Another addition to the tribute series to the rare ocean species. That's  Uca Mjoebergi - rare fiddler crab, but now textured and even animated! :-) 
This is not just some random moves - it's actually  Uca Mjoebergi' mating dance - as you can see, it's shoving off his bigger claw and trying to convince you in his own maturity and masculinity. 
Also, you can check out raw sculpture here: 
https://skfb.ly/6o7vw

Stages: https://www.artstation.com/artwork/k1e4d

Oh, and there is a GIF of this crab: http://imgur.com/7kiHeX5

Dancing Crab - Uca Mjoebergi

**For more high quality 3D models visit my Fab store**. https://www.fab.com/sellers/NollieInwardGameAssets

**Updated to version 2.0:**
-improved mesh
-overhauled textures,
-redone LODs

Game-ready PBR Padlock - rock solid lock!

Modeled in Blender 2.80, textured in Substance Painter.

Real-world scale. Metric units

2k TGA texture sets in 4 presets - PBR metal roughness, Unity5, Unity HDRP, UE4/5

2 parented mesh objects. LODs in 4 stages, custom collider.

FBX, OBJ and BLEND files, as well as textures ate stored in separate archives in the main file.

Game-ready PBR padlock

Textures were taken from screenshots in game.

The Jagdpanther (German: "hunting panther"), Sd.Kfz. 173, was a highly-successful tank destroyer built by Germany during World War II based on the chassis of the Panther tank. It entered service in 1944 during the later stages of the war on the Eastern and Western Fronts. The Jagdpanther combined the 8.8 cm Pak 43 cannon, similar to the main gun of the Tiger II, and the armor and suspension of the Panther chassis.[1] During the last stages of the war, limited German production resulted in small production numbers, shortage of spare parts, and shortened crew training periods of younger operators.

Jadgpanther (War Thunder)

This is just an experiment with exporting a particle animation to Alembic format (.abc) from Blender.  I created the effect using similar steps as those shown in this tutorial (except I used a cube as the particle so it's lower poly, and I added randomness to the velocity, which I don't like in retrospect): https://youtu.be/k5WH5WY1Osc?si=Y1sfy87AwmzhI96m only up to the point where you start adding a material and adjusting render settings, since that is not necessary for export.

Initially I just selected the emitter and particle and exported them as Alembic with default export settings, and overall it worked remarkably well.  Sketchfab had no issue importing the animation.  Unfortunately though, without any adjustments, the animation's two stages (rising up into the air, then bursting) came out overlapped.  So I went looking for a way to fix that, and found a great Blender addon for baking particle effects by searching Gumroad for scaryplasmon CakeParticles.

In future tests I will remap the texture.

Fireworks Demo - Free Download

Draft concept of a object different stages

XYZ. DraftPunk. Lesson 2.4 New-Old-Crash Tram

This is my first large-scale job, in which I completed all stages from draft to textures.
Photo of a 1930s Lincoln was used to create the model.

Retro Car

Larvae found in the parent polyp_7 (Name in raw data XTL17W). Each sphere represents a cross-section of a larva that was found. Overlapping spheres together represent the course of the larva across several cross-sections. The different colors of the spheres indicate the various developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The three-dimensional representation of the parental polyp was achieved by outlining the polyp on the sections.

Parent Polyp #7 Caryophyllia huinayensis

Stage distribution of brooded larvae (n = 564) of C. huinayensis. Different colours represent developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The standardised polyp represents a reference model generated by aligning all individual polyps, selecting the region of maximal overlap, and ensuring inclusion of all larvae from each polyp.

Standardised polyp Caryophyllia huinayensis

Larvae found in the parent polyp_8 (Name in raw data XTL3W). Each sphere represents a cross-section of a larva that was found. Overlapping spheres together represent the course of the larva across several cross-sections. The different colors of the spheres indicate the various developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The three-dimensional representation of the parental polyp was achieved by outlining the polyp on the sections.

Parent Polyp #8 Caryophyllia huinayensis

Two speices of Lobate Comb Jellies and 1 Not. Lobata is an order of transparent marine invertebrates belonging to the phylum of Ctenophora in the class Tentaculata, and are commonly referred to as comb jellies or sea gooseberries.
The other (Brown Comb Jelly) is from family Beroidae  more commonly referred to as the beroids. It is the only known family within the monotypic order Beroida and the class Nuda. They are distinguished from other comb jellies by the complete absence of tentacles, in both juvenile and adult stages.
Brown Comb Jelly *Beroe ovata*
Redspot Comb Jelly *Eurhamphaea vexilligera*
Warty Comb Jelly *Leucothea multicornis*

1 X Lobate Comb Jellies-2-1 Class Nuda

First time using Texture paint in Blender!
Rigged and animated.
PBR is on WIP stages!

Armored King

Larvae found in the parent polyp_1 (Name in raw data CH13W). Each sphere represents a cross-section of a larva that was found. Overlapping spheres together represent the course of the larva across several cross-sections. The different colors of the spheres indicate the various developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The three-dimensional representation of the parental polyp was achieved by outlining the polyp on the sections.

Parent Polyp #1 Caryophyllia huinayensis

Larvae found in the parent polyp_6 (Name in raw data XTL11W). Each sphere represents a cross-section of a larva that was found. Overlapping spheres together represent the course of the larva across several cross-sections. The different colors of the spheres indicate the various developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The three-dimensional representation of the parental polyp was achieved by outlining the polyp on the sections.

Parent Polyp #6 Caryophyllia huinayensis

Larvae found in the parent polyp_9 (Name in raw data XTL6W). Each sphere represents a cross-section of a larva that was found. Overlapping spheres together represent the course of the larva across several cross-sections. The different colors of the spheres indicate the various developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The three-dimensional representation of the parental polyp was achieved by outlining the polyp on the sections.

Parent Polyp #9 Caryophyllia huinayensis

Larvae found in the parent polyp_4 (Name in raw data LHP2W). Each sphere represents a cross-section of a larva that was found. Overlapping spheres together represent the course of the larva across several cross-sections. The different colors of the spheres indicate the various developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The three-dimensional representation of the parental polyp was achieved by outlining the polyp on the sections.

Parent Polyp #4 Caryophyllia huinayensis

Larvae found in the parent polyp_2 (Name in raw data LHP11W). Each sphere represents a cross-section of a larva that was found. Overlapping spheres together represent the course of the larva across several cross-sections. The different colors of the spheres indicate the various developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The three-dimensional representation of the parental polyp was achieved by outlining the polyp on the sections.

Parent Polyp #2 Caryophyllia huinayensis

Larvae found in the parent polyp_5 (Name in raw data LHP5W). Each sphere represents a cross-section of a larva that was found. Overlapping spheres together represent the course of the larva across several cross-sections. The different colors of the spheres indicate the various developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The three-dimensional representation of the parental polyp was achieved by outlining the polyp on the sections.

Parent Polyp #5 Caryophyllia huinayensis

lobster casting parts

Larvae found in the parent polyp_3 (Name in raw data LHP12W). Each sphere represents a cross-section of a larva that was found. Overlapping spheres together represent the course of the larva across several cross-sections. The different colors of the spheres indicate the various developmental stages (I: yellow, II: light green, III: dark green, IV: turquoise, V: blue). The three-dimensional representation of the parental polyp was achieved by outlining the polyp on the sections.

Parent Polyp #3 Caryophyllia huinayensis

Concept & Objective
The goal of this project is to create a visualization of a mock product, "Iron Warrior Energy Drink", blending technical precision with bold branding aesthetics.

Creative Process
- Modeling: The bottle was constructed using polygonal modeling techniques, ensuring accurate proportions and clean topology suitable for both visualization and animation.

- Texturing & Shading: Materials were carefully developed to capture the glossy finish of the plastic, the transparency of the liquid, and the vibrancy of the red energy drink. Advanced shaders were used to simulate bubbles and internal reflections.

- Label Design: The label design is largely AI-generated using Gemini. However, further modificatiD surface, isualization styles were produced—realistic render, wireframe, and transparent render—to showcase different stages of the creative pipeline.

Tools & Techniques
- 3D Software: Autodesk Maya for modeling and rendering
- Texturing: AI-Generated with modifications using Photoshop

Iron Warrior Energy Drink

I've really got to stop trying to do multiple experiments on one model. Made a lot of progress in getting speed paints to do what I want where I want. Tried using varnish between stages and probably didn't let it cure enough before trying to do an oil wash. I wrestled with the eyes quite a bit, I could get a blacked out area and white orb I liked but could not manage a pupil. On the cape I attempted to do some stitching texture but didn't let it dry long enough that when I put an ink over it it pulled it up. Overall a decent 75% of the vision I think which along with the lessons I'm pretty happy with, especially at arm's length and not photo zoom lol. 

3D Print of Valdeer The Bard - Lost and Found

This project is a fan-made 3D recreation inspired by the stage design of WrestleMania 37, one of the biggest annual professional wrestling events organized by WWE.

The stage was modeled in Autodesk Maya with the goal of capturing the large-scale spectacle and themed environment of a WrestleMania arena entrance stage.

The design takes inspiration from the pirate-themed stage concept used at WrestleMania 37, featuring elements such as a large entrance structure, LED display areas, stage platforms, and a long entrance ramp designed for wrestler entrances during the event.

This project focuses on 3D environment creation and live event stage design, demonstrating how large arena stages can be built and visualized in a real-time 3D environment.

🔧 Software Used
Autodesk Maya – modeling and scene layout
📦 File Format
FBX
🎯 Possible Uses :
Game environment design
Virtual arena scenes
Event stage visualization
Sports entertainment environments
Virtual production projects
3D artist portfolio work

WrestleMania 37 Remastered Stage Design

One of my final school assigments before I graduated back in August 2020.
This 3D model was made in the very early stages of the pandemic, so the data collected was not based on the COVID-19 pandemic.

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3D Handwashing Infographic

Since march to April 3, 2022 366 villagers of Yahidne had been held captive by the russian invaders in the basement of the local school. There were almost 50 children and several infants among hostages. 11 prisoners died of suffocation and disease.

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