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*Armor for Man and Horse with Völs-Colonna Arms*, c. 1575. North Italy, 16th century. Steel; The Cleveland Museum of Art, John L. Severance Fund 1964.88

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/1964.88 

Model created by Dale Utt: https://sketchfab.com/turbulentorbit

1964.88 Armor for Man and Horse

The Temple at Évora is a unique example of roman religious architecture, and was wrongly described as being built to honor the goddess Diana. It rather was constructed to honor the figure of the emperor. This structure dates from the late 1st century to the early 2nd century A.D., and it was part of a larger complex that included a forum, a public square with a basilica on the opposite side, and it was surrounded by a colonnade. The temple as seen today dates back to the second half of the 19th century, when, under the direction of the cenographer Cinnati, all non-roman elements were removed. The example at Évora has been recognized as having similarities to the Maison Carrée in Nimes (France), given its scale and overall architecture.

Roman Temple of Evora

Roads and sidewalks are common urban landscapes in the surrounding area. In this place, we walk, drive, look at people, cars, and buildings, and feel the wind and sunlight. We briefly introduce three types of metal fences.
In this model, three similar but different types of metal fences and three paved sidewalks are included, and each object is duplicated and modularized to compose a road. I hope this helps you all. thanks.

Metal Fence & Sidewalk, Road, colonnade Set

Triumphal Arch (with Colonnade)

Basilica di san Pietro e colonnato antistante a Roma. La chiesa sorge sopra l'edificio pre esistente che a sua volta sorge sulla tomba di San Pietro. La chiesa e la cupola furono opera di Bramante, Raffaello, Michelangelo e Giacomo della Porta e il colonnato e` del Bernini.
St Peter Church in Rome. The church was built above the previous church. The project of the building and the dome had contributions from Bramante, Raffaello and Michelangelo among others. The colums in the front square are by Bernini. 
Imported from Google Maps with RenderDoc and Blender.

Vatican and St. Peter Basilica

# A nationally registered, tangible cultural property
# 国登録有形文化財　郡山公会堂

 Completed in 1924 to commemorate the city status of Koriyama City in 1924.
Simulating a drawing of the Hague Peace Palace in the Netherlands, it has a continuous semicircular arched colonnade, window sills, a tower that emphasizes it’s height via a long glass surface installed in the corner of the frame; all carefully designed with raised and lowered windows.
It is popular as a symbol of Koriyama City and is still used today for concerts.


Address is Koriyama City, Fukushima Prefecture, Japan
https://goo.gl/maps/VxsWYHZBptg7jzju6

Koriyama City Public Hall(japan)

The Great Colonnade of Apamea (Syria), 115 CE, reconstruction, plaster. Musée du Cinquantenaire (Brussels, Belgium). Made with ReCap Photo Pro from AutoDesk.

At nearly 2km from the north to the south of the city, a portico of about 7.50 m wide spreads on both sides of the high street that was the backbone of urban planning Apamea. The columns were surmounted by a curved frieze with continuous decoration of acanthus foliage, and not a Doric frieze mistakenly placed in 1935. On the floor of the portico, a series of mosaic dating from the year 469 CE.

For more updates, please consider follow me on Twitter (@GeoffreyMarchal).

The Great Colonnade of Apamea

In the center of the medieval quarter of Viterbo is the square and church of San Pellegrino mentioned in a document of 1045 as belonging to the Abbey of Farfa. In 1889 the façade was restored in Neo-Gothic style by Bishop Grasselli. It was badly damaged during the bombings of the Second World War.

coordinates: 42.413748, 12.105592

photogrammetry

Colonnade (Viterbo) a.D.1100 -RAWscan

"Anschluss" Monument in Oberschützen. The monument was erected in Oberschützen (Burgenland) after Austria's "Anschluss" to the National Socialism German Reich in 1938/39. Construction according to plans by architect Rudolf Hofer began in October 1938 and was completed in May 1939. It is considered the largest such National Socialism building in Austria. Originally, there were eight pylons with fire bowls in the colonnaded courtyard, and in the centre a gilded eagle was enthroned on a pedestal with the inscription "Ein Volk! Ein Reich! Ein Führer!". After the collapse of Nazi rule, parts of the monument were removed and destroyed. Again and again, a discussion germinated about the further use of the building. It was to be demolished or the history of its creation made taboo. In 1997, the municipality reinterpreted the monument as a "memorial against violence and racism". In 2016, the building was listed as a historical monument. In 2018, a renovation took place.

Anschlussdenkmal

Terracotta, XVII secolo
Galleria Nazionale dell’Umbria

Questo raffinato modello in terracotta rappresenta l’apparizione della Madonna con il Bambino a Santa Martina. Si tratta di uno studio preparatorio per uno dei bassorilievi destinati al ciborio dell’altare della chiesa dei Santi Luca e Martina a Roma, opera legata all’ambiente di Pietro da Cortona, tra i protagonisti del Barocco romano.

La scena è intensa e teatrale: Santa Martina, inginocchiata, è riconoscibile attraverso i simboli del suo martirio – la palma e l’uncino, strumento del supplizio. Davanti a lei, sospesa tra le nuvole, appare la Vergine con il Bambino. Gesù porge alla santa un giglio, simbolo di purezza e premio celeste.

Alle spalle della martire si intravedono elementi architettonici classicheggianti, come il basamento di una colonna e il pronao di un tempio, che conferiscono solennità e profondità alla composizione. Le fronde stilizzate sullo sfondo amplificano il senso di movimento e spiritualità.

Apparizione Madonna con Bambino a S.Martina

Photorealistic, cinematic wide-angle view of a long, pale beige stone building with a continuous row of arches along its façade, perched on a lush green hillside. Foreground filled with dense trees and foliage; midground shows the historic structure with weathered textures, arched colonnades, and ivy creeping on walls. In the distance, across a calm harbor, a modern city skyline rises against a clear blue sky with soft white clouds. Bright midday lighting with crisp shadows and warm highlights on the stone. Color palette: warm sand/beige stones, deep greens, azure sky, and cool gray silhouettes of distant buildings. Composition: low-angle, left-front perspective to emphasize the contrast between historic architecture and contemporary cityscape; subtle atmospheric perspective to fade the di

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