A plastered human skull; the skull was taken as the base and the features of the face were modelled on it in plaster. One eye is made from a bivalve shell divided in two. The other has one, smaller, complete shell in place and is missing its twin.

Culture/period: Pre-Pottery Neolithic B (8500 BC- 6000BC)

* Height: 17 centimetres 
* Width: 14.6 centimetres 
* Depth: 18 centimetres 
* Weight: 3.4 kilograms

Collection online record: http://bit.ly/jerichoSkull3D

Google Cultural Institute: https://www.google.com/culturalinstitute/beta/asset/swH1nFuqOHaDLQ

Created from 138 photographs (Nikon D5100/ OnePlus3 mobile) and Photoscan by Daniel Pett.
[![ORCiD](https://img.shields.io/badge/ORCiD-0000--0002--0246--2335-green.svg)](http://orcid.org/0000-0002-0246-2335)
[![DOI](https://zenodo.org/badge/83538689.svg)](https://zenodo.org/badge/latestdoi/83538689)

The Jericho Skull

This model is derived from the Egyptian Museum of Berlin's 3D scan of the *Bust of Nefertiti,* obtained by Cosmo Wenman after a three-year freedom of information effort directed at the Prussian Cultural Heritage Foundation. For more information about this project see this story: https://reason.com/2019/11/13/a-german-museum-tried-to-hide-this-stunning-3d-scan-of-an-iconic-egyptian-artifact-today-you-can-see-it-for-the-first-time/

The version on display here has been reduced in resolution for optimal online viewing. The complete data set is at [thingiverse.com/thing:3974391](https://www.thingiverse.com/thing:3974391)

Attribution info for the original scan:

Bust of Queen Nefertiti

3D-Model by Trigon Art, Berlin 2008

© 3D Model: Ägyptisches Museum und Papyrussammlung, Staatliche Museen zu Berlin – Preußischer Kulturbesitz

[CC BY-NC-SA](http://creativecommons.org/licenses/by-nc-sa/4.0/)

BUST OF NEFERTITI, FOIA Results

"Athenian amphora. Antimenes Painter. Depicting Heracles fighting with the Nemean lion in the presence of Athena and Iolaus and Dionysus with maenads and satyrs..  From the  site of  Camarina, Ragusa,  Sicily, Italy.  Classical Age.   Second half of 6th century BC. In the collection of the Museo Archeologico Ibleo di Ragusa.  Processed in Reality Capture from 882 images. GDH ID and Catalog No. R.74 T.497 5789 

Citation:  

We want to publicly acknowledge the collaboration of the "Soprintendenza per i Beni Culturali ed Ambientali di Ragusa" and the "Parco Archeologico di Kamarina e Cava d'Ispica". Our most sincere thanks to General CC, retired, Renato Scuzzarello, the archaeologist Dr. Saverio Scerra, the architect Giorgio Battaglia, the restorer Stefania Patti Occhipinti and the archaeologists Veronica Falcone and Alessandra D’Izzia, the custodians of Parco Archeologico Marco Giardina, Giovanna Brugaletta e Rosario Licitra

Athenian amphora by Antimenes. Camarina, Sicily

Mexica, AD 1325-1521. From Mexico. The people and culture we know as 'Aztec' referred to themselves as the Mexica (pronounced Me-shee-ka).

Google Cultural Institute Link: https://www.google.com/culturalinstitute/beta/asset/stone-figure-of-xiuhcoatl/8gGLbiPoLfaKjw

Scan by Thomas Flynn using a Sony DSC HX5 and 123D Catch.

Stone figure of Xiuhcoatl (Fire Serpent)

Palacio de Bellas Artes , Mexico City
Realizado usando el dataset de Open Heritage/ Cyark de fotos aereas.
El Palacio de Bellas Artes es un recinto cultural ubicado en el Centro Histórico de la Ciudad de México, considerado el más importante en la manifestación de las artes en México y una de las casas de ópera más renombradas del mundo. Éste mismo ha sido escenario y testigo de impactantes acontecimientos tanto artísticos, sociales y políticos del país; su construcción data del final de mandato de Porfirio Díaz, por encargo del presidente mexicano con motivo de la celebración del centenario del inicio de la Independencia de México, más fue inaugurado hasta el 29 de septiembre de 1934 tras el estallido de la Revolución mexicana. Como institución, depende del Instituto Nacional de Bellas Artes (INBA), parte de la Secretaría de Cultura del gobierno federal. En 1987 fue declarado por la Unesco un monumento patrimonio de la humanidad.
DOI for this dataset is 10.26301/vdae-mr89

Palace of Fine Arts photogrammetry  (aerial)

La Motilla del Azuer (Daimiel, Spain) is a Bronze Age fortified enclosure built of stone and defended by an outer wall and several intermediate walls. Dating between 2200 and 1500 BC, these walls protect the oldest and most well documented motilla in the Iberian Peninsula. Additionally this site exhibits an impressive funnel-shaped well that is more than 20 meters deep allowing it to reach the aquifer.

Some of the data for this project were originally collected as a joint effort between researchers at the University of Castilla-La Mancha (UCLM), the Fondazione Bruno Kessler (FBK) and CVAST at the University of South Florida (USF) under the legal permission of Junta de Comunidades de Castilla-La Mancha (Expte. 16.0834-P1. Sistema de documentación 3D del Patrimonio Cultural de Castilla-La Mancha). Data were provided by UCLM and FBK and are now being re-analyzed and re-processed by Global Digital Heritage (GDH).

La Motilla del Azuer - Daimiel, Spain

🔹 Donating to the Air Digital Historical Scanning Archive helps preserve and digitally document architectural heritage for future generations, safeguarding irreplaceable cultural landmarks from decay or destruction. Your contribution supports cutting-edge technology to ensure these stories live on, accessible to all.

🔹 ** https://paypal.me/AirDigitalSupporter **


🔹 Thank you for your support! Please enjoy this complimentary model as a small token of our appreciation.

Residential Neighborhood Test Photogrammetry

This bridge was built in 2005 with traditional methods. It's part of Kurala Kylämäki cultural surroundings.

Photos taken with D5300 + 10mm Sigma fisheye + Parrot Anafi

Processed with Metashape + Blender

Jaaninoja Bridge in Turku, Kurala, Finland

**Vertical Living Wall in the School of Design Studios, Stockwell Street, Greenwich
**<BR/>

* Size: 20m2 (4 metres tall x 5 metres wide.)
* System Type: Modular, regular horticultural compost with added vermiculite.
* Irrigation: Automatic top up system. Approximate daily water usage 0.1 litre / per square meter, thus 2 litres per day
* Lighting: Horticultural halogen / red & blue spectrum.
* Plants: There are approximately 700 plants; 17 different plant species.

Landscape Living Wall, University of Greenwich

This project is the visualization of how nature and civilization can grow together, how the world and technology can work together to create a better ,more sustainable future a way that nature and civilization can grow side by side .

**Highlights**:

**Water supply**: Water distillation domes (made from glass and steel) provides clean water by evaporation and eventually precipitation as fresh water by using solar energy, with no damage to marine life.
**Vegetation**: Agricultural domes to produce enough crops to self-sustain the city.
**Clean Energy**: Clean energy using embedded solar panel on roads rooftops. Solar powered houses and hydro power.
**Transportation**: With zero carbon footprint using only Metros, electric vehicles as they do not create harmful gases.

#NatureAndCivChallenge.

Self Sustainable City #NatureAndCivChallenge

Chichen Itza,  from Yucatec Maya: Chi'ch'èen Ìitsha'  ("at the mouth of the well of the Itza people") was a large pre-Columbian city built by the Maya people of the Terminal Classic period. The archaeological site is located in Tinúm Municipality, Yucatán State, Mexico.

Chichen Itza was a major focal point in the Northern Maya Lowlands from the Late Classic (c. AD 600–900) through the Terminal Classic (c. AD 800–900) and into the early portion of the Postclassic period (c. AD 900–1200). The site exhibits a multitude of architectural styles, reminiscent of styles seen in central Mexico and of the Puuc and Chenes styles of the Northern Maya lowlands. The presence of central Mexican styles was once thought to have been representative of direct migration or even conquest from central Mexico, but most contemporary interpretations view the presence of these non-Maya styles more as the result of cultural diffusion

[Map](https://goo.gl/maps/VJVGEidS9bH2)

Chichen Itza Pyramid 3D Reconstruction

Stonehenge is a prehistoric monument in Wiltshire, England, two miles (3 km) west of Amesbury. It consists of a ring of standing stones, with each standing stone around 13 feet (4.0 m) high, seven feet (2.1 m) wide and weighing around 25 tons. The stones are set within earthworks in the middle of the most dense complex of Neolithic and Bronze Age monuments in England, including several hundred burial mounds.

One of the most famous landmarks in the United Kingdom, Stonehenge is regarded as a British cultural icon. It has been a legally protected Scheduled Ancient Monument since 1882 when legislation to protect historic monuments was first successfully introduced in Britain. The site and its surroundings were added to UNESCO's list of World Heritage Sites in 1986. Stonehenge is owned by the Crown and managed by English Heritage; the surrounding land is owned by the National Trust

Stonehenge England - VR

The Castle of Chinchilla is a castle located in Chinchilla de Monte-Aragón, Spain. It was declared Bien de Interés Cultural in 1931. 

In the 15th century, Juan Pacheco, Marquis of Villena, restored a castle of Arab origin, “Xerif El-Edrisi”.

In the walls of this construction, the coat of arms of the Marquis of Villena can still be seen. The castle was formed by great steep walls and had 6 corners with towers cut into them. Around it was a moat 16 metres deep. Remains of the wall can still be seen, as can the Keep, altered in the 19th century, and the Diablos y Tiradores Gate.

[Google Map](https://goo.gl/maps/YsU4PqU44c52)

Castle Of Chinchilla Spain

Windmill from the village of Bogdanka near Juchnowiec (Podlasie) from 1945 translocated to the open-air museum of the Podlasie folk-cultural museum located in Wasilkow. The object is a 27-hectare area, on which more than 30 wooden objects were located.

Windmill type: wood dutch.

It is one of three objects that we have scanned together with Monika Urbańczyk at the Museum of Folk Culture. This is also my first approach to scan an object of this size.
Used: Canon 5dsr, Sigma art lens 50mm, monopod


Created in RealityCapture by Capturing Reality from 362 images in
18h:17m:05s.
https://www.artstation.com/artwork/20wLa

Windmill from the village of Bogdanka, Poland

Initially designed and started in anime style, ended up switching direction to a more realistic style with PBR texture. One can probably tell from the hair. Still working on a short animation clip with this character.

EDIT: added the animation (16/11/2020)

On a side note, 鬼 has two pronuciations, one is the familiar Oni, the other is Ki (you might heard it from the recent popular anime Demon Slayer). 機 in 機械, which means machine, is also pronuced as Ki. So 鬼械 is my probably very bad attempt at a pun, which can be interpreted as Demon Machine. 姫 literally means princess, but I just use it as fancy way of saying maiden. I designed the character under a bit of Japanese cultural influence, such as the mask, the horns, and the katana. In my defence Japanese is not my first language, and I'm not very good at puns either, I gave it a shot, don't judge me.

Cyborg Oni/鬼械姫

Anime Style Japanese Street Urban Scene 3D Environment Japan Architecture Anime Aesthetic
Night Scene Street Lanterns Cultural Japan Traditional and Modern Detailed Textures Low Poly or High Poly (depending on the model's detail level) Anime Game Asset Stylized Art Immersive Scene 3D Render

Japan street

Ancient Corinth sits in a strategic position between land and sea and the ancient Greek city came to prominence by controlling area trade routes. An important cultural center throughout history, the city was known for its artistic innovations and the ruins today show numerous Greek, Roman, and Byzantine architectural features. The heart of ancient Corinth was the Fountain of Peirene, a freshwater spring featured in Greek mythology which also served as the primary source of water for Corinth.

Experimental, reconstructed from CyArk's public data: https://openheritage3d.org/project.php?id=h3r7-t916
3x18 textures

Ancient Corinth

The hermitage of Santa Coloma located in the Guadalajara region of Spain is one of the jewels of Spanish Romanesque art. Built possibly in the XII century after the Christian conquest of this territory, its most valuable element is its apse. The windows are decorated with beautiful latticework carved in stone. The hermitage was reformed and enlarged in the XV century. 

The model was made in Reality Capture software using 419 images captured with a DJI Phantom 4+ drone.  

We want to thank the Diocesan Delegation of Cultural Heritage of Guadalajara, especially its cultural delegate Mr. Miguel Ángel Ortega Canales, for the facilities they have given us and for the interest they have shown in the project.

Medieval hermitage of Santa Coloma in Albendiego

An Dinh Palace - Using aerial dataset + lidar

The Complex of Hué Monuments is located within the Thua Thien-Hue Province in the geographical center of Vietnam. Established as the capital of unified Vietnam in 1802, Hue was not only the political but also the cultural and religious center under the Nguyen dynasty until 1945. The Hué Monuments Complex has suffered from the effects of wars, as well as modern development and expanding human settlements.

CyArk 2019: Complex of Hué Monuments - An Dinh Palace - LiDAR - Terrestrial , Photogrammetry - Terrestrial , Photogrammetry - Aerial . Collected by CyArk . Distrubuted by Open Heritage. https://doi.org/10.26301/4z5b-vz23

An Dinh Palace photogrammetry + lidar

Red lanterns, traditional Chinese festival supplies. At the time of major festivals and good days, round red lanterns are hung on the grand Tiananmen tower, the streets, shops, parks of many cities and towns across the country, and even on the gates of some large buildings and private houses. In the evening, lanterns are lit, red light everywhere, it is grand and warm, jubilant. However, with the increase of cultural exchanges between China and foreign countries and the improvement of China's international status, more and more foreigners have a sense of identity with China's "lantern". They regard it as a traditional Chinese culture and respect it.

references：https://baike.baidu.com/item/%E7%BA%A2%E7%81%AF%E7%AC%BC/1321374?fr=aladdin

Chinese New Year Lantern

Repositorio de modelos 3D de Ddiaz Design

![](https://cdn.dealeraccelerate.com/ag/1/3955/331937/1920x1440/1968-volkswagen-beetle)

75 years ago, two Volkswagen Type 1 vehicles landed on the shores of New York, marking the first attempt to sell the vehicle, better known today as the Beetle, to Americans. Seventy-five years later, the iconic automaker is celebrating its humble beginnings, recognizing those who have woven the brand into the cultural fabric of the U.S. and setting the stage for the next era in its continued transformation.

Instagram del proyecto: https://www.instagram.com/ddiaz.design/

Paypal Donations: https://paypal.me/sergiodd

Based on a Need For Speed Mobile 3d model

Credits: https://www.facebook.com/p/GM25-100042237200164/

1968 Volkswagen Beetle

Allée couverte du Bois-Couturier, a megalithic tomb located in Guiry-en-Vexin, France was discovered in 1915 by an agricultural worker. This ancient tomb is buried in the hillside overlooking the Aubette valley at an altitude of 132 meters. Facing south/ southeast, the burial chamber measures 7 meters long and 2 meters wide. The antechamber is short and wide measuring 1 meter by 1.85 meters. The walls, constructed of horizontal layers of limestone plates, measure 1.30 meters high. The arrangement of the limestone slabs of the roof have been disturbed, and their current position is a result of restoration.

This model was created from FARO Focus S70 scan data and processed in Reality Capture software. 

For more information see: 
COSTA From SOULIER Ph. GUY H. 1995 - Dolmens et menhirs du Val-d'Oise, Notices d'archéologie du Val-d'Oise n°4, Service départemental d'archéologie du Val-d'Oise, p. 26-27

Allée couverte du Bois-Couturier Megalithic Tomb

Cast of female figurine in limestone from the Loess Station at Willendorf, Lower Austria. Dates to 23,000 BC or earlier.

These ‘Venus’ figures start to be carved by our modern ancestors over 30,000 years ago and may have been religious or fertility symbols.

Object in the Royal Pavilion & Museums' archaeological collections, digitised by the University of Brighton's Cultural Informatics team.

Accession number: R3411/56

Venus of Willendorf

The ancient Lycians are among the most enigmatic people of antiquity because little historical record has been left behind them. But what has been discovered reveals a fascinating people culturally distinct from the rest of the ancient world at the time. Around twenty major sites remain today with the Lycians' unusual funerary architecture, including incredible rock-cut tombs carved into cliff faces dominating the breathtaking unspoiled land of Lycia. Dalyan, Turkey
https://www.ancient-origins.net/ancient-places-asia/ancient-lycians-and-their-spectacular-rock-cut-tombs-001756

Experimental, reconstructed from various 4K drone footage only

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