Free 8K model of four wine and champagne bottles with realistic glass, varied labels, foil/wax tops and subtle wear, evoking a rustic vineyard farmhouse character.

Wine Bottles 01

Yunnan Province, China, ~518 million years old.

*Wiwaxia* had a tiny body covered in overlapping defensive **sclerites**. The hidden, lower surface consisted of a muscular foot and mouthparts for scraping food, like algae, off the sea floor. Wiwixia would have crawled slowly over the sea floor in search of food, as many similar molluscs do today.

First Animals exhibition at Oxford University Museum of Natural History: www.oum.ox.ac.uk/firstanimals

Model by Mighty Fossils: www.mightyfossils.com

Wiwaxia papilio

Free 8K model of a realistic lime with bumpy, mottled green-yellow peel, subtle blemishes and a glossy, slightly waxy surface.

Food Lime 01

Free 4K model of a realistic lemon with detailed bumpy rind, natural blemishes, glossy waxy surface, organic irregular shape and a visible stem nub.

Lemon

Subsurface scattering (SSS) simulates the effect of light scattering inside an object. It is useful for translucent materials like skin, wax, and ice. Rotate the lights with ALT-drag (or three finger drag on mobile) to see this effect change in real-time. SSS is available on all plans, including Basic - [learn how to use it on our Help Center](https://help.sketchfab.com/hc/en-us/articles/204429595-Materials-PBR-#sss).

Original model ‘[Lara](https://sketchfab.com/3d-models/lara-4b4e423918aa4a45b25c7d32e59232ef)‘ published by NikZava284 under a Creative Commons Attribution license.

![](https://i.imgur.com/ReVxWBL.gif)

Subsurface Scattering (SSS) Demo: Lara

This model depicts the muscles involved in the facial expression of rage. It was created using photogrammetry, via Agisoft Photoscan and ZBrush, of a wax sculpture I created in my first semester of my MSC Medical Art course at the University of Dundee. 

Thank you for visiting!

The Anatomy of Rage

**Birmingham Museum of Art**

Shiva Nataraja (Lord of Dance)
2013

Artist: Sri Pradakaran, Sri Govindan and Sri Pratiban
Sri Rajan Industries, Tamilnadu, India

This is a bronze sculpture of the Hindu god Shiva in his dancing form of Nataraja (Lord of Dance).  As Nataraja, Shiva performs the Ananda Tandava (dance of bliss), the dance in which the universe is created, maintained, and dissolved.  This sculpture depicts all three of those aspects at once.  Shiva in his role as Nataraja represents the Indian conception of the never-ending cycle of time.  The purpose of this sculpture is to alert the viewer that through belief and devotion to Shiva, one can achieve salvation (or moksha).  Cast in 2013, this sculpture is an example of the centuries-old tradition of the lost-wax casting method perfected during India’s Chola dynasty (c. 850 CE – 1250 CE).

[Click for more info](https://www.artsbma.org/guide/stop/528)

Shiva Nataraja

Model of a large (68cm or 27 inches wide) bronze shengding food vessel from southern China, now in the collection of the Minneapolis Institute of Art.

From the object's description on artsmia.org:

*Around the cauldron body are six kui (single horn) dragons in high relief climbing upward toward the lid. Supporting the vessel are three stout legs with stylized dragon masks cast into their shoulders. The surface is ornamented with interlaced dragons, incised scale patterns, and overlapping feather-like motifs. While most of the ornament was made by traditional piece-mold bronze-casting technology, the six dragons, with their complex, perforated shapes, were made separately with the lost-wax method.*

More information about the model here:

https://collections.artsmia.org/art/98381/shengding-food-vessel-china

Shengding Food Vessel, around 575 BCE

## Scanning
The front was scanned in IR mode for large parts at 1mm resolution with hybrid tracking (texture and geometry). The environment was less than ideal for scanning: Harsh sunlight from the side with a crystal clear sky so no scattered light for better conditions. Also the paint was recently waxed and freshly cleaned...  
For the scan itself I slowly moved around the car trying to capture all crevices, only tracking problems were encountered on the center of the hood (no features and no texture).

## Post-Processing
Only point cloud generation and meshing at recommended settings. Scan was later reduced and aligned to the coordinate system in Quicksurface.

BMW E34 Front - Einscan Rigil IR mode

## Scanning
Scanning was done in sPC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 20M triangle file...) until target quality was reached. Keep an eye on ideal scan distance since it reduces with increasing point distance. When you are too far away scanning will be drastically slower compared to when you're in the ideal distance. 

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wax Statue Virgin Mary - Einscan Rigil

## Scanning
Scanning was done in PC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 20M triangle file...) until target quality was reached.
I placed the casting on bed of marker cards and geometries so I can also capture the sides of the casting which I also use for aligning the two scans I created (top and bottom). The scan itself was performed with both cross and parallel line mode taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wax Casting Traditional Scene - Einscan Rigil

## Scanning
Scanning was done in standalone mode at highest resolution (0.2mm, PC connected can be higher) and until target quality was reached. I placed the casting on bed of marker cards and geometries so I can also capture the sides of the casting. The scan itself was performed with all three laser modes taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
I imported the scan project to my PC over USB and then fused the scan at default settings (0.2mm). Afterwards I used Quicksurface to align the scan to the coordinate system.

Wax Casting of Woman - Creality Sermoon P1

Wax Casting of Figure - Creality Sermoon P1

## Scanning
Scanning was done in sPC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 20M triangle file...) until target quality was reached.
I placed the casting on bed of marker cards and geometries so I can also capture the sides of the casting which I also use for aligning the two scans I created (top and bottom). The scan itself was performed with both cross and parallel line mode taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wax Portrait Virgin Mary - Einscan Rigil

This highly detailed 3D scan of a classic Belstaff waxed jacket captures the authentic texture, structure, and craftsmanship of this iconic fashion piece. Created using professional scanning technology, the model preserves fine material details such as stitching, fabric folds, pockets, and surface wear.

Ideal for use in:

Fashion visualization
Virtual showrooms
AR/VR applications
Game development
Digital archiving of garments

The scan delivers accurate geometry and realistic surface textures, making it perfect for designers, developers, and creative professionals who require high-quality 3D assets.

Key Features:

Ultra-realistic fabric and material capture
High-resolution textures
Clean topology suitable for real-time or rendering
Authentic Belstaff jacket design with multiple pockets and details

This model demonstrates the power of professional 3D scanning for preserving fashion items in digital form.

Belstaff Waxed Jacket 3D Scan | High-Detail

For complete workflow compatibility, we recommend downloading the original file.The Converted version is intended for web viewing only. In the Original format, the following are fully preserved:✔ full scene structure✔ complete materials without reduction✔ proper texture maps✔ correct object namesIf you are going to integrate the model into a project, download the Original format.A realistic 3D scan of an Ash Gourd also known as Winter Melon or Wax Gourd showcasing its distinctive powdery white coating and natural surface imperfections. Ideal for food visualizations agricultural scenes or ethnic cuisine renders.

Winter Melon

For proper use, we recommend downloading the source format.The converted file is intended exclusively for browser preview. In the original file, the following are fully preserved:✔ native scene structure✔ all materials without simplification✔ proper texture maps✔ original object namesIf you are going to integrate the model into a project, choose the Original format.Blender 3d

Used Wax Ornament Locker

For complete workflow compatibility, we recommend downloading the source format.The Converted version is intended only for use in the web viewer. In the source file, the following are fully preserved:✔ original scene hierarchy✔ complete materials without reduction✔ proper texture maps✔ original object namesIf you are going to integrate the model into a project, select the source file.Coat hanger made of waxed wood

Clothes Hanger

For complete workflow compatibility, we recommend downloading the source format.The Converted version is intended for web viewing only. In the source file, the following are fully preserved:✔ full scene structure✔ unsimplified materials✔ proper texture maps✔ original object namesIf you intend to use the asset in a production environment, select the Original format.Honey Spurge Bush 3D Model A semi evergreen shrub with a domed multi branched form and waxy lance shaped green leaves arranged in whorls. It is a standout in exotic or wildlife friendly scenes. Native to Madeira and the Canary Islands this plant adds structure fragrance and ecological charm to both sunlit and dappled shade environments.

Honey Spurge Bush Med

GARROK — THE ASHEN GENERAL
ORIGIN
Once Goran, a farmer's son. Became Garrok, mercenary. Joined Iron Legion, served Ashen Flame Cult. Ritual burned his heart black. He burned 12 villages, including Emberhold, killing Julius's sister.
THE RETURN
5 years later. Julius arrived at Garrok's black castle. Snow melted around him. Guards fell to Inferno Strike. Ash Step left trails of fire.
THE DUEL
Garrok waited in throne room. Soul Eater sword vs Julius's blazing blade.
"I spared you once," Garrok said.
"You killed my sister," Julius replied.
Garrok surrendered. "Spare me. Spare my men."
Julius: "You showed no mercy to children."
Burning Heart Fury.
Julius pierced Garrok. White flame engulfed him. Armor melted like wax.
"Why?" Garrok whispered, burning.
"Fire consumes all. You taught me," Julius said.
Garrok turned to ash.
AFTERMATH
Julius stood alone. Heart calmed. Vengeance done.
New mission: Destroy the Cult.
"I burn not for hate, but hope."
— Julius

GARROK — THE ASHEN GENERAL

For proper use, we recommend downloading the original file.The Converted version is intended exclusively for browser preview. In the source file, the following are fully preserved:✔ original scene hierarchy✔ all materials without simplification✔ proper texture maps✔ original object namesIf you are going to integrate the model into a project, choose the source file.The chandelier is designed in the style of a wagon wheel and adds a rustic and country charm to any room. It combines wood and metal which creates an authentic look. The chain fittings are robust and give the chandelier additional character. In terms of lighting the chandelier offers space for 12 large candles. These candles are 30 cm high and are made of wax. The size of the chandelier is generous to create an impressive visual effect. This model is perfect for rustic or traditional interior styles and will be an eye catcher in any room. The cozy lighting from the candles creates a pleasant atmosphere.

Chandelier Rustic Wheel 12 Candles

A flat band ring. originally designed for 3D printing in resin and in wax for casting.

Flat Band Ring

This model is generated by the state-of-the-art 3D GenAI tool, Rodin Gen-1.However, its ideas and creativity originate from the human author.

Create your own model from images:

[https://hyperhuman.deemos.com](https://hyperhuman.deemos.com)

[https://hyper3d.ai](https://hyper3d.ai)

Red wax seal with plant

For complete workflow compatibility, we recommend downloading the original file.The Converted version is intended only for use in the web viewer. In the Original format, the following are fully preserved:✔ native scene structure✔ all materials without simplification✔ correct PBR texture maps✔ original object namesIf you intend to use the asset in a production environment, select the source file.glass candle vase with a base of sand lit wax candle

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