From Witcher 3 the wild hunt. This model has been setup for VR if you have a Vive or Rift.

Once part of Redania, Novigrad now has the status of a free city. It is the world's largest city and, without a doubt, the richest as well. Cradle of the cult of the Eternal Fire, it is now home to the church of the same name. It is ruled officially by the head of the church, referred to as the hierarch, though its underworld crime bosses also have a great deal of say in matters

Please note: This model belongs to and is owned by cdprojekt and is scanned by myself through a photogrametry process. Premission has been obtained for the model with cdprojekt.

Witcher Novigrad city

Cupid revives Psyche, relief in marble, after the original model from 1810, Thorvaldsen Museum (Copenhagen, Denmark). Made with Memento beta (now ReMake) from AutoDesk.

With his arrow, Cupid rouses his beloved Psyche. She had succumbed to the temptation to open the jar from the underworld, which turned out to contain a poisonous vapor, rather than a cosmetic.

For more updates, please follow @GeoffreyMarchal on Twitter.

Cupid revives Psyche

Ying Tian Bing - Introduction

Three dead souls were judged by the judge in the underworld. The first one was sentenced to the Mountain of Swords for his evil deeds in his previous life. He tried to bribe the judge but failed. The second one practiced Buddhism in his previous life and hoped not to reincarnate, but the judge thought that being reborn as a human was a privilege and ordered him to continue reincarnation. The third one was sentenced to the Pool of Blood for killing someone by refining elixirs, but a celestial general appeared and showed him a summons from heaven, and took him away to become a celestial soldier.

# Alpha Mask does not work, the haircards can not be erased completely.

Render ripped by game 《Black Myth: Wukong》

Respect for intellectual property rights, no commercial use.

*I just ripped the model and animation then upload it.*

**Copyright 2024 Game Science All rights reserved.**

Black Myth: Wukong - Ying Tian Bing [Static]

3D scan of a man that personifies quartz as a powerful mountain spirit rising directly from a cluster of sharp-edged crystal druses. In the tradition of romantic mythical figures such as Rübezahl, the bearded figure appears as an archaic guardian, inextricably linked to the mineral treasures of the underworld. 

The figure was created by Rudolf Weyr (1847-1914) and is part of the decorative program in Hall IV of the Natural History Museum.

**Object**:  Quartz – Spirit of the Mountain

**Collection**: Natural History Museum Vienna (contact: Stefanie Jovanović-Kruspel)

Find out more about the NHMW [here](http://www.nhm-wien.ac.at/en)

Scanned and edited by A. Haider (NHMW)

Scanner: Artec Leo. 

Contribution to the digitization project „Einsichten in die gesellschaftspolitische Dimension des NHMW über die Jahrhunderte von der Prägung des Wissenschafts-Verständnisses bis zum Nationalpark in der Lobau“ funded by the [BMWKMS](https://www.bmwkms.gv.at/)

Figure embodying "Quartz"

Boba Fett, a feared bounty hunter in the galaxy, emerges as a skilled and relentless figure during the rise of the Galactic Empire. Cloned from the renowned Mandalorian Jango Fett, he inherits both his father’s combat prowess and his distinctive armor. Orphaned as a child when Jango is killed, Boba carves a path through the criminal underworld, taking on dangerous assignments with unwavering precision. Known for his cold efficiency, he navigates a galaxy of shifting alliances, tracking targets across star systems. His reputation grows as someone who never fails to complete a contract, earning both fear and respect from allies and enemies alike. Despite his merciless exterior, hints of loyalty and personal code occasionally surface, setting him apart from typical hunters

SWJA Movie Duels: Boba Fett

Polychrome plate decorated with the image of an underworld fish, painted in red and surrounded by six oval elements with central grooves, possibly representing aquatic elements. NAA of the paste indicates the San Pedro River as the place of origin or manufacture, although stylistically the piece corresponds to the La Corona region.
 IDAEH Cultural Property No. 1.2.144.0370
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 121

Plate with Fish of the Underworld

Plate with divergent walls and a flat base, decorated at the center with the image of a stylized deity bearing a shell and a monstrous head, associating the figure with the aquatic underworld. Surrounding the central image are several oval elements related to water, as well as red and black volutes. A decorative band, divided into two sections, encircles the interior wall: one section features black triangles, while the other displays stepped fret motifs and additional abstract elements. The piece was ritually "killed", with a intentional perforation at the center.
IDAEH Cultural Property No.  16.2.5.0063
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Plate with Aquatic Underworld Deity

Codex-style tripod vase, decorated with an underworld scene. The scene shows the image of a spider monkey, in left profile, wearing a piece of cloth over its shoulders formerly known as a "sacrificial scarf" but now associated with the supernatural characters known as wahy [way or waay].  The monkey has a deer's ear and a curled tail. In one of its hands he holds what is known as a "triadic plate" containing a severed hand, a nucleated eye and a femur. On the opposite side of the vase is the image of an ocellated turkey, standing with spread wings and tail.  A series of curved, dotted lines painted above the bird's head seem to indicate that the turkey is in motion, perhaps dancing. The scene is framed by two horizontal red bands.
 IDAEH Cultural Property No. 1.2.159.0014
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 279

Codex Vase with Monkey and Turkey

Día de los Muertos is a festival where remembrance becomes celebration. Families build ofrendas with marigolds, candles, and favorite foods to welcome the spirits of loved ones home for a brief reunion. Beneath the festival’s color and music lies an older echo: Mictlantecuhtli, the Aztec lord of the underworld. Depicted as a grinning, fleshless figure, he ruled Mictlán, the final resting place for most souls. Though fearsome, he wasn’t a villain—he embodied the natural cycle of death, a force to be respected rather than avoided. Today, his presence lingers in the festival’s imagery, reminding celebrants that death is not an ending but a companion woven into life’s story.

Mictlantecuhtli - Day of the Dead

Codex style vase with an underworld scene. One side has a jaguar standing, surrounded by star symbols, with its jaws open, its tongue sticking out and wearing a sacrificial or wahy [way or waay] scarf. On the other side, the torso of a character with a black headdress decorated with the upper jaw of a long-lipped monster and long feathers inside of, what appears to be, a structure made of bones. The character is surrounded by nucleated eyes and has round earflares, a necklace of made of eyeballs, a square breastplate, and wristbands made of beads. The right arm is bent over the chest and the left holds a triadic plate with a femur, a severed hand and a nucleated eye. 

IDAEH Cultural Property No. 1.2.159.0011
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 353

Codex-style Vase w/ Jaguar & Stars

Inspired by the Kimolgia from Star Wars Galaxies, comes the Dragon Heavy Assault ship.  

Perfect for use with underworld characters and espeically Hutt Enforcers.

Dragon Heavy Version 1

"Incense burner with a decorated lid featuring a skeleton figure with hands on its waist, with ribs depicted in detail (achieved through grooves and molded elements). It likely references the god Mictlantecuhtli, known in other Mesoamerican cultures as the “Lord of Mictlán” or “Lord of the Land of the Dead.” Its Maya counterpart is Ah Puch, also known as Ah Cimih, Kisin (“The Stinking One”), or Yum-Kimil. In Maya mythology, he is the god and ruler of Mitnal, the underworld."
 IDAEH Cultural Property No.1.2.1.0352
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Incense Burner Featuring a Skeleton

Cylindrical ceramic urn. The central motif is a feline head, probably that of a jaguar, crafted using modeling and appliqué techniques. Its open eyes, with rod-shaped irises, evoke its supernatural nature. Slightly parted jaws reveal prominent teeth and fangs, while rounded ears reinforce its feline identity. In Maya cosmology, the jaguar is closely associated with power, the night, and the underworld. On either side of the head, four vertical columns of conical spikes are arranged, resembling the thorns of a young ceiba trunk. The ceiba (Ceiba pentandra) represents the World Tree, planted at the center of the earth and connecting the three levels of the universe. 
 IDAEH Cultural Property No.1.2.144.0175
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Funerary urn with feline effigy and  spikes

Underworld - Disney 's Hercules (1997)

Model From Kingdom Hearts

Underworld Entrance

Codex-style vase with slightly divergent walls, decorated with a red band around the rim and the base, followed by a glyphic band (Standard Primary Sequence, or complete dedicatory formula). The main scene features two aquatic birds of the underworld (cormorants) and water symbols, all rendered in black line on a cream background.
 IDAEH Cultural Property No. 16.2.5.0265
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 273

Vase

The Blades of Chaos were forged at the darkest depths of the Underworld by Ares himself. They were imbued with fire, which allowed them to ignite with every attack that the user performed.

Blade of Chaos - God of War

Codex-style tripod vessel depicting the Death God A’ interacting with another, unidentified underworld figure, from whom a feathered headdress and the ends of femurs are visible. The vessel features secondary glyphic texts and a red band encircling the rim. Button-shaped supports.
 IDAEH Cultural Property No. 16.2.5.0266
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 405

Codex-style Vase with God A'

Tree Assets for Dracul: Legend of the Underworld

Low Poly | Tree Assets |

A** fierce fire**-themed loot chest with intense lava-cracked wood and a **glowing** flaming skull lock. Perfect for **dungeon**, underworld, or volcanic levels in your game. Includes emissive **textures** for a **realistic** fire effect.

Stylized Volcanic Ember Loot Chest - Game Ready

Polychrome vase with slightly divergent walls and a flat base. The decoration consists of a horizontal red band beneath the rim, followed by a band of glyphs outlined in black and red on a white ground. The remainder of the surface is decorated with underworld figures painted in white against a red background. Based on its characteristics, the vessel has been identified as Pa’chan style, possibly from the El Zotz / Uaxactún region (Guido Krempel, MA, personal communication, 2019).

 IDAEH Cultural Property No. 1.2.179.0145
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 295

Vase with Underworld Figures

This  incense burner features a conical lid with a ceremonial enclosure, within which a richly adorned figure is represented. The figure wears a tall headdress, a trapezoidal nose ornament—possibly a stylized butterfly—and earspools, all elements that emphasize its ritual and symbolic significance. The enclosure is framed by what appear to be “3 mountain glyphs” evoking associations with sacred warfare and sacrifice. The convex surface of the lid is decorated with shells and snails, materials linked to aquatic realms and the underworld in Mesoamerican cosmology.
 IDAEH Cultural Property No.1.2.1.0344
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

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