A simple model of the so-called Standard of Ur (Sumerian, c. 2500 BCE), now in the British Museum. For more on this object, see: https://www.britishmuseum.org/collection/object/W_1928-1010-3

This model uses images from the British Museum web site. Those images have not been adjusted in any way (no color correction, contrast enhancement, etc.). The images are used according to the rules of the Attribution-NonCommercial-ShareAlike 4.0 International license (CC BY-NC-SA 4.0) https://creativecommons.org/licenses/by-nc-sa/4.0/

The "Standard" of Ur

Marcus Aurelius from the equestrian statue in the Capitol, known before 1187. Roman, 170-180 AD Rome, Museo Capitolino. The Royal Cast collection (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

Marcus Aurelius 26 April 121 – 17 March 180 AD) was Roman Emperor from 161 to 180 AD. He ruled with Lucius Verus as co-emperor from 161 until Verus' death in 169. Marcus Aurelius was the last of the so-called Five Good Emperors. 
During his reign, the Empire defeated a revitalized Parthian Empire in the East: Aurelius' general Avidius Cassius sacked the capital Ctesiphon in 164 AD. In central Europe, Aurelius fought the Marcomanni, Quadi, and Sarmatians with success during the Marcomannic Wars, although the threat of the Germanic tribes began to represent a troubling reality for the Empire. A revolt in the East led by Avidius Cassius failed to gain momentum and was suppressed immediately. (ref Wikipedia)

For more updates, please follow @GeoffreyMarchal on Twitter.

Marcus Aurelius

The collection of the Art Department at the Tatra Museum in Zakopane includes two cameras belonging to Mieczysław Karłowicz – an outstanding composer, unsurpassed mountaineer, skier and photographer.  The composer purchased the presented object in 1909 after the success of his symphonic poem Odwieczne pieśni (Eternal songs) at the Warsaw Philharmonic. 
The composer’s new photographic equipment is a so-called travel camera for 13x18 cm film. The camera weighed less than 2 kilograms, and the bellows with the front standard and the lens were supported on two rails and thus, when folded, the whole set did not take up a lot of space (23 x 21.5 x 7 cm).

ID no.: S/305/MT

Time and place of creation: before 1909, Görlitz, Germany

Museum: The Dr. Tytus Chałubiński Tatra Museum in Zakopane

https://muzea.malopolska.pl/en/objects-list/1987

Digitalisation: Digitalisation: RDW MIC, Virtual Małopolska project

Mieczysław Karłowicz’s camera

1915, Świątniki Górne, Poland
The Marcin Mikuła Locksmithing Museum in Świątniki Górne

https://muzea.malopolska.pl/en/objects-list/130

The presented box is the so-called putnia box. It was designed for carrying padlocks by salesmen called putniorze. They walked from village to village with putnia boxes on their backs and they sold famous products of padlock makers from Świątniki Górne. Such boxes were closed from above with a wooden lid by means of a staple and, of course, a padlock. On the sides of a putnia were metal handles for comfortable handling when raising and putting it on the back. A padlock box had sackcloth straps, often fastened together while carrying to facilitate movement.

RDW MIC, Małopolska’s Virtual Museums project

3D Model  elaboratione done by Stanisław Ogarek

"Putnia" box

Alexander the Great Sets Fire to Persepolis, Relief in marble. Executed in 1865 by Brynjulf Larsen Bergslien and Christian Constantin Olsen under the supervision af H.W. Bissen, after Thorvaldsen’s original model from 1832. (A 514). Thorvaldsen Museum (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

In Thorvaldsen’s work, Alexander the Great is mainly associated with the  so-called Alexander Frieze from 1812. What is portrayed here is a rather different aspect of Alexander’s personality: In the Alexander Frieze, Alexander arrives at Babylon as a peace-loving hero - indeed, as a god. In this relief, Alexander is drunk, and is allowing himself to be tempted by his mistress to carry out a terrible deed, namely, to set fire to the Persians’ capital city, Persepolis. Among the other figures, we can see Alexander’s friend Parmenio, who is attempting to restrain him; while on the far left a Persian can be seen leaving in despair.

For more updates, please follow @GeoffreyMarchal on Twitter.

Alexander the Great Sets Fire to Persepolis

The Passau Wolf is one of the most famous historical symbols of the city of St. Pölten and commemorates the city's centuries-long affiliation with the Diocese of Passau. The wolf sculpture visible today was erected between 1937 and 1938 and placed on Kardinal-Franz-König-Platz. It is part of a fountain and stands on a stele together with the city coat of arms, emphasizing its heraldic significance. The figure was created by Austrian sculptor Ferdinand Andri, while the architectural design of the fountain was created by architect Rudolf Wondracek.

The wolf is not there as a decorative animal motif, but as a deliberately chosen symbol of power and identity. The so-called Passau wolf is an ancient heraldic figure that originally comes from the coat of arms of the city and the bishopric of Passau and can be traced back to the Middle Ages. Since St. Pölten was under the secular and spiritual rule of the bishops of Passau for many centuries, this symbol was also incorporated into the city's coat of arms.

Passauer Wolf

*Benelli M4 Super 90 (full name) - semi-auto shotgun*. Uses the so-called **A.R.G.O.** (**A**uto-**R**egulating **G**as-**O**perated) system. *Double short-stroke piston (two pistons), rotating bolt, 12 Gauge.* Version with fixed stock.

low-poly Benelli M4

The chapel on Kreuzberg in Falkenstein is part of a small religious complex centered around the so-called Calvary Hill above the village. This area was designed as a place of worship and symbolically represents Christ’s path of suffering to Golgotha. Along the path are stone figures and stations that depict the Stations of the Cross, making the site particularly suited for quiet reflection and religious walks.

The complex also includes a simple chapel, often referred to as the Communion Chapel, which forms the spiritual center of this Kreuzberg area. It blends into the rocky landscape and is closely connected to other religious elements, such as a nearby Marian grotto. Overall, Kreuzberg and its chapel convey a sense of popular piety and religious tradition, as has been cultivated in the Weinviertel region for centuries.

Abendmahlkapelle

So-Called Carcer (prison) at the centre north side of the Forum in Rome. Rather than a prison this is more likely the service rooms or slave quarters of a house.

148 photos taken in February 2026 with a Sony a7R V and processed in RealityScan.

Forum Cosiddetto Carcer

The statue of Saint Veronica stands at the entrance to the Calvary Church in Kőszeg and dates back to the 18th century. It is part of the Baroque tradition of the Way of the Cross.

The saint is depicted as a standing figure with a slightly turned posture. She wears a long, softly flowing robe and a veil over her head. With both hands, she holds an outstretched sweat cloth in front of her body. The face of Christ with a crown of thorns is clearly visible on this cloth – depicted frontally, with long hair and a serious expression. The cloth is carefully modeled and forms the center of the composition.

According to tradition, Veronica handed Jesus a cloth on his way to Golgotha to wipe the sweat and blood from his face. In doing so, his face was miraculously imprinted on the fabric. This so-called Veronica's veil became an important motif in Christian art and is closely associated with depictions of the Way of the Cross.

Hl. Veronika

A spidrohedron (sometimes also called a spidron polyhedron) is a complex geometric solid whose surfaces are made up of so-called spidrons. so what is a spidron? A spidron is a two-dimensional figure that was discovered in 1979 by the Hungarian designer Dániel Erdély. Made in Blender based on Python Script.

Spidrohedron 😵‍💫

The cherub heads on the balustrade of the Nepomuk Chapel in Mauerbach are sculpted decorative elements mounted on a spherical base, featuring several angel heads arranged in a circle, each with childlike facial features and stylized hair. This so-called putto or cherubim depiction is typical of the Baroque style and symbolizes the heavenly sphere as well as the depicted saint’s closeness to the divine. The spherical form on which the heads are arranged reinforces the impression of a cloud-like mass, a motif frequently used in Baroque art to represent the heavens. As part of the balustrade, these finials simultaneously mark the boundary between the secular exterior and the sacred interior of the chapel, thereby contributing both to the decorative design and to the symbolic significance of the structure.

Cherubköpfe

Östergötland Runic Inscription Fv1970;310 is a Viking Age rune stone located in Kullerstad parish in Norrköping Municipality. The stone was discovered in 1969 in the churchyard wall at Kullerstad Church, after which it was removed and erected in the churchyard. The material is light red granite.

In addition to the runes and their framing lines, there is an equal-armed cross carved into the stone, which is in well-preserved condition. The inscription contains the same two names, Håkon and Gunnar, which also appear on the rune stone Östergötland Runic Inscription 162, located about 400 meters farther north at the so-called Gunnar’s Bridge.

It is believed that the stones are connected, and that this stone may also originally have stood there.

https://sv.wikipedia.org/wiki/%C3%96sterg%C3%B6tlands_runinskrifter_Fv1970;310

Runestone Ög FV1970, Kullerstad, Sweden

**Collection:** Roman Archeology Dept.
 
**Inv.-No.:** [CAR-M-9071](https://www.online.landessammlungen-noe.at/objects/1520565)

**Material:** Iron

**Dimensions:** 29,5 x 10,4 cm

**Dating:** Last quarter of the 1st century AD

A negative impression of a right shoe sole with iron hobnails. It may be the sole of a men’s shoe, a so-called caliga. Remains of approximately 86 iron hobnails are still present on the sole. The area of the foot arch is largely free of hobnailing; only a few nails are found there to secure the outsole. In the present sole, the surrounding row of nails in the toe area appears to have shifted slightly toward the ball of the foot over time or already at the time of disposal of the torn sole.

This object was digitized through the 'Kulturerbe digital' program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Impression of a shoe sole with original nails

The so-called Saint Abban's (or Abán) Grave near Ballymakerra/ Ballymakeery in County Cork. It is part of the pattern around St Abán's Well nearby. It consists of a cairn, three ogham stones and a bullaun stone, decorated with devotionalia. The patron day is March 16. This model was done on the 21st, but the local community arrived the same day about 10 mins after we left. They had been delayed by several things and actually celebrated on the 21st.

SMR (cairn): CO058-039002-, (ogham stones): CO058-039005-, CO058-039006-, CO058-039001-

Made in KiriEngine from 197 images.

Ballymakeera: St Abban's Grave

Statue of Saint Florian in Patzmannsdorf. The saint is located on the so-called Florian Column.

Hl. Florian

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In the early Middle Ages, there was an important ecclesiastical center of the Great Moravian Empire directly below Bratislava Castle. The so-called Great Moravian Basilica was built in the 9th century, when Bratislava played a central role in politics and the church as an important center of power and administration. The basilica was a representative sacred building that probably served as the main church of a fortified area. 

Today, none of the basilica's towering walls remain, but its foundations and floor plans, the remains of walls, and traces of other buildings, including a smaller church and an ossuary from the 11th to 12th centuries, are still visible. These remains have been made visible below the castle through archaeological reconstructions and ground markings. Colored stone settings illustrate the different construction phases and building types, enabling visitors to understand the structure of the early medieval complex.

Basilika

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The Amiga 500, also known as the A500, was the first popular version of the Amiga home computer, "redefining the home computer market and making so-called luxury features such as multitasking and colour a standard long before Microsoft or Apple sold these to the masses." It contains the same Motorola 68000 as the Amiga 1000, as well as the same graphics and sound coprocessors, but is in a smaller case similar to that of the Commodore 128.

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