigged posed model
made with Blender

Teddy bears

**The version 2 of the iconic Warner Bros. shield model.**

In this update, the shield was remeshed and remodeled to gain its 3D look and the text ribbon as seen in the Devastudios-designed official WB on-screen logo.

To enable the text ribbon in Blender, simply enable the "Banner" collection".

For Blender users:
Before using, please read the built-in instructions in the blend file. The instructions help you how to use the model and how to copy it onto your project.

Feel free to use for physics simulations, animations, etc.


Software: Blender (4.0, backported to 3.6 for backwards compatibility)

Warner Bros. Shield - version 2

The corset is made of French broached silk with Rococo floral patterns. It is lined with homespun canvas. It is made of three pieces: one at the back and two at the front. Six large inserts were sewn at the bottom, and metal rings along the cut, through which the ribbon used for tying was threaded. The corset was purchased in Dzianisz between 1887 and 1893 by Maria and Bronisław Dembowski, collectors of Podhale folk art, and in 1922 it was donated to the collection of the Tatra Museum under the provisions of Maria’s will.
It is one of the oldest well-preserved corsets from the Podhale region and the proof of direct or indirect cultural contacts stretching outside the region. It is patterned after the 18th-century bourgeois clothes.

ID no.: E/1851/MT

Time and place of creation: 19th century, Dzianisz, Podhale region, Poland

Museum: The Dr. Tytus Chałubiński Tatra Museum in Zakopane

https://muzea.malopolska.pl/en/objects-list/1794

Digitalisation: RDW MIC, Virtual Małopolska project

Corset

[SHOP HERE](https://artstn.co/m/5g9zd)

HERE IS A INFERNO MUMMY FEMALE MODEL FROM PUBG MOBILE 
THE INITIAL COLOR OF THE GLOW ON THE RIBBONS IS FLAMING ORANGE, WHICH CAN BE FIXED IN ANY 3D SOFTWARE 
AND MAKES IT LOOK 10X BETTER THEN THIS 

IT LOOKS GREEN BECAUSE OF THE SKETCHFAB LIMITATIONS AND I AM SORRY FOR THAT 

THIS IS GAME READY AND GOOD FOR CINEMATIC PURPOSES

Why choose our models - Suitable for close-up rendering. All objects are intelligently separated and named. All materials are correctly named. You can easily change or apply new materials, color etc. The model has good topology. Suitable for animation and high quality photorealistic visualization. Doesn’t need any additional plugins.

note - This model is not my creation and is been extracted from the game, using various software and skills i only charge the lowest possible on Sketchfab yet, for just the Time and Efforts i put 😉❤️👍

THANKS 
CONSIDER BUYING TO HELP ME❤️👍

FIRE MUMMY 3D MODEL

A decorative and portable piece of furniture in the form of an angular box closed with a pair of small doors and containing eight drawers. It is covered with tortoise shell which is divided into irregular fields by ribbons of rosewood framed with ivory. The decoration also features an ornament of mother-of-pearl in the form of bunches of fruit, panoplies with eagles, birds catching insects, flowers, horns, acanthus leaves, and heads of knights in helmets. There are brass handles on the side walls, created of intertwined snakes.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/769

Inventory number: ZKWawel 1794

Localisation of the physical object: Wawel Royal Castle – National Art Collection, Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolski Institute of Culture in Kraków, Poland**

Project Visualization (3D model + textures): Marcin Solarz

Cabinet

Anthropomorphic whistle in the shape of a standing Maya warrior. The posture suggests a firm stance of authority or readiness for combat. He wears a loincloth with a decorated belt and an elaborate turban composed of elements evoking textiles, crowned by a feline mask or face at the top. The arms and shoulders are adorned with ribbons and ropes. Across the chest, he wears a necklace with plaques, followed by another necklace made of large rings from which a trophy head appears to hang. The head is suspended upside down, resembling a ceremonial pectoral, and from it hang four long fringed ribbons that may artistically represent the victim’s hair. The hollow structure of the piece and the blowing mouthpiece located on the back indicate its sound-producing function.

 IDAEH Cultural Property No.  16.2.5.0947
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Mayan warrior with trophy head pectoral

Garnet is a main character and one of the three primary mascots in the Sanrio Jewelpet franchise. She is a stylish, pink female Persian cat who represents the power of love and is associated with the January birthstone. Known for her signature red ribbon, she is portrayed as fashionable, sassy, and brave.

Garnet Jewelpet Rigged JP

To celebrate Danball Senki's 15th anniversary, I designed and customized this LBX model for myself based on Bloody Ribbon, adding some details. I designed it to be 3D printable, and I've already printed one for myself, so if you like it, you can try it too.

Black Ribbon (Yuki Custom)

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-2373](https://www.online.landessammlungen-noe.at/objects/1029450)

**Material:** Bronze

**Dimensions:**  63,3 x 6,89 cm, 28,4 mm

**Dating:** 1050-801 BCE

A bronze sword with an oval handle, decorated with three wide, circumferential strips adorned with diagonal lines. The lower end of the handle is flared and has an angular notch in the middle. The blade exhibits a slight indentation and is gently curved. The central region of the specimen is characterised by a flat ridge, flanked on either side by two narrow, low strips. The latter are distinguished by the presence of diagonal hatching towards the upper end. Concentric circle ornaments are stamped onto the upper end of the blade, where the edges are indented. The antennae exhibit a wide, ribbon-shaped and simply rolled structure.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Antenna Sword

Anthropomorphic mold for the manufacture of clay figurines, with the image of a woman sitting on her heels and knees. She wears a dress or huipil with long sleeves and a wide collar, which leaves part of the shoulders exposed. A spectacular detail is her hairstyle with a line in the middle and her hair braided on top the head with ribbons, tassels, and pompons. One hand holds her stomach and the other rests on her lap holding a round fan with a decorated edge, probably with feathers. A necklace with three spherical beads and three-strand wristbands, with square beads, complete her outfit. Surroundings of Cobán, Alta Verapaz
 IDAEH Cultural Property No. 16.2.5.0256
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 215

Mold with the image of a Woman

This is a one-stroke cross-shaped knot domain transformed into a closed tubular mesh with woven crossings and verified topology. 
Generated, not hand-modeled: the Celtic Cross starts as a gate-constrained one-stroke path on a 30-grid cross domain, then becomes a Catmull–Rom ribbon and a 10-sided tube via parallel-transport framing and z-lift weaving. 
Its unique mechanism is a ring inscribed into four arms, with knotwork continuously filling both the circle and the axial cross
The generator builds it as a circular ring inscribed in a four-arm cross, then fills both the ring and the arms with continuous knotwork so the form reads as one braided spatial system. 
In 3D, the Celtic Cross gains a strong ceremonial mass: the central ring stabilizes the object while the four arms extend as balanced directional axes, giving the piece the presence of a carved ritual sign translated into full volumetric topology.

Generated by PAPP Framework.

04_celtic_cross

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/d92SA9](https://www.meshy.ai/s/d92SA9)

Four White Curved Ribbons

Anthropomorphic whistle representing a seated woman with long hair, which she styles into a braid that appears to be wrapped with a ribbon extending over her legs. She wears ear ornaments and a beaded necklace. Although her bust is exposed, she is covered by a mantle whose edge is decorated in a net-like pattern with interlaced fringes. From Alta Verapaz region of the Guatemalan Highlands.

 IDAEH Cultural Property No. 16.2.5.0285
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Whistle figurine

This object is a one-stroke dense knot domain extruded into a closed 3D tube mesh, using the PAPP-OSG route from constrained path to validated woven geometry.
Generated, not hand-modeled: the Dara Knot begins as a gate-constrained one-stroke path on a 32-grid dense circular domain, then is materialized as a Catmull–Rom ribbon and a 10-sided tube with parallel-transport framing and z-lift weaving. Its signature is maximum crossing density packed into a single closed oak-root knot field.
Dara Knot is the most compact and crossing-rich of the set: a filled circular Celtic field built to maximize interlace density, so the eye reads not a single emblem but a continuous root-like network. Inspired by the oak-root 
Dara tradition, it behaves like a woven infrastructure inside a disc boundary, with compressed over/under rhythm, layered continuity, and strong visual depth.

Generated by PAPP Framework

Dara Knot OSG | PAPP

Polychrome tripod plate (red, orange, and black on light orange) with semispherical supports featuring slits and rattles. The interior is decorated with a skull-like face in profile with ribbons and scrolls, surrounded by a glyphic band encircling the rim, with glyphs outlined in black.
 IDAEH Cultural Property No. 1.2.144.1366
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 219

Tripod Plate with Skull Motif and Glyphic Band

Anthropomorphic whistle in the form of a standing woman holding a bowl in her right hand and a fan in her left hand. She has hair parted in two and braided with ribbons, a banded necklace with three spherical beads, circular earflares, and wristbands. Scarring on the forehead is notable.

 IDAEH Cultural Property No. 1.2.144.0797
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Whistle Figurine

Bronze buckle with guilding. At the far end of the plate there is a circular frame for a stone, around which are symmetrically placed 2 birds with ribbon-shaped cross-shaped bodies, large round eyes and strong curved beaks that bite over their own bodies. Around the frame for the stone and on the pins at the other end of the fitting there is also a ribbon braid in caraway. With the exception of the frame for the stone, the entire upper side of the fitting is gilded. On the underside of the fitting there are impressions of textiles. Dated to 800-850 AD. Viking period.

Museums ID: S11313b

Dated to:  800-850 AD. Viking period.

Found in: Suldal, Rogaland. Norway (1993)

Modell made by: Annette G. Øvrelid

Bronze buckle with guilding.

A (21,13) torus knot — where 21 and 13 are consecutive Fibonacci numbers F(8) and F(7). 

The ratio p/q = 1.61538... approximates the golden ratio φ with Δ = 0.0026, making this a topological embedding of φ convergence.

Anatomy: 218,400 vertices, 420,000 faces, 638,400 edges. Built with exact Frenet-Serret frames (TNB orthogonality verified to 0.000000). 

The tube is a true polygon mesh, not wireframe — 8,400 core curve points × 24-sided cross-sections.

Color = Geometry: Vertex color encodes local curvature κ (warm = high bending) and torsion τ (violet shift at twist peaks). 

Brightness tracks radial position on the torus. 48,000 unique colors, zero cosmetic.

Inner Ribbon: A Seifert-inspired ribbon surface (16,800 faces) runs inside the tube, revealing the knot's twist structure and linking number = 273.

Topology: 21 full azimuthal turns, 26 meridional crossings. Single connected solid.

Generated via PAPP Framework.

Fibonacci (21,13) Hyper Knot V2 (218k) | PAPP

For production-ready use, we recommend downloading the source format.The viewer version is intended for web viewing only. In the Original format, the following are fully preserved:✔ full scene structure✔ unsimplified materials✔ accurate texture maps✔ correct object namesIf you are going to integrate the model into a project, choose the source file.The model presents a compact modular institutional building composed of interlocking volumes clad in contrasting light and dark tone precast panels. Clean horizontal ribbons of glazing recessed loggias and a sheltered entrance canopy articulate the fa ade while gently sloped ramps provide universal access. Its minimalist future ready composition allows for seamless expansion and adaptive reuse.

Modern High School

Technically, this object is a one-stroke knot path materialized as a closed tubular mesh through the PAPP-OSG pipeline: discrete path construction, topologically verified, tube extrusion, and over/under weaving.
Generated, not hand-modeled: the Triquetra starts as a gate-constrained one-stroke path on a 28-grid trefoil domain, then becomes a Catmull–Rom ribbon and a 10-sided tube via parallel-transport framing and z-lift weaving. 
Result: 430+ controlled crossings in one watertight band.
It uses a trefoil / three-lobe Celtic domain arranged around 120° rotational balance, so the whole form reads as one continuous interlaced band rather than a flat emblem. 
In 3D, the classic triquetra becomes a compact woven sculpture with repeated crossings, rounded tubular volume, and a strong circular silhouette that preserves the symbolic threefold structure while giving it depth, weight, and architectural presence.

Generated by PAPP Framework.

Triquetra OSG |  PAPP

Polychrome tripod plate (red, orange, and black on a cream ground) with divergent walls, a flat base, and hollow conical supports. The decoration features, at the center, the head of the deity K’awil in left profile, painted in dark orange with black spots resembling jaguar skin, as well as red ribbons and feathers. The image is encircled by a band composed of black and red oval figures with serrated edges and internal dot patterns, alternating with panels bearing cruciform designs.

 IDAEH Cultural Property No.  16.2.5.0064
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 253

Plate with K’awil Deity

For production-ready use, we recommend downloading the original file.The viewer version is intended exclusively for browser preview. In the original file, the following are fully preserved:✔ native scene structure✔ complete materials without reduction✔ proper texture maps✔ original object namesIf you plan to use this model in production, choose the original version.Soft pink tulips wrapped in paper with a ribbon.

Pink Tulip Bouquet

This piece is a one-stroke symbolic knot converted into a watertight tube mesh, where a continuous path is lifted into 3D and woven with explicit crossing logic. 
Generated, not hand-modeled: the Ankh starts as a gate-constrained one-stroke path on a 30-grid symbolic domain, then becomes a Catmull–Rom ribbon and a 10-sided tube via parallel-transport framing and z-lift weaving. Its uniqueness is the phi-ratio crossbar fused to an oval loop and vertical stem in one continuous watertight band.
The Ankh domain combines an oval loop, a vertical stem, and a phi-ratio crossbar into a single spatial structure, keeping the ancient Egyptian silhouette readable while giving it the thickness and continuity of knotwork. 
The result feels halfway between emblem, pendant, and ceremonial object: an Egyptian cross of life rebuilt as a braided volumetric form instead of a flat sign.

Generated by PAPP Framework.

Ankh OSG | PAPP

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22694.238.3.1](https://www.online.landessammlungen-noe.at/objects/1004778)

**Material:** Bronze

**Dimensions:** 0,19 x 2,17 cm

**Dating:** 201-75 BCE

A wheel-shaped pendant made of non-ferrous metal. The function of wheel-shaped pendants, knotted rings and other types of rings that are too small to serve as finger rings is the subject of heated debate. In academic discourse, it is suggested that these objects served as amulets, whilst they have also been interpreted as currency or components of belts. In current research, the function of the wheels as amulets is regarded as indisputable. 
Finds from La Tène period burial sites suggest that the wheels were worn either as part of a necklace or as individual elements on a cord or ribbon.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

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