After The God Particle...

Going on with some tests for the animation of an underwater scene, this time playing with particle system and forces in blender (with which I am not very familiar). 

The particle system I used to create this shoal of fish is set with a simple fish model (same as [Abstract aquarium](https://skfb.ly/6ypzL)) as render object. 

The fish particle system was set to a "**Boids**" physics, and tweaking parameters gave the unique fish a smooth movement. A **vortex force field** was then added to the scene to create the swirling motion on the particles. I also added a collision domain (as a cube) to make sure that no fish went outside of a specified volume, but it proved unnecessary...

I still have to figure out how to properly export keyframed animations to a fbx file, as the only file I managed to obtain was a 120MB one (for a < 100 tris fish model). A python script which has helped me is [here](https://blender.stackexchange.com/a/7142), but it does not pass the export phase very well...

The Fish Particle

Making progress on underwater scenes ( but still more to come :) ) !

[Original scan](https://skfb.ly/6suDz) from @ariosgeo, and inspiration from [Il Cristo degli Abissi](https://goo.gl/RU5PtJ), a submerged statue of Jesus in Italy.

**Modeling**:

* The scan was remeshed with [mmgs](http://mmgtools.org) from 500k verts to 7k, keeping the face and hands at a higher resolution.
* The ocean surface and ground were created with blender's ocean modifier.
* Light shafts are simply a randomized array of elongated planes.
* The fish is a lowpoly model ( a 30s model ).
* A particle system was created for fish instances, with force fields applied (boids physics, vortex, attraction force and collision on the statue)

**Texturing/lighting**:

* Mix of concrete and coral on the statue
* Sand on the ground
* Nothing on the sea surface
* Radial opacity for ground and surface
* Voronoi textures baked as emission on the statue and the ground, to simulate the light deformation through water
* Lots of color processing

Christ of the Abyss

In Dimensional Coalescence Yuri is a psychotic slasher executioner. Driven by the trauma of retaining her memories from DDLC’s Act 2, her descent into madness was solidified after being revived by Vortex and corrupted by a Shadow Crystal (possibly awakening Project Libitina, who know controls her). This dark transformation granted her supernatural mobility and a blood-soaked resolve, turning her into a relentless hunter who stalks the map to exact revenge on her former friends, overwhelming survivors through constant pressure and high verticality. Armed with a blade and her "Eye of Markov" ability making it nearly impossible for targets to stay hidden, she functions as a terrifying force of nature that punishes anyone attempting to escape her sight, never being left alone again, not in control of her own actions, just one of Vortex's puppets now...

(GIVE CREDIT IF USED

Psycho Yuri (Dimensional Coalescence)

the malevolent Sonic.EXE varaint from Dimensional Coalescence, Vortex was originally designed as a friendly anti virus AI meant to purge glitches and bugs from video games. However, after coming into contact with an unknown force, he became corrupted and transformed into a powerful virus that destroys the games he was intended to fix He is allied by Chara and Yuri (possessed and controled by Libitina) he remains a ruthless murderer, who enjoys the pain of his victims

(GIVE CREDIT IF USED!!!!!!!)

Vortex V2 (Dimensional Coalescence)

Sonic - Zx - Vortex

Vortex Soldier(base)

For proper use, we recommend downloading the source format.The Converted version is intended only for use in the web viewer. In the source file, the following are fully preserved:✔ full scene structure✔ all materials without simplification✔ correct PBR texture maps✔ original object namesIf you plan to use this model in production, choose the original version.A 3D model of a heavy duty wheel rim featuring a dynamic turbine style design. Ten sharp blade like cutouts around the perimeter create a vortex effect giving the wheel a sense of high performance and constant motion. It s an excellent choice for futuristic trucks sci fi buses heavy industrial vehicles or concept machinery. The model has clean topology and basic materials ready for your Blender projects.

Turbine Style Heavy Duty Rim

Ce que vous venez de voir, qui ressemble un peu à une tornade, est en fait un vortex – et pas n’importe quel vortex, un vortex superfluide ! Un superfluide, c’est un liquide qui ne subit plus aucun frottement en dessous d’une certaine température. Lorsque l’on fait tourner ces liquides très particuliers, ils peuvent former des tourbillons très spéciaux que l’on appelle vortex, qui piègent des particules, et qui montrent des propriétés inattendues.

Plongez dans le projet [GIANTE](https://science-societe.univ-cotedazur.fr/themes/terre-et-univers/physique-quantique-les-dimensions-de-la-matiere/giante) pour en savoir plus et découvrez le portrait de [Giorgio KRSTULOVIC](https://science-societe.univ-cotedazur.fr/portraits/giorgio-krstulovic) à l'origine du projet !

[Découvrez l'ensemble de la balade scientifique Street Science d'Université Côte d'Azur !](https://science-societe.univ-cotedazur.fr/street-science)

12 Vortex - KRSTULOVIC Giorgio - GIANTE

Septfoil Knot Flux transforms the classic (7,3) torus knot into a high-density braided flow object. 

Its sevenfold looping logic produces a form that feels ceremonial, rhythmic, and deeply rotational, while the flux-tube construction gives it added thickness, turbulence, and visual energy. 

The object sits between knot theory and musical polyrhythm: a structured entanglement where repetition, crossing, and return generate a strong sense of movement. 

Rather than a static knot, it behaves like a living harmonic circuit — a spatial vortex of periodicity, resonance, and controlled complexity.

Generated by PAPP Framework.

Septfoil Knot Flux | PAPP

06 — Abyssal Bowl

Concave ceremonial plate. 280-seed Voronoi ripples network with Gaussian fault walls, 6-wave coral reef crust texture, double counter-rotating logarithmic vortex poles, and kite network diagonals at 54°/126°. PAPP 4D hull-first mode ranks each plate by φ-elevation. Deep ocean palette — navy body, turquoise ripples, bioluminescent cyan at vortex cores. 66,770 vertices, 133,536 faces, χ=2, closed manifold. 

Generated by PAPP Framework.

Prototype 06/12 Abyssal Bowl | PAPP

Procedural Watermelon Texture Study I did during my spare time with substance painter

✧ Download the Project file here for free
https://ko-fi.com/s/f6165c6c27

✧Follow me on twitter for more content update 
https://twitter.com/TMeowvortex

✧Procedural Watermelon Tutorial available on my YT channel 
https://www.youtube.com/watch?v=mtuLVNDZFj8&t=608s&ab_channel=Meow-Vortex

Procedural Watermelon [Free]

That's 2 twists like a screaming frosting tornado and screaming at Bloo from Foster's home, and the colors are applied

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