Carving of the Pietà (pity/compassion) on east wall of chancel of Strade Dominican Friary (MA070-067001-), Co. Mayo.  Most famously carved by Michelangelo c. 1498-9, depicting the Virgin Mary cradling the dead body of Jesus Christ after the Crucifixion, symbolizing immense grief, divine mercy, & unconditional love.  It highlights Mary as an intercessor between humanity & God, showcasing her strength & deep sorrow ("Sixth Sorrow").  Described by archaeologist John Hunt as dating from the second half of the 15th century it is 'an unusual frontal, (or reredos from an altar?). In the centre is a Pietà with feathered angels above. The Virgin is clothed in a long gown over a kirtle, whose lower borders fall in symmetrical folds over her feet and with a veil over her head and shoulders. She is seated in a thronelike chair and the body of the dead Christ lies across her lap. The angels support a double arched and crocketed canopy above her head. A man and a woman kneel on left and right, presumably the donors'.

Strade Abbey MA070-067001- Pietà

Sergeant Foley is a U.S. Army Ranger and the acting commander of Hunter Two-One, 1st Battalion, 75th Ranger Regiment.

Call of Duty: MW2R - Sergeant Foley

Mostly-Realistic arming sword from the 15th century

15th Century Arming Sword

Mostly-Realistic short sword from the 15th century

15th Century Short Sword

In the churchyard at St Gian's church on the south side is a stone dating from the 5th or 6th century with the inscription ‘ MELI MEDICI FILI MARTINI I(a)CIT’ – ‘Melus, the doctor, son of Martinus. He lies here’. A noticeable feature of this stone is that the inscription is a reference to the dead man’s profession – a doctor, which is a rare occurrence on inscribed stones anywhere in the UK

The three holes at the top were drilled to mount a sundial. 

#walkingwiththeancestors 

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Melus Stone, Llangian

The top part of a medieval (likely 14th to 15th century) window, very likely from Killeedy Church ruin aka Saint Ite's Church, since it is lying in the graveyard close to the holy well. It is a single-light ogee window and might have come from the east gable. The east gable was too overgrown with ivy to make a judgement about what is missing there.

Not recorded by the National Monuments Service as an architectural fragment as of March 2026.

Made in KiriEngine from 42 images.

Killeedy: window fragment

Mostly-Realistic long sword from the 15th century

15th Century Long Sword

Zweiköpfiger Löwenknauf, inspiriert von achämenidischen Zeremonialstäben (Persisches Reich, ca. 5.–4. Jh. v. Chr.). Lapislazuli-blau mit goldenen Details, Perlenreihen, Rosetten und kraftvollen Löwenköpfen – Symbol für königliche Macht und Schutz.
Lowpoly-Asset (ca. 4k Tris), schnell modelliert als Baustein für Unreal Engine oder andere Engines. Nicht 1:1 historisch originalgetreu, sondern meine freie Interpretation eines antiken Motivs aus Persepolis/Susa.
Frei nutzbar mit Credit (CC-BY 4.0). Ideal für Spiele, historische Szenen, Embleme oder Deko. Teil meiner privaten Lowpoly-Sammlung

Two-headed lion finial inspired by Achaemenid ceremonial staffs (Persian Empire, approx. 5th–4th century BC). Lapis lazuli blue with gold details, rows of pearls, rosettes, and powerful lion heads—a symbol of royal power and protection.
Low-poly asset (approx. 4k tris), Not 1:1 historically accurate, but my free interpretation of an ancient motif from Persepolis/Susa.
Freely usable with credit (CC-BY 4.0).

Lion-Head Staff Finial | Lowpoly Asset

15th_B_plus_1_den_con1_joint_v25_s20

Mostly-Realistic zweihander from the 15th century

15th Century Zweihander

“Growing Into The Change” by the team from Rockford Lutheran High School at the 35th annual Illinois Snow Sculpting Competition at Sinnissippi Park on Saturday, Jan. 30, 2021, in Rockford. (Scott P. Yates/Rockford Register Star)

Snow Sculpture from Rockford Lutheran H.S.

Female donor figure to the right of thePieta on front or altar reredos dating from the second half of the 15th century, standing up against the internal face of the eastern wall of the chancel of Strade Dominican Friary (MA070-067001-), Co. Mayo. Described by archaeologist John Hunt as; ‘The lady has a close-fitting tunic, with tight sleeves fastened under the forearms with many buttons. The dress has a high neck and a cross at the throat. She wears a brat or great mantle, thrown back from the upper part of the body, but covering her waist and knees. This is treated in a pocked technique to suggest a heavy rough texture. The treatment of the figure drapery is looser than Ossory types or than the Meath school—though the style has closer affinities with Ossory than with the Dublin Pale. The types are also more sophisticated. The carving shows extreme fineness of detail and is in remarkably good condition'. See Archaeological of Ireland Description at: https://tinyurl.com/2u942udw

Strade Abbey Female Figure

Carved stone head possibly of a cleric of 15th/16th-century date now set in concrete at the entrance to Kilmurry graveyard (MA038-049002-), Co. Mayo.  19th century name and datestone of graveyard wall below the stone head. Decorative hood moulding terminal/label stop of a window from St Mary's medieval church site (MA038-049001-) which once stood in the centre of Kilmurry graveyard.   See Archaeological Survey of Ireland Description at: https://tinyurl.com/bah9v5j9

Kilmurry Stone Head (MA038-049003-)

Mostly-Realistic great sword from the 15th century

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